Wednesday, February 10, 2016

The Trouble With Royalty-Gregory Peck and Audrey Hepburn’s Roman Holiday 




DVD Review

By Sam Lowell

Roman Holiday, starring Gregory Peck, Audrey Hepburn, story by Dalton Trumbo, a Hollywood Ten member not originally created in the red scare Cold War 1953s but only in 2003 on the re-released

 

No question it was tough being royalty in say the 16th, 17th,18th, 19th centuries especially in places like England, France and Russia where you very likely might lose your head, literally, if you made a false move, or were just in the way of human progress. Not so in the 1950s when the royal remnant was just hanging around collecting payments, kissing babies and opening fairs. The film under review, Roman Holiday, puts a little different spin of the toughness question, the problem with celebrity, acting royally in a democratic age, and being in the spotlight without any relief for what after all is an accident of birth. Of course this romantic comedy written by the red scare Cold War Hollywood Ten member Dalton Trumbo doesn’t deal seriously with the issue of why there is a need for even a remnant of royalty in a democratic age but does in a whimsical romantic comic way deal with that problem of just trying to be an ordinary Jill when the world is always watching you.       

Here is the dilemma, here is Princess Anne, played by fetching Audrey Hepburn, of some unnamed European country who is on a whirlwind tour of that continent trying to drum up support for her country and do the whole endless scheduled obligatory rounds that royal prestige requires. But our Princess is a bit feisty, is ready to fly the coop, has had it with ceremony, schedule and formality. That flying the coop is what drives this storyline.

Once she flies the coop from her country’s embassy in Rome (after having been given a sedative to calm her nerves when she freaked out with the routine she had to put up with) she is picked up by Joe, played by Gregory Peck, an average democratic American Joe who just so happened to be a newspaper reporter in exile in Rome waiting for his big scoop to fly away from his own coop. Because the Princess was acting dopey he eventually chastely brought her to his apartment to sleep it off. Naturally too once the embassy found out she had escaped they were in a frenzy to find her, bring her back to the fold. The chase is on.  

Of course Joe did not know at first who he had on his hands, but once he got wise he saw nothing by blue skies and big bylines in his future. A big fat exclusive on the secret life of a real live Princess, guys would have killed, would still today do so maybe worse, for that kind of up close and personal story. Complete with photographs (to be provided surreptitiously by a “flash” friend and associate). The Princess of course wants to remain anonymous and the game of cat and mice proceeds. But Anne really did want to see how the other half lived, had her own wish list of fantasies she would like to play out. And Joe obliged her. Things got sticky though as Anne had to turn back into Cinderella at midnight because this unlikely pair fell in love just that quickly. But commoners and princesses don’t mix in the real world, usually, and princesses of presumably small and unnamed countries have certain duties and responsibilities to uphold so they part, part to eventually go their separate ways. Without a hint of scandal since Joe forsook his big chance once the deal went down. This one was slow in spots but is a prime example of a feel good classic romance even if thwarted, 1950s style. And Audrey Hepburn still looks fetching over fifty years later.       

Tuesday, February 9, 2016

***Poet’s Corner- Langston Hughes- Trumpet Player

 

 

From The Pen Of Frank Jackman

 

February is Black History Month

 


Trumpet Player

 

The Negro
With the trumpet at his lips
Has dark moons of weariness
Beneath his eyes
where the smoldering memory
of slave ships
Blazed to the crack of whips
about thighs

The negro
with the trumpet at his lips
has a head of vibrant hair
tamed down,
patent-leathered now
until it gleams
like jet-
were jet a crown

the music
from the trumpet at his lips
is honey
mixed with liquid fire
the rhythm
from the trumpet at his lips
is ecstasy
distilled from old desire-

Desire
that is longing for the moon
where the moonlight's but a spotlight
in his eyes,
desire
that is longing for the sea
where the sea's a bar-glass
sucker size

The Negro
with the trumpet at his lips
whose jacket
Has a fine one-button roll,
does not know
upon what riff the music slips

It's hypodermic needle
to his soul
but softly
as the tune comes from his throat
trouble
mellows to a golden note


 

Langston Hughes

 

Shorty Blast (not his real name, his stage moniker that was all put together from his six feet two height and his big jazz-doomed lungs, the reason for the ruse will be mentioned below but since he was working the New York cafĂ© society crowd who were crazy to see him in person and needed to have a cabaret license a necessary moniker) dreamed his eternal great big fat immense high white note dream. Dreamed it since he had heard Miles at Minton’s blow it straight across the Atlantic, dreamed it incessantly as only a high-end blaster could,  dreamed it right then while he was playing, horn splish-splash playing, just kicks riff and raffs, little be-bop, be-bop nothings that got the customers attention and a certain nod, maybe a send-over scotch from some stray white dame, or some guy, black or white dated up with some smooth silky thing and he wanted to impress her with that silly act, as if that brethren knew, hell, knew anything about high white notes or anything.

Just then he was dribbling a few stray riffs, be-bop, bop-be, see-bop, hell, even one bop-bop-bop got a hand like three bops tops meant the cat’s meow, Jesus, for the early arrivers (and early leavers, two low-shelf scotches and out, the six in the morning wakers, subway riders probably from the low-shelf look not cab-riders like him, his bedtime, maybe if he was not tangled  up with some sweet Jane,  Jesus what do they do all day but wait upon the night, their own small dream version of the high white note night), the quick scotch and soda crowd before the night bleeds, bleeds all cab fare honking out front to announce their arrival Mayfair white around eleven (and the real stuff, after hours after two, three, four, when the clubs let out and the boys play for each other, and to beat each other, to tag off some phantom riffs ) at this Red Fez gig that he had been working, working for a couple of months now to keep body and soul together and to keep Mister Landlord, a not very understanding fellow, from his door, and to keep the former Mrs. Blast far, far away from his door (and his latest paramour, Miss Lucille Pratt close).

