Tales From Out In The 1960s Be-Bop Night

This blog came into existence based on a post originally addressed to a fellow younger worker who was clueless about the "beats" of the 1950s and their stepchildren, the "hippies" of the 1960s, two movements that influenced me considerably in those days. Any and all essays, thoughts, or half-thoughts about this period in order to "enlighten" our younger co-workers and to preserve our common cultural history are welcome, very welcome.

Sunday, February 28, 2016

The Divorce Caper-Preston Sturgis’ Palm Beach Story

The Divorce Caper-Preston Sturgis’ Palm Beach Story






DVD Review

By Lester Lannon

Palm Beach Story, starring Claudette Colbert, Joel McCrea, Mary Astor, Rudy Vallee, directed by Preston Sturges, 1943

No question, as I have mentioned before in reviewing a series of screwball romantic comedies from the 1930s and 1940s Preston Sturgis was the king of the hill, especially after he started to direct  the story lines that he had previous been doing as a screen-writer. (That king of the hill might be changed to one of the kings of the hill if you include George Cukor and Howard Hawks in the mix and that could very easily be argued for.)  Certainly, although my favorite is Sullivan’s Travels, in the film under review, Palm Beach Story, Sturges pulls out all the stops in presenting the question of divorce in a very funny but provocative way.   

Here is how it played out to show Sturges knew what was what in making screwball comedies with a wry social twist. Geraldine, played by Claudette Colbert last seen in this space NOT being an American showgirl gold-digger in Paris in the film Midnight and Tom her husband of five years played by Joel McCrea last seen in this space in the aforementioned Sullivan’s Travels trying to get out for under directing silly comedies and doing some social commentary films while chasing lovely hair over the eyebrow Veronica Lake around the country side, are having, well marital difficulties or at least Geraldine is. A classic tale of woe about being promised the moon when love first bloomed and all she got for it was dunning notices and eviction threats.

She is righteously fed up, tired of stringing along with a big idea guy but with no real ambition, and no dough. She was made for better stuff, still had the ability to have guys eating out of her hand, and liking it. So she is off to Palm Beach to get a quick divorce and step up in class. Now for those who thought that Reno, maybe Mexico or places like that were the divorce capitals of the world it turned out that back then Palm Beach held its own, especially among the Mayfair swells. Naturally she has no dough, and no prospects for dough but she does have that winning witty way about her and she is able to get there via the train. A train ride from hell until she meets Hackensacker III, obviously a rich guy played by Rudy Vallee who has never previously been mentioned in this space but who has dough and a yacht which he gets her to go on. And Rudy has a sister, Maud, a sister from hell played by Mary Astor who was last seen in this space leading Humphrey Bogart as Sam Spade through many, many hoops looking for some damned jeweled bird in The Maltese Falcon.       

So Geraldine and Hackensacker go off and live happily ever after. Well not quite because see this whole divorce thing was a little unusual then even among the upper crust, maybe especially among the upper crust, and so husband Tom might not have been much as a business man but he loved his Geraldine and so he grabbed a flight to Palm Beach (courtesy of an old geezer) to try to woe his honey back. That is where the all play is. Maud is wild for Tom, Rudy is wild for Geraldine and the mix and match play out that way until Geraldine figured out she still loved her Tom. Go figure. That’s the plotline, and thems the characters but what really drives this one is the dialogue, the repartee especially by Ms. Colbert on the frailties of marriage. Kudos Preston.  

 
 
 
 
 
 
Posted by american left history at 7:24 PM No comments:
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The Wife Caper-With Raymond Chandler And Robert Parker’s Poodle Springs In Mind 


By Sam Lowell

Yeah, I am back again, me your favorite real life detective, Ray Robertson out of Riverdale not too far outside of Boston. I say favorite real life P.I., my preferred term for my profession since others call us keyhole peepers, shamuses, gumshoes, stalkers, grifters, midnight shifters, and general fuck-ups, because just a short while back I went on a rampage about how all the glamour of the fictional private eyes in books and movies is so much noise in the dead of night. That time it was over a re-reading (probably for the tenth time if not more from the dog-eared look of the thing when I dusted it off) of Raymond Chandler’s Farewell, My Lovely (and its film adaptation under the name Murder, My Sweet with Dick Powell in the original version as Philip Marlowe Chandler’s most famous creation). This time it is over a piece of writing, I don’t what else to call it, in which the late great private detection writer Robert Parker, remember the Spenser series a while back, took over at the request of the Estate of Raymond Chandler finishing up writing a story not finished (hell only four chapters were done) when he passed away in 1959.

The thing that got my goat was that Parker, or maybe it was Chandler had an older if not wiser Marlowe, married, married for Christ sake.  A guy, a lone wolf, a loner, a “love them and leave them” kind of guy with the dames when he was on the case, and later too. Hell, I knew from page one that the thing was going to fall on its face, that this was not a marriage made in heaven no matter how good-looking the doll was from the description and a look at the cover art of the front of the book. Why, well I have had two, count them, two marriages which both ended in divorce…and alimony, no child support because no kids. The reasons for the divorces by those dissatisfied wives given here in liberal Massachusetts mental cruelty meaning nothing but the cold hard fact that working on cases took up plenty of my time, time not spent on them, time with empty beds which they nevertheless were able to fill in my absence although I didn’t squawk since they cut me some slack, or my lawyer got them to cut me some slack on the alimony when he confronted them with a little adultery charge. So you see why I am on the warpath, again.                     

Maybe I had better go back over some of the stuff I said in that last screed if I can find my notes.  Yeah, here goes, here is what I said:

“Whatever you do don’t let anybody kid you that the life of a real life private detective, shamus, gumshoe, keyhole peeper, private dick or the thousand one other names I have been called in my life is anything like you see on film, or the television or what you read in those paperback books with the lurid covers showing a some half-naked broad and some steely-eyed guy going round and round. And if anybody asks you why I said that then just tell them Ray Robertson (Raymond on my Riverdale Police Department-issues license but Ray to clients and friends alike) a guy who has been on the mean streets of private detection for the past twenty years told you the skinny, told you true, told you in twenty years he never had a case that was close to all that fiction jazz.    

