“Elementary, My Dear Watson”-The Film Adaptation Of Sir Arthur Conan Doyle’s Sherlock Holmes Saga “The Hound of the Baskervilles” (1939)

DVD Review

By Alden Riley

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Allan Jackson who for what seems like a millennia used the moniker Peter Paul Markin after a high school friend who had told him what was what in the writing world, was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

 

The Hound Of The Baskervilles, starring Basil Rathbone, Nigel Bruce. Richard Greene, from the crime novel of the same name by Sir Arthur Conan Doyle, 1939

A number of us, of the younger writers mostly, the ones who have identified ourselves as the “Young Turks” in the 2017 ouster and from unconfirmed reports shunting off to Utah so I have heard of Allan Jackson, the former site administrator, have chaffed a little under having to have below our by-lines the statement above about how we overthrew the “tyrant,” and now must seemingly suffer for who knows how long with the constant reminder of our valorous  deeds. (Although this has absolutely nothing to do with Allan’s exile or this review I can’t help but say Utah is a lovely place which may not stay that way long with recent moves, 2017 moves, by President Trump and his oil and fossil fuel-soaked cronies  to open up now designated National Monument to wide-scale exploitation of natural resources and which even if ruined has got to be a better place of exile than Alabama where seriously demented asocial people rule the roost any day of the week.) In fairness the older writers who supported Allan almost to a man are also subjected to the statement so-ordered to let everybody know a new more democratic road is ahead but as the losers in the internal struggle they can claim some kind of red badge of courage out of the sentiment. Nobody wants a fight to the death over the matter of the disclaimer not after the recent blood-letting but enough is enough. 

That said we have also as the attentive reader may have noted been encouraged to speak our minds as part of our writing about various points which brought about the internal explosion at this publication in order as Greg Green and the Editorial Board have stated to give those readers and inside view of how a social media-driven sources of news and opinion should work when in its previous incarnation it was anything but, had turned into an Allan Jackson nostalgia for all things wild and wooly 1960s franchise- end of story. I have had my say elsewhere on other aspects of the controversy, but I feel that I would be remiss in my duty if I didn’t mention how hard it was under the Jackson regime to get something as simple as a review of a film featuring one of the classic detectives of all times, Sherlock Holmes the fertile creation of Sir Arthur Conan Doyle whose crime novels filled many a youngster’s hours years ago.  

Without seeming to pile on the now departed Jackson what was a basic free-for-all being leveled by writers young and old against his regime and its foibles there is a little point to be made. I had tendered under the old regime to concentrate on more modern films and then Senior Film Critic, a title now mercifully abolished, Sandy Salmon on the older films. Except that as a child I devoured the Sherlock Holmes books and was interested when I saw that the film was open for review on the office assignment board to watch the film and write about my take on the venture. Markin (oops Jackson’s longtime moniker at this site) said no. Said no not for his usual reason that older films were Sandy’s province but that he did not want any “parlor detectives” to muddy up the site since he believed that after the emergence of hard-boiled anti-hero private investigator crime detection with the likes of Dashiell Hammett’s Sam Spade and Raymond Chandler’s Phillip Marlowe such types were passe. End of story. Subsequent to Jackson’s bumpy road departed under a cloud I approached new administrator Greg Green and asked if I could do some work on the Sherlock Holmes films which were the stock-in-trade of a whole generation of movie-goers who thrilled to the wit of Holmes and the buffoonery of Watson. In two seconds he gave his approval noting that the Holmes character was widely loved by many movie-goers on both sides of the Atlantic just because he was not hard-boiled (and not a “parlor” detective either). So here goes.    

Much has been made by old-time writer and reviewer Seth Garth , a long-time friend of the departed Jackson  and hold-over under the new regime because, well, as Greg tells it he can write, in an alternative series of reviews in the Rathbone-Bruce version of the Holmes legend about the “odd” relationship between the two men and the persistent rumor that they were using the private detective dodge out of Baker Street as a front for half the criminal activity in greater London. Today we would call that “peculiar” relationship between the two merely another gay twosome if we said anything at all and as for the criminal activity underneath the so-called P.I. front well people have to live and their landlady over on Baker never squawked. The real point being what does that either of those understandings have to with solving mysteries like the one under review, the classic Hound of the Baskerville which still makes me shutter and respect Brother Holmes’ expertise.

Why? This one is strictly based on what wants the dough badly enough to set the Baskerville dynasty asunder since the last of the Baskervilles, Sir Henry, is under threat. At least that is the story that his close and worried friend tells Holmes and Watson. Tells them too that legend has it that the Baskervilles are marked with the sign of Cain, that somebody or something is out to destroy the family for purposes unknown (although I can tell you right now that the Baskerville fortune is extensive and so the first thing anybody should figure out, as Holmes did, was who wanted the dough, the estate once the last of the line passed on-with or without help). If you can believe this the villain of the piece is a dog, a huge Great Dane, who has the disturbing habit of offing the average Baskerville in the area. Just ask Sir Hugo, an uncle of Henry’s who met his gory demise in such a manner. Of course the dog could not act alone, could not become a vicious monster without human help, without somebody who wanted that pile of dough so bad he devised a nasty plan involving that demented dog (and a person who should be immediately reported to the local humane society). Not without some difficulties Holmes wraps this one up in the end without a fuss once he figured that the hook was somebody who had a stake in getting the estate if Henry was out of the way. A guy named Stapleton fit the bill and after a dog scare and some gunplay he escaped but not for long since the coppers posted along road would get him if a homicidal maniac in the dreaded moors didn’t first. Beautiful work Sherlock I knew you could do this one with no sweat and with little help from your dear friend Doc.