Out In The Be-Bop Night- The Search For The Blue-Pink Great Western Night-Postscript- The Torch Is Passed?- February 2011

 

Markin comment:

 

Maybe it was the sheer, hard fact of the California night calling after too long an absence, the California be-bop late 1960s night, the eternal California be-bop night after years of Maine solitude, of Maine grey-blue-white washed, white-crested, white-capped, foam-flecked Atlantic ocean-flotsam and jetsam strewn waters. After all not all oceans are created the same, not all oceans speak to one in the same way, although they are all old Father Neptune’s thoughtful playgrounds.

 

California’s, yes, white-washed, yes, white-crested, yes, white-capped, yes, foam-flecked speak to gentle, warm lapis lazuli blue wealth dreams of the quest, the long buried life long quest for the great blue-pink great American West night, blue-pinked skies of course. Yes maybe it was just that sheer hard fact that pushed me out of Eastern white, white to hate the sight of white, snowed-in doors, Eastern gale winds blowing a man against the sand-pebbled seas, and into the endless starless night. Yes, maybe just a change of color, or to color, from the white white whiteness of the sea walk white-etched night. Right down to the shoreline white.

 

Maybe it was the sheer, hard fact of preparing, against the timetable of that Eastern white night, this and that for the winter California day, and night, the ocean California that set the thoughts of the be-bop night, and the quest for the blue-pink skies humming once again in the, admittedly, older-boned voyager, voyeur of dreamed once sultry, steamy nights. A different proposition, a different proposition, on most days, from preparing to face fierce Maine winter mornings, unaided by the graces and forms nature provides its hardier creations. No thoughts today of heavy woolen coats, double-stitched, double-plied, doubled-vested, old nor’ easter worthy, or heavy woolen pants, same chino pants of youth, same black chino pants, no cuffs, except winter weight, not the always summer weight of no knowledge youth, or heavy boots, heavy clunky rubberish boots mocking against the snow-felt, ocean-edged soft sand streets, or maybe, more in tune with aged-bone recipes heavy-soled, heavy-rubber soled (or was it rubber souled) running shoes (also known in the wide world of youth as sneakers, better Chuck’s). Of scarves, and caps, full-bodied caps, better seaman’s caps, heavy, wool, dark blue, built to stand against the ocean-stormed waves crashing and thrashing against ships hulls, and gloves, gloves to keep your hands from frosty immobility I need not speak. Or will not speak.

 

No, today we think of great controversies of age, well, mini-controversies anyway, between hi-tech-derived aero-flow, toe-fitted, sheer meshed sneakers, or just old-fashioned, Velcro-snapped criss-cross leather sandals, toe-dangling in the sand streets ready. Or between jungle-fitted, twelve-pocketed (or so it seems), straight from the Ernest Hemingway African safari night ( so it seems, again) else, maybe, out of mad man gonzo journalist Hunter Thompson in full loathing regalia, or Reebok, Nike, Adidas, New Balance free-for-all athletic shorts. Or between hearty windbreakers, fit for eastern gales and western el ninos, versus light denim, light blue, tight fit, well, maybe tight fit, be young Marlon Brando or James Dean-worthy in some motorcycle hidden fantasy, jackets. All decisions, all timed but irrevocable once inside the airport terminal, and its maze, no beyond maze, beyond rate maze, of security and scrutiny.

 

Maybe it was the sheer, hard fact of just that airport invasion, the hard fact of the post-9/11 travel world. The running the gauntlet of checkpoints, charts, human body scanning screens, magic forgery detecting pens, bells, whistles, and surly, or maybe better, indifferent, human scanners, human searchers, human checkers. The piles of thrown away, seemingly harmless, harmless to these eyes, water bottles, pure-spring-ed water bottles (Evian, Poland Springs, Belmont Springs, home-filled reusable, filtered tap water L.L. Bean bottles, whatever) which now are deadly weapons, or could be, are a twisted metaphor for the scene. All in order to get from point A (east coast angry ocean waters) to point B (west coast, or hipper, at least used to be hipper, left coast gentle, spa-like, or faux spa waters) in less than six hours.

 

No more of timeless trips, or at least of months’ long trips, aimless but aim-full in their purposeful search. No more of Boston to Angelica Steubenville to roots Prestonsburg to Lexington (Kentucky that is, not revolutionary battlefield Lexington, not that trip anyway). No more Moline meltdowns and Neola corn field nights and Aunt Betty lazy, crazy, hazy suppers or solidarity rides to the desert Native American ghost sky night, drums beating back to primal times, and then over the last mountains down into California blue-pink haze. No, six hours, no more, or else breakdown against those bone-aged facts, and bone-aged stiffness rebellions. Or worst surrender to the think better, or at least twice, of such a trip gods, Egad has it come to that.

 

Maybe it was the sheer, hard fact of riding a rental car, a rental car, my god, a mid-sized, almost brand new, gadget-filled lights, horns, windshield wipers all controlled, whiplash computer-controlled, at the touch power steering. And I like a kid, a dumb, no California hot-rod head under the hood kid with car-ness in the very blood, but more of a youth spent no car, not dough for a car, miles walked, sneaker miles walked, kid, scratching my head to figure out what goes where and screaming onto that good night about how the hell have we come to such a complicated place where it requires seven degrees in astro-physics, at least, to get the damn thing started. No more of drowsy early morning truck stop diner pick-ups by benny-high, reds-low, mortgaged to the teeth zen truck-driving road masters carrying freights from here to there (I would say from point A to point B but that is used up already). No more of psychedelic- painted, further night, magical tour buses, old time yellow brick road school buses converted to living, breathing space on the endless hippie hitchhike 1960s road. No more even of old country hay wagons named, or misnamed, trucks picking up likely farm hands, penny-poor likely farm hands, to work for a few days before moving on. No more of that, indeed.

 

Maybe, and here we are reaching some home truths, it was the sheer, hard fact of seeing the azul ocean sea coming over the horizon at Laguna Hills or one of those endless, one-name-fits-all or should fit all Southern California beach towns filled with the mandatory fake, yes, fake Spanish décor. Of the ticky-tack rows (thanks Malvina Reynolds via Pete Seeger) of “Spanish” houses, oh, I mean, estates, where I see kids, kids no different than I was just waiting for the jail-break event of their generation, if it comes, and if they want long enough but not too long. Of the million and one surf shops for the youngsters to wax and wane on seeking of their own blue-pink nights (or days, more likely), the endless quest for the perfect wave. Of the strip mall rows of fast food eateries, fast clothes chanceries (swim suits a specialty), of sun-free indoor tanning against the rages of father sun. Of the quaint (nice word, right?), yes, quaint lobster dinner (lobster flown in from, from, ah, Maine), California fresh fish of the day, freshly caught, beach view restaurants or other finery, and of cruising (no, not that cruising) pedestrians of all sizes and shapes.