Yes, he dreamed of that high white note, dreamed when or where or how it would come but never, never that it would not come because, he, frankly, frankly you hear, brothers and sisters, had the sheer lung power and muse-magic to turn that big fat note on a dime. So this night, this could be night, Shorty did, as he always work did, once he had a few house scotches in him, or maybe some godsend reefer to change the pace if one of the boys scored. He, having been burnt once with a small container of weed and done a couple up at state prison was not the scorer any more, no way, not with that dream note still out there. No way could that high white penetrate another set of prison walls.

He knew that the note could come out at the Red Fez, the Hi Hat Club, maybe at some wicked jam at LoJo’s, or even while he was up in his tenement room, practicing ,when Miss Lucille was not around since when Miss Lucille was around, around with her wanting habits on, even Gabriel did not want to blow some funky horn but no way, no way in hell was that note coming out in Ossining town, no way. What he knew from previous failures, maybe getting three-forth there, maybe not making it due to that one too many scotches, was to go into a certain state, a certain state where he was not really in the Red Fez , he was not playing for crowds, early or late, was not even in the present time but back to Mother Africa times, to Pharaoh times if anybody was asking, okay.

That Pharaoh time kick had stayed with him since about the sixth grade, yes, it was the sixth grade when he and his older brother (now resting in some European graveyard after having spilled his black brother blood against that damn Hitler) and he, they , were mesmerized by the Egyptian exhibit at the Museum Of Fine Arts in Boston where they grew up complete with pharaonic statues and wondered , wondered out loud about those slave days, about the winds rushing across the Nile, about the rapid river run of the Nile, and about some ancient sound, a sound that sounded very much like the sound that would be produced by that high white note, the note that would bring down pharaoh, bring down Mister’s thousand acre cotton fields, bring down Mister James Crow, bring down that silky smooth Mayfair swell crowd that was starting to fill up the place just then. And so Shorty played, played like Pharaoh was coming to get him, coming to take his deep breath away…
***Poet’s Corner- Langston Hughes –Dream Deferred

 


 

From The Pen Of Frank Jackman

 

February is Black History Month

 


 

 

 

Dream Deferred

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?


 

Langston Hughes

 

…he, Ezra Benton, Ezra Benton named after his father and his father before him who had worked, had worked back-breaking hard, worked his way up from nothing but a half-whipped nigra hot sun beating down cotton field hand hands all blistered, stinking like God knows what, always water thirsty to the assistant plantation blacksmith, assistant to Mister George Wright the white man from town who had seen him in one of the cabins all big and strong and asked if he could handle a hammer and there he was sitting in the cool shed when not flaming the kiln fires, there he was the man who shoed the damn horses when some fool drove the beasts too hard, heard , heard through the grapevine that now that Atlanta had fallen, had fallen to Sherman and his bummers, that Father Abraham up in the United States, up in Washington, D. C. was going to break up Mister’s plantation and give each nigra family, and maybe others too, maybe some upstart young buck with ambition like  him, forty acres and a mule to get them started now that slavery days were falling down.

 

With that news, Ezra, who normally took news from the grapevine with a grain of salt, no more, got a little wistful. Wistful about how he would collect his now far- flung family scattered here and there throughout the delta, take his forty acres and his mule and plow, plow night and day until the heavens came home, maybe buy some more land, forty acres was only the beginning for a strong-hearted, strong-willed man like him maybe built him a little white picket fence house like he had seen in town, and mainly make sure that his ever hungry kin, and his ever hungry own self had enough to eat, and then some. And so he dreamed…

 

…he, Brady Benson, son, righteous son of old Ezra Benson, who had helped his father, his kin father not some Father Abraham up in Washington or some such father after Old Abe was shot up  who never did get around to giving that forty acres and a mule that old Ezra still kept talking about although more wistfully of late, sharecrop Mister’s plantation land, sharecropped and never got ahead, never go that Ole Abe forty acres, and definitely did not get any mule, had heard, heard through the nigratown grapevine, that some nigra in Louisiana had boarded a “whites only” trolley in New Orleans, had been thrown off because he was “colored” and was actually going to Washington to have his case heard before the entire United States Supreme Court, all of them to decide if he could ride that thing or not. With that news, Brady, who normally took news from the grapevine with a grain of salt, no more, got a little wistful. Wistful about how maybe now Mister would not be able to take most of the harvest, and most of the little money left from old daddy’s work. About how he, Brady, might be able to get his own small farm and provide for his family on his own instead of being bunched up with daddy. But mainly he thought that from here on in when he went to town, or anywhere, Mister, or some Mister, would not be able to tell him he could sit here, but not there, he could walk here, but not there, he could stand here, but not there, he could eat here, but not there. And so he dreamed…

 

…he, Leroy, son of Benson, son of righteous Benson, grandson of old righteous Ezra, had got himself a little town learning, a little broken down schoolhouse learning but learning, learning how to weld stuff together with a torch and so he kind of escaped from the bottomlands and hot sun that he family had faced for generations. Now that war had come, a fighting war in Europe between he thought England and Germany, he had floated north, north up big muddy Mississippi north, when he heard that Chi town needed, desperately, needed welders, for stuff sent overseas. And once settled in the Chi town flop house cold- water flat tenements, overpriced, under-fueled all Negroes squeezed in like at home he had heard through the grapevine, the Division Street grapevine, that the jobs given out were permanent, to be had for as long as a man, a man can you believe that, wanted to work. With that news, Leroy, who normally took news from the grapevine with a grain of salt, no more, got a little wistful. Got to thinking about bringing up his wife, Louella, and his kids, maybe even daddy and granddaddy, and getting that white picket fence house, maybe with some land for a garden, that old Ezra always kept talking about when he was not muttering some silly stuff about forty acres and a mule. And so he dreamed…

