When Hunks Like Robert Mitchum Lighted Up The Film Noir Heavens- Faith Domergue’s “Where Danger Lives” (1950)-A Review

DVD Review

By Sarah Lemoyne

Where Danger Lives, starring Faith Domergue, Claude Rains, Robert Mitchum, directed by legendary film noir director John Farrow, 1950

The reader may wonder, no, may be in shock that young Sarah Lemoyne, me, is reviewing a 1950s film noir minor classic Where Danger Lives starring Robert Mitchum one of the half dozen or so best- known male noir leads rather than the expected “expert” on the genre Sam Lowell or at least a well-known reviewer like my mentor Seth Garth. Thank site manager Greg Green for that although after all that is what he gets paid for. Paid for putting out what he has termed “the fire.” The “fire” in this case the nondescript “dispute” if it can be said to rise to that level between the now slightly wizened Sam Lowell (my concession to Sam via Greg after consistent and provable accusations by me that he, Sam, has become both mentally and physically a shell of what his old-time legend bought and paid for by the studios and book publishers had been, had become wizened and senile from his rantings against a harmless young woman like me trying to learn her craft) and me over my so-called allegations about who actually wrote his film reviews after his breakthrough tome on film noir which is still considered by some of the diminishing clot of  older writers on the subject the definitive volume but which I made the “mistake” of saying was dated and left me cold, left me out in the cold in trying to understand the genre. Frankly should have been revised by him, or somebody about twenty years ago when neo-noir films like L.A. Confidential and Mullholland Drive took the genre in another direction. Also should have included at least a tip of the hat to the idea that most of the guys, private detectives, crooks, criminals and skirt-chasers were deeply misogynous. But that would have thrown his precious main theory about “man’s fate” into the trash heap and his book into the remainder bins.      

Although I have proof positive that mainly stringers, usually female stringers romantically involved with him if you can believe that , or believe that this mountebank has actually been married three times and has a bunch of nice kids, or young women looking to get up the professional male-dominated food chain he has muddied the waters so much that it is hard to believe that he did not do the deeds as noted. Worse of all personally were his insinuations, hurtful insinuation to both Seth Garth, allegedly his old school boy friend, and my partner Clara that Seth and I were in the throes of some intergenerational romance. Thoughts of a dirty old man who under other circumstances should have been relieved of his duties, except he had already been relieved of them through what was supposed to be his retirement. That “hanging around like Father Death,” Seth’s take on the matter is what has brought Seth to my defense and assistance much to Clara and my appreciation (although it was touchy for a while when she thought I was in my “man” interest stage after having gone to dinner with him alone one night since I have always been a “B” in the LGBTQ firmament while she is exclusively “L”).

All that is over now though, all the mutual mudslinging is over courtesy of Greg who did what most editors do when their writers start to wrangle to the detriment of the work. Called us in to walk the plank, for me to walk the plank or so I thought given Sam’s vast seniority. But no Greg the fount of wisdom just told Sam that Sarah should do a film noir review, a review of one of the examples that Sam used in that long-ago book everybody went crazy over. Not a major example but a sturdy one as this Where Danger Lives is. In return Sam is too do a musical or was to do a musical because when Greg suggested that he balked. Sam balked and said he would go back into cubbyhole retirement and leave the field to the younger writers. Thanks Sam but I still wanted to do this review to show my stuff so I too can climb up that cutthroat food chain you have withdrawn from with seeming good grace. So here we are.

After perusing Seth’s copy of Sam’s The Life And Times Of Film Noir:1940-1960 I noticed at least in the femme fatale section proper that Sam has made quite a case for some “going along minding his own business man,” usually a a professional man, being “mantrapped” by some vampish woman with evil designs on his time and happiness. (By the way, btw in Internet speak, perusing Sam’s book is all anybody could reasonably be expected to do since at 900 hundred long drawn out pages not even the most devoted besotted, book-wormish aficionado could wallow through the whole thing except those who have no other life and time on their hands than to wade through such things. Even Seth has told me and he has said it was okay to use his remarks here that he has never read the whole thing, never would have been able to so even as nighttime before bed reading. Especially as bedtime reading. Seth always said that Sam was a great reviewer but when he went beyond that put out the lights. Of course, Seth had the advantage, if it was an advantage, of having been present at the creation as he says while Sam was lumbering along on the volume and so knows exactly where Sam’s head was when he wrote the thing.                            

I will give you an example of what I mean by the so-call mantrap defense of the guy coming under the spell of some wayward femme fatale who takes no prisoners. In discussing the high classic Out of the Past starring Robert Mitchum, Jane Greer and Kirk Douglas a section that goes on for some one hundred pages alone longer than the plot outline Sam gives the most useful for our purposes case for his dog-eared theory. Kirk, a minor gangster working out of Reno who would have been devoured alive by the sharks in Vegas, hired Jeff, Mitchum’s role, to seek Kathy, played by Jane, his errant girlfriend who has run off with a fistful of his dough and what amounted to the “finger.” Jeff, a professional detective, went to Mexico her last known whereabouts to find her, bring her back and collect his fee as any professional detective would have done and be done with it. Simply. Except once Jeff got down south, got to waiting around some off-beat cantina for her to appear once she did and he got his looks at her all his resolve vanished. I admit Jane Greer was a looker, would be a looker today too with that “come hither” look that men have found attractive in me when I am into listening to them sweet talk me which has not been for a while now. (They could learn something from Seth by the way who when he took Clara and me out to dinner, a dinner after the dinner we had alone which had upset Clara no end and got her yelling habits on, to ruffle things out she said to clear the air that if he was interested in me romantically that he would not beat about the bush about it. Said that he would have, as Clara had, taken dead aim at me. That made me feel good and hopefully satisfied Clara). 