 

Shapes including show-off lovely formed younger girls, ah, women, maybe a young Angelica waiting to splash her first splash in mother Pacific, peaceful mother pacific. And all races and languages and ethnicities trying to figure out the lure of the heathered (almost like Scotland, Scotland of no burr) coastal shore to the Okies, Arkies and Texies, who descended here a couple of generations ago, planted roots, their migratory roots, not Eastern forever and a day roots, and never left. But still the gnawing question, the question of questions-where to go west from here. Not back to the okie dust bowl, that is for sure, not for those now corn-fed, yellow-haired (maybe genetically yellow from that corn) beauties of both sexes who are tied to the sea, to the endless quest for the perfect wave sea, even though from the look of them if I posed the question that way, that perfect wave search way, I would shunted away screaming in that previously mentioned good night.

 

Maybe it was the sheer, hard fact of walking ancient shoreline walks, soft sand- kicking, shod-less feet kicking, tracing new written configurations to ancient gods in the previously clean-slated sand surface, occasionally pebble-dotted, seashell-scattered, as the ocean screams for quiet from those walking in its space and pleads, like some latter day librarian, not to disturb others. Of thoughts of ancient sorrows, and ancient laughters. Remembrances of Angelica first time ocean splashes, of riptide saves, of hero’s rewards for heroic saves, rewards better left to the imagination, ancient imagination. Of scaled seawalls that hold back tide, time and the brick-a-brack whims of fickle man, of humankind. Of squirrels, everlasting, ever-present seashore-loving burrowing squirrels filching, filching and begging, begging for human food against all good nature’s wisdom.

 

And getting it. The food that is. Of ocean side night campfires to protect against the force of the ocean chill, of ocean shadows, and of ocean smokes, thinking back to the days when cigarette smokes filled many public spaces. But better smells now of mesquite wood smells, of charcoals broils smells, of sea-drug up woods smoothed from ocean pounds smells. Of high ganja smells, of pellets and pills to ward off the ocean calls to the endless sleep, of the return to the homeland, of the homeland seas. And of skies of daytime blue, blue, blue enough to make a pair of pants out of, cloudless in afternoon after fogged-down mornings. Ah, but you know what’s coming, what the whole shore line walk means. Yes, the night, no, not the night night, the dark, starless night of the poet’s lament, of ancient times wonder, and of modern no night human-crafted light beams breaking the will of the dark night. No, not that night but rather the earlier part, the part after the sun goes on its business below the horizon and leaves as a reminder the blue-pink night hanging over the ocean, tourist taking pictures, taking camera, digital camera pictures today, instant, mainly, but, hell who need such tacky reminders when the mind’s eye reeks of blue-pink memory, ancient blue-pink memories.

 

Maybe it was the sheer, hard fact of leaving, of returning east fast, faster as it turns out that heading west, west to the blue-pink night, to the be-bop night. I will not speak of that airport maze, rat-like or not, again it does not vary on the way back any more than going to. Now I speak of those haunts, those dreaded ancient haunts of having to return to eastern concerns, eastern worries, eastern woes, and a feeling, an old feeling an old Joyel-time feeling of having to go back to routines, not the regular routines that make life bearable but the routines of routines that drive one out on the midnight run to wherever, whenever. And to see, although see only in a flash, the contours of the American night, of the sense of the American landscape, of roads and rivers it took months for ancient pioneer Conestoga wagons to traverse, and weeks for ancient hitchhike roads to swallow.

All blaze past in a flash, all lighted strange patterns civilization.

 

Maybe it was the sheer, hard fact of grabbing a midnight-like cab for the ride home, eastern home, eastern snow-drenched home that had not changed in sight but changed from still present blue-pink memories as always, from leaving but still necessary to face. On such cab rides, such youthfully scorned cab rides, and truth be known youthfully unaffordable rides, I now take when language is no barrier to asking for cabbie stories (although many times such is a problem as this is now a profession, a city profession, by recent immigrants, dominated, seemingly oxymoronic, since how would such fellows know the ancient trails of the east, at least in pre-techno- GPS days) in the hopes of finding some gem story to feed the literary lights, not blue-pink lights by any means, just fill-in road stories. And this night, this night when thoughts have been whirling for weeks about ancient things, ancient things described above, I find a kindred. Cabbie X, ancient cabbie X, fires back in full-bodied, “I don’t have any cabbie stories to tell, but I have some hitchhike stories.” Hell, hell on wheels, be still my heart, tell, brother, tell kindred tell all, and drive slow, stop at every traffic light slow, I have dough in my pocket and a hunger, an unspeakable, unquenchable just now hunger, to hear your tales, your ancient 1960s hitchhike road tales.

 

Tales about his road from Missoula, Montana to New Haven, Connecticut. (Yes, avoid hitching on those Connecticut roads, and Arizona’s too. Agreed). Of Truckee truck stops. Of truck stop road side diners, and endless cups of coffee, and badgering truckers for long-haul rides. Of hard driving, get to the coast, benny-high truckers seeking to spill their guts to some lone stranger in order to keep awake and pass the hard highway mile. Of Pacific Coast highways brimming with converted magical mystery tour school buses, converted to living housing for the broken-hearted, the love-lorn, the be-bop nighters. Ah, memory. “Hey, you almost didn’t stop at that last traffic light, brother.”

 

More, more please. Of Nevada desert stops, waiting by lonely crossroads for hours, reading scrawled signs from ancient forbears, maybe those very Conestoga folk, warning that one may wait for a ride to perdition there. Of dope smoke, of friendships, many fleeting, but a feel for that good moment. And at the close of that cabbie night a thought , a cabbie thought- we made it, we were better for it, and we can survive in this old world because we made that venture. No need to speak of the blue-pink night to this brother, such words would be wasted. This is that now dwindling fraternity that sought, maybe still seeks that good night, and that is all that needs to be said. A revolutionary brotherhood handshake, a handshake too hard to describe here but fraught with meaning back in those days, at my door seals our night’s work. Yes, memory almost like a yesterday memory, finely-etched in our collective minds, recallable at an instant.