 

…he, Daniel, Daniel, like something out of the Old Testament Bible, son of Leroy, son of righteous Leroy, grandson of righteous Benson, great-grandson of the late patriarch Erza, righteous Ezra of the ever dreaming forty acres, and a veteran, a twice purple-hearted veteran, European Theater, took advantage of the G.I. bill and learned the carpentry trade, learned it well, and as well now that he had moved back south with his extended family took to preaching a little (although Leroy, Chi town proud, curled his tongue every time Daniel quoted chapter and verse), a little over at 18th Street Baptist, over on land that had once belonged to Mister, if you can believe that. And once everybody was settled in, wife and her family and his, and his carpentry business was set up and running, he kept hearing rumors, very persistent rumors, through the nigratown grapevine that Mister, or some Mister, was thinking about giving the better sort of Negros the vote, if you could believe that, if you could believe anything Mister said, even if you heard him say it. With that news, Daniel, who normally took news from the grapevine with a grain of salt, no more, got a little wistful. Wistful about how if they, the Negros had the right to vote then, maybe, that nigra stand here, that nigra sit there, that nigra walk over that hill, that nigra eat across that river would finally be damn done. And so he dreamed…

Monday, February 8, 2016

***Poet’s Corner- Langston Hughes-Freedom’s Plow 

 

From The Pen Of Frank Jackman

 

February is Black History Month

 


Freedom’s Plow

 

When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man’s dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and booty seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
Freedom.

Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.

Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it’s Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it’s the U.S.A.

A long time ago, but not too long ago, a man said:
ALL MEN ARE CREATED EQUAL--
ENDOWED BY THEIR CREATOR
WITH CERTAIN UNALIENABLE RIGHTS--
AMONG THESE LIFE, LIBERTY
AND THE PURSUIT OF HAPPINESS.
His name was Jefferson. There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
NO MAN IS GOOD ENOUGH
TO GOVERN ANOTHER MAN
WITHOUT THAT OTHER’S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
BETTER TO DIE FREE
THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.

With John Brown at Harper’s Ferry, Negroes died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
Keep Your Hand On The Plow! Hold On!
Out of war it came, bloody and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.

America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man. Together we are building our land."

America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don’t be discouraged, builder!
If the fight is not yet won,
Don’t be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
ALL MEN ARE CREATED EQUAL.
NO MAN IS GOOD ENOUGH
TO GOVERN ANOTHER MAN
WITHOUT HIS CONSENT.
BETTER DIE FREE,
THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
FREEDOM!
BROTHERHOOD!
DEMOCRACY!
To all the enemies of these great words:
We say, NO!

A long time ago,
An enslaved people heading toward freedom
Made up a song:
Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
KEEP YOUR HAND ON THE PLOW! HOLD ON!


Langston Hughes

 

… he, call him Chester Moore, to give him a name, although in the end he was nameless, or maybe too many names to name and so stick with Chester, Chester of the thousand dreams, Chester of the ten generations in the Mississippi night, the, what did Nina Simone call it, call right and righteous, Mississippi goddam night, if that helps. Chester now several generations removed from Mister’s slavery, now a couple of generations removed from the plow, that damn sharecropper’s plow and forget all that talk about freedom’s plow, forget about “forty acres and a mule” plow, forget all that “talented tenth” talk about hands joined together, white, black, indentured, adventurous, pushing that plow, that plow that kept his daddy and his daddy before him still under Mister’s thumb and Mister’s strange book of etiquette, his Mister James Crow (or call it Miss Jane Crow for his womenfolk were as obsessed and thrilled as old Mister with the forms of the, ah, etiquette and the great black fear-the great miscegenation –damn race-mixing ).

 

Chester all citified now, all up from the Delta to Jackson, all book-learned, a little anyway in those damn segregated schools (except if you pushed his buttons he would admit that some schooling was better that the none Mister offered, offered after about grade six and so he was the first in his family to avoid the infamous X mark of illiteracy although he had heard of this strange group of brothers, mostly prison-etched brothers, who took back the X to x-out Mister’s slave name but he was proud to write his given name, write his righteous given name). A little more worldly, having been to nightclubs with electricity and jukeboxes not some old juke joint drinking Wet Willie’s home-made by lantern light, than daddy and granddaddy who never, ever left the Delta for one day, after having done his American, hah, duty to fight off old white bread Hitler in all the crevices of countrified Europe.

Chester a little less enamored of slave-owners Mister Thomas Jefferson (who rumor had it could not keep out of the slave quarters although that was an unverified rumor learned from Johnny Logan a fellow soldier who hailed from Alexandra in Virginia near the old plantations) and Mister George Washington (who at least did go to the cabins) than daddy or granddaddy (although still enthrall to Father Abraham, who had the guts to say no more to slavery even though he never had truck with black people, wanted them banished back to Africa from what he heard and heard not from Mister Carl Sandburg of Chi town whom wrote Massa Abe up either and that silky smooth mad monk John Brown who led an integrated band, including kin to a future poet, in some doomed old prophet Jehovah project over Harpers Ferry way) and ready, black hands and all, and only black hands if that is what it took to fire old Mister James Crow (or maybe ravage Miss Jane Crow, if that was what it took) to seize the moment (long before Bobby called his tune- seize the time) and to break out of that fetid Mississippi muck, that cold steel Alabama, and maybe shave that peach fuzz off old stinking gentile new south Georgia.