“Like a lot of P.I.s (my preferred name from my profession but you call it what you will) I started out in the service, in the Army, as Military Police, an MP in the mid-1970s after I got out of high school but that was mostly breaking up Saturday night fights at the Enlisted Men’s Club and traffic accidents some caused by that same Saturday drunk business. After I got out I tried to get on the Staties here in Massachusetts but didn’t make the grade on the written test to go forward in the training. So I latched onto a job with the Gloversville Police which wasn’t as exacting. I did that for a five years until they got themselves a new chief who was all show and who didn’t want to tackle the cocaine problem that was growing in the town (not just the drug itself but the B&Es, the robberies, the A&Bs those clowns did to get their dope money from honest citizens).

“So I left and good riddance. They still have a drug problem in that town but now it is heroin. After taking a couple of courses to catch up on stuff I applied for and got my P.I. license from the Riverdale Police. I grabbed a small office in the old Lawrence Lowell factory building by the river for the cheap rent since the place was seriously in need of repair but I figured anybody who needed my services was not worried about the building décor or the plain desk, two chairs and a couple of wooden file cabinets that had been left behind when the mill went under. Let me tell you this once I got my license unlike the stuff you see and hear the Chief told me straight out that he never wanted to hear word one about me messing with anything that even smelled like it involved a police matter, even trying to fix a parking ticket. You know what though the Chief who is still at it although he is close to retirement now could have saved his breathe because I never even stumbled on as much as a fixed parking ticket in the past twenty years and I have had plenty of cases to keep me going.    

“Sure I read all those books, those paperback detective books that I was telling you about before with the half-naked broads and brawny P.Is. And I have re-read them, one recently that I want to tell you about since that particular book is why I am on my high-horse today. I don’t know about the academic part, about where these guys stood in over-all literature but I heard they stood pretty high. I’m talking about Dashiell Hammett, the commie writer who took the fall for Joe Stalin back in the 1950s and spent a few months in jail and Raymond Chandler who didn’t start writing detective stuff until later in his life, sold insurance of something before. Those guys who best work was before my time, way before, back in the 1930s and 1940s at least that seems to have been when they did their best work. had a way of putting a story together that kept me reading until I was done, finished and then I would re-read it again. That was why I wanted to be a cop, a guy who solved the ugly problems of the world. Maybe too like Chandler’s Marlowe I was tilting at windmills myself. Like I said I believed that was what being a cop was about-fixing the ills of society as best you could.    

“Like I said every once on a while I get on a kick to re-read those guys and so one night after having been on the road all day trying to find out the whereabouts of a guy who had skipped out on his alimony payments and the irate wife though he might be in Providence where he had grown up hanging around his mother’s house (he wasn’t I never did find him, or didn’t find him before the wife said the hell with him it wasn’t worth the money she was paying me to keep tabs on him) I was too dogged to do any paperwork on that case so I grabbed an old moth-eaten frayed copy of Raymond Chandler’s Farewell, My Lovely, the paperback edition with that fetching red-headed doll with her dress half off her shoulder and a snub-nosed gun in her hand that wouldn’t scare a ten year old kid, a guy on the ground looking very dead and felt-hatted Marlowe with hands up like he was heading for the bastinado. Naturally once I settled into my bed in my studio apartment after having a good stiff drink, the first and last of the day I read the whole thing through again, this maybe the tenth time I had read it since I was a kid.”        

So you know I know the ropes, know what reads or looks real and what is hokum. Let me run this story, this Poodle Spring storyline by you and make a few comments on the way to show why I was onto the whole deal from about page one, the whole deal about their marriage which had a lot to do with why I thing Marlowe flubbed the case, why too many people wound up face down for no good reason, too much satin sheet, way too much.

You knew straight up once you found out the locale Marlowe and the Mrs., this dish named Linda who had more money that Midas from her old man who made it, well, perhaps its better left said how he made it although Marlowe must have had his sneaking suspicions since he had been around the block enough to know when big, big money is involved there is dirt around it, plenty of dirt. So he and she are settled into swanky dig out in the desert out in the gated community Poodle Springs which tells you right away that the closest they come to serious crime is when some house servant steals the family china and silverware. To my mind this is mistake number one since Marlowe was always associated with the scumbag slumming streets of Los Angeles, a city boy with city sensibilities wasted out in Mayfair swell Western branch country. From the beginning he makes it clear to Linda that he is his own man, he will work his old job and will not be kept although usually he said that before she gave him some come hither bedroom look. She, Linda, for her part had no plan to drop down in class, settle in among the sleaze balls Marlowe usually ran across and so there was a running battle between the two with Marlowe wilting a little once he got the scent of jasmine in his head.      

Working man Marlowe, spending his own dough, finds an office in town that was probably more low rent than the joint he had in that run-down section of Bunker Hill in L.A. That will show old Linda. Of course he hardly was ever there since he was even before having an opening ceremony got waylaid into a case, a case that I would not have touched for the love of money. A casino owner, really a front man for the guy who was backing the operation, needed help getting a connected high-roller who lost big at the tables to collect an I.O.U. that the real boss wanted taken care of. First of all no way should Marlowe have even considered the deal since the cops, the Riverdale real life cops frown upon P.Is. doing work for hoods, you know, mobsters. Yeah, I know Marlowe in the old days did nothing but come up against those crumb bums but now that he was on easy street he should have tipped his oars. Second you never, never wind up collecting off an I.O.U. you either have to waste the guy or let it go. Hell even trying to strong arm a guy for loan repayments on those Sunday football games is like going to war.           