 

Maybe it was the sheer, hard fact of carrying around , winter long, winter, snow-blasted long, a song/story in my head, a story recorded by Red Sovine and which I heard by way of the inscrutable Tom Waits, Big Joe and Phantom 309. A story of a fellow hitchhike roader caught out in one of those lonely crossroads to nowhere that every seeker knows about, although they are not always windswept and rain-drenched. Sometimes they are snow-frozen, sometimes, heat-drowned, sometimes, not enough times, just plain, ordinary sunny-dayed. Out of the mist comes the mythical trucker, Big Joe will serve as well any other name, although when I think trucker I always think Denver Slim as he was neither slim (far from it) nor from Denver, and that tells a tale right there. So they ride the night away telling lies and other stories until they come near a truck stop and Big Joe freaks, and the hitchhiker is left, after Big Joe pitches him a dime, to go in for a cup of coffee on Big Joe. Said hitchhiker goes in and tells his story of the ride and with whom and gets the lowdown from a waiter. See Big Joe died, truck-faithful, Phantom 309 faithful died, when he avoided a school bus filled with kids out on that lonely pick-up crossroad. But see Big Joe did another favor, a hitchhike brotherhood favor as the waiter says “have another cup of coffee and keep the dime, keep the dime as a souvenir of Big Joe and Phantom 309.” Great story and I have my own just like it, and Brother Cabbie X had his own, and every man and woman who ever hit the road, by force or desire, has that same story just mix it up a little.

 

Maybe it was just the sheer, hard fact of listening, listening attentively, listening eagerly on the rented car California roads to old road warrior, Wobblie, kindred of tramps, bums, and hoboes of an earlier age, an age which intersected with the hippie hitchhike road of the 1960s, the late folksinger/songwriter Bruce “Utah” Phillips and his definite Songbook. Listening to old songs of struggle from prairie days, of hobo jungles by the railroad tracks (not today’s high speed ones, no way), and train-jumpers (a different breed that we highway hitchhikers but still searchers. I never had much luck on the trains, and got tossed off a few by the railroad bulls, so I will leave that mode of transportation alone), skid row nights, sidewalk sneers, and destruction of the western hobo night by gentrification. Of paperless street benches, of paper-filled bus depot benches, of public bathroom stenches, of half-way house snores and hostels bland food that dotted the old transient landscape, and have seemingly faded from memory, except on twilight California streets as the homeless hoboes make way to the beach and night time sleeps, sleep it offs, mainly.

 

Yah, maybe it was all those sheer, hard facts, collectively or individually, that brought me back to memories of the ancient hitchhike road, especially that brother cabbie scene but, finally, here is the real reason. Let me go back to those California roads for a minute, no, not the Pacific Coast highway freedom road (Routes 1 and 101) but the high volume, hard-driving, eighty billion-laned (okay, I exaggerate) Interstate 5 that, one way or another, goes up and down the length of the state. Actually let me go back to the one of the entrances, one of the Oceanside entrances, where beyond belief I spy two youths, a male and female, two youthful Markins and Angelicas maybe, standing on the corner, waiting, waiting for a what. A hitchhike ride of course. In the second it took me to realize that this is what they were doing (they held out no thumb, nor had a sign indicating where they were heading, obviously “green” at this work) and slammed on the brakes I was beside them. “Where are you heading?” asks ancient seeker narrator of this tale. “L.A.,” they shoot back. “Get in.” And they do, the guy (Brandon) in the front and the gal (Lillian) in back. At least they have enough sense to make that configuration, that pair male –female configuration, like we did in the old days just in case things got weird. And I had no intention, no intention in hell, of going back to L.A. that day, except one million questions about their purpose, their reasons for being on the road, and ancient courtesies that dictated that I pick up hitchhikers, a rare, incredibly rare occurrence these days. I will let them tell their stories some other time because this after all is my story but their quest, in any case, involves nothing as grandiose as the search for the blue-pink night although it involved Generation X dreams, and that will have to do.

 

So the torch is passed, maybe…

 

Or maybe it is the sheer, hard fact of that knapsack, old Army surplus olive green knapsack, moth-eaten, maybe, moldy, well hitchhike-traveled, well-worn, a lasting memento to that 1969 Angelica-paired road trip sitting in some back closet, up in the attic, or worst, down in the forlorn cellar crying to get out, or maybe some old sea shell of infamous origin also back there calling me back, back to our homeland the road, and the eternal, now I know it is eternal, search for that blue-pink great American West night.

 

The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View

From The Pen Of The Late Peter Paul Markin

 

With A 2015 Introduction By Sam Lowell

 

If you did not know what happened to the late journalist Peter Paul Markin who used to write for some of the alternative newspaper and magazine publications that proliferated in the wake of the 1960s circus/war/bloodbath/all world together festival/new age aborning cloud puff dream, won a few awards too and was short-listed for the Globe Prize this is what is what. What is what before the ebb tide kind of knocked the wind out of everybody’s sails, everybody who was what I called at the time when I was more hopeful about, and more expectant to reap the benefit from, “seeking a newer world,” a line I stole from some English poet, Alfred Lord Tennyson I think if memory serves (Robert Kennedy, Jack’s brother, or his writer “cribbed” the line too for some pre-1968 vision book before he ran for President in 1968 so I am in good company.) I will tell you in a minute what expression “the Scribe,” a named coined by our leader, Frankie Riley, which is what we always called Markin around the corner we hung out in together in front of Salducci’s Pizza Parlor in our hometown of North Adamsville once Frankie laid that moniker on him, used to describe that change he had sensed coming in the early 1960s. Saw that train coming long before any of the rest of us did, or gave a rat’s ass about, our expression of the time meaning “don’t bother me with world stuff I have to suffer through this teen angst thing” in our serious pressing concerns of the moment, worries about girls (all of the existential problems angst including about bedding them, or rather getting them in back seats of cars mainly, or in a pinch behind the secluded seawall down at the far end of the beach), dough (ditto the girl existential thing to keep them interested in you and not run off with the next guy who had ten bucks to spend freely on them to your deuce, Jesus) and cars (double ditto since that whole “bedding” thing usually hinged on having a car, or having a corner boy with some non-family car to as we used to say, again courtesy of the Scribe via scat bluesman Howlin’ Wolf, “doing the do” in some forlorn back seat down some lonesome lovers’ land. The Scribe though wanted to give it, give what we were feeling, you know our existential angst moment although we did not call it that until later when the Scribe went off to college and tried to impress us with his new found facts, his two thousand new found facts about guys like Sartre and Merleau-Ponty. Like I said we could give a rat’s ass about all that-then.

