A Look At The Racial Fault Line In America- Studs Terkel Style

Click On Title To Link To Studs Terkel’s Web Page.

Division Street Revisited- Stud Terkel’s America

BOOK REVIEW

Division Street: America, Studs Terkel, The New Press, New York, 2004

As I have done on other occasion when I am reviewing more than one work by an author I am using some of the same comments, where they are pertinent, here as I did in earlier reviews. In this series the first Studs Terkel book reviewed was that of his “The Good War”: an Oral History of World War II.

Strangely, as I found out about the recent death of long time pro-working class journalist and general truth-teller "Studs" Terkel I was just beginning to read his "The Good War", about the lives and experiences of, mainly, ordinary people during World War II in America and elsewhere, for review in this space. As with other authors once I get started I tend to like to review several works that are relevant to see where their work goes. In the present case the review, his first serious effort at plebeian oral history, Division Street: America, despite the metaphorically nature of that title, focuses on a serves a narrower milieu, his “Sweet Home, Chicago” and more local concerns than his later works.

Mainly, this oral history is Studs’ effort to reflect on the lives of working people (circa 1970 here but the relevant points could be articulated, as well, in 2008) from Studs’ own generation who survived that event, fought World War II and did or did not benefit from the fact of American military victory and world economic preeminence, including those blacks and mountain whites who made the internal migratory trek from the South to the North. Moreover, this book presents the first telltale signs that those defining events for that generation were not unalloyed gold. As channeled through the most important interviewee in this book, Frances Scala, who led an unsuccessful but important 1960’s fight against indiscriminate “urban renewal” of her neighborhood (the old Hull House of Jane Addams fame area) Studs make his argument that the sense of social solidarity, in many cases virtually necessary for survival, was eroding.

Studs includes other stories, including the lumpen proletarian extraordinaire Kid Pharaoh who will be met later in Hard Times and the atypical Chicago character who gladly joins the John Birch Society in order to assert his manhood, who do not easily fit into any of those patterns but who nevertheless have stories to tell. And grievances, just, unjust or whimsical, to spill.

One thing that I noticed immediately after reading this book, and as is true of the majority of Terkel’s interview books, is that he is not the dominant presence but is a rather light, if intensely interested, interloper in these stories. For better or worse the interviewees get to tell their stories, unchained. In this age of 24/7 media coverage with every half-baked journalist or wannabe interjecting his or her personality into somebody else’s story this was, and is, rather refreshing. Of course this journalistic virtue does not mean that Studs did not have control over who got to tell their stories and who didn’t to fit his preoccupations and sense of order. He has a point he wants to make and that is that although most “ordinary” people do not make the history books they certainly make history, if not always of their own accord or to their own liking. Again, kudos and adieu Studs.