Of course we are out in swell-ville there is more to it since the guy who owes the dough, a second-rate questionable taste photographer Les is married to another Mayfair swell dame, and so the deal will be dicey no matter how you look at. So Marlowe charges forward. First off this guy Les’ wife turns out to be kind of kinky, liked to show her wares for all to see which is how Les grabbed her; grabbed the brass ring. Problem: Les under the name Larry is already married, yeah he is an unembarrassed bigamist, who in his own seedy just tried to catch his own brass ring and work out some risk addiction ideas in his psyche. Her father didn’t like the situation of her marrying Les but he had his own hang-ups about his daughter, some incestuous stuff.    

Bigamy, welshing on gambling debts, hell, grabbing for brass ring all would have been in a day’s if the bodies didn’t start to pile up while Marlowe was shacked up. Hey, one time my first wife, Lorna, a good-looking woman who somehow fell for me who, truth is just and average looking guy were having a little bounce around vacation for three freaking days and in those three days the guy I was supposed to be watching ripped off seven cars from the lot of Jimmy Jay’s Auto, the guy who hired to find out what the hell was going on with his inventory. It turned out to be an inside job, an inside job with a well-known car thief, Lenny Ross, on the outside stealing everything that had an engine, or maybe even just a starter as I learned later when the P.I. who wound up cracking the case put the screws on. So don’t tell me a dame, a good-looking dame who gives you the eye and you follow like a puppy dog didn’t help Marlowe fall down on the job here.         

Yeah, fell down on the job because whatever his errant attitude toward the backdoor sleaze pornographic photographer the heat was creeping up on him, on Les/Larry and he was built for fair weather and no heavy lifting. See he was being blackmailed by some frail who had the goods on his kinky rich second wife (and whom he had photographed along with some more subsequently famous women boffo as well, you know in the buff, nude okay). And that frail wound up very dead in Les/Larry’s office. Guess who found her very dead. Yeah, Marlowe. Guess who also wound up dead, Lippy. Guess who found him. Yeah, Marlowe. So you know Marlowe while he is being carped to death by Linda about his working habits lost sight of the ball and he would take some heat from the coppers who still don’t like gumshoes messing in their nice set-up murder cases. Don’t want shamuses within a hundred miles of such work, and frankly no real private eye has the resources, manpower, or interest in such cases especially if they are married. Too much time away from the love nest, I found that out the hard way when my second wife, Bonnie, not as good-looking as my first wife who but knew her way around the bedroom took up a lover in that same bedroom when I was away on a skip trance case for six weeks.

Of course Marlowe, to his credit was silent to the cops about who might have killed the pair since he figured rightly Les/Larry was not build for such heavy duty. It turned out that that kinky wife whose father had some kind of incestuous hold over her had done the deed since she loved her Les/Larry no matter what kind of heel his was. In the end though she went over the edge killing her father and tried to do so to anybody else who might get in the way. Too late for her father his bodyguard wasted her. So there was more carnage than in a war by the time the gun smoke cleared. All which could have been avoided except maybe that first one, the blackmailer since that came out of the blue even though Marlowe had her number, had been following her. And Les/Larry?  Marlowe a romantic at heart like in the old days, the old knight errant let him and that first wife walk off into the sunset.       

In the end Marlowe let Linda slip through his fingers, went back to his righteous Hollywood, a back to his old run-down office in that run-down building in that run-down Bunker Hill section of L.A. but he could have had her and have skipped the body count if he had not been in a trance about that jasmine scent she threw off. Damn dames.

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Saturday, February 27, 2016

An Old-Fashioned Romance-With Donovan’s Catch TheWind In Mind






By Lester Lannon

Ben Fuller and Nancy Logan had had an old-fashioned storybook romance, a romance straight out of the movies, not the current movies like Woody Allen’s Midnight In Paris where the stresses of modern life take their toll or one of those George Clooney things with the detached unresolved ending but sometime more like Bogie and Bacall in The Big Sleep or To Have Or Have Not where the sparks fly for minute one and they probably would have jumped in the hay right then except Will Hayes’ censorship operation would have had a heart attack or the same Bogie and Ingrid Bergman in Casablanca. Or maybe something out of the books, some misty F. Scott Fitzgerald you pick the story, Gatsby, Tender Is The Night, or a million Saturday Evening Post entries or maybe some modern lesser light like Robert Turner who specialized in such tales. But we might as well get to the details now that you know that while they are as modern in their world outlook, their upwardly-mobile professional careers, their consumer and cultural predilections, and their devotion to every technologically-driven communication devise they were, are incurable romantics although it didn’t start out that way.  

See both Ben and Nancy had known each other for ages, known each other since about fourth grade at Riverdale Elementary when Nancy had in a simple twist of fate pulled Ben’s hair from behind as they both sat in Miss (now Ms., okay) Winot’s class. Ben didn’t like it, but he also did not squeal to dear Miss Winot like other young boys who had not yet discovered the mysteries of young girls for he hardly thought about her existence then but also did not want any of the other boys to bait him like they had when he had merely mentioned that Theresa Wallace was kind of pretty and not like the other silly girls in school (including Nancy then). So he let it past (although later, even much later, they would both be able to recite chapter and verse the events of that day almost exactly as they happened). And that was the way things stayed all through elementary school (where Ben later became enflamed by Theresa Wallace and she him and Nancy was a non-factor) and middle school (except for a change in enflamed to Louisa Stein).

The only contact even though they were always in the same schools since Riverdale was, and is, a small consolidated school system was that each summer Ben’s and Nancy’s families would both summer (the verb ‘to summer” at that time unknown to me, in my hanging around town poor boy no away summer vacation time to have verb application) in Ipswich near Crane’s Beach and a couple of times they had run into each other talked and left it at that. Well maybe not exactly “at that” since one time when they met on Crane’s Beach on one of those off-shore August wind days the winds howling forty miles an hour off the point from Plum Island Ben had sighted Nancy as she was being blown into the fleck-foamed surf  and Ben had run over and pulled her back. Ben was ready to leave her side when Nancy said “maybe I was trying to catch the wind today” with a look like maybe Ben was the wind she was talking about trying to catch. Ben laughed and left somewhat perplexed.           

