Click on the headline to link to a YouTube film clip of June Carter Cash performing Will The Circle Be Unbroken to set the mood for this piece.
Keep On The Sunny Side: June Carter Cash-Her Life In Song, June Carter Cash and others, Two CD Set, Sony Records, 1999
Scene: Brought to mind by the song Will The Circle Be Unbroken performed by June Carter Cash on the compilation, Keep On The Sunny Side: June Carter Cash-Her Life In Song.
“Jesus, it’s been three months since the mill closed on the first day of our lord, January 1954, as the huge black and red sign in front of the dead-ass silent mill keeps screaming at us (and also to not trespass under penalty of arrest, christ,) and I still haven’t been able to get steady work, steady work anywhere, what with every other guy looking for work too, and I don’t even have a high school diploma to do anything but some logging work up North when they need extra crews,” Prescott Breslin half-muttered to Jack Amber, a fellow out-of-worker sitting on the counter-stool next to his from the same MacAdams Mill that had been in Olde Saco since, well, since forever. This conversation and ones like it in previous weeks between the two, and by many previous parties on those self-same stools, took place, of course, at Millie’s Diner right across the street from the closed, dead-ass mill the place where every guy (and an occasion wife, or girlfriend waiting to pick up her guy) who worked there went for his coffee and, and whatever else got him through another mill week.
Just then Prescott (no Pres, or PB, or any such thing, not if you don’t want an argument on one of his few vanities) fell silent, a silence that had been recurring more frequently lately as he thought of the reality of dead-end Maine prospects and rekindled a thought that came creeping through his brain when Jack MacAdams, the owner’s son, first told him the plant was shutting down and moving south to North Carolina not far, not far at all, from his eastern Kentucky roots. Then it was just a second of self-doubt but now the thoughts started ringing incessantly in his brain.
Why the hell had he fallen for, and married, a Northern mill-town girl (the sweet, reliable Delores, nee LeBlanc, met at the Starlight Ballroom over in Old Orchard Beach when he had been Marine Corps short-time stationed at the Portsmouth Naval Base down in New Hampshire just before heading back to the Pacific Japan death battles), stayed up North after the war when he knew the mills were only a shade bit better that the mines that he had worked in his youth, faced every kind of insult for being southern from the insular Mainiacs (they actually call themselves that with pride, the hicks, and it wasn’t really because he was from the south although that made him an easy target but because he was not born in Maine and could never be a Mainiac even if he lived there one hundred years), and had had three growing, incredibly fast growing, boys with Delores. Then he was able to shrug it off but not now.
The only thing that could break the cursed thoughts was some old home music that Millie, good mother Millie, the diner’s owner (and a third generation Millie and Mainiac) made sure the jukebox man inserted for “her” country boys while they had their coffee and. He reached, suddenly, into his pocket, found a stray nickel, put it in the counter-side jukebox, and playedWill The Circle Be Unbroken, a song that his late, long-gone mother sang to him on her knee when he was just a tow-headed young boy. That got him to thinking about home, the Harlan hell home of worked-out mines, of labor struggles that were just this side of fighting the Japanese in their intensity and possibilities of getting killed, or worst grievously injured and a burden on some woe-begotten family, of barren land eroded by the deforested hills and hollows that looked, in places, like the face of the moon on a bad night. And of not enough to eat when eight kids, a mostly absence father and a fading, fading mother needed vast quantities of food that were not on table and turnips and watery broth had to do, of not enough heat when cruel winter ran down the ravines and struck at your very bones, and of not enough dough, never enough dough to have anything but hand-me-down, and then again hand-me-downs clothes, sometimes sister girls stuff just to keep from being bare-assed.
Then he thought about the Saturday night barn dances where he cut quite a figure with the girls when he was in his teens and had gleefully graduated to only having to wear hand-me-downs. He was particularly lively (and amorous) after swilling (there is no other way to put it) some of Uncle Eddie’s just-brewed “white lightening.” And he heard, just like now on the jukebox, the long, lonesome fiddle playing behind some fresh-faced country girl in her best dress swaying through Will The Circle Be Unbroken that closed most Saturday barn dances. As Millie asked him for the third time, “More coffee” he came out of his trance. After saying no to Millie, he said no to himself with that same kind of December resolve. A peep-break Saturday night dance didn’t mean squat against that other stuff. And once again he let out his breathe and said to himself one more time- Yes, times are tough, times will still be tough, jesus, but Delores, the three boys, and he would eke it out somehow. There was no going back, no way.
Just then through the door Jack Amber yelled, “Hey, Prescott, the Great Northern Lumber Company just called and they want to know if you want two months work clearing some land up North for them. I’m going, that’s for sure.” And, hell, he was going too.
This blog came into existence based on a post originally addressed to a fellow younger worker who was clueless about the "beats" of the 1950s and their stepchildren, the "hippies" of the 1960s, two movements that influenced me considerably in those days. Any and all essays, thoughts, or half-thoughts about this period in order to "enlighten" our younger co-workers and to preserve our common cultural history are welcome, very welcome.
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