 

All I know is that ebb tide that caught Markin kind of flat-footed, kind of made him gravitate back toward his baser instincts honed by every breathe he took as a kid down in “the projects” where he learned the facts of life, the facts of fellaheen life which is what one of our junior high school teachers called us, called us peasants, called it right too although we were the urban versions of the downtrodden shanty peasants but they were kindred no doubt, is still with us. So maybe being, having been a “prophet, ” being a guy who worried about that social stuff while we were hung up on girls,  dough and cars (him too in his more sober moments especially around one Rosemond Gooden who would not give him the time of day since she was from up the road in the newly built ranch houses that were dream houses in the “golden age of the 1950s), wasn’t so good after all.

 

Maybe the late Markin was that kind of Catholic “martyr saint” that we all had drilled into us in those nasty nun run Sunday catechism classes, maybe he really was some doomed “n----r” to use a phrase he grabbed from some Black Panther guys he used to run around with when he (and Josh Breslin) lived in Oakland and the “shit was hitting the fan” from every law enforcement agency that could put two bullets in some greasy chamber to mow down anybody even remotely associated with the brothers and the ten point program (who am I kidding anybody who favored armed self-defense for black men and women that’s the part that had the coppers screaming for blood, and bullets).

 

Here is a quick run-down about the fate of our boyhood corner boy bastard saint and about why stuff that he wrote forty or fifty years ago now is seeing the light of day. I won’t bore you with the beginnings, the projects stuff because frankly I too came out of the projects, not the same one as he did but just as hopeless down in Carver where I grew up before heading to North Adamsville and Josh who was as close as anybody to Markin toward the end was raised in the Olde Saco projects up in Maine and we are both still here to tell the tale. The real start as far as what happened to unravel the Scribe happened after he, Markin, got out of the Army in late 1970 when he did two things that are important here. First, he continued, “re-connected” to use the word he used, on that journey that he had started before he was inducted in the Army in 1968 in search of what he called the Great Blue-Pink American West Night (he put the search in capitals when he wrote about the experiences so I will do so here), the search really for the promise that the “fresh breeze” he was always carping about was going to bring. That breeze which was going to get him out from under his baser instincts developed (in self-defense against the punks that were always bothering him something I too knew about and in self- defense against his mother who was truly a dinosaur tyrant unlike my mother who tended to roll with the punches and maybe that helped break my own fall from heading straight down that Markin fate ladder) in his grinding poverty childhood, get out from under the constant preoccupation with satisfying his “wanting habits” which would eventually do him in.

 

Markin had made a foolish decision when he decided to drop out of college (Boston University) after his sophomore year in 1967 in order to pursue his big cloud puff dream, a dream which by that time had him carrying us along with him on the hitchhike road west in the summer of love, 1967, and beyond. Foolish in retrospect although he when I and others asked about whether he would have done things differently if he had known what the hell-hole of Vietnam was all about was ambivalent about the matter.

 

Of course 1967, 1968, 1969 and other years as well were the “hot” years of the war in Vietnam and all Uncle Sam and his local draft boards wanted, including in North Adamsville, was warm bodies to kill commies, kill them for good. As he would say to us after he had been inducted and had served his tour in ‘Nam as he called it (he and the other military personnel who fought the war could use the short-hand expression but the term was off-bounds for civilians in shortened form)  and came back to the “real” world he did what he did, wished he had not done so, wished that he had not gone, and most of all wished that the American government which made nothing but animals out of him and his war buddies would come tumbling down for what it had done to its sons for no good reasons.

 

And so Markin continued his search, maybe a little wiser, continued as well to drag some of his old corner boys like me on that hitchhike road dream of his before the wheels fell off. I stayed with him longest I think before even I could see we had been defeated by the night-takers and I left the road to go to law school and “normalcy.” (The signposts: Malcolm X’s, Robert Kennedy’s and Martin Luther King’s assassinations, hell maybe JFK’s set the who thing on a bad spiral which kind of took the political winds out of any idea that there would not be blow-back for messing with the guys in power at the time, the real guys not their front-men, the politicians; the rising tide of “drop out, drug out, live fast and die young” which took a lot of the best of our generation off giving up without a fight; the endless death spiral of Vietnam; the plotted killings of Black Panthers and any other radical or revolutionary of any color or sex who “bothered” them; and, the election of one master criminal, Richard Milhous Nixon, to be President of the United States which was not only a cruel joke but put paid to the notion that that great unwashed mass of Americans were on our side.)

 

Markin stuck it out longer until at some point in 1974, 1975 a while after I had lost touch with him when even he could see the dreams of the 1960s had turned to dust, turned to ashes in his mouth and he took a wrong turn, or maybe not a wrong turn the way the wheel of his life had been set up but a back to his baser instincts turn which had been held in check when we were in the high tide of 1960s possibilities. (Josh Breslin, another corner boy, although from Olde Saco, Maine who had met Markin out in San Francisco in the summer of love in 1967 and who had also left the road earlier just before me was in contact until pretty near the end, pretty close to the last time in early 1975 anybody heard from Markin this side of the border, this side of paradise as it turned out since Josh who lived out in California where Markin was living at the time confirmed that Markin was in pretty ragged mental and physical condition by then).           

 

Markin had a lot invested emotionally and psychological in the success of the 1960s “fresh breeze coming across the land” as he called it early on. Maybe it was that ebb tide, maybe it was the damage that military service in hell-hole Vietnam did to his psyche, maybe it was a whole bunch of bad karma things from his awful early childhood that he held in check when there were still sunnier days ahead but by the mid-1970s he had snapped. Got involved in using and dealing cocaine just starting to be a big time profitable drug of choice among rich gringos (and junkies ready to steal anything, anytime, anywhere in order to keep the habit going).

 

Somehow down in Mexico, Sonora, we don’t know all the details to this day a big deal Markin brokered (kilos from what we heard so big then before the cartels organized everything and before the demand got so great they were shipping freighters full of cold cousin cocaine for the hipsters and the tricksters and big for Markin who had worked his way up the drug trade food chain probably the way he worked his way into everything by some “learned” dissertation about how his savvy input could increase revenue, something along those lines) went awry, his old time term for something that went horribly wrong, and he wound up face down in a dusty back road with two slugs to the head and now resides in the town’s potter’s field in an unmarked grave. But know this; the bastard is still moaned over, moaned to high heaven.