It was not until high school, the summer of junior year that they again met on Crane’s Beach. Another howling off-shore wind day from the point. There Nancy was, all slim one hundred pounds of her being tossed toward the surf. Ben “saved” her but one thing was different this time Ben stood his ground and said to her that “maybe she was trying to catch the wind again” and gave her a look like maybe he was thinking he was the wind she was trying to catch. And that began the first whirlwind (excuse the pun) romance of Ben and Nancy. A romance that couldn’t last past graduation since Ben was going to State U to study computers and “make a ton of money” and Nancy was off to NYU to be a literary light. The truth was that both had been smitten on the nose by other people, Ben by Samantha James and Nancy by Henry Dillon III of the big money Dillon family that had helped run, own really, Riverdale since who knows when, since as long as anybody could remember. That was that.            

Well almost “that was that,” no, that is not right, that was far from that was that. In the summer after their respective freshman years, quite by accident at least that was the way they told the story they met on another one of those inevitable howling windy days on Crane’s Beach while they were both visiting parents before taking off for other locales. This time Nancy was not caught up by any wind but was chasing a bunch of photographs that had blown off her blanket and were heading toward the dunes. Between them they were able to salvage all but a couple of them. Nancy profusely thanked Ben for his help because these were photos of her fiancé. Ben was shocked not by her being engaged so much as by the fact that the photos were not of Henry Dillon III but an older man, a man of about forty although he was admittedly good-looking at that. Nancy told Ben that she had given up young Dillon about half-way through the school year when at a party given by some poets in the Village she met this professor from Columbia, Jack Logan, who swept her off her feet, made Henry seem like a mere boy she said. Once Ben got over his shock he mentioned to Nancy that “maybe she had caught the wind” she had been looking for so long but she seemed when he asked not to know much about the guy except that he was a big-time academic and that he was very attentive to her (later that “attentive” would be clarified to that he was good in bed).  

Ben, after they parted, parted with backward looks maybe both remembering the times they had caught the winds at Crane’s Beach on their own, that night could hardly sleep thinking about Nancy and about how he had been a serious fool to have let her go just because she had decided to go to NYU rather than State U with him. But what really got to him was that there was something wrong with the whole set-up. Nancy had left home to go to college because her father was always picking on her, telling her she needed to do better no matter how well she did and she wanted to not deal with that any longer. And here she was going to shortly be married to a man old enough to be her father. He decided that he needed to talk to this professor and see what he was all about before Nancy made a mistake, an awful mistake as far as he could tell.   

Then the roof fell in. Ben went to his computer and Googled onto the Columbia school website to see if he could meet with the professor in New York City soon. No professor by the name Nancy had given him was among the faculty listed at this Ivy League school. He called up the school and after about an hour got to Human Resources and found out that the named professor had taught there although he had only been a lecturer and had been let go after his contract year was up for poor evaluations from the students so he really must have been bad since at State U at least most teachers got a free ride pass. That had been about six years before. Ben then hired a private detective that his father knew from some work he had down when his father thought an employee was stealing and selling information to an insurance competitor, to scope things out and the P.I. had come up after a week’s work with information that the professor had been living off various schemes and women for the past decade. That last piece finally made sense to Ben since Nancy’s family although not as rich as the Dillons (or as long-standing in the town) was well off. So what the professor was doing was playing off the vanities and inexperience of a young girl for dough. Probably had no intention of marrying her, probably had some “can borrow some money since my money is tied up in this project until my ship comes in” plan to bilk her and her family. At least her.         

One day several weeks after he got the P.I’s report Ben finally decided that he had to confront Nancy with the dirty facts before she got seriously hurt. He called her up to tell her he had some information she needed to know. She seemed kind of distant, a little icy but they agreed to meet, meet where else, but at Crane’s Beach. The both arrived about the same time and sat down at the picnic tables near the bathhouses. Ben went right to the heart of the matter. Told Nancy what he had found out about the professor, and how. Nancy started crying, started to break down because as she confessed to Ben then she had already found out about the professor, about his real intentions, when he had tried to borrow money off of her father “until his ship came in” and her father had had the professor investigated. As Nancy dried her eyes she said she wished that Ben had not found out but since he did she hoped he would keep the information confidential.

She got ready to leave after he gave her his assurances that he would be quiet about the whole affair when Ben suggested they go for a walk along the beach since it was a calm day for once. She agreed with a half-smile, maybe thinking for a flash about their “history.” As they walked along the wind as it will do in the summer began to pick up and as it began to howl rather than go back to the parking lot they kept going. Ben holding Nancy’s arm and Nancy holding both her hands on his other arm. Yeah it was like that. As they walked they both said almost at the same time “maybe we will catch the wind” and laughed.

[After Nancy graduated from NYU and Ben from State U they were married that summer. Married on Crane’s Beach. Where else.]            

 
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Friday, February 26, 2016

In The Days Of Kid Roscoe-With Every 1930s B-Film Gangster Movie In Mind  
 
 

By Lester Lannon

Yeah, Kid Roscoe was a piece of work, one of the best hitmen/body guards around back in the old days. The old rooty-toot-toot 1930s days when guys did what they had to do and asked questions later, much later. How do you think he got the name Kid Roscoe, it just didn’t fall out of the sky one day and get him proclaimed the number one gunslinger around. A guy smart guys, okay, okay wise guys were fighting over to get his services. Hey I just remembered some readers who either lived sheltered lives, have forgotten, or were just too young to know might not know a roscoe is. For those not in the know a roscoe back then was a heater, a rod, a piece, or whatever other soft phallic symbol you wanted to put on a serious weapon of choice when your business was to know every aspect of how to use, and not use that thing to fire away at somebody, somebody for a reason. The way every good professional plays the game.

