I Accuse-Unmasking The Sherlock Holmes Legend, Part V-“Bumbling Up The Moors ”-Basil Rathbone and Nigel Bruce’s “Terror In The Night ” (1946)-A Film Review

DVD Review

By Danny Moriarty

(Frankly, as I mentioned in my fourth debunking of the so-called legend of punk amateur detective Sherlock Holmes and his paramour the bumbler-in-chief Doctor “Doc” Watson in Sherlock Holmes In Washington I am tired, tired beyond endurance, of having to once again tell a candid world that Danny Moriarty is not my real name. Yes, for the skeptics and assorted evil-doers associated with the name Holmes I said paramour which I can now say freely since it had been confirmed by at least three separate and unknown to each other sources that Sherlock and Doc belonged to the Kit Kat Club, a club that had been established by the wild boys during the reign of King George III, an exclusively then called homosexual, now called gay, establishment for the private school boys once they got old enough to afford the fees, more on that new twist below. I use this Moriarty moniker to protect me against some very real threats from a bunch of dope-addled Holmes aficionados, no, worse cultists known far and wide as the Baker Street Irregulars. Not that I am not proud of the name Moriarty, the last name of the heroic professor who ran afoul of the greedy grafter Holmes and became the “fall guy” for every evil deed that bastard did to throw dirt on the good professor’s name. I will continue to defend his honor here in the review of this twaddle called Terror at Night. Another case where Holmes and company let the bodies pile up and somebody else has to lay the competition low.     

These nefarious Irregulars known to the police, to the see no evil hear no evil London peelers, the Bobby Peel guys so named after the guy who put together the first real police force in London but which has gone way downhill since then who have ignored my pleas for protection, who have dismissed the threats against me as child’s play, kid’s stuff. What passes for the law, the coppers, have gone back to their tea and crumpets as usual routine while half of the toddling town gets ransacked by these Baker Street hooligans who have sworn vengeance unto the seventh generation against me and my progeny for exposing their boyfriend hero for the fake and closet homosexual snoop that he is, was.

I stand here again today despite my need to hide my identity, my whereabouts, my voice and features and having had to send my family into private hands hiding stating I will not wilt like some silly schoolgirl under the blare of their evil deeds. This motley of criminals, junkies, and cutthroats is being protected by high society personages. The peerage I think they call it in Mother England, you know the House of Lords holy goofs with the cheapjack woolen wigs sliding all over the place and made in Bangladesh sweated labor textile factory robes who spend endless hours talking about the good old days when everything was simpler, when the mob knew its place or it better had under Charles I, monarchs like that. 

These Irregulars in case I don’t survive the onslaught to number twelve in this series of film which may be a close thing as these bastards have trolled the Internet spreading false rumors that I am homophobic, anti-same sex marriage, against sexual variety, and whatever other dirty innuendoes that can spew out to an unsuspecting social media world,  a series of blatantly propagandistic films, which has done more to create an “alternate facts” Holmes world than anything any dastardly British monarch could ever do to keep the masses at bay.  I am told this clot of degenerates and rough trade aficionados have very stylized rituals involving exotic illegal drugs, LSD being one of the milder ones, and human blood, especially of opposing tribes like the remnant of the Moriarty operation.

Yeah, these guys are the bane of the London Bobbies and maybe not so strangely corruption-infested Scotland Yard neither operation which has lifted a finger in the matter. Moreover these Irregular cretins have been connected with the disappearance of many people, high born and low, who have questioned the Sherlock myth, and not a few unsolved murders of people who have washed up on the Thames over the years. I know I am on borrowed time, I am a “dead man walking” but maybe someone will pick up the cudgels if I have to lay down my head for the cause.  

I don’t want to frighten the audience, the reader but this need for an alias, for cover, is no joke since that first review and the subsequent second and third ones I have been threatened, threatened with I won’t death, death threats, but some nasty actions edging up in that direction which necessitate my keeping very close tabs on my security apparatus as I attempt to deflate this miserable excuse for a detective, a parlor detective at that who even Agatha Christie dismissed out of hand as a rank amateur which couldn’t keep up with even one of her weakest sleuths. From my sources, serious sources under the circumstances, of ex-Irregulars who have left the organization as its attacks have become more bizarre and its blood rituals more gruesome including allegations of human sacrifice I have been told I am on their “watch list.” Told my days are numbered if I continue to “speak the truth no matter how bitter.”  

I know and can prove that I have been the subject of cyber-bullying without end including a campaign to discredit me by calling me Raymond Chandler’s “poodle” and Dashiell Hammett’s “toadie” for mentioning the undisputable fact that these hard- knock, hard-working professionals, real life detectives peeking under keyholes and into windows like Sam Spade and Phillip Marlowe were as likely to grab some wayward young woman and go under the silky sheets between exchanges of gunfire as kick ass on some bad guys and still have time for lunch. Sherlock and Doc, was much too dainty, much too worried about, literally, getting his hands dirty for that kind of heading to the danger work. I am willing to show an impartial commission my accusations with documents and affidavits. Believe me the pressure against me to stop my expose, including from site manager Greg Green who is worried about my security and that of my family, is getting worse and once I get a grip on who is who in that nefarious organization I will be taking names and numbers.  These twelve films have been nothing but propaganda vehicles for the Holmes legend so I have plenty more work cut out for me. Until done I will not be stopped by hoodlums, wild boys, rough trade artists, Homintern agents, your lordships and ladyships, and blood-splattered junkies. D.M.)

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Terror At Night, starring Basil Rathbone (I have mentioned previously my doubts that this was his real name since unlike myself he had never been transparent enough to say that he had been using an alias. I have since uncovered information that I was generally right and found at first that his real name was Lytton Strachey a known felon who spent a few years in Dartmoor Prison on weapons and drug trafficking charges. It turns out that I was either in error or the victim of a cyber-attack since then it has come out that his real name was not Strachey but Lanny Lamont, who worked the wharfs and water-side dive taverns where the rough trade mentioned by Jean Genet in his classic rough trade expose Our Lady of the Flowers did hard-edged tricks), Nigel Bruce (a name which upon further investigation has been confirmed as a British National named “Doc” Watson who also did time at Dartmoor for not having a medical license and peddling dope to minors in the 1930s and 1940s where I had assumed he and Lanny had met up. Again a cyber-attack error they had met at the Whip and Chain tavern at dockside Thames while Lanny was doing his business on the sailor boys), 1946 

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As I have mentioned previously and nothing recently has changed my view we live in an age of debunking. An age perhaps borne aloft by cynicism, hubris, sarcasm and above all “fake news,” not the fake news denying some reality that you hear so much about these days, but by the elaborate strategy of public relations cranks and flacks who will put out any swill as long as they are paid and not a minute longer. That phenomenon hardly started today but has a long pedigree, a pedigree which has included the target of today’s debunking one James Sherlock Holmes, aka Lytton Strachey, aka Lanny Lamont out of London, out of the Baker Street section of that town. From the cutesy “elementary my dear Watson” to that condescending attitude toward everybody he encounters, friend or foe, including the hapless Doctor “Doc” Watson, aka Nigel Bruce, a fellow inmate at notorious Dartmoor Prison in the early 1930s this guy Holmes, or whatever his real name is nothing but a pure creation of the public relations industrial complex, the PRIC. As I have noted above I have paid the price for exposing this chameleon, this so-called master detective, this dead end junkie, with a barrage of hate mail and threats from his insidious devotees. I have been cyber-bullied up to my eyeballs but the truth will out.