 

The second thing Markin did, after he decided that going back to school after the shell-shock of Vietnam was out of the question, was to begin to write for many alternative publications (and I think if Josh is correct a couple of what he, Markin, called “bourgeois” publications for the dough). Wrote two kinds of stories, no three, first about his corner boy days with us at Salducci’s (and also some coming of age stories from his younger days growing up in the Adamsville Housing Authority “projects” with his best friend, Billie Bradley before he met us in junior high school). Second about that search for the Great Blue-Pink American Night which won him some prizes since he had a fair-sized audience who were either committed to the same vision, or who timidly wished they could have had that commitment (like a couple of our corner boys who could not make the leap to “drugs, sex, rock and roll,” and raising bloody hell on the streets fighting the ‘monster’ government” and did the normal get a job, get married, get kids, get a house which made the world go round then). And also an award-winning series of stories under the by-line Going To The Jungle for the East Bay Other (published out on the other side of the bay, San Francisco though) about his fellow Vietnam veterans who could not deal with the “real” world coming back and found themselves forming up in the arroyos, along the rivers, along the railroad tracks and under the bridges of Southern California around Los Angeles. Guys who needed their stories told and needed a voice to give life to those stories. Markin was their conduit.

 

Every once in a while somebody, in this case Bart Webber, from the old corner boy crowd of our youthful times, will see or hear something that will bring him thoughts about our long lost comrade who kept us going in high school times with his dreams and chatter (although Frankie Riley was our leader since he was an organizer-type whereas Markin could hardly organize his shoes, if that). Now with the speed and convenient of the Internet we can e-mail each other and get together at some convenient bar to talk over old times. And almost inevitably at some point in the evening the name of the Scribe will come up. Recently we decided, based on Bart’s idea, that we would, if only for ourselves, publish a collection of whatever we could find of old-time photographs and whatever stories Markin had written that were still sitting around somewhere to commemorate our old friend. We have done so with much help from Bart’s son Jeff who now runs the printing shop that Bart, now retired, started back in the 1960s.

 

This story is from that first category, the back in the day North Adamsville corner boy story, although this one is painted with a broader brush since it combines with his other great love to write about books, film and music. Always connected with the music was his awful hard time with women, girls as a kid, women, wives, two before the end, always touching the woman’s side which always both intrigued him and befuddled him since the distaff side (nice combination term that Markin would have appreciated especially that distaff thing for women who befuddled him, befuddled him straight up). It had been found in draft form up in Josh Breslin’s attic in Olde Saco, Maine where he had lived before meeting Markin in the great summer of love night in 1967 and where he had later off the road stored his loose hitchhike road stuff and his writerly notebooks and journals at his parents’ house which he had subsequently inherited on their respective passings. We have decided whatever we had to publish would be published as is, either published story or in draft form. Otherwise, moaning over our brother or not, Markin is liable to come after us from that forlorn unmarked grave in that Sonora potter’s field and give us hell for touching a single word of the eight billion sentences he  had had stored in his fallen head.     

 

Here is what he had to say:                        

 

The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View

 

By the late Peter Paul Markin

 

High School Confidential lyrics-Jerry Lee Lewis

 

You better open up honey it's your lover boy me that's a knockin'

You better listen to me sugar all the cats are at the High School rockin'

Honey get your boppin' shoes Before the juke box blows a fuse

Got everybody hoppin' everybody boppin'

Boppin' at the High School Hop

Boppin' at the High School Hop

Shakin' at the High School Hop

 

I've rollin' at the High School Hop

I've been movin' at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop

Come on little baby gonna rock a little bit tonight

Woooh I got get with you sugar gonna shake things up tonight

Check out the heart beatin' rhythm cause my feet are moving smooth and

Light

Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Movin' at the High School Hop

Everybody’s hoppin' just a boppin' just a boppin'

 

Piano Solo!

 

Come on little baby let me give a piece good news good news good news

Jerry Lee is going to rock away all his blues

My hearts beatin' rhythm and my soul is singin' the blues

Oooooh Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Gettin' it at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop

********

Billie, William James Bradley comment:

 

I am fuming, fuming six ways to Sunday if that is possible, fuming until the cows come home if there are any cows around, and if they have wandered I am still fuming. Why? I just called up Laura, Laura that I took to the school dance last week, to ask her if she wanted to go to the church sock hop scheduled for this weekend, Saturday night. Now it wouldn’t be as good as the last school one with a live band, and all, but even with just records and just ten thousand poor as church mice chaperones doing their chaperone thing to get grace or something, for real, we could still have a good time.

 

And do you know what she said. “I’ve got a date.” What, no way, no possible way, when everybody knows that she is my “personal property.”

 

“Who is the guy, who is the guy, who is the guy who would dare cross the king of the rock night? This world is not big enough for the two of us, give me his name,” I said as I readied my arrows. “It’s Peter Paul, and before you get all crazy I asked him,” she darted back the sound of her voice pleased; pleased as punch, the way she said it. “What?” I shouted over the phone so everyone within a twenty square mile area could hear, if they wanted to.

 

She came back, all sweet reason just like every girl, every stick or shapely girl, women even “I like you, I definitely like you, you’re funny, and you’re a good dancer, and you sure know a lot about rock ‘n’ roll, but you seem too bossy, and you take that "king of the rock" thing that Peter Paul keeps telling everybody about way too seriously. If Peter Paul hadn’t spent what seems like half his life building you up as, what did he call it, oh yah, “king of the be-bop night” you might be a better boy to be with. But the big thing, and here is where it all comes down on you, I found out, found out from Karen, that you tried to make a clown out of poor Peter Paul when you let him dance with me and you knew, or thought you knew, that he couldn’t dance for beans.”

 

After she let that set in my head, uneasily in my head for a minute, she continued “So, yes, I went right over to his house and told him, no, what did he say I said, ‘insisted’ that we were going to the next dance together.” But get this, get this dagger thing aimed right at my heart. She finishes off with “And he makes me smile with his silly bookish ways, and you don’t okay. Next dance I’ll go with you, your highness, maybe.” And then she hung up. Ouch!