So Chester gathered Booker, all greasy hands and dank uniform, from the auto shop, gathered Uncle Bill, grizzled by too much processed beef, from the barbecue stand, gathered Edward, head and back bent from ancient seedings, from his hard-scrabble low-down no account dirt share-crop, gathered Robert, full of book knowledge on the sly, from his janitorial duties over at the court house , hell, even gathered Reverend Sims, fat with Miss this or Miss that’s home cooking, from his Lord’s Worship Baptist Church sanctuary from the world, gathered Miss Betsy, an old time love before she took up with Johnny Grey while he was overseas, from her Madame Walker beauty salon (a very strategic move as it turned out since Miss Betsy knew everybody, everybody that Chester needed to turn that silly freedom plow talk into kick ass freedom talk ), gathered Miss Millie from her maid duties at Mister John Connor’s house, and even gathered (although not without controversy, not by a long shot, mostly from Reverend Sims) Miss Emily Jones, habituĂ©(see he learned something in Uncle Sam’s Army) of Jimmy Jack’s juke joint, hell, just call her a good time girl, okay. All others, reverends, bootleggers, juke joint owners, northern liberals, white and black, shoe-shine boys, newspaper shouters, streetwalkers (yes, those streetwalkers), bus-riders (front or back), walkers of indeterminate reason (along Highway 61 dusty roads ready to make an arrangement with the devil if need be), Johnny-come-lately boys (brave too, despite the late hour, brave after the first jail night, the first blooded street fight) , children, high school be-boppers, you name it fill in the rear, because daddy and granddaddy Mister Whitey’s judgment day is here, here and now.

*****Eddie Daley’s Big Score –With Paul Newman and Robert Redford’s The Sting In Mind

 

 

 

 

A Sketch From The Pen Of Frank Jackman

 

Eddie Daley, Edward James Daley, to the 1940s slapdash Dorchester triple-decker tenements within earshot of the rattling Redline subway born, dreamed, dreamed big dreams, ever since he was knee-high to a grasshopper as the old time used-up now corny expression had it, of making the big score, making easy street, and in the process leaving behind a legend that guys, corner boy guys and grifters would talk about long after he was gone. Talk about in reverent hushed whispers about the guy, Eddie Daley, thereafter to be dubbed the “king of the grifters” who pulled the biggest con that there ever was, and walked away from it free as a bird. Not all big scores, cons, even if consummated, had that final part, that walk away free part, just ask the shade of Frankie Finn who pulled the big Shiloh Fur scam worth two million easy (a lot of money back in the 1950s even when split four ways and a fifth cut for the fence plus his expenses although just walking around money today), pulled it off with just four guys, a good number for the haul, but who “forgot” that he was dealing with one “Rocket Kid,” Johnny Silver, in his entourage who after the heist put two between the eyes of his three confederates, figuring one is easier to count that three no matter than two of the guys were his long time corner boys. The Rocket Kid, Johnny, was subsequently “hit” by one of Buddy Boyle’s boys, everybody though Rolling Rex Buddy’s main contract man did the deed since he had not been seen around for a while, when he tried to fence the stuff since Buddy was the front money man on that caper and Frankie Finn’s cousin to boot. Buddy already rolling in dough had his own way of figuring one is easier to count when he was the one. So that walking away free part was no small part of the leaving a legend behind scenario.

Eddie’s dream might seem strange to the squares, to those who live life on the square, wake up and do the nine to five bit, or whatever the time bit these days with flexible hours, take two weeks’ vacation in Maine summer, raise and put three kids through college at great expense and get a gold watch or a pat on the back when they are turned out to pasture. Yeah, that dream definitely might seem odd to those who have never been from hunger, not just “wants” hunger like a million guys have, maybe more, but no food on the table hunger when the old man drank away the week’s paycheck at the Dublin Grille or hand-me-down clothes from older brothers in style or not hunger that ate deeply into every way that Eddie thought about things from very early on. Those who never worried about big scores, or cons since they had it coming in whatever they had to put out in expenses would never figure Eddie’s dreams out.

See Eddie was a what they called, called back in the old days, back in the 1930s, and still called them back in Eddie’s coming of age time in the 1960s when he came of age in that Dorchester section of Boston where he triple decker tenement grew up a natural-born grifter. When Eddie first heard that word used, strangely after he had already done his first con and somebody on the corner, that hang out corner being Mel’s Variety on Neponset Avenue near the Fields Corner subway stop, called him a born “grifter” he faked it and said yeah and then next day went to the library and looked it up in the dictionary and came up with this-“A grifter is someone who swindles you through deception or fraud. Synonyms include fraudster, con artist, cheater, confidence man, scammer, hustler, swindler, etc.”

Eddie smiled the smile of the just on that one. Yeah, a grifter, is a guy like him who figured some angles, any angles, a guy who did this and that, did the best he could without working some nine to five hump job. [Here is a practical corner boy, not Mel’s but Jack Slack’s bowling alleys corner down in Carver about thirty miles south of Dorchester but still in “from hunger” land definition- “A grifter to fill in the gaps for the unknowing and clueless was a guy, sometimes a dame, although usually where there was a dame involved she was a roper especially if the mark was hopped up on some sex thing, who spent his eternal life figuring how to go from point A to point B, and point A was wanting dough and point B was getting it by any means necessary but mainly by stealth. By the way do not discount women in the grifter society one of the best who ever lived was a gal who went by the name Delores Del Rio, named herself after the 1940s movie star, who took some duke over in Europe for a cool two million in jewelry after she got him all jammed up and picked him clean leaving him with some fake jewels worth about six dollars in Woolworth’s, beautiful.]