Maybe I better refresh for those who may not have read the first three reviews, may be shocked to find their paragon of a private detective has feet of clay, and an addiction problem no twelve step program could curtail in a million years. Here are some excerpts of what I said in that very first review which I stand by this day no matter the consequences:      

“Today is the day. Today is the day I have been waiting for since I was a kid. Today we tear off the veneer, tear off the mask of the reputation of one Sherlock Holmes as a master detective. Funny how things happen. Greg Green assigned me this film out of the blue, at random he said when I asked him. However this assignment after viewing this film, Sherlock Holmes Faces Death (of course he doesn’t face, hadn’t been anywhere near any danger that would put death in his way but that can wait until I finish out defanging the legend) set off many bells, many memories of my childhood when I first instinctively discovered this guy was a fraud, a con artist.

Back then my grandparents and parents hushed me up about the matter when I told them what I thought of the mighty Sherlock. They went nutty and told me never to speak of it again when I mentioned that a hard-boiled real private detective, a guy who did this kind of work for a living, a guy named Sam Spade who worked out in San Francisco and solved, really solved, the case of the missing black bird which people in the profession still talk about, which is still taught in those correspondence course private detection in ten easy lesson things you used to see advertised on matchbook covers when smoking cigarettes was okay, who could run circles around a parlor so-called detective like Mr. Holmes. 

[Even Sam Spade has come in for some debunking of late right here in this space as Phil Larkin and Kenny Jacobs have gone round and round about how little Spade deserved his “rep,” his classic rep for a guy who was picked by some bimbo out of the phone book and who couldn’t even keep his partner alive against that same femme he was skirt-addled over. Kept digging that low-shelf whiskey bottle in the bottom desk drawer out too much when the deal went down. The only guy who is safe is Phillip Marlowe since nobody can call him a “one solved murder wonder” after the string of cold as ice, maybe colder, cases he wrapped up with a bow over the years. They still talk about the Sherwood case out on the Coast even today where he rapped the knuckles of a big time gangster like Eddie Mars, and his goons, to help an old man going to the great beyond no believing that he had raised a couple of monster daughters without working up a serious sweat. Talked in hushed tones too. You notice nobody has tried to go after him, not even close. D.M.]            

That was then. Now after some serious research as a result of this film’s impact on my memory I have proof to back up my childhood smothered assertions. Sherlock Holmes (if that is his name which is doubtful since I went to the London telephone directories going back the first ones in the late 1800s and found no such name on Baker Street-ever) was nothing but a stone-cold junkie, cocaine, morphine, landudum and other exotic concoctions which is the reason that he had a doctor at his side at all times in case he needed “scripts” written up. A doctor who a guy like Sam Spade would have sat on his ass a long time before as so much dead weight.

That junkie business would not amount to much if it did not mean that high and mighty Sherlock didn’t have to run his own gang of pimps, hookers, con men, fellow junkies, drag queens, rough trade sailors and the flotsam and jetsam of London, high society and low, to keep him in dough for that nasty set of habits that kept him high as a kite. There are sworn statements (suppressed at the time) by the few felons whom the Bobbies were able to pick up that Sherlock was the guy behind half the burglaries, heists and kidnappings in London. And you wonder why the Baker Street Irregulars want to silence me, show me the silence of the grave….

Of course the Bobbies, looking to wrap up a few cold file cases which Sherlock handed them to keep them off the trail, looked the other way and/or took the graft so who really knows how extensive the whole operation was. In a great sleight of hand he gave them Doctor Moriarty who as it turned out dear Sherlock had framed when one wave of police heat was on and who only got out of prison after Holmes died and one of Holmes’ flunkies told the real story about how Holmes needed a “fall guy” and the wily Doctor took the fall.”             

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Now to a quick film review where once again Holmes/Strachey/Lamont lets the bodies pile up before areal detective grabs the bad guys and makes them cry “uncle;”  

Apparently this Sherlock, no, Lanny Lamont,  madness knows no borders, could not be contained with the four walls of England, hell, maybe even the bloody cockeyed Empire since the film under review has these two desperadoes travelling up moorish Scotland to muddy the highland waters there. This caper centers on the shell game played on Lady Somebody’s, do surnames really matter in the nobility trapped Empire, famous and valuable Star Of Rhodesia (for a long time now Zimbabwe) which is heading to Edinburg town on the midnight train (hence the “night” part of the film’s title) and the boys are along for cheap protection since Lady Somebody’s son is also a member of the notorious Kit Kat Club which they too belonged to although they barely knew him except a cheapjack attempt by Doc to seduce him right under his mother’s nose. The lad though was victim number one in the attempt to steal that damn diamond which as its own set of curses on it-and our dynamic duo’s eyes looking for the main chance and a quick turnover to grab a ton of dope and put them in opium den heaven. 

As the old bank robber Willie Sutton answered when asked why he robbed bank and replied “that was where the dough was” the same was true of another operation on the train trying to grab the diamond led by a remnant of the Moriarty organization one Colonel Moran, a friend of Doc’s from their public school days (no mention of whether they had been lovers then but probably before degenerate Lanny got his hooks into poor Doc. Moran had developed a pretty good plan to grab the diamond by sleight of hand. Had a hardened rough trade boy hide in a casket compartment and do his deeds grabbing the stone and nobody the wiser. Here’s where Lanny and Doc with a corrupt Scotland Yard agent in tail screwed up. Moran’s guy grabbed the diamond although a train guard bought it before the deal when down. Number two down. Moran and the thug had a falling out-number three. All while Lanny and Doc are hitting the bong in their railroad suite. Meanwhile that Scotland Yard detective totally out of character for such an officer wraps up the caper when a bunch of fake coppers hired by him try to take Moran away. No go. Meanwhile Lanny and Doc are chanting oms and wondering who the hell had the damn diamond and why. Another “victory” for the legend, another “victory” for the alternative facts bogus legend.      

But let’s allow the so-called master deductive reasoning detective have his minute just for kicks although I will never tire of letting everybody know that Sherlock made his name after he beat down some poor mistreated dog who should have been reported as abused to whatever they call the humane animal treatment society in merry old England. Also that he worked overtime to keep his name in the public prints through his friendship with the editor of the London Times despite the fact that he had no gainful employment, no source of income except whatever his thug cronies delivered to him from their various escapades and that he had the goods on that editor as they used to say since he was “light on his feet,’’ gay. The minute up I hope to high heaven at least a few viewers will finally back off from this nasty legend stuff and look to Sam and Phillip for real detection works.

[This is probably as good a place as any to discuss the elephant in the room. The whole sexual preference business that was always until the last couple of decades only inferred on film, in books, in society, if at all. I wouldn’t have though much about the matter, about the “sin that dare not speak its name,” you know, sodomy, about catamites if I hadn’t noticed in the previous film Sherlock Holmes Goes To Washington that when Sherlock and the Partridge twist were being held by Hinkel he never even looked at her and she was a dish to look at.

That started bells ringing my head that there was a reason, a real reason why Sherlock couldn’t shot straight, wore a silly boy’s regular hat no self-respecting man would be seen dead in, and had no lady-friend like Spade and Marlowe the former with that gun-simple Brigid who led him a merry chase and the latter with a string of honeys starting with that Vivian Sternwood who put him through his paces before she broke with one Eddie Mars. Either of whom had who would have eaten the Partridge dame her up with their eyes in a minute, run her to ground in the sack, the billowy pillows and had time for a hearty breakfast afterward (that Lanny Lamont time also a time when explicit sexual desire and carnal knowledge among heterosexuals also was done by indirection even among married folk-who can forget those double beds with bed stand in between once the scene invaded the marital bedroom), and had stuck it out through thick and thin with giddy, bubbly Doc Watson. Yes, a Nancy, a mommy’s boy, a fag to use the old time neighborhood term from my growing days in, no I had better not say where which might give aid and comfort to the thugs at Baker Street explains a lot of things. Tells a lot about the dope to take the unmanly shame off his face for being what he was, the outwardly improbable tell-tale scorn of women and why he and Doc were an item, in the closet.