It wasn’t always that way the Kid, real name Frankie Lane, had funny 1920s dreams of college, funny since that was an unusual ambition then when getting out of high school was all anybody expected from nowhere kids but then the Great Depression of the 1930s came and he hit the road in order not to be a bother to his mother who was raising six young kids all by herself once the old man up and died of one of those mysterious diseases guys died from years later who had been soldier boys in World War I. Hit the road at age sixteen, meaning that college dream got busted so bad he never finished high school although as long as he attended he was the bright boy around the school, knew the streets too, kept the punks out of his face okay from Mechanicsville in upstate New York, Dutch farming country way back when but mostly hard-scrabble truck farming barely surviving by the time you got into the 1930s. So the Kid took the Albany& Illinois heading west to Chicago to seek his fame and fortune. Took that A&L by the way in one of the freight cars with a bunch of old hoboes a couple of them who tried to make him their “girl” but he wasn’t having any of that and he learned one of the first big lessons of the road, trust nobody and stay sober enough to hold off the bull winos and alkies, not the diners’ club special with the Mayfair swells so you know the Kid was from hunger.

Not only that but the road to Chicago was not one straight line once the Kid (remember this is before he was the Kid and still had schoolboy dreams and lots of naïve if he was learning fast after that episode on the freight train) heard that Jim Baxter’s Wild West Carnival was playing in Toledo. That carnival had played the Fairgrounds in Mechanicsville ever since the Kid was a youngster and he had secretly thrilled to the idea back when he was knee-high of running away with Big Jim’s operation each year when they pulled up stakes. Nothing ever came of it so instead of him running off with them as a kid as a teenager he came to them. The Kid took the detour, made a good impression of Big Jim or rather on Smiley Short the guy who ran the ubiquitous win-a-prize-tents for Big Jim, found some work in the carney, liked the moving from town to town without having to ride the blinds or hitchhike the hostile road, liked the three squares a day and the dough he made roping the rubes in, and so he stayed put for a while. Couple of years as it turned out and never hit Chi town in that whole stretch. Reason: the suckers were plentiful out in the hinterlands where the rubes were asking to be taken but in the big cities bullets might fly with some of the raw stuff that was being pulled. So no Chicago. 

What the Kid did was work the duck shooting gag, you know the air pistol or rifle “hit enough of them dead on and win your lady a prize, a kewpie doll or stuffed teddy bear she had been crazy about all night.” Sucker’s stuff if you hadn’t had practice for a while, or ever. (The Kid didn’t know this but Smiley had the gag rigged, had all the games rigged if anybody was asking, so that the rows of ducks were just slightly off-center so if you tried to aim straight for all your shots no way could you win even a freaking rabbit’s foot. That was one of the reasons, although not the main one, why the Kid quit Big Jim’s operation figuring you should at least give the suckers an even chance since as he would find out in own practice hitting the requisite number was a tough dollar anyway you looked at it unless you worked at it.) Overall until the falling out the shooting gallery was an easy grift and he was able to lay a few dollars aside for Chicago.  Quite a few as time moved on.

More importantly in those dead zone times in the carnival life you know weekday afternoons, around supper time, the Kid would practice shooting at the ducks. Got good at it, very good as you might expect after a couple of years. Toward the end he would direct the suckers toward the right way to aim and that is when he found out one inquisitive morning that the damn thing was tilted. One time when they were in Peoria he met Janie, a young girl of fourteen not fully formed into young womanhood but getting there, getting there very nicely with farm-fresh blonde hair, corn-blue eyes, a nice starting to fill out figure and well-turned legs and ankles to die for, a classic Midwestern corn-fed girl, who passed by one day when the Kid was practicing. She had asked him a million questions about what he was doing and how somebody, not her since even when he held her arm couldn’t hit the side of her father’s barn, and he answered them although usually that was not his style.

She came by a couple of days, maybe three in a row and kept asking those damn questions until a little slow around the women Kid figured out she had eyes for him, and as it turned out he for her. During the rest of the time the carnival was in Peoria Janie and the Kid were like glue. As the stay was running down he asked her to run away with the carnival, run away from home like he had done but Janie couldn’t see it that way. Had an idea about marriage, white picket fences and kids. On the night before the carnival left town though the Kid proved that he was not so backward at that. Or Janie either as she let him have his way with her, let him take her maidenhead. Both agreed whatever happened in their futures that night of passion was the right thing to do. They smiled when the smile of innocent youth when they said that.     

Eventually, after taking the Janie thing kind of hard the Kid drifted away for all of the reasons already mentioned including a big dust up with Max the Knife, Big Jim’s heavy-lifting man for all occasions, which almost came to guns  and so he left for Chicago once the season was over when he was about eighteen. Now the Kid had picked up that shooting skill, that carny blarney two bit stuff but that would be of no avail when he hit the windy city. But there he was in a small room in a big rooming house off of Division trying to break in, break in somehow but with his money dwindling he was up against it until night he was in Casey’s nothing but a gin mill for drifters, grafters and grifters but was the known hang-out of a smalltime Chi mobster, Benny The Buzz, (Benjamin Bowers). Guys got had to drinking and as guys will do getting nasty when there were no women around things to keep thing calm or to fight over before closing turned ugly, turned ugly with guns. One dropped on the floor and as if by instinct the Kid picked it up and winged a guy, Jimmy the Lug, a guy who it turned out Benny the Buzz had a beef with. The guy fled but Frankie Lane soon to be Kid Roscoe had a job, a job with a future as Benny the Buzz’s bodyguard.             