But Jeff was a pro, was supposed to do his business and forget it. Instead he got hung up on some vagrant jasmine   scent, something in the sultry air, something about the way she turned her head just so and bought into some evil plot she had hatched up to get him to od her bidding, to get her to forget to bring her back to Kirk. And who knows what madness since not only did she grab Kirk’s dough but winged him with a couple of slugs in her girlish gun-simple way. In the end he will be betrayed by her, will be left holding the bag for a killing of another detective, will be forced to duck out and hide his identity in some two-bit California town and in the end wind up in some un-mourned ditch bleeding like a sieve. I could say more but the reader gets the picture of a man who can’t get out of the spider-like clutches of a woman. We, Sam wants us to believe, should bleed for Jeff just because he couldn’t keep his dick in his pants on a job. Couldn’t say no. Yeah, right.

I suggest that Sam Spade in The Maltese Falcon turning over the faithless Bridget and her stuff of dreams when she tried to have him take her place in the big step-off and Phil Marlowe in The Big Sleep when he foiled Carmen’s “come hither” advances and took gangster Eddie Mars down for the count had the better professional attitude when the deal went down. So much for Sam’s silly idea that the guy is just victim, just a patsy for whatever any stray good-looking woman has in store for him. That whole bogus sentiment will come into play when I set up the plotline and theory behind the film under review.

There is always one moment of no turning back in each film noir I have seen but except for what book reviewer Josh Breslin calls “holy goofs,” guys a la Jack Kerouac’s characterization who could not talk and chew gum at the same time, a moment when the guy makes the wrong turn. Except that wrong turn is not without volition on the part of the male and is not some Calvinistic predestination gambit where free choice either doesn’t matter or can’t be bought for love or money since he is not one of the elect and a doomed soul. Take the good doctor here Jeff, Mitchum’s role, funny Jeff was also the name of the wayward private detective in Out of the Past who wound up with a couple of slugs in him via a gun-simple femme in a graven ditch out in nowhere. He had a promising career in front of him, good bedside manner, a good if not outstanding resume and a girlfriend nurse who if not startingly beautiful like sultry Margo, Faith’s role, at least would be a good life partner and bedmate. He could have had it all and had no complains.       

Enter exotic flower mysterious Margo via a suicide attempt into the emergency room while Jeff was on duty. Margo, admittedly the clinging type set off something in him beyond his desire to make sure she did not attempt another end to her life especially when she “did the dixie,” a term via Seth via Sam, on him and set him on a search for her. Right there he should have, could have dropped the whole thing. No, this good doctor actually made a house call for crying out loud. What doctor this side of Nick Adams’ father in the Hemingway series of the same name made house calls once the AMA pulled the brakes on that practice citing too much wasted time and too few billable hours.         

           

Okay, sometimes a guy, a gal too I know I did with a couple of partners before Clara, will get infatuated and then sober up. Will let the thing die on the vine because things don’t add up. This is where Sam is all wrong in his wrong-headed theory. One night at some gin mill rendezvous dear sweet Margo tried to brush Jeff off claiming her father, her rich as Midas but demanding father, needed her to go on a vacation with him. False flag, red flag for any sane guy. What does the big broad-shouldered, jut-jawed lug do. Run out to her house to confront her father, to give him the real deal that he wanted to marry his daughter. Except that her “father” was really her husband and this was a non-incestuous relationship because she lied to Jeff, admitted she lied to Jeff right in front of hubby and her fall guy. Jeff could have walked, sort of did walk, except a sudden scream from Margo from inside the house sent him back in. Yeah, yeah, Sam like she forced him back. He wanted to on his hands and knees and with a smile- for his own desires.    

That walk back through those un-pearly gates led to his demise, led to his willing demise, his big step off when after fighting hubby, a much older man, who fell down after beating Jeff about his witless head. It turned out that he had killed the old man-and was at the same time subject to the trauma of a concussion in his medical self-examination world. Groggy, he accepted responsibility for the killing despite the old man still breathing while he was injured. He wanted to report the accident after all that was what it to the cops but against all good sense, against his still substantial ability to make decisions despite his head injury Margo talked him out of it. From there it is nothing but a run south to the border and freedom for the pair. Naturally to juice up the plot they run into plenty of hassles before they get to that precious Mexican border and the good life, the free life. All the while Margo was acting very weird, acting like she has something to hide. Which she did. I hope I offend nobody in the mentally-challenged community but she was a very disturbed woman who moreover had actually killed her hubby with a pillow which Jeff was clueless about. Clueless about until he stopped being of use to her as his head injury condition made him less useful for the final fateful getaway.

It was not until dear Margo gave him her patented old pillow treatment that he finally wised up, finally knew she had a screw loose. Confronting her with his so-called newfound wisdom right at the border and freedom fence she did the Kathy on him, fed him a couple of slugs for his efforts. Another gun-simple woman. Not so strange the coppers who have been hounding the pair from out in the desert somewhere to the border threw some slugs into her. She did do something Kathy never would have done, a gesture for love as Rick of Rick’s Café Americain would have said, twisted love maybe, and gave a deathbed confession absolving Jeff. Jeff, undeservedly lived to doctor on, lived to go back to that ordinary sweetie nurse and to avoid another walk on the wild side.        

Sam Lowell may not like it but his she-devil noise about the women, the femme fatales is all smoke and mirrors, all is now pricked like some kid’s balloon. Even Seth, as devoted if not as well known a film noir aficionado as Sam, paid me the compliment of saying that I had put a searchlight on something that had bothered him for a long time about Sam’s silly theory. That helpless male victim part by grown men of the world. He still is not totally convinced of my take on the matter but he respects it and if I give some more proofs he, unlike Sam, is willing to jump ship. Welcome aboard, mate.