Nowadays, recently, the whole sexual preference would not even be a subject for discussion except for what I have heard from an ex-Baker Street Irregular who broke hard with the organization after having spent the better part of twenty years in the closet about  his membership in the club as well as his sexual proclivities, who told me that there was a big division in the club between those who wanted to “out” Lanny/Sherlock and claim him for the mythical Homintern and those who wanted to not attract attention to their various nefarious activities and crimes by such a scheme. Back then though when Sherlock was roaming the world pissing off that candid world with his fake fortune-teller madness the example of poor Oscar Wilde and his youthful catamite which drove him to Reading Gaol and as recently as the Durning case in the 1950s it was not safe, was criminal to “come out.”

Of course the English public schools for boys, our private schools, were hotbeds of gay activity among the young boys isolated from young girls and who knows what by male teachers so it no wonder an odd-ball like Holmes got flighty and never looked back. Here is the problem everybody knows that no way a gay guy, a gay couple if you included Watson could then juggle dealing with hardened criminals the coppers couldn’t cope with and survive if it were known they were lovers, even platonic lovers. The pair would be in Reading Gaol themselves. Just remember what they did to Wilde and Durning. The next few films should put paid to that notion of mine that Sherlock was nothing more than a parlor plotter once the sexual preference angle intruded itself into the mix.]        

Like I said the last three times, a fake, fake all the way. Unless that Irregular crowd of thugs and blood-stained aficionados get to me, especially those who will be livid for my exposing  Lanny before they could “out” him themselves, find my hideout, this is not the last you will hear about this campaign of mine to dethrone this pompous junked-up imposter. I am just getting into high gear now.      

Once Again, All That Glitters Is Not Gold-Claude Rains And Kay Francis’s “Stolen Holiday” (1937)-A Film Review

DVD Review

By Leslie Dumont    

Stolen Holiday, starring Kay Francis, Claude Rains, Ian Hunter, directed by Michael Curtiz, 1937     

Sometimes going public with some private hurt, private gripe might be a  better way to put it in this case, gets you what you need, or at least a hearing. In my last film review Fred Astaire and Ginger Rogers’ classic dance musical production Swing Time I complained out loud that that was my fifth consecutive “women’s film,” meaning of course the tried and true Hollywood girl meets boy formula that forms the plotlines of half the films ever produced playing to the hard demographic that the majority of movie goers have historically been women, and younger women to boot.

UntiI recently I had a by-line at Women Today where I only occasionally did film reviews and those few I did do usually having some political point, some such hook. I have also noted that in the distant past I have been a stringer at this publication in the days of its hard copy version when Allan Jackson was publisher and that I had left when it was clear to me that he, and his cohort of old comrades including my then companion Josh Breslin, were slowly drifting in some kind of “good old boys” 1960s coming of age nostalgia trip. After a recent internal fight over that very question and the departure of Allan as site manager (the on-line name for publisher-editor here) the new site manager Greg Green “lured” me away to come over and do some pieces with the idea that I would be able to do whatever struck my fancy. I knew that would include film reviews since that is one of the several staples that drives this publication. What I did not know and which formed the basis for going public was that I would be a de facto “women’s films, women’s issues” fixture. Even at Women Today I didn’t fill any such role. When some readers complained after I went public Greg and I had another candid talk and made our respective positions clear. Hence this not women’s film review as my “prize.” We shall see how this new understanding works out.             

I mentioned a minute ago that half the films from Hollywood have been a work-out of the tried and true girl meets boy formula. And that factor is in play here but that is not what drives the film, this Stolen Holiday.  Such things as duplicity, fraud, social over-reaching, status, loyalty, cowardice and fidelity give this one a very decided broader scope. It almost had to since the plotline was based on the notorious Stavisky Affair which roiled through Third Republic France in the 1930’s and exposed the corruption and rot of that society just prior to World War II. Maybe helped bring down the Republic and bring on the German Occupation when the French Army proved unequal to the task of defending the country due to faulty leadership and outdated theories of war.      

The action starts out in 1931 in Paris with upstart con man Orlov, played by durable Claude Rains, he of the beautiful friendship with Rick of Rick’s Cafe Americain after Rick gave up his love for the good of the cause in Casablanca another film directed by Michael Curtiz, cons high fashion model Nicole, played by elegant Kay Francis although wobbly as a model, but with serious ambitions to run her own fashion operation into playing the straight role in a small con he wanted to play to get the initial capital to run the table on the French financial markets. Forward to 1936 after the success of that initial encounter with Orlov, now a captain of French finance with the place and position that brought, and Nicole the rage of the high fashion also in the chips. Their romantic relationship though hovering between non-existent and sputtering since every action of Orlov, other than jealousy, is connected with his trying to corner yet another market. Corner some respectably in French high society as well.

That conniving of Orlov would be his undoing since he was basically running a Ponzi scheme, was issuing watered stock, and the like. Once the authorities saw what was happening in the markets, and who was manipulating what, they started zeroing in on Orlov. His duplicity would number his days quickly despite his ever conniving actions. Eventually when in another corner he asked Nicole to marry him to cover up his dealings, or try to. Nicole agrees out of loyalty for what he had done for her once she became aware of his dire situation. In the meantime she had met and fallen in love with a British diplomat, played by Ian Hunter, who had swept her off her feet. So Nicole was doubly loyal and true to the scheming Orlov. Here’s where the Hollywood tried and true came to the rescue though. Orlov was finally cornered and shot by the French authorities who chalked it up as a suicide to avoid more scandal and maybe topple a few more people in high places which left Nicole free to marry the still pursuing British diplomat. Nice twist right. 

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- “You Are On The Bus Or Off The Bus”- The Transformation Of “Foul-Mouth” Phil Into “Far-Out” Phil- With Writer Ken Kesey In Mind  

The Chiffons performing their classic Sweet Talkin’ Guy

From The Archives Of Allan Jackson

[Perhaps you missed it in a previous take, dated February 23, 2017, on the mighty Ken Kesey and his Merry Pranksters who set a certain bar for drug, sex, and rock and roll in the early days of what would be the great Generation of “68 jailbreak in the earlier part of the decade by the by-line listed, as here, “From The Archives Of Allan Jackson.” A causal reader or somebody who has not been paying attention to the not too distant past fierce internal struggle that roiled this site between the younger writers, dubbed, self-dubbed “the Young Turks” and the old guard around previous site manager (and a founder member of this publication when it started in hard copy times along with me and a few others) that very same Allan Jackson around the direction of the site that it was understood that he had been either retired or purged depending on your point of view. In any case to end the controversy and move forward it was agreed in negotiations between me and the new site manager Greg Green after Allan had lost a vote of no confidence that his name was not to be mentioned again.

Somehow Allan, who had been rumored to be doing anything in exile from feeding the Mormons out in Utah whatever they wanted to hear as long as they let him write copy in their kept newspaper (even commenting positively on the white underwear issue he was so desperate for work) to tending bar at Joe-Joe’s in La Jolla and living with a twenty something surfer girl to running a high end whorehouse in Argentina with Madame La Rue, found out Greg had been nipping at the archives looking for some fresh insights into the baby-boomer generation, that Generation of “68 mentioned earlier. Yes, Greg had finally figured out what some of us, friendly to him or not, already knew was that the generation or two after the 1960s doesn’t read book reviews, films reviews, music reviews or left-wing political comment. Doesn’t read period for all practical site purposes and so he has tried to “lure” the old base back with some retro music-laced archival material.