 

Two-timing that is all that it is. I can see that now. No, not Laura, you know how girls are, twelve and thirteen year old girls, with their hard to figure giggles, their starting to get shapes, and their monthlies (my sisters, Carol and Donna, told me all about it, sorry, tough luck girls). No, Peter Paul, Markin, that s. o. b., two-timed his best friend that’s all it can be. Probably went to the Thomas Crane Public Library branch that is attached to the school and read up everything that was on the shelves about two-timing, the history of two-timing, boys two-timings girls, girls two-timing boys, everything on the subject back to Pharaoh Egypt times. Just to two-time Billie, William James Bradley, known far and wide, despite what Laura said, as the king of the be-bop rock night. And Markin, no more Peter Paul nice guy now, didn’t have diddley to do with that. Period

 

But how did he switch up on me? I don’t get that. First, I know, I know from Karen, I know from Donna (not my sister Donna, Donna O’Toole, Cool Donna O’Toole, or was until I ditched her, or what did Markin call it, “discarded her”), I know from Theresa, and I know now, because I just asked her before she went out the door, from my sister Carol, that Markin never said word one to Laura before I introduced them the other night. Although now that I think about it I am still ticked off at Carol for not telling me about helping Markin learn to dance, rock dance, not that silly cowboy, barn dance, square dance thing that he calls rock dancing. I also know from Carol that Markin did not know much about jumping Jerry Lee Lewis. He was just hoping to get maybe an Elvis One Night With You, Good Rockin’ Today, Jailhouse Rock chance. Or a Chuck Berry Sweet Little Sixteen, or a Bo Diddley Who Do You Love? chance with Theresa, Karen or Donna (O’Toole). No way he believed, and I am going to go over right now and ask him about it, that he was going to step up to Laura’s league. Hell, it couldn’t have been that silly report, that silly report that he kept hammering me about as he learned each new thing, Jesus Christ, Greek democracy, what are you kidding.

 

At his house I confronted him. “Okay Markin what gives, what, how, why, where, when did you figure out how to break my time with Laura? And don’t play innocent and definitely, I warn you, start talking about that report, that silly Greek geek report.”

Of course I did not believe Peter Paul’s story, his “who me?” story, no way. No way in hell, excuse my language, is a nice shape like that Laura, a nice shape in all the right places, or trying to be in all the right places, and smart, real smart going to go off the deep-end for a, let’s face it, ragamuffin boy like Markin. Christ, even he said it, a guy with a clowny outfit, a shirt, a shirt, a white striped shirt for Christ sake, if you can believe that, a Bargie special, or straight off the back-rack at Woolworth’s, black chino pants with cuffs, jesus, cuffs and those square, too square Thom McAn brown shoes that I haven’t worn since about first communion is going to put the whammy on a babe like Laura.

 

Against me, against the king of the rock night in these parts, with my smart-looking wide lapel two-tone sports jacket just like Eddie Cochran, my black pants (yah, black pants, the black is okay it is the chinos, and, and the cuffs that have to go) nicely-pressed (yah, Ma-pressed), my Elvis-style hair-do with just the right length sideburns and my foxy, spit-shined Florsheim suede shoes (no, not blue suede, that’s squarey square now).

 

Yah, it was some drugstore medicine whammy he put on her at the dance that night. No question, although I haven’t quite figured out how he did it, because everybody knows, or I know anyhow that Peter Paul and science don’t mix. Don’t mix since he tried that rocket ship caper last year, trying personally to beat the commies at their own game after Sputnik jumped the night sky, when he tried to send some balsa wood rocket into space when he punctured a CO2 cartridge with a nail and a hammier and almost got us all killed. Or when, after that, he started to mix some chemicals in his cellar to go about it another way with some three-stage rocket concoction and almost blew the whole place up. I’ll tell you about that sometime but right now I wish, I wish, well I wish.

 

See, Peter Paul is really smart about things like Abigail Adams, or her son John Quincy, or about literary guys, like this guy Fitzgerald who wrote about rich kids with names like Basil something and Josephine this or that and their hi-jinx ages ago that he has been yakking about lately. Yah, reading about rich kids, rich, rich guys having fun with rich girls like that is going get us out of the projects, and like reading that stuff is going make him rich, or even get him a pass out of this dungeon project.

Hey, wait a minute, no, no, it is not about science, it’s not about some silly book report, and it’s not about Peter Paul suddenly being a lady’s man. Why didn’t I think of it before? It’s about this new rocker- Jerry Lee Lewis and his be-bop thing, be-bop piano thing. Yah that's it. They say he is going to replace the king, and for all you squares, cubes, and fourth dimension guys and frills, that means Elvis. And if you don’t know that name you must have been up in space with the dogs, monkeys, or robots or whoever is riding those rockets.

 

Okay, okay I can take a joke. The spell is not Markin, its Jerry Lee. Hell, a momentary thing, maybe a few weeks while the king is resting up and waiting to go into the service, or something. No way someone who jumps up and down on a piano, and is kind of a wild man ever going to be, in his wildest dreams, better than Elvis. No way, no comparison, forget it. Name song names, okay. Heartbreak Hotel, That’s When You’re Heartbreak Begins, Jailhouse Rock, Good Rockin’ Tonight, Hound Dog, One Night (that alone says it all). Come on now, I listed enough. And Jerry Lee, High School Confidential. Yah, its good, its be-bop but this guy is strictly a one-hit Johnnie. Yah, okay I’ll let Peter Paul have his moment of glory, and maybe a kiss or two, if he’s not scared like usual, but Laura will be back with me at the next dance. Who knows, if I cut in at this Saturday's dance that's coming up, to spare her having to dance with Peter Paul and his black chino cuffed pants all night, maybe this dance. Then Peter Paul can go back and try his luck on those stick girls that are more his speed anyway. Yah, Elvis and Billie. Long live the kings!