So Eddie started figuring the angles very early on, very early on indeed and would regale, if that is the right word for it, the corner boys in front of Mel’s Variety Store on Neponset Avenue with tales of his daring do once he started hanging out there when he began high school at Dot High. Of course that was all kids’ stuff, baubles and beads stuff, since nobody expected a kid to have the talents for grifting right out of the box (having the heart, the “from hunger” wanting habits heart was a separate and maybe more pressing question) but there are certain guys, certain Eddie guys, who cling to those dreams pretty hard and give themselves a workout getting in shape.

From what one guy, Southie Slim, one of the Mel’s corner boys before he moved on to other stuff told me Eddie started pretty early, started simply conning other kids out of their milk money in elementary school over at the Monroe Trotter School. Here is the skinny on that first round according to Slim who got caught out himself before he picked up the grifter life for a while until he found out dealing high-grade dope to the Beacon Hill crowd was a great deal more profitable, and socially smart too once you added in willing women. Eddie somehow had picked up some dice, yeah, a pair and he would bet other kids, boys or girls it did not matter, their milk money on the results. Of course he somehow had “loaded” them so he would win. Now that was a fairly easy thing but here is where Eddie learned his craft. To keep play going he would let the other kids win occasionally, just enough to keep them interested rather than be a greed-head like big bully Matty Dugan down at my elementary school, Myles Standish, down in Carver who just strong-armed a kid a day for his (or her, it did not matter) milk money. But the real tip he picked up young as he was that as long as kids, people, think they can  “pick you clean” you will always have a willing pool of suckers, of people to swindle, small or large but think large.            

One night, one slow Friday night year later after he had settled deeply into the routine of the life, Eddie was cutting up touches about his old days while smoothing down high-shelf scotch (a no-no when you are on the hustle by the way save that for slow Friday nights when you are cutting up old touches Eddie said), about how he moved up after that dice thing ran its course as all such scams do if for no other reason that the grifter gets tired of the play, and he related what happened after that first scam when he got to the Curley Junior High School. Here is how it went, the basic outline since Eddie was kind of cagey about some of the details like the guys he was talking to that night were going to run right out and pull the scam themselves. Eddie basically ran a pyramid scheme on his fellow students. He conned the kids into giving him their money by saying he knew a guy, a friend of his older brother, Lawrence, who worked as a stable boy at the track and who knew when the fix was on in a race and who could place bets for him and get some bucks fast. Eddie convinced a couple of guys that if they put all their dough together they could buy a ticket and make some easy dough. And it worked for a while since Eddie in his devilish way paid off the guys with his own dough. Each guy getting maybe a buck which to a “from hunger” kid was a big deal. Word got out and soon plenty of kids, even girls were looking to get in on easy street. And so he would dole out some more dough. Then he pulled the plug, told everybody that he was going in for a big score that he was going to put twenty dollars on a sure thing that the stable boy had tipped him to. In the event he actually got about thirty five dollars collected altogether. Of course the horse ran out, never came close so all was lost. Hey, wait a minute have you been listening? Eddie didn’t know any stable boy, didn’t make any bet, so minus his seed money expenses he cleared twenty-five bucks. Here is what Eddie learned though know the “clients” (Eddie’s word) who you are dealing with and don’t be too greedy. He did that same small con for a couple of years and it worked like magic, got him his money for the jukebox at Jimmy Jack’s Diner on Gallivan Boulevard and movie money too. Small con wisdom but still wisdom.

Eddie as he got older, got into high school, got hanging around with his corner boys at Mel’s, got restless, always had that idea in back of his mind that he would pull a big score if he learned all the tricks of the trade, if he could get onto something big. For a while in high school it looked like he was on the fast track, he learned how to work the charity circuit for walking daddy (his term) walking around money using the old homeless but proud gag that those private charity donors love that he picked up one day when he was playing hooky from school and ran into an old con man, Railroad Bill, on a bench at Boston Common near the Park Street Station who gave him the tip. Eddie would laugh at how easy it was to pull off walking into let’s say the United Methodist Church Social Services office up on Beacon Street dressed in his very real hand-me- downs and unshaven making him look older but not too old (meaning the old telltale sign that the guy had been “on the bum” too long to be proud and work his way out of his current jam) going through his rough things but wanting to get back on track if he only had a the price of a week’s rent in one of the rooming houses that dotted the other side of the hill then (a few still there even today, significantly fewer though). That was good for ten or twenty at a time although the down side of that caper was that you could only use it once, maybe twice. The upside was that there were numerous private social service agencies like that looking for somebody “worthy” to give the dough to.  

 With that walking around money Eddie would work a variation of his kids’ stuff milk money run, he would sell lottery tickets (in the days before the state got its greasy hands into that racket), for different charities, say he was raising it for blind kids or to send kids to summer camp. Offer as prizes radios, televisions, maybe a record player, stuff like that which people wouldn’t mind spending a dollar or “three for five dollars” on to help some crippled-up kids, give them fresh air, or some other small break or something. So he would grab the dough and then have one or more of his corner boys rip off what was needed over at Lechmere Sales or someplace like that (usually using at first “Five Fingers” Riley or “Rat” Malone who started that racket early once they figured out that if you were fearless in grabbing stuff nobody was going to catch you, and that worked for a long time until they “graduated” to armed robberies and did consecutive nickels, dimes and quarters in various Massachusetts state pens).