Problem. Greg problem. Since Allan Jackson has been purged and is a non-person around here the series he was running The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night has been done under the byline of Frank Jackman. Allan went crazy when he heard what had been done since he had never copyrighted the stuff, didn’t feel a need to. Some of Allan’s old friends, including Frank who went back to high school with him as I had, met with Greg and convinced him it would be best to give Allan a credit for a series that he sweated for something like two years over. All Greg would do was what you see in the by-line that maybe these were lost papers from the desk or something without stating outright that Allan had written or edited the whole thing. Enough for now. Jack Callahan]                     

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A while back, a couple years ago now I guess, Sam Lowell the recently semi-retired Boston lawyer from our high school class looking for some things to fill up his spare time and to respond to the nostalgic feelings that he had been having once he reconnected with a couple of his old corner boys from our North Adamsville High days in the early 1960s, Frankie Riley and Josh Breslin started writing little sketches about “what was what” back in the day. That “what was what” could have been anything from the local meaning of “submarine races” (that is simple, this was just an expression to denote what those who, boyfriends and girlfriends, were doing who went by midnight automobile down to Adamsville Beach and eventually came up for air and you can figure out what they were doing that required such a motion without any further comment); the grooming habits of working-class guys like Sam before the big school dance (plenty of Listerine, plenty of Old Spice, plenty of Right Guard, plenty of Wild Root hair oil, and new shirt and pants from the “Bargie,” a local pre-Wal-Mart institution for the chronically poor to look good for one night); the midnight “chicken run” down the back roads of Adamsville (self-explanatory for any brethren who craved a fast “boss” car, the ’57 Chevy being the prize of prizes), or the nefarious way to get six to eight males and females into the local drive-in for the price of two (easy, a snap, just load up that big old trunk and have said occupants stop breathing at the admissions booth).

Sam made a few people laugh beside Frankie and Josh when they placed his stuff on their Facebook pages and got a response from several of our old high school classmates asking for some more sketches (and other “friends” who came of age in the early 1960s and had similar stories to tell and get a chuckle over as well). Sam felt “compelled” to reply.           

A lot of what helped Sam remember various events from those days was going to the local library, the main Cambridge Public Library, and check out materials from their extensive holding of classic (ouch!) rock and roll compilations. One commercial series which covered the time period from about 1955 to 1968 in many volumes also had time-appropriate artwork designs on the cover of each CD. Those covers brought to Sam’s mind the phenomenon that he wanted to write about. In this case, this 1966 case, the cover art detailed the then almost ubiquitous merry prankster-edged converted yellow brick road school bus, complete with assorted vagabond minstrel/ road warrior/ah, hippies, that “ruled” the mid-1960s highway and by-ways in search of the great American freedom night. The “merry prankster” expression taken from the king hell king “hippie” philosopher-king of the time author Ken Kesey and his comrades who Tom Wolfe immortalized in his “new journalism” book The Electric Kool-Aid Acid Test. That cover triggered memories of his own merry prankster moments with another corner boy from high school that he went west with in that year, Phil Larkin, and what happened to Phil when he “got on the bus” looking, well, “looking for the garden,” the Garden of Eden is what they called the adventure between themselves then. Sam said wistfully after he had finished the sketch that “We never found it in the end, but the search was worth it then, and still worth it now.” That is about right brother, just about right. But let Sam explain why he said that.

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A rickety, ticky-tack, bounce over every bump in the road to high heaven, gear-shrieking school bus. But not just any yellow brick road school bus that you rode to various educationally “good for you” locations like movie houses, half yawn, science museums, yawn, art museums, yawn, yawn, or wind-swept picnic areas for some fool weenie roast, two yawns there too, when you were a school kid. Two yawns because the teachers were trying to piece you off with some cheapjack sawdust hot dog with a Wonder Bread air-holes bun, some grizzled hamburger, ditto on the bun, maybe a little potato salad from Kennedy’s Deli for filler, and tonic (a New England localism meaning soda) not your own individual bottle but served from gallons jugs into dinky Dixie cups. [Sam not knowing until much later that the teachers had pitched in to buy the provisions from their own pockets, belated thanks.] And certainly not your hour to get home daily grind school bus, complete with surly driver (male or female, although truth to tell the females were worst since they acted just like your mother, and maybe were acting on orders from her) that got you through K-12 in one piece, and you even got to not notice the bounces to high heaven over every bump of burp in the road. No, my friends, my comrades, my brethren this is god’s own bus commandeered to navigate the highways and by-ways of the 1960s come flame or flash-out.

Yes, it is rickety, and all those other descriptive words mentioned above in regard to school day buses. That is the nature of such ill-meant mechanical contraptions after all. But this one is custom-ordered, no, maybe that is the wrong way to put it, this is “karma” ordered to take a motley crew of free-spirits on the roads to seek a “newer world,” to seek the meaning of what one persistent blogger on the subject has described as "the search for the great blue-pink American Western night." [Sam an inveterate blogger since the first days he found out about that medium.]

Naturally to keep its first purpose intact this heaven-bound vehicle is left with its mustard yellow body surface underneath but over that “primer” the surface has been transformed by generations (generations here signifying not twenty-year cycles but numbers of trips west, and east) of, well, folk art, said folk art being heavily weighted toward graffiti, toward psychedelic day-glo hotpinkorangelemonlime splashes and zodiacally meaningful symbols. Mushroomy exploding flowers, medieval crosses, sphinxlike animals, ancient Pharaoh’s pyramids, never-ending geometric figures, new religion splashes whatever came into a “connected” head.  

And the interior. Most of those hardback seats that captured every bounce of childhood have been ripped out and discarded to who knows where and replaced by mattresses, many layers of mattresses for this bus is not merely for travel but for home. To complete the “homey” effect there are stored, helter-skelter, in the back coolers, assorted pots and pans, mismatched dishware, nobody’s idea of the family heirloom china, boxes of dried foods and condiments, duffle bags full of clothes, clean and unclean, blankets, sheets, and pillows, again clean and unclean.

Let’s put it this way, if someone wants to make a family hell-broth stew there is nothing in the way to stop them. But also know this, and know it now, as we start to focus on this journey that food, the preparation of food, and the desire, except in the wee hours when the body craves something inside, is a very distant concern for these “campers.” If food is what you desired in the foreboding 1960s be-bop night take a cruise ship to nowhere or a train (if you can find one), some southern pacific, great northern, union pacific, and work out your dilemma in the dining car. Of course, no heaven-send, merry prankster-ish yellow brick road school bus would be complete without a high-grade stereo system to blast the now obligatory “acid rock” coming through the radiator practically, although just now, as a goof, it has to be a goof, right, one can hear Nancy Sinatra, christ, Frank’s daughter, how square is that, churning out These Boots Are Made For Walkin.’

And the driver. No, not mother-sent, mother-agent, old Mrs. Henderson, who prattled on about keep in your seats and be quiet while she is driving (maybe that, subconsciously, is why the seats were ripped out long ago on the very first “voyage” west). No way, but a very, very close imitation of the god-like prince-driver of the road, the "on the road” pioneer, Neal Cassady, shifting those gears very gently but also very sure-handedly so no one notices those bumps (or else is so stoned, drug or music stoned, that those things pass like so much wind). His name: Cruising Casey (real name, Charles Kendall, Harverford College Class of ’64, but just this minute, Cruising Casey, mad man searching for the great American be-bop night under the extreme influence of one Ken Kesey, the max-daddy mad man of the great search just then). And just now over that jerry-rigged big boom sound system, again as if to mock the newer world abrewin’ The Vogues’ Five O’ Clock World.

And the passengers. Well, no one is exactly sure, as the bus approaches the outskirts of Denver, because this is strictly a revolving cast of characters depending on who was hitchhiking on that desolate back road State Route 5 in Iowa, or County Road 16 in Nebraska, and desperately needed to be picked up, or face time, and not nice time with a buzz on, in some small town pokey. Or it might depend on who decided to pull up stakes at some outback campsite and get on the bus for a spell, and decide if they were, or were not, on the bus. After all even all-day highs, all-night sex, and 24/7 just hanging around listening to the music, especially when you are ready to scratch a blackboard over the selections like the one on now, James and Bobby Purify’s I’m Your Puppet, is not for everyone.