You know back then anyway the mobsters in Chi town like everywhere else were looking for prime talent just like with professional sports these days. To get the cream maybe trade up or down. Stuff like that. Except in the food chain of organized crime things get resolved very differently from pro sports and every gunsel, every professional bodyguard/hitman has to know which way the wind was blowing. So when Big Sid a little further up the food chain than Benny wanted Benny’s numbers racket he also wanted Benny’s boy the Kid. Maybe more than the numbers. And the Kid at twenty no longer so sticks farm boy knew which way the wind was blowing. One day they buried Benny the Buzz shot clean with one bullet in the heart by a person, or persons unknown, and the next day the Kid was following behind Big Sid. That upward mobility went on for a while until the Kid became the main torpedo for the boss of the bosses in Chic town, Phil the Knife (with plenty of weight in other towns as well the way things were being organized as the early 1930s shoot-outs over illegal beer were being replaced one beer was legal again but more organization than gunplay, although in the end gunplay, or the threat of gunplay was always just below the surfaces).    

By the time the Kid was twenty-two maybe twenty-three he was pretty fed up with the rackets, couldn’t see where it was leading to anything but an early grave when some new kid decided to try his luck on the Kid and maybe being a little faster on the draw, maybe smarter, or maybe the Kid slowing down that would be that. That thought, those retirement thoughts got a big push when one day on Division Street when he spied Janie. A little thinner, a little paler and with a lot more sorrow around the eyes but he recognized her pretty quickly and as she approached him she knew who he was. She gave him a wan smile.  Janie’s story hadn’t been pretty once the Kid left her in Peoria. She got in with a bad egg, some bigtime farmer’s rotten spawn on the rebound over the Kid and he turned her onto doing dope, cocaine, and later to keep her habit up into doing tricks on the streets or in the bars in Peoria. That the Kid thought explained the sorrow around the eyes he sensed although they still had for him their corn-blue sparkle in a certain light.  

One night a few months before she met the Kid in the street she told herself she had had enough of Peoria and that dirty bastard that made her a whore, made her go down on guys for nickels practically. Got herself half-sober and left for Chi town, finished the sobering up and after a few weeks of turning tricks to get a stake was working serving them off the arm at Mindy’s Café on the lower end of Division. The Kid almost wept over that story. He took for a cup of coffee, they talked about that night of passion like noting bad had happened in their lives afterward. Don’t be surprised one thing led to another though and after shacking up together for a while, and after some furious fights about whether to leave or not once Phil the Knife threatened to cut the Kid’s balls off if he left, the Kid won the argument and one cold Chicago wind and snow night they leave town on a Greyhound bus, and that is the last anybody in Mechanicsville, Chi Town or Peoria, heard of Frankie Lane, known as Kid Roscoe, and his Janie.         

Posted by american left history at 5:12 PM No comments:
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Thursday, February 25, 2016

Black Musicians' Political Protest-Honor The "Godmother" Nina Simone-Mississippi Goddam-Alan Light's What Happened Miss Simone-Book Review 


Yeah, you can talk about your Beyoncé and Kendrick but remember who paid the price back in the day as Mister Whitey took offense when Nina Simone ripped the lip off of what everybody was thinking-thinking in silence. Yeah Mississippi Goddam… and Alabama too.



See The Netflix Film-What Happened Miss Simone


Click on link to an NPR On Point discussion of black musicians’ political protest songs that have raised a stir lately and remember the “godmother”  
http://onpoint.wbur.org/2016/02/19/beyonce-kendrick-lamar-black-lives-matter

About What Happened, Miss Simone?

Inspired by the Academy Award-nominated Netflix documentary What Happened, Miss Simone?, an intimate and vivid look at the legendary life of Nina Simone, the classically trained pianist who evolved into a chart-topping chanteuse and committed civil rights activist. 
 
From music journalist and former Spin and Vibe editor-in-chief Alan Light comes a biography of incandescent soul singer and Black Power icon Nina Simone, one of the most influential, provocative, and least understood artists of our time. Drawn from a trove of rare archival footage, audio recordings and interviews (including Simone’s remarkable private diaries), this nuanced examination of Nina Simone’s life highlights her musical inventiveness and unwavering quest for equality, while laying bare the personal demons that plagued her from the time of her Jim Crow childhood in North Carolina to her self-imposed exile in Liberia and Paris later in life.

Harnessing the singular voice of Miss Simone herself and incorporating candid reflections from those who knew her best, including her only daughter, Light brings us face to face with a legend, examining the very public persona and very private struggles of one of our greatest artists.

 




Click on link to an NPR On Point discussion of black musicians’ political protest songs that have raised a stir lately and remember the “godmother”  
http://onpoint.wbur.org/2016/02/19/beyonce-kendrick-lamar-black-lives-matter


Markin comment:

50 years later and even the mere mention of Mississippi puts me directly in mind of Nina Simone's no-nonsense song about the struggle down South in the early part of the civil rights movement in the 1960s. Thanks, Nina.

Mississippi Goddam Lyrics
(1963) Nina Simone


The name of this tune is Mississippi Goddam
And I mean every word of it

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

This is a show tune
But the show hasn't been written for it, yet

Hound dogs on my trail
School children sitting in jail
Black cat cross my path
I think every day's gonna be my last

Lord have mercy on this land of mine
We all gonna get it in due time
I don't belong here
I don't belong there
I've even stopped believing in prayer

Don't tell me
I tell you
Me and my people just about due
I've been there so I know
They keep on saying "Go slow!"

But that's just the trouble
"do it slow"
Washing the windows
"do it slow"
Picking the cotton
"do it slow"
You're just plain rotten
"do it slow"
You're too damn lazy
"do it slow"
The thinking's crazy
"do it slow"
Where am I going
What am I doing
I don't know
I don't know

Just try to do your very best
Stand up be counted with all the rest
For everybody knows about Mississippi Goddam

I made you thought I was kiddin' didn't we

Picket lines
School boycotts
They try to say it's a communist plot
All I want is equality
for my sister my brother my people and me

Yes you lied to me all these years
You told me to wash and clean my ears
And talk real fine just like a lady
And you'd stop calling me Sister Sadie

Oh but this whole country is full of lies
You're all gonna die and die like flies
I don't trust you any more
You keep on saying "Go slow!"
"Go slow!"