 

*****Pleasure and Piety-The Story Of Perseus And Andromeda-With The Dutch Painter Joachim Wtewael In Mind

 

 

 

From The Pen Of Sam Lowell

 

No question Jack Callahan was tired unto death of being Mr. Toyota of Eastern Massachusetts (and a couple of times being Mr. New England Toyota when he ripped up the 1998 and 2000 Camry record book just like he had when he was the star running back of the 1967 State Class B football champions at his alma mater, North Adamsville High, his rushing records mostly still intact to this day even against a guy in the 1980s who went on to play professional ball for the Steelers). Tired of hustling cars after almost forty years in the business once he could not play football anymore when he had hurt his knee so bad against Boston College when he played for State U that even the starving for recruits (read “grunts,” cannon-fodder and you are not far from the truth) Army gave him a pass. Jack had grown utterly tired of having to spent every waking hour (and some sleeping hours to) worrying about monthly quotas, about whether his sales staff was “pulling his chain” when number crunch time came and he had to finagle the books to keep the whole fucking operation (Jack’s term) running. And tired of hearing Mrs. Toyota Chrissie (nee McNamara), his high school sweetheart nagging him about turning the reins over to somebody else and let them live a little. Not good company policy but a heart-felt cry from the deep.  (Yeah, for every Mr. there has to be a Mrs., or Ms., so recognized officially by the company and in these days of same-sex marriage the Mrs. could be replaced by another Mr. or visa versa for the female version of the marriage arrangement and nobody would bat an eye since gays, lesbians, trans-genders, bi-sexuals, queers, and whatever other sexual orientations there are buy cars, need transportation to get on with their lives and it might as well be in a safe as a bug in a rug Toyota).

No, if that is what you are thinking, neither Jack nor Chrissie are tired of each other, looking to play the field or any other of the things they had heard that happen to some 60-somethings once the kids leave, once the nest goes empty, or once they recognize their own mortality and flip out to do all the lampshade on the head things they have avoided as inappropriate when they were rising above their parents’ station and hoping to push the kids even further up the hill.

To the contrary Chrissie has always been, is, Jack’s rock and visa versa and that core truth has been the basis of their relationship ever since sophomore year in high school. Since the day, night really, when smart-as-a-whip Chrissie decided that she had had enough of Saturday afternoon falling leaves granite grey skies hero football player Jack taking his peeks at her (and she at him) and not doing a damn thing about it and had gone to Salducci’s Pizza Parlor where Jack hung out with his corner boys on Friday nights goofing off and planted herself in Jack’s lap. Even at the 40^th class reunion a few years back Jimmy Jenkins, another corner boy, remembered that long ago night vividly and made everybody at the reunion once again aware of the situation because the look in Chrissie face then said that it would take the whole football team to get her off Jack’s lap. And Frankie Riley, the self-proclaimed but undisputed king of the corner boy night, chimed in and said that the look on Jack’s face said that it would take the whole football team, throw in the junior varsity and the water boys too, to get Chrissie off his lap.

Yeah, it was that way for both of them. They were solid but Chrissie just wanted to get out from under the grind, go a few places that were not company-tainted, go get some culture (pronounced cultuah or something like that in Boston). So one week, for a few days, Jack agreed to go to Washington to visit the art museums and the like. Just the two of them, just for the pleasure of looking at some paintings that have withstood the test of time and fashion.

On a nice spring day for Washington before the cherry blossoms faded Jack and Chrissie could be seen walking arm in arm with a little skip in their step toward the Seventh Avenue entrance to the National Museum of Art. Now you might think that a guy like Jack, a former jock, a former corner boy (or maybe not so former when the surviving members of the Salducci’s Pizza Parlor crew get together and toss down a few at friendly Jack’s Grille in Cambridge where Jimmy Jenkins lives), not much of a student, and a guy who earned his dough hustling cars would give a rat’s ass about art (Jack’s expression carried over from corner boy times when if you did not give a damn about something that was the expression de jus). But you would be wrong because you would not have factored in the effect that the late Salducci’s Pizza Parlor corner boy Peter Paul Markin dubbed “The Scribe” by Frankie Riley and everybody else picked it up had on Jack Callahan (and the others as well if the truth be known).

Now Markin came to a bad end down in Mexico back in the 1970s when the “wanting habits” hanging over him from his poverty-stricken youth got the best of him over a busted drug deal the details of which never were made clear by the authorities there except to warn everybody off. But in his corner boy days, the sunnier days of the 1960s when he/they thought a new breeze was coming to open things up even for poor ass corner boys he was the fountain of knowledge for about two thousand arcane facts that made him smart in that circle. His whole point then, or most of it, was to use such information to try to impress every girl who would stand still long enough to hear him out (and a few did and not just nerdy girls either). And Markin took Jack up as a special case, as a guy who was going to college for the wrong reasons, to just play football and make State U famous, when he should be imbibing some culture and make everybody really look up to him  (on that culture thing you already know how they pronounce it around Boston). Yeah, you can see even then Markin had his quirky side since half the world could give a rat’s ass about culture however you pronounced it.

So Markin and Jack would go up to the Museum of Fine Arts in Boston on the QT and look at the masterworks of all the civilizations who put paint to canvas (or chisel to marble or whatever they used to leave a record that they existed and had dreams of eternity too). And Jack loved it (on the QT of course). Loved it too later when Chrissie and he would go to museums like the Getty or Metropolitan on days when they were not attending some Toyota regional or national conference. So Jack had actually been looking forward to the experience since he had not been in the building for about thirty years. Especially wanted to see the Impressionists that he had always been fascinated by.

After getting by the mandatory security check Jack and Chrissie noticed that there was special exhibition by a Flemish painter, a painter named Joachim Wteweal (that is how he thought the name was spelled when he later told Frankie Riley about the experience) neither had ever heard of but the brochure advertising the exhibition looked promising with a photograph of a painting showing a rich palette of colors somewhat unusual for Flemish painters who tended toward the darker sober colors of the wheel. So they headed to the far end of the building on the second floor where the exhibition was staged.

Some of the paintings by Wteweal were in the tradition of the Dutch school, you know portraits of the senile burgers of the country who felt a need to show their greedy little faces to posterity. Some were the nature and food scenes that those self-same burgers loved to show in their houses.  And some were the drawn from Greek and Roman myths always a welcome subject after centuries of holy-shrine Mother and Virgin or death of Christ stuff that was getting to be pretty thin gruel for the better educated and free-spirited artists who survived the Renaissance and the Reformation without facing the lord high executioner or the Inquisition.  It was an example of the latter, a painting from Greek mythology about Perseus rescuing Andromeda that mesmerized Jack that day, had him thinking about what Markin would have said about it and also how it fit in with everything about his growing up times. Maybe too why it took his love Chrissie something like a personal civil war to get him to confess how he felt about her that Salducci’s Friday night.