We do know for sure that Casey is driving, and still driving effortlessly so the harsh realities of his massive drug intake have not hit yet, or maybe he really is superman. And, well, that the “leader” here is Captain Crunch since it is “his” bus paid for out of some murky deal, probably a youthful drug deal, (real name, Samuel Jackman, Columbia, Class of 1958, who long ago gave up searching, searching for anything, and just hooked into the idea of "taking the ride"), Mustang Sally (Susan Stein, Michigan, Class of 1959, ditto on the searching thing), his girlfriend, (although not exclusively, not exclusively by her choice , not his, and he is not happy about it for lots of reasons which need not detain us here). Most of the rest of the “passengers” have monikers like Silver City Slim, Luscious Lois (and she really is), Penny Pot (guess why), Moon Man, Flash Gordon (from out in space somewhere, literally, as he tells it), Denver Dennis (from New York City, go figure), and the like. They also have real names that indicate that they are from somewhere that has nothing to do with public housing projects, ghettos or barrios. And they are also, or almost all are, twenty-somethings that have some highly-rated college years after their names, graduated or not). And they are all either searching or, like the Captain, at a stage where they are just hooked into taking the ride.

One young man, however, sticks out, well, not sticks out, since he is dressed in de rigeur bell-bottomed blue jeans, olive green World War II surplus army jacket (against the mountain colds, smart boy), Chuck Taylor sneakers, long, flowing hair and beard (well, wisp of a beard) and on his head a rakish tam just to be a little different, “Far Out” Phil (real name Phillip Larkin, North Adamsville High School Class of 1964). And why Far Out sticks out is not only that he has no college year after his name, for one thing, but more importantly, that he is nothing but a old-time working-class neighborhood corner boy from in front of Salducci’s Pizza Parlor back in North Adamsville, a close-by suburb of Boston.

Of course back then in town Far Out Phil was known, and rightly so as any girl, self-respecting or not, could tell you as “Foul-Mouth” Phil, the world champion swearer of the 1960s North Adamsville (and Adamsville Beach) be-bop night. And right now Far Out, having just ingested a capsule of some illegal substance (not LSD, probably mescaline) is talking to Luscious Lois, talking up a storm without one swear word in use, and she is listening, gleam in her eye listening, as ironically, perhaps, The Chiffons Sweet Talkin’ Guy is beaming forth out of his little battery-powered transistor radio (look it up on Wikipedia if you don’t know about primitive musical technology) that he has carried with him since junior high school. The winds of change do shift, do shift indeed.

[Sam and Phil were on that hell-broth road about a year, maybe a little more, until Phil faced an ugly draft notice from his “friends and neighbors” in Adamsville and figuring no other course, no jail, no Canada, no conscientious objector application came on the horizon to move this son of the working class from his fateful decision to accept his draft induction. Sam, another son of the working-class with a congenial heart problem (which his then drug intake could not have helped but we were young then and expected to live forever) and therefore 4-F decided to apply for law school and spent the next three years tied down to law books, court decisions, memoranda, and how to survive the bar exam.]       

Yes, The Way You Look Tonight-Ginger Rogers And Fred Astaire’s “Swing Time” (1936)-A Film Review

DVD Review

By Leslie Dumont

Swing Time, starring Ginger Rogers, Fred Astaire, and all importantly music and lyrics by Jerome Kern and Dorothy Fields, 1936

It probably is not good form to start off a review of a light-hearted musical comedy, what the heck, a dance film with Fred Astaire and Ginger Rogers with the music and comedy as filler, or the comedy part anyway complaining about the assignment. But I will try the reader’s patience long enough to make a point that I made in my last film review since this is of a piece with that comment. Then, and now, I have complained I won’t say bitterly yet that I have now been given five straight “women’s films,” the modern cinematic term “chick flicks” although that does not ring as a true statement with the ones I have done by new site manager Greg Green.

As I pointed out in that last review, Coco Before Chanel, once Greg became the day to day manager here he went out of his way to “lure” me from a very comfortable by-line that I had with Women Today. I also noted that I had over a decade ago been a stringer here under the old management when my companion Josh Breslin worked here (which he still does) and had left for that Women Today by-line when the old site manager Allan Jackson would not give me a by-line. Those were the days when it was clear for all to see, all who wanted to see, that while the site had all the right positions on the women’s liberation struggles (and still does) that Allan, who moreover was Josh’s very long time friend, was starting down the road to keep the place very much a male bastion haven for his “good old boys” friends whose friendship was defined by the litmus test of being stuck in the nostalgic 1960s when all hell broke loose in American society as they came of age. Greg was supposed to be a welcome break from both of those conditions. Right now I wonder, wonder out loud.                  

Don’t get me wrong this little Rogers-Astaire vehicle Swing Time one in about ten that this pair danced away the stars in is fine, is worth reviewing if for no other reason that the Jerome Kern and Dorothy Fields music and lyrics collaboration on some classic songs from the American Songbook which torch-singers like Billie Holiday and Peggy Lee would feast on later. One good example which served as headline here-The Way You Look Tonight. Looking at the site archives though, after storming out of Greg’s office when I received the assignment and I could not budge him off his position that I needed to “broaden my horizons” since at Women Today any film reviews that I did, which were not many, were contemporary efforts I noticed that all the previous four or five Rogers-Astaire reviews had been done by men. Men who did a very good job of making the salient points about the films but who also made the point that from their collective perspectives these films were geared to the tastes and heartstrings of the women of those times who made up the majority, in some cases as during World War II the great majority, of the movie-going public. In other words-women’s films. So I bring no special wisdom to this genre, and maybe less so since I, unlike Sam Lowell, Sandy Salmon, and even one by my old heart-throb Josh did not live and die by watching college time revivals of such films in the 1960s having been a child of the late 1970s when that revival had burned itself out as a cheap date college night out.

As to the film itself well I think I telegraphed my take on these flashy big budget productions which were merely, let’s face it, an excuse to have Fred and Ginger dance and sing between coos. Here Fred plays Lucky, as in lucky at cards, gambling that sort of thing who also happens to be light on his feet (not that “light on his feet” used back then to signify a homosexual trait but dancing feet) who is stepping up in class, literally. That step up to be done by marrying a town debutante and on to easy street. Except through a series of lame pratfalls it never happens. No wedding and so Lucky (and Pop) lam in to the Big Apple, to New York to see if they can make some jack either from gambling or from his hoofing.  

Through another series of lame pratfalls Lucky meets Penny, Ginger’s role, a dance instructor. Meets and the rest is really history. No, the rest is a song and dance through the Kerns-Fields score interrupted by the usual attraction, distraction, misunderstanding, and finally, lovers’ bliss. I would have thought that it would have been hard for this pair to stumble through a series of plot-lines that would freeze the most indulgent brain but they did until audiences got weary. But watching one or two, and make this film one of them, will carry you through a few blue spots.          

The Other Thin Man-Ginger Rogers And William Powell’s “Star Of Midnight” (1935)-A Film Review

DVD Review

By Film Emeritus Sam Lowell

[Although Sam is formally retired he has expressed a desire to help out when we have several films to review and not enough hands to do the task. Since he is very familiar with The Thin Man series which also starred William Powell (and Myrna Loy) he was the natural choice to cover this film. Thanks, Sam-Pete Markin-This review was in the pipeline before the recent change of management and is posted under an agreement between new management and the coven of young and old writers about ending the public dispute that has rattled this publication for the past few months-Greg Green]

Star of Midnight, starring Ginger Rogers, William Powell, 1935 

One of the problems a few actors have had is to be type-cast into a certain cinematic persona. That was generally the case with William Powell, the male lead in the film under review, Star of Midnight where he plays a smart, sophisticated urban (New York City of course) man about town very similar to the role that he played in The Thin Man the year before this film was released (and would go on to star with Myrna Loy in six sequels, ouch) except here he is a high-priced lawyer, Dal, and not an ex-cop private dick Nick Charles. 