But that's just the trouble
"do it slow"
Desegregation
"do it slow"
Mass participation
"do it slow"
Reunification
"do it slow"
Do things gradually
"do it slow"
But bring more tragedy
"do it slow"
Why don't you see it
Why don't you feel it
I don't know
I don't know

You don't have to live next to me
Just give me my equality
Everybody knows about Mississippi
Everybody knows about Alabama
Everybody knows about Mississippi Goddam

That's it for now! see ya' later
Posted by american left history at 5:14 PM No comments:
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Did You Hear John Hurt-With Mississippi John Hurt In Mind

 





By Bradley Fox 

“Are you going over to Harvard Square Friday night to hear that guy, John Hurt, everybody has been talking about at the Club Nana, the old guy that Mick Greenleaf discovered when he went on that trip down South to see if any of the old time blues singers were still around, or if anybody knew what had happened to them?,” Cecilia Taylor had inquired of Theresa Green, her college roommate at Boston University and more importantly to this conversation fellow folk aficionado. Folk aficionado on Theresa’s part ever since the previous fall when in the toss-up for roommates at the freshman dormitories on Bay State Road had produced Cecelia as her mate. Cecelia from Fort Lee on the New Jersey side of the George Washington Bridge had been a regular coffeehouse going on the weekends in the Village since her junior year of high school and she had kind of dragged Theresa in her wake. Theresa from Podunk Riverdale about forty miles south of Boston had never even heard of folk music, could not name one song off-hand and was furthermore clueless about blues, country blues of which Mississippi John Hurt was a representative as Cecelia called it a sub-set of folk.(Theresa if she had thought about that question of not knowing a folk song off-hand only had to think back to seven grade Music Appreciation class with Miss Enos and her attempts to get her charges to sing some song such as Woody Guthrie’s This Land Is Your Land to know that she knew at least that one national anthem of folk although in high school she had been so mired in teenage heartthrobs like Bobby Darin, Fabian, and Bobby Vee that any other thoughts about music were so much wind.)            

That Theresa “dragged along” by the way, aside from the question of whether she was, or was not going to the Club Nana Friday night, was made infinitely easier by Cecilia having thrown Mel Jackson out as a lure. Mel was well-known in the freshman class, by the girls at least, as one of the sexiest guys around. Moreover he had been learning to play the guitar and to sing some of the folk songs that were making the rounds in the clubs and coffeehouses at the Tuesday night “open mics” held at the Cafe Blanc on the other side of the street from the Club Nana on Mount Auburn Street in Cambridge. Cecelia had known Mel since day one of school since he had been in her freshman orientation class and on the round-robin question and answer period they had both mentioned an interest in the budding folk music movement running its course through a lot of college towns and other urban oases. They had subsequently had a couple of dates but the flame wasn’t there and so they became just friends.

That “just friends” status though had gotten Cecelia to meet Mel’s roommate Thorn Davis who did strike a flame. So one Friday night Cecelia who had been talking up her interest in the folk scene since they had become roommates talked Theresa, dateless and bored, into going on a double date with her and Thorn, Mel the bait. That night Tom Paxton, a new talent, a guy who was either in the Army or who had just gotten out down at Fort Dix in New Jersey was playing at Jerry’s Coffeehouse and so they spent the evening listening to his stuff (Jerry’s a notch below the Café Blanc and Club Nana which charged a cover and required that you at least had a cup of coffee in front of you to keep your seat so that the featured performer actually got paid from the admission fee did not charge admission. Jerry’s did as all such establishment did in Harvard Square at least require the cup of coffee and got the crowd that could not get into the formerly mentioned clubs or guys out on cheap dates with girls that they didn’t figure to get anywhere with. A whole treatise could be written on “getting anywhere with and dating etiquette back then, now to for that matter. Performers hated the set-up because they had to play for the “basket,” had to pass the hat in the audience to make their nightly wages to keep the landlord from their doors.)         

Although that night had been something of a disaster for the Mel-Theresa combination since Mel was serious about attempting to make a career out of folk music, that was his idea anyway and Theresa only knew as much about folk music as Cecelia had told her in quick flashes so she would not be totally adrift. Every time the conversation hit a  turn she would be clueless, for example, when they talked about Pete Seeger and his earlier career with the Weavers and they mentioned how the Weavers had made a big hit out of Leadbelly’s Goodnight, Irene she knew neither the Weavers nor the name Leadbelly ( except to think that it was an odd name for a singer or a person ). So that night Mel and Theresa had kind of flopped, except she did like Tom Paxton, especially his Last Thing On My Mind. That seemed to be about it, one date and done.


The next morning early Theresa woke Cecelia up and told her she needed a crash course in advanced folk (that is how she put the matter) since she had not slept a wink thinking about Mel’s blue eyes, bedroom eyes she called them and Cecelia knew exactly why she wanted that crash course. Cecelia passed Theresa her copy of Fred Allen’s A Layman’s Folk Music History  and told her to start reading from page one and then she could ask questions. Theresa thereafter learned about the roots of the roots of folk from the old country British mist of time ballads that were collected by Francis Child in the 19th century which in bastardized versions were still played in places like Appalachia and Nova Scotia. The French-Canadian Arcadian traditions that would head south to the swamps of Louisiana and Cajun music. The key role of Delta and Piedmont blues in the black musical experience all the way up to those Newport “discoveries.” More importantly for the benefit of her Mel dreams to know who the hell Peter Seeger, the Weavers, Dave Von Ronk, Josh White and the rest of the current or near current batch of folk tradition aficionados.       