Naturally it was not until later that Jack found out by looking it up on Wikipedia what the story behind the painting was about. About how Andromeda had offended the gods, or her parents had going on and on about how beautiful she was, and the handmaidens to the gods took a nutty. Thereafter as “penance” Andromeda was chained, chained naked, according to every account (and every painting done on the subject since Wteweal was hardly the first or only painting who saw something exciting in the myth to draw on) to be left on the barren forsaken shoreline some place for a sea monster to have for lunch or whatever sea monsters do with human sacrifices (nothing good from the human skulls which litter the ground beneath Andromeda’s feet). Of course no beauty, whether she upsets some old hags or some other beauty in mythology or modern novels or in Hollywood is going to be lunch for some ugly mist-breathing sea monster. That is where Perseus comes to the rescue and of course slays the dragon. And unchains the fair Andromeda, perhaps. They naturally live happily ever after producing something like seven sons and a couple of daughters so they had a very active sex life. In the end Andromeda got to be immortal and got a constellation in the night skies named after her (and some funky NASA project too so her fame was not fleeting after fifteen minutes).

Jack admitted that at the time he saw the painting none of that latter information entered into his fascination about Andromeda and her chains. What struck him was the whole idea that in the 16^th century artists working for some patron (or patroness) felt comfortable enough to paint a frontal female nude showing all her private parts when until fairly recently such nudes were considered pornography or worse (that worse being some make-shift S&M thing with the chains and the devilish sea monster lurking about). Could show her in that condition for what could only have been meant for a private collector. So a mixture of awe, childhood modesty, some perverse sexual thoughts and some “what would Markin say” got all mixed in that day. He returned to the painting several times and even Chrissie who knew what a modest guy he was around women, although not in her bed once they got around to that shortly after that lap episode at Salducci’s, whispered in his ear that he was a “dirty old man.”

Okay, Jack confessed that might have been part of it but a lot of it was about that Catholic upbringing that they all had been brought up on which skewered what they thought about sex, or thought that they thought. Here is how bad it was one time. The class in seventh grade when Jack first met Markin went on a field trip to the Museum of Science in Boston and while there they came across an exhibition of  female figure showing all her parts (nude in other words). Jack couldn’t look at the figure, grew red in the face when Markin noticed he refused to look at her. Then Markin with his two thousand facts (a few wrong on this occasion) proceeded to tell Jack all about the female anatomy in scientific terms things which previously were left to schoolyard terminology (cunt, pussy, boobs, ass, tits and so on) without knowing what that all represented. So some things don’t change so much (although Chrissie who had an older married sister who she confided in didn’t let that condition go on for long) but that day Jack had the sneaking suspicion that the painter Wteweal really was painting the scene for his own pleasure. And he wished, wished to high heaven that the Protestant Reformation had been more successful. Yeah, Markin would have agreed with that sentiment.                                                

 

When The Hound Dog Began To Howl-With Big Mama Thornton’s Hound Dog In Mind   

By Jack Callahan

Bart Webber, reflecting on some songs from their school days back in the late 1950s and early 1960s one night when he was in a reflecting kind of mood, a mood that had settled over him more frequently of late surprising a lot of people including the guy who was listening to him, Jimmy Jenkins, said on the face of it there was no way some of the songs they loved, or were popular, or girls likes which was important made sense. Bart had the Elvis Presley version of Willa Mae “Big Mama” Thornton’s Hound Dog in mind which as he explained to Jimmy was supposed to be directed toward a girl, a girl the singer of the song was in love with who, as will happen between men and women, okay, okay boys and girls, treated him worse than some old mangy cur. Made his almost cry with her crying she was so mean to the lad. But how did it fit with the persona of Elvis, or with any guy who tried to call his gal of interest nothing but a hound dog. The least the guy should have expected to be in a deep free for about six months and then buried in some small abyss. Done for.

So, okay, maybe it didn’t  have to do with the song when Elvis sang anything in his golden days, say 1955 to about 1958, after which he fell off the face of the earth, died or something, and was resurrected as this yucky (teenage girl talk for someone who in on the outs, someone who doesn’t matter in the great teenage girl scheme of things) foolishly miscast teenage idol movie star (compare the magic of say the 1956 movie Jailhouse Rock when he gave his all with 1960 Blue Hawaii where he mailed it in and if you don’t see a different then well maybe move on to another of my blog entries). Some people say he went into the Army (which was true) but most serious aficionados, meaning those who have seen Elvis recently on the street, or worse, are waiting for his return, know he had some hideous operation and came back as a drug addict and cheapjack hustler in a large jumpsuit.                   

But that hard fact, if it is a hard fact, doesn’t explain why he could sing Hound Dog and nobody did anything but scream to the rafters when he sang the song (girls, girls mainly, but I remember a few guys who, trying to emulate the King screamed too but they went on to become Elvis impersonators, or some kind of impersonators, and never got a play from those girls despite the sideburns, the wiggly hips and the patented snare they tried unsuccessfully to copy), why girls started throwing their underpants (the older girls, young women, and some not so young women the younger girls not understanding anything about what was making them all, well, all hormonal and leave it at that), and buying up every copy at Trader Bill’s Records up in Carver Square with their allowances (most guys I knew then either didn’t get an allowance because they, we, were so poor an allowance would have meant not paying the rent or something or if they did preferred not to spend it on Elvis records and let their sisters grab those platters).        

That was then and now is now and Bart had a better handle on the sources of the rock and roll music that he and his crowd lived for. It was long after Elvis had died, had been resurrected, or people had started waiting for the “second coming” when Sam Lowell, a guy he knew a little in high school, got him interested in the blues and was making a small argument in favor of the key influence that rhythm and blues, meaning “black” music, Negro music to use the phrase of the times (the polite phrase, others were nastier) had on rock and roll and let him listen on his stereo record player (it’s had been a while, okay) to a record by Big Mama Thornton which had her version of Hound Dog on one side of the album. Bart’s immediate response, after he said he liked the subterranean hip beat on her version, was to wonder if “Big Mama had covered Elvis’ great hit.” Sam laughed, told Bart that Big Mamma had cut that number in 1951 and made about six dollars off of the royalties. Elvis made millions.

That was the hard fact of 1950s “race records” and their audience, explained the lynchpin of how Sam Phillips at Sun Records who put rock and roll on the map almost single-handedly was able to put “race music” and a good old white boy together to make northern girls (and others) throw their underwear on to any stage Elvis appeared on,  make project boys like Bart and Sam grow silly sideburns, almost injury themselves trying to make Elvis-type moves and spent hours before the mirror working on that snarl. But also explained why Big Mama’s version made more lyrical sense since she was talking about her no good rascal man. Explained why in every way Big Mama’s version would make Elvis blush with shame for his felony if he ever was in the same room with her. Yeah.