The play is the same though although the romantic interest is Donna a young smitten, smitten by Dal, played by Ginger Rogers who is not his boon companion as Myra Loy as Nora Charles was. Here a friend of Dal’s is looking for him to find his missing paramour who blew Chic town (okay, Chicago) a year before without leaving a forwarding address. (Forget it buddy, move on, and that isn’t even high-priced legal advice.)  The plot thickens when the three of them attend a play and nobody but a masked girlfriend is on the stage. The guy yells out Alice. Bad move though since she is on the lam from somebody trying to silence her after she witnessed a murder in, ah, Chicago. Somebody has reason to silence her to cover up his own dastardly deeds so he let out that he was looking for Alice too. Don’t worry even though Dal was accused of killing a source killed in his own apartment he was left by the coppers to figure the whole thing out. And you know just like Nick (and Nora) he does. By the way Dal won’t be lonesome anymore. Donna snagged him. The killer: well grab the film and check it out. It could have been one of several people as usual.      

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- “You Are On The Bus Or Off The Bus”- The Transformation Of “Foul-Mouth” Phil Into “Far-Out” Phil- With Mad Hatter Writer Ken Kesey And His Merry Pranksters In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- “You Are On The Bus Or Off The Bus”- The Transformation Of “Foul-Mouth” Phil Into “Far-Out” Phil- With Mad Hatter Writer Ken Kesey And His Merry Pranksters In Mind

From The Archives Of ALH Founder Allan Jackson:

Everybody, well everybody who checks things out here, or on other sites that I am associated with, knows that I am dedicated to swapping lies about the old days. The old days in this case being the 1960s, and more specifically the 1960s old time corner boy days in front of Salducci’s Pizza Parlor in North Adamsville, my growing-up working class hometown. And, of course, if one wants to swap lies about those old days, or any days, then one needs a, well, foil, or foils. Needless to say, via the “miracle” of the Internet, in its various manifestations, all one has to do is latch onto some search engine, type in “corner boys,” “North Adamsville,” or some such combinations and, like lemmings from the sea, our homeland the sea, every surviving corner boy with enough energy to lift his stubby little fingers will be on your screen before you can say, well, say, be-bop night.

Frankie Riley, our lord and chieftain was the first, although he has lost much speed in his pitch since the old days. I won’t bore you with the details of his “exploits.” You can fumble through the archives here for that. Nor will I speak of fast-talking Johnny Silver, except to point out that he is the culprit, there is no other way to put it, who started the sexual revolution. No, no the real one that started with “the pill” in the early 1960s and continues through to today with the struggle for women’s liberation, liberation from all kinds of second-class citizen stuff from jobs and wages to help with childcare and housework. No, Johnny started the AARP-version of the sexual revolution-old geezers looking for love, looking for love in all the wrong places, if you ask me but nobody is, asking that is. Those gripping tales can also be found in the archives here.

All of this, of course, is prelude to the real subject here. Phil Larkin’s transformation from corner boy “Foul-Mouth” Phil (and he really was, as he would tell you in that moment of candor that he is occasionally capable of) in early 1960s North Adamsville to “Far-Out” Phil on one of the ubiquitous Merry Prankster-inspired converted yellow brick road school buses that dotted the highways and by-ways of the American be-bop heading west night from about the mid-1960s to the mid-1970s (maybe a little earlier in the ‘70s). (For those too young to know, those who have forgotten, and those who have conveniently feigned forgetfulness just in case some statute of limitations has not run out I have placed a link above to a Wikipedia entry for the Merry Pranksters with this post.)

When last we hear from Phil he was heading to Pennsylvania to meet up with some doctoral program research addict whom he “met” on Facebook. That tale, ah, can also be found in the archives here. However, unlike these seemingly endless “haunting the Internet” schoolboy antics from guys old enough, well I am no snitch, so let’s say old enough to know better, looking for the fountain of youth, or whatever this Phil transformation story actually interests me. And so here it is. As usual I edited it lightly but it is Phil’s story, and I am pleased to say a good one.

*********

Phil Larkin here. Jesus, The Scribe [Markin: Like I warned the other guys, Phil, watch out on that scribe, or The Scribe thing] actually liked this idea of me telling about riding the, what did he call it, oh ya, the yellow brick road bus, back in my prankster days [Markin: Just to keep things straight, since Phil still likes to play a little rough with the truth, not the famous Ken Kesey and his Merry Pranksters bus made famous through Tom Wolfe’s Electric Kool-Aid Acid Test, but certainly inspired by it]. I barely got by with my stories about real stuff that people want to read like the trials and tribulations of an older guy trying to “hook-up” with the ladies on what amounted to a sexless sex site and my rendezvous with Amy (and she is not a research addict, Markin, no way, although she is an addict another way but you don’t want to hear that real stuff story), my lovely sociology doctoral student down at Penn State (Go, Nittany Lions!). But he is all over, all f—king over, some little bit of “cultural history” stuff that nobody, except AARP-guys (and dolls) would do anything but yawn over. And those AARP-guys (and dolls) are too busy trying to “hook-up,” to grab some sex before is too late to spent more than two seconds on ancient history. So this one is strictly for The, oops, Peter Paul Markin.

What got the whole memory lane thing started was that somewhere Markin picked up, probably second-hand off of Amazon if I know him, a CD from Time-Life Music entitled something like Shakin’ It Up: 1966. Now the music on the compilation, the music in the post-British invasion, heart of acid rock night, was strictly for laughs. But the artwork on the cover (as Markin told me was true on other CDs in this expansive classic rock 'n' roll era series) featured nothing more, or nothing less, than a day-glo bus right out of my prankster days, complete with some very odd residents (odd now, not then, then they were righteous, and maybe, just maybe still are). That scene gave us a couple of hours conversation one night and jogged my memory about a lot of things. Especially about what Markin, hell, me too, called the search of the great American freedom night. (He put some colors, blue-pink like just before dark, dark out West anyway, in his but we, for once. were on the same page.)

Naturally, Markin as is his wont [Markin: “Wont” is my word not Phil’s. His, I prefer, strongly prefer, to not to post], once he played the CD and played me for information (I know this guy, remember) ran off like a bunny and wrote his version as part of a review of the CD. Of course, being, well, being Markin he got it about half-right. So let me tell the story true and you can judge who plays “rough” with the truth.

Markin at least had it just about right when he described that old bus:

“A rickety, ticky-tack, bounce over every bump in the road to high heaven, gear-shrieking school bus. But not just any yellow brick road school bus that you rode to various educationally good for you locations like movie houses, half yawn, science museums, yawn, art museums, yawn, yawn, or wind-swept picnic areas for some fool weenie roast, two yawns there too, when you were a school kid. And certainly not your hour to get home daily grind school bus, complete with surly driver (male or female, although truth to tell the females were worst since they acted just like your mother, and maybe were acting on orders from her) that got you through K-12 in one piece, and you even got to not notice the bounces to high heaven over every bump of burp in the road. No, my friends, my comrades, my brethren this is god’s own bus commandeered to navigate the highways and by-ways of the 1960s, come flame or flash-out. Yes, it is rickety, and all those other descriptive words mentioned above in regard to school day buses. That is the nature of such ill-meant mechanical contraptions after all. But this one is custom-ordered, no, maybe that is the wrong way to put it, this is “karma”-ordered to take a motley crew of free-spirits on the roads to seek a “newer world,” to seek the meaning of what one persistent blogger on the subject has described as the search for the great blue-pink American Western night.”