See nobody gave a good damn if the charity he was hustling for ever got the dough all they knew was that for a buck, or three for five, they had a chance for their own television, radio, or record player important to hard-pressed high school kids who would not have those items otherwise. Needless to say the corner boys he used were good and he paid them off well like he should to keep them in line, another lesson learned, and so he honed his skills.

When Eddie graduated from high school and was to face the workaday world though he panicked a bit, decided that he needed to move up a step if he was going to avoid the fate of his belabored father, belabored by drink, yes, but also hard work on the docks, not always steady and with a brood of kids and a nagging wife to contend with. If the nine-to-five was not for Eddie neither was staying down in the depths either. (A history teacher had mentioned one time in class that all of her charges should seek to move up the latter of society at least one jump ahead of their parents and that kind of stuck with him.) So he started going into downtown Boston, started hanging around the Commons regularly unlike in high school where he would go just when playing hooky but really to blow off steam when something exploded at home in that damn crowded apartment, started to listen to guys to see if they had any ideas like that time “Railroad Bill” gave him the scoop on the private charity gag, had been on easy street at one time. He didn’t bother with the eternal winos and junkies for they had nothing to say that he could use but to guys and there always were guys who maybe had been on the hustle and got waylaid, or just got old in a young man’s racket and so maybe had some words to share. And before he knew it he met Sidewalk Sam and Bright Boy Benny a couple of guys who told him about old time scams, about how guys survived by their wits in the hard-ass Depression days. And come some old Friday night, a slow girl-less Friday usually, Eddie would hold forth about what he had learned in the world, learned from Sidewalk and Bright Boy.

Here, for example, is what he told the boys one Friday night, one “Five-Fingers” Malone-less Friday night marking the first time he got bagged for doing a robbery, unarmed that time, of a gas station and was doing a six month stretch at Deer Island, which will give you an idea of where Eddie was heading, a story of a scam that seemed impossible to pull off given what they were trying to do. Unless you knew how very greedy some guys, even smart guys were. Let’s call it the wallet switch, an old scam that Eddie would perform a couple of times later, successfully. You need two guys for this, at least. In this case two used to be “from hunger” Great Depression grifters Denver Slim and Gash Lavin. And you must know your mark’s movements pretty well and whether they have dough on them, a more usual circumstance than you might think back then than now that we are in this age of the ATM and cashable credit cards among those a shade to the left of the law (and a whole new Eddie-less generation tech- savvy grifters with their dreams, and stories they are telling their confederates on slow Friday nights). I won’t go into the preliminaries about setting the mark up, but they knew their guy, knew his movements and knew what he was carrying, so just rest assured that Denver and Gash had seeded their mark. Well actually Denver had seeded the mark, one Ricardo “Slice” Russo (you figure out the why of that moniker, okay), who was the bag man for Lou Thorpe’s numbers racket in New York City, yes the Lou Thorpe who ran wild back in the day and made a splash in Vegas to top off his career but this is earlier when he was greedier than Midas and so was particularly susceptible to any scheme that put money in his waiting hands.

Once a week Slice headed for Chicago on the midnight train to pay off Lou’s confederates there (at the high end of the rackets there are always confederates to pay off, cops too so it is just part of the overhead to keep on the streets. Guys down the bottom of the food chain don’t have such financial worries they are too busy keeping one eye out for looming John Law.)

Now bag men are pretty low in the food chain of any criminal enterprise but are like Eddie and every other Eddie-like dreamer also groomed on the con, on easy street dreams. What Denver did was to ask Slice, whom he cornered by evoking “Shark” Mahoney’s name, a mutual acquaintance, as he was heading to the station on the way to Chicago to drop off three thousand to a guy, “Bones” Kelly, also known to both men, on Division Street in that city for him. That money had been placed in a wallet, a black leather wallet similar to the one Slice was carrying the twenty thousand pay-off in, and when Slice got to Chi town he gave the wallet to the Division Street guy, to Kelly, the one with three thousand in it, three thousand in counterfeit money as Kelly later found out. See Slice had figured that doing Denver’s delivery was like finding money on the ground especially when he thought up the fake dough angle. So tough luck, Denver. Worse though, worse for Slice anyway, the mob’s wallet also had twenty thousand in counterfeit money when he delivered the wallet to an office in the Loop.

What had happened was that Gash had been on that train, had in the course of bumping into Slice switched wallets and got off in Cleveland leaving Slice to his troubles. But here is what you have to know, know about the mob. They thought Slice, a troublesome bag man and so an easy fall guy was pulling a fast one on them when he explained what he thought had happened and he wound up in the Illinois River face down before anybody investigated anything. Beautiful work by Denver and Gash who headed out West for a while just to be on the safe side but also know this-if you are running on the high side expect some blow-back, nasty blow-back if you don’t walk away clean. Just ask Slice

One night, another of those aimless nights when there was no action, or maybe Eddie was cooling out from a con, a wise move since overdoing the con scene leads inevitably to trouble, usually fist, gun or John Law trouble, he told the guys a story, a story about the granddaddy of all the scores, a haul of almost half a million back in the 1930s when half a million was not just walking around money like it is today. A story that Nutsy Callahan, another one of the Great Depression guys he would listen to over on the Commons told him about one afternoon after he had played out some luscious honey over on Tremont Street who had “curled his toes” and he was a bit too restless to head home (Eddie wasn’t much for girlfriends or serious female company on his way up and maybe it was better for him to just catch a quick “curl the toes” on an off-afternoon with some passing fancy because no question women are far tougher to deal with that the hardest scam). The way Nutsy told the story implied that he might have been in on the caper, although like all good grifters, grafters, percentage guys, and midnight sifters, he would put the account in the third person just in case the statute of limitations had not run out on whatever the offenses were, or, more likely, some pissed off Capo or his descendants were still looking to take some shots at guys who pulled such scams.