Over time Theresa, granted with a great deal of help from Cecelia who after all had lived through that first crucial period of the folk revival, did become very knowledgeable about the folk scene and some folk history too although she had not seen Mel during that time she was getting tutored in the high points by Cecelia but she was determined if she did see him that she would do better than that first date. One afternoon toward the spring of 1963 she was walking along Commonwealth Avenue up by the Sherman Union and heard a guy singing a song, Come All You Fair And Tender Maidens and step closer to hear who was singing the song. Of course it was Mel. When he saw her he waved and smiled, a little. With that little encouragement after he had finished the song she went up to him and said all in one breathe, “I didn’t know that you were into mountain music, isn’t that a song that Dave Von Ronk covered on his Inside Dave Van Ronk album and didn’t that song get discovered by Cecil Sharpe, the British folklorist back in the early part of the century down in Kentucky.” Bingo. Mel asked if she was doing anything Friday night since Hedy West was playing at the Café Mark in Kenmore Square. And that was that.

So Cecelia asking Theresa if she was going to hear John Hurt was not an academic question. The answer though was “no” since she and Mel were going to the Village Friday afternoon in order to hear Dave Van Ronk at the Gaslight. She did ask Cecelia to tell her what Hurt’s playlist was and any impressions she had of him when she got back Sunday night.                                 

Sunday night came and Theresa was back. After putting her luggage away Theresa asked Cecelia how the Hurt concert had gone. Cecelia laughed, said the show was great. What she was laughing about was how she had been expecting some big old black guy, maybe the size of Howlin’ Wolf or something and then on stage came kind of haltingly this little wizened old man in an old rumbled suit and a straw hat that must have been older than him. He was so short that Mike Greenleaf had to keep adjusting the mic every couple of songs when he would change positions. He had this ratty old guitar too that he said he had bought for about six dollars in the Sear & Roebuck catalogue back in the 1920s. Then he told the story about how Mike and a couple of other guys had come down to Clarksville down in Mississippi looking for him after somebody in Jackson had told them about an old blues player in the Clarksville area named Hurt. Mike and the others had known exactly who their informants meant since they had all listened to him on one of Harry Smith’s Anthology of American Folk Music albums.

The way Hurt told the story here he was in this little shack of a house, a cabin I guess and had been picking cotton ever since he could remember after that minute of fame. Somebody from the audience then asked him, since some rumors were going around that Sid Dalton, his manager was working him too hard, taking too much dough for himself and not getting the best deals for his projected albums. Hurt had a funny answer, he said whatever arrangements Sid made were fine by him since playing “beats picking cotton for an old man” and he smiled his couple of teeth missing smile. He sang like heaven (played some very clean guitar picking which Thorn and Cecelia had never seen before). Sang Creole Belle, Frankie and Albert, his version of the traditional Frankie and Johnny song, Candy Man, Miss Collins Moans, Beulah Land, Coffee Spoon, and a few others they didn’t know but sounded good. “Too bad you guys couldn’t come,” Cecelia said. Theresa said wistfully that she wished they had too since Dave Van Ronk had been drinking heavily before his show and it showed-he had a very off night. And so it goes.         

Posted by american left history at 3:38 PM No comments:
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Wednesday, February 24, 2016

Black Musicians' Political Protest-Honor The "Godmother" Nina Simone-Mississippi Goddam


Yeah, you can talk about your Beyoncé and Kendrick but remember who paid the price back in the day as Mister Whitey took offense when Nina Simone ripped the lip off of what everybody was thinking-thinking in silence. Yeah Mississippi Goddam… and Alabama too.



See The Netflix Film-What Happened Miss Simone

Click on link to an NPR On Point discussion of black musicians’ political protest songs that have raised a stir lately and remember the “godmother”  
http://onpoint.wbur.org/2016/02/19/beyonce-kendrick-lamar-black-lives-matter


Markin comment:

50 years later and even the mere mention of Mississippi puts me directly in mind of Nina Simone's no-nonsense song about the struggle down South in the early part of the civil rights movement in the 1960s. Thanks, Nina.

Mississippi Goddam Lyrics
(1963) Nina Simone


The name of this tune is Mississippi Goddam
And I mean every word of it

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

This is a show tune
But the show hasn't been written for it, yet

Hound dogs on my trail
School children sitting in jail
Black cat cross my path
I think every day's gonna be my last

Lord have mercy on this land of mine
We all gonna get it in due time
I don't belong here
I don't belong there
I've even stopped believing in prayer

Don't tell me
I tell you
Me and my people just about due
I've been there so I know
They keep on saying "Go slow!"

But that's just the trouble
"do it slow"
Washing the windows
"do it slow"
Picking the cotton
"do it slow"
You're just plain rotten
"do it slow"
You're too damn lazy
"do it slow"
The thinking's crazy
"do it slow"
Where am I going
What am I doing
I don't know
I don't know

Just try to do your very best
Stand up be counted with all the rest
For everybody knows about Mississippi Goddam

I made you thought I was kiddin' didn't we

Picket lines
School boycotts
They try to say it's a communist plot
All I want is equality
for my sister my brother my people and me

Yes you lied to me all these years
You told me to wash and clean my ears
And talk real fine just like a lady
And you'd stop calling me Sister Sadie

Oh but this whole country is full of lies
You're all gonna die and die like flies
I don't trust you any more
You keep on saying "Go slow!"
"Go slow!"

But that's just the trouble
"do it slow"
Desegregation
"do it slow"
Mass participation
"do it slow"
Reunification
"do it slow"
Do things gradually
"do it slow"
But bring more tragedy
"do it slow"
Why don't you see it
Why don't you feel it
I don't know
I don't know

You don't have to live next to me
Just give me my equality
Everybody knows about Mississippi
Everybody knows about Alabama
Everybody knows about Mississippi Goddam

That's it for now! see ya' later
Posted by american left history at 5:05 PM No comments:
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