“Naturally to keep its first purpose intact this heaven-bound vehicle is left with its mustard yellow body surface underneath but over that primer the surface has been transformed by generations (generations here signifying not twenty-year cycles but trips west, and east) of, well, folk art, said folk art being heavily weighted toward graffiti, toward psychedelic day-glo splashes, and zodiacally meaningful symbols. And the interior. Most of those hardback seats that captured every bounce of childhood have been ripped out and discarded who knows where and replaced by mattresses, many layers of mattresses for this bus is not merely for travel but for home. To complete the “homey” effect there are stored, helter-skelter, in the back coolers, assorted pots and pans, mismatched dishware and nobody’s idea of the family heirloom china, boxes of dried foods and condiments, duffel bags full of clothes, clean and unclean, blankets, sheets, and pillows, again clean and unclean. Let’s put it this way, if someone wants to make a family hell-broth stew there is nothing in the way to stop them. But also know this, and know it now, as we start to focus on this journey that food, the preparation of food, and the desire, except in the wee hours when the body craves something inside, is a very distant concern for these “campers.” If food is what you desired in the foreboding 1960s be-bop night you could take a cruise ship to nowhere or a train (if you could find one), some southern pacific, great northern, union pacific, and work out your dilemma in the dining car. Of course, no heaven-send, merry prankster-ish yellow brick road school bus would be complete without a high- grade stereo system to blast the now obligatory “acid rock” coming through the radiator practically.”

That says it all pretty much about the physical characteristics of the bus but not much about how I got on the damn thing. Frankly, things were pretty tough around my house, things like no having much of a job after high school just working as a dead-ass retail clerk up at Raymond’s Department Store in Adamsville Plaza. Not really, according to dear mother, with dear old dad chiming in very once in a while especially when I didn’t come up with a little room and board money, being motivated to “better myself,” and being kind of drift-less with my Salducci’s Pizza Parlor corner boys long gone off to college, the service, or married, stuff like that. Then too I was having some girl trouble, no, not what you think girl baby trouble just regular the battle of the sexes stuff when my honey, Ginny McCabe, practically shut me off because I didn’t want to get married just then. But I knew something was in the air, something was coming like “the scribe” was always predicting. [Markin: I'll let that small case scribe pass, Phil] And for once I wanted in on that. But the specific reason that I split in the dead of the North Adamsville night was that I was trying to avoid the military draft, now that the war in Vietnam was escalating with nowhere else to go. I knew my days were numbered and while I was as patriotic (and still am, unlike that parlor pinko, commie, Markin) as the next guy (and these days, girls) I was not ready to lay down my life out in the boondocks right then. So I headed out on the lam.

[Markin: Phil, as he related this part of the story that night, had me all choked up about his military plight and I was ready to say brother, welcome to the anti-imperialist resistance. Then I realized, wait a minute, Phil was 4-F (meaning he was not eligible for drafting for military service due to some medical or psychological condition in those days for those who do not know the reference. A prima facie example, I might add, of that playing rough with the truth I warned you about before.]

Hey, I am no slave to convention, whatever the conventions are, but in those days I looked like a lot of young guys. Longish hair, a beard, a light beard at the time, blue jeans, an army jacket, sunglasses, a knapsack over my shoulder, and work boots on my feet.(Sandals would not come until later when I got off the road and was settled in a “pad” [Markin: house, rented or maybe abandoned, apartment, hovel, back of a “free” church, back of a store, whatever, a place to rest those weary bones, or “crash”] in La Jolla and were, in any case, not the kind of footwear that would carry you through on those back road places you might find yourself in, places like Deadwood, Nevada at three in the morning with a ten-mile walk to the nearest town in front of you). I mention all this because that “look” gave me the cache to make it on the road when I headed out of the house that Spring 1966 be-bop night after one final argument with dear mother about where I was going, what was I going to do when I got there, and what was I going to do for money. Standard mother fare then, and now I suppose.

So short on dough, and long on nerve and fearlessness, then I started to hitchhike with the idea of heading west to California like about eight million people, for about that same number of reasons, have been heading there since the Spanish, or one of those old-time traveling by boat nations, heard about the place. Of course, nowadays I would not think to do such a thing in such a dangerous world, unless I was armed to the teeth and that would take a little edge off that “seeking the newer world” Markin has been blabbing about since about 1960. But then, no problem, let’s get going. 

Especially no problem when just a few miles into my journey a Volkswagen mini-bus (or van, neither in the same league as the yellow brick road school bus, no way, that I will tell you about later but okay for a long ride, and definitely okay when you are in some nowhere, nowhere Nebraska maybe, back road, hostile territory dominate by squares, squares with guns and other evil implements and they, the VW-ites, stoned, stoned to the heavens stop to ask you directions because they are “lost” and invite you on board) stopped on Route 128, backed up, and a guy who looked a lot like me, along with two pretty young girls says, “where are you heading?” (Okay, okay, Markin, young women, alright.) West, just west. And then the beautified words, “Hop in.”

Most of the road until the Midwest, Iowa is the Midwest right, was filled with short little adventures like that. A mini-van frolic for a few hours, or a few days. Maybe a few short twenty-miles non-descript rides in between but heading west by hook or by crook. Did I like it? Sure I did although I was pretty much an up-tight working class guy (that was what one of those pretty girls I just mentioned called me when I “passed” on smoking a joint and, hell, she was from next door Clintondale for chrissakes) who liked his booze, a little sex {Markin: Phil, come on now, a little?], and just hanging around the old town waiting for the other shoe to drop. But I could see, after a few drug experiences, no, not LSD, that I was starting to dig the scene. And I felt every day that I was out of North Adamsville that I was finally shaking off the dust from that place.

Then one night, sitting in the front seat of a big old Pontiac (not everybody, not every “hip” everybody had the mini-bus, van or school bus handy for their “search” for the great American night), Big Bang Jane between us, the Flip-Flop Kid driving like god’s own mad driver, smoking a joint, laughing with the couple of in back, Bopper Billy and Sweet Pea, we headed into a pay-as- you go roadside camp near Ames out in Iowa. And at that campsite parked maybe five or six places over from where we planted ourselves was god’s own copy of that day-glo merry prankster bus I mentioned before. I flipped out because while I had hear about, and seen from a distance, such contraptions I hadn’t been up close to one before. Wow!

After we settled in, the Flip-Flop Kid (and the guy really could never make up his mind about anything, anything except don’t go too close to Big Bang Jane, no kidding around on that, no sir), Bopper Billy (who really thought he was king of the be-bop night, but, hell in the North Adamsville corner boy night Frankie Riley, hell, maybe even Markin, would have out be-bopped him for lunch and had time for a nap), Big Bang Jane (guess what that referred to, and she gave herself that nickname, but I never tried to make a move on her because she was just a little too wild, a little too I would have to keeping looking over my shoulder for me then, probably later too when things got even looser. And then there was the Flip-Flop Kid’s warning ), and Sweet Pea (and she was a sweet pea, if Bopper Billy wasn’t around, well we both agreed there was something there but in those 1966 days we were still half tied up with the old conventions of not breaking in between a guy and his girl, well that was the convention anyway whether it was generally honored or not, I did) we headed over once we heard the vibes from the sound system churning out some weird sounds, something like we had never heard before (weird then, little did we know that this was the wave of the future, for a few years anyway).

Naturally, well naturally after the fact once we learned what the inhabitants of the bus were about, they invited us for supper, or really to have some stew from a big old pot cooking on a fireplace that came with the place. And if you didn’t want the hell-broth stew then you could partake of some rarefied dope (no, again, no on the LSD thing. It was around, it was around on the bus too, among its various denizens, but mainly it was a rumor, and more of a West Coast thing just then. In the self-proclaimed, tribal self-proclaimed Summer of Love of 1967, and after that, is when the acid hit, and when I tried it but not on this trip. This trip was strictly weed, hemp, joint, mary jane, marijuana, herb, whatever you wanted to called that stuff that got you high, got you out of yourself, and got you away from what you were in North Adamsville, 

Mechanicsville or whatever ville you were from, for a while.