Nutsy had told Eddie a few lesser scams that he had been involved in and Eddie told a few lies of his own but the important thing for Eddie, or rather Eddie’s future was that he was looking to break out of the penny-ante grifts and ride easy street so he was looking for ideas, long ago ideas really because just maybe with a duke here and a juke there the thing could be played again. Eddie didn’t bother to tell Nutsy that for Nutsy would probably not have told the story or as likely dismiss Eddie’s chances out of hand. So Nutsy told the story and Eddie’s eyes went bonkers over the whole set-up.

This one involved “Top Hat” Hogan so named for the simple fact that as long as anybody had known him, or could remember, he always wore a fancy day top hat although rarely, very rarely, with any accompanying evening clothes. Some of his girl friends said he wore the damn thing when he was in bed with them and that was just fine because Top Hat was a walking daddy when it came to loving his women. Top Hat had been widely assumed to have been the brains behind the Silver Smith Fur scam, the Morgan Bank scam and the Golden Gate Mine dust-up which people talked about almost until the war (World War II if you are counting). So Top Hat under any circumstances was a number one grifter who any guy with any dough, any serious dough, had better check up on to see if Top Hat had been in the vicinity if he wanted to keep said cash. The other key guy, and the reason Top Hat, who had been semi-retired at the time of this caper and rightfully so having run the rack already, was a raw kid, a kid with promise but not much else then, was “Jet” Jenkins. And the reason that Top Hat even considered teaming up with a raw kid like Jet, was that he was the son of Happy Heddy Jenkins, a fancy woman who had “curled his toes” back in his younger days. Heddy had had some good days and bad days but one of the bad days had been meeting up with the famous gambler, Black Bart Benson, one of the great flim-flam, flim-flam meaning simply a cheater without mercy and guys, leg-breakers if anybody had a problem with that, poker players of the day.

Old Bart had nevertheless had run into a streak of bad luck at cards which even cheaters face at times, had borrowed and lost almost a one hundred thousand dollars from Heddy (who ran on the best, friendliest, and easiest to enter if you had the money whorehouses in Chicago). Somehow things had taken a turn for the worst after Black Bart left Heddy high and dry and she was back on cheap street trying to raise a helter-skelter growing boy with short funds. Not so Black Bart who had cheated his way to a million dollar bonanza when his luck changed. (That cheating not known, obviously, to the guys taking the beating at the card table but Heddy knew her Bart and imparted that wisdom onto her son.) When Heddy sent Jet to see if Bart would ante up the cash he had borrowed from her he dismissed Jet with a flick of his hand, and after a serious beating by one of his leg-breakers had him dumped him in some back alley in Altoona one night. Bart had, with a laugh, as his boys administered that beating, told Jet that he should sue him in court to get his money back as he wasn’t in the mood to give some bent whore dough that she had gotten from her whorehouse dollies. So Heddy, so Jet, and after hearing about what Bart had called Heddy, so Top Hat were primed for revenge. But more than revenge because that is easy, kids’ stuff, but to send Bart back to cheap street hustling winos with three-card Monte tricks or stuff like that.

The key to understanding Black Bart was that like a lot of con artists, no, most con artists, no, make that all con artists, is that beside being easy prey to any scam especially a scam that plays to their greed they always assume that they are smarter than whoever is making the proposition and can double-back on it to their profit. Top Hat had easy pickings when he ran across guys like Bart. Here is the way that Top Hat worked his magic, although when Nutsy finished telling Eddie the lay Eddie thought the venture had too many moving parts, too many guys in on the score once Black Bart was brought down.

It went like this. “Buggy” Bannon knew Black Bart, knew he was always interested in an easy score so Buggy put the word in Bart’s ear about some silver and gold mining stock that was about to go through the roof once the worst parts of the Depression were over. So Buggy, who had worked with Top Hat on the Silver Smith scam and so was trustworthy, or as trustworthy as any guy working on a scam can be introduced Top Hat to Bart as a chief stockbroker for Merrill Lynch. Then Top Hat went through the traces, got Bart hooked in with the knowledge about the gold and silver stock. Of course Top Hat had had “Horseless” Harry sent up a nice brochure in color all about the various possibilities of the mining stock and Bart got interested, saw quick dollar signs. Of course even an over-the-top greedy guy like Bart had to see some real stuff, some real stockbroker operation, so Top Hat had rented out space in a building in the financial district and created out of sheer nothing a stock market room complete with ticker-tape, running around employees (all grifters from out west so that Bart would not recognize them) or and investors milling around.

That was the part that Eddie thought was over the top, the too many moving parts aspect, but in any case it all looked good to Bart. Here is the carrot Top Hat told Bart to invest a few thousand to see how it went. And so Bart did, bringing to the stock room five thousand in cash as all con artists did then in the days before working kited checks and credit cards and stuff like that opened out new ways to bilk people, including smart guys. A few days later Top Hat delivers ten thousand to Bart, all fresh dough, and so they are off to the races because now he sees that this thing could make him really rich. Of course Top Hat knowing that you have to bring a guy, a sucker along, knowing you needed to whet his appetite had just added five of his own money to Bart’s to bring in the bonanza (writing it off as overhead just like any other legal or illegal operation).