So that night was the introduction to the large economy size search for the freedom we all, as it turned, out were looking for. I remember saying to Sweet Pea as we went back to our campsite (and wishing I wasn’t so square about messing with another guy’s girl, and maybe she was too, maybe wishing I wasn’t square about it) that we had turned a corner that night and that we had best play it out all the way to the end right then for the chance might not come again.

The next day, no, the next night because I had spent the day working up to it, I became “Far-Out” Phil, or the start of that Phil. Frankly, to not bore you with a pipe by pipe description of the quantity of dope that I smoked (herb, hashish, a little cocaine, more exotic and hard to get then than it became later) or ingested (a tab of mescaline) that day, I was “wasted.” Hell I am getting “high” now just thinking about how high I was that day. By nightfall I was ready for almost anything as that weird music that crept up your spine got hold of me. I just, as somebody put a match to the wood to start the cooking of tonight pot of stew to keep us from malnutrition, started dancing by myself. Phil Larkin, formerly foul-mouthed Phil, a cagey, edgy guy from deep in corner boy, wise guy, hang-out guy, never ask a girl to dance but just kind of mosey up world, started dancing by himself. But not for long because then he, me, took that dance to some other level, some level that I can only explain by example. Have you ever seen Oliver Stone’s film, The Doors, the one that traced the max-daddy rocker of the late 1960s night Jim Morrison’s career from garage band leader to guru? One of the scenes at one of the concerts, an outdoor, maybe desert outdoor one, had him, head full of dope, practically transformed into a shaman. Ya, one of those Indian (Markin: Native American, Phil] religious leaders who did a trance-dance. That was me in late May of 1966, if you can believe that.

And see, although I wasn’t conscious of it first I was being joined by one of the women on the bus, Luscious Lois, whom I had met, in passing the night before. This Lois, not her real name, as you can tell not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. [Markin: Nice point, Phil, although I already ‘stole’ that point from you in my review.] Her real name was Sandra Sharp, a college girl from Vassar who, taking some time off from school, was “on the bus” trying to find herself. She was like some delicate flower, a dahlia maybe, like I had never encountered before. I won’t bore you with the forever have to tell what she looked like stuff because that is not what made her, well, intriguing, maddeningly intriguing, like some femme fatale in a crime noir film that Markin, from what I can gather, is always running on about. She was pretty, no question, maybe even a dark-haired, dark-eyed beauty if it came to a fair description in the light of day but what made her fetching, enchanting, if that is a different way to say it, was the changes in her facial expressions as she danced, and danced provocatively, dance half-nakedly, around my desire. And I danced, shedding my shirt although I do not remember doing so, danced half-naked around her desire. Then, faintly like a buzz from some hovering insect, maybe a bee, and then more loudly I kept hearing the on-lookers, half-mad with dope and with desire themselves, yelling far out, far out. And Far-Out Phil was born.

Oh, as for Luscious Lois and her desire, well, you figure it out. I might not have been as wise to the ways of the Vassar world in those days when such places were bastions to place the young women of the elite and keep them away from clawing upstarts from the corner boy night as I should have been but the rest of my time on the bus was spend hovering around Lois, and keeping other guys away. I even worked some plebeian “magic” on her one night when I started using certain swear words in her ear that worked for me every Sunday after 8:00 AM Mass at Sacred Heart Catholic Church with foxy Millie Callahan, back in the day. Far-Out Phil got a little something extra that night, proper Vassar girl or not.

No offense against Iowa, well only a little offense for not being near an ocean, I think. No offense against the university there, well only a little offense for not being Berkeley but after about a week of that campsite and its environs I was ready to move on and it did not matter if it was with Flip-Flop and his crowd or with Captain Crunch (the guy who “led” his clot of merry pranksters, real name, Samuel Jackman, Columbia Class of 1958, who long ago gave up searching, searching for anything, and just hooked into the idea of taking the ride). Captain Crunch, as befitted his dignity (and since it was “his” bus paid for out of some murky deal, probably a youthful drug deal, from what I heard), was merely the “leader” here. The driving was left to another, older guy. This driver was not your mother-sent, mother-agent, old Mrs. Henderson, who prattled on about keep in your seats and be quiet while she is driving (maybe that, subconsciously, is why the seats were ripped out long ago on the very first “voyage” west) but a very, very close imitation of the god-like prince-driver of the road, the "on the road” pioneer, Neal Cassady, shifting those gears very gently but also very sure-handedly so no one noticed those bumps (or else was so stoned, drug or music-stoned, that those things passed like so much wind). 

His name: Cruising Casey (real name, Charles Kendall, Haverford College Class of ’64, but just this minute, Cruising Casey, mad man searching for the great American be-bop night under the extreme influence of one Ken Kesey, the max-daddy mad man of the great search just then). And Cruising was, being just a little older, and about one hundred years more experienced, also weary, very weary of co-eds, copping dope and, frankly, staying in one place for so long. He also wanted to see his girlfriend, or his wife, I am not sure which in Denver so I knew where we were heading. So off we go, let’s get going.

And the passengers. Nobody from the Flip-Flop Express (although Flip-Flop, as usual, lived up to his name and hemmed and hawed about it), they were heading back east, back into the dark Mechanicsville night. I tried, tried like hell, to get Sweet Pea to come along just in case the thing with Lois fell apart or she took some other whim into her head. See, re-invented or not, I still had some all-the-angles boyhood rust hanging on me. We did know for sure that Casey was driving, and still driving effortlessly so the harsh realities of his massive drug intake had not hit yet, or maybe he really was superman. Other whose names I remember: Mustang Sally (Susan Stein, Michigan, Class of 1959, ditto on the searching thing), Captain Crunch’s girl friend, (although not exclusively, not exclusively by her choice, not his, and he was not happy about it for lots of reasons which need not detain us here). Most of the rest of the “passengers” have monikers like Silver City Slim, Penny Pot (guess why), Moon Man, Flash Gordon (from out in space somewhere, literally, as he told it), Dallas Dennis (from New York City, go figure), and the like. They also had real names that indicated that they were from somewhere that had nothing to do with public housing projects, ghettos or barrios. And they were also, or almost all were, twenty-somethings that had some highly-rated college years after their names, graduated or not). And they were all either searching or, like the Captain, were at a stage where they are just hooked into taking the ride.

As for the rest. Well, no one could be exactly sure, as the bus approached the outskirts of Denver, as this was strictly a revolving cast of characters depending on who was hitchhiking on that desolate back road State Route 5 in Iowa, or County Road 16 in Wyoming, and desperately needed to be picked up, or face time, and not nice time with a buzz on, in some small town poky. Or it might depend on who decided to pull up stakes at some outback campsite and get on the bus for a spell, and decide if they were, or were not, on the bus. After all even all-day highs, all-night sex, and 24/7 just hanging around listening to the music is not for everyone. And while we had plenty of adventures, thinking back on it now, they all came down to drugs, sex, and rock and roll with a little food on the side. If you want to hear about them just ask Markin to contact me. The real thing though, the thing that everybody should remember is that dance night in Ames, Iowa when Phil Larkin got “religion,” 1960s secular religion. He slid back some later, like everybody does, but when he was on the bus he was in very heaven.

Markin note: No question that this story, except perhaps for hormonal adolescents, is better than those dreary old geezer searching for young love tales that he ran by us before. By the way Phil, you don’t happen to have Luscious Lois’, ah, Sandra Sharp’s, cell phone number or e-mail address. And don’t lie and say you don’t have it. You never crossed off a woman’s name from your book in your life. Give it up.