Bart, although no fool and who still had some suspicions, was no question hooked though as Top Hat fed him another stock tip and told him he should let the ten thousand ride, which he did. About a week later Top Hat delivers twenty-two thousand to Bart and he was really hooked, really wants to put more money down. Especially when that twenty-two went to fifty grand a few weeks later. Bart said to Top Hat that it was like finding money on the street. Then Top Hat really got to him, let him know that in South Africa, a known gold, silver and diamond mother lode to everybody in those days that a new field was within days of being explored and discovered and that Bart should be ready to go big and get in on the ground floor. Here is the beauty of the thing though. The financial pages were almost in a conspiracy with Top Hat because they were also projecting some speculation about new minefields. One day Top Hat told Bart to get all the cash he could gather because that South African stock, low, very low at the time would be going through the roof once the discovery was confirmed. So a few days later Bart brought a suitcase filled with cash, about a million maybe a little less, and pushed it over to Top Hat. Top Hat went to the cashier (“Hangman” Henry of all people) and brought back a receipt to Bart.

Now you can figure out the rest. A few days later news of that new minefield did come in and that stock did rise although in a world filled with gold and silver with nobody to buy stuff yet not as much as you would have expected but still a good take. Bart then called Top Hat to tell him to cash in. No answer at Top Hat’s number. Bart then went to the stock exchange room to find nothing but a “for rent” sign on the doors. As for Top Hat and Jet well they were on the train back to New York with that one hundred grand for Heddy and a twinkle came into Top Hat’s eyes about those old days when she “curled his toes,” and might again. Beautiful.

That story etched in his brain Eddie Daley started putting together a few ideas in his head, getting on the phone to a few guys (fewer than Top Hat had in his operation), and started making some dough connections for financing. Out in the grifter night they still talk about Eddie Daley, whereabouts unknown, “king of the grifters” after he took Vince Edwards the big book operator for about a million and a quarter in cold hard cash. You now know the back story on that one.  

Sunday, February 7, 2016

In The Time Of The Soviet-Franco Friendship Association-With Greta Garbo’s Ninotchka In Mind  




DVD Review

By Sam Lowell

Ninotchka, starring Greta Garbo, Melvyn Douglas, Ina Claire, 1939

Rick (played by Humphrey Bogart) of Rick’s American CafĂ© in the movie Casablanca famously said to Ilsa (played by Ingrid Bergman) that they “would always have Paris,” meaning the Paris of their whirlwind romance. Well apparently the city of lights can play the backdrop for more than one film, and more than one kind of film in the case of the film under review the 1939 classic romantic comedy Ninotchka. While Russian head Red, General Secretary Joseph Stalin would certainly not have liked this film (if I recall it was banned for many years in the Soviet Union and its environs) as a parody of the shortcomings of his regime as a period piece it retains its interest. Hell, if I had been adhering to the party line, the Communist International line of the time, I might not have liked it, not liked it publicly although there are several sly political jabs I could have laughed at privately, very privately like in an acoustically sealed room with all doors locked.      

Here’s why Uncle Joe was in a snit. And remember this is only a romantic comedy. It was all about the jewels, right? The jewels confiscated by the Soviet authorities in the aftermath of the Bolshevik Revolution of 1917 when the nobility and their hangers-on either fought with the Whites and perished or more sensibly went into  exile in places like Paris. By 1939 thought conditions in the Soviet Union warranted the necessity of selling jewels and other valuables on the world market to bring in ready cash for food. (Yes, Uncle Joe would not have liked that at all). So the Russian Board of Trade sent three goofs (what else could they be called with their Marx Brothers-type antics and I don’t mean Karl antics) to sell off Duchess Swana’s jewels to a wary jeweler in Paris. It just so happened that among the Russian ex-patriates in Paris was that self-same Swana (played by the catty Ina Claire) who was holding court in exile waiting on the Soviet experiment to burn itself out and for the old order to return. While she was waiting though she would be more than happy to repossess her “stolen” goods. That is where her consort of sorts the Count d ’Algout (played by Melvyn Douglas) devised a plant to get them back-bring a ton of litigation to hold up the sale until the French courts can determine the legal owners. So the Count gets in touch with the three Russian goofs and lays it on the line to them. But they are only low-level functionaries, at best.            

That is where the heart of the story begins-the rags to riches romance part. The Russians send a special envoy, a woman, a hard Bolshevik to take charge of the case, Ninotchka (played by the alluring Greta Garbo). Although the Count and Ninotchka meet by chance on the street the up close and personal duel between the hard red and the cosmopolitan bourgeois is on. Naturally the delights of Paris grab Ninotchka as they do almost anybody and in a series of cat and mouse scenes she and the Count fall in love. Even if it was only to be just a whirlwind affair since she had to go back to Moscow when the litigation was over. Moreover Swana, who despite her blasé demeanor wanted the Count to herself, by devious means got personal possession of the jewels and forced Ninotchka on her terms back on the plane to Moscow and without her Count.

Of course here is where film conventions for romantic comedies or any romance film come into play. The Count once he finds out his beloved is gone devised some schemes involving the three goofs in order to get Ninotchka back to Paris and life happily ever after. Naturally they work. And get the goofs to Paris too. Along the way there are plenty of allusions to the real situation in late 1930s Russia (the Moscow trials) and the social and economic hardships that probably had Uncle Joe throwing vodka bottles around on drunken nights in the Kremlin after he watched his screening of the film. But now as the dust has long settled as a period piece it is a good showing of the talents of both Garbo and Douglas. That makes the film worth seeing these days when you don’t have to worry about the party line.