Click on the headline to link to a YouTube film clip of Howlin' Wolf performing Willie Dixon's classic Little Red Rooster. I am sure that Mick and the boys will gladly take a back seat to Howlin' Wolf on this one.
Markin, Class Of 1964, comment:
The Stones or Beatles?
This entry was originally posted on Classmates in March 2008.
I have been posing some questions to my class, the Class of 1964. The following question is one such example. However, it occurred to me that other classes might be able to answer it as well. After all we all bled Raider red, right? I will occasionally pose other questions of general interest.
******
I propose to use this Message Board space to pose certain questions to my fellow classmates to which I am interested in getting answers. Thus, I will be periodically throwing a question out and would appreciate an answer. No, I do not want to ask personal family questions. After forty years this space is hardly the place to air our 'dirty' little secrets. I do not want to talk religion. That is everyone's private affair. Nor I do not want to talk politics, although those who might remember me know that I am a "political junkie" from way back. In fact I mean to get my self into some twelve-step rehab program as soon as this current presidential campaign is over, if it ever is. What I want to do is ask questions like that posed below. Join me.
"Manchurian Candidate" McCain vs. The Huckster? Boring. Ms. Hillary vs. Obama "The Charma"? Ho, hum. Three dollar gas at the pump. Oh, well. (Remember this was originally written in March. AJ)? What has my blood boiling is a question that I am desperate, after forty years, to know about my classmates from 1964. In your callow youth, back in the mist of time, did you prefer The Rolling Stones or the Beatles? The question was posed in the canned Q&A section on my profile page (on the Classmates site) but I feel the issue warrants a full airing out.
I make no bones about my preference for The Rolling Stones and will motivate that below but here let me just set the parameters of the discussion. I am talking about the stuff they and the Beatles did when we were in high school. I do not mean the later material like the Beatles' "Sergeant Pepper" or The Stones' "Gimme Shelter". And no, I do not want to hear about how you really swooned over Bobby Darin or Bobby Dee. Answer the question asked, please.
I am not sure exactly when I first hear a Stones song although it was probably "Satisfaction". However, what really hooked me on them was when they covered the old Willie Dixon blues classic "Little Red Rooster". If you will recall that song was banned, at first, from the radio stations of Boston. Later, I think, and someone can maybe help me out on this, WMEX broke the ban and played it. And no, the song was not about the doings of our barnyard friends. But beyond the sexual theme was the fact that it was banned that made me, and perhaps you, want to hear it at any cost. That says as much about my personality then, and now, as any long-winded statement I could make.
That event began my long love affair with the blues. And that is probably why, although the blues, particularly the Chicago blues, also influenced the Beatles, it is The Stones that I favor. Their cover still holds up, by the way. Not as good, as I found out later, as the legendary Howlin' Wolf's version but good. I have also thought about the Stones influence recently as I have thought about the long ago past of my youth.
Compare some works like John Lennon's plaintive "Working Class Hero" and The Stones' agitated "Street Fighting Man" (yes, I know these are later works but they serve to make my point here) and I believe that something in the way The Stones from early on presented that angry, defiant sound appealed to my sense of working class alienation. But enough. I will close with this. I have put my money where my mouth is with my preference. When the Stones toured Boston at Fenway Park in the summer of 2005 I spend many (too many) dollars to get down near the stage and watch old Mick and friends rock. Beat that.
Street Fighting Man Lyrics
Artist(Band):The Rolling Stones
(M. Jagger/K. Richards)
Ev'rywhere I hear the sound of marching, charging feet, boy
'Cause summer's here and the time is right for fighting in the street, boy
But what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No
Hey! Think the time is right for a palace revolution
'Cause where I live the game to play is compromise solution
Well, then what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No
Hey! Said my name is called disturbance
I'll shout and scream, I'll kill the king, I'll rail at all his servants
Well, what can a poor boy do
Except to sing for a rock 'n' roll band
'Cause in sleepy London town
There's just no place for a street fighting man
No
"Working Class Hero" lyrics- John Lennon
As soon as your born they make you feel small,
By giving you no time instead of it all,
Till the pain is so big you feel nothing at all,
A working class hero is something to be,
A working class hero is something to be.
They hurt you at home and they hit you at school,
They hate you if you're clever and they despise a fool,
Till you're so fucking crazy you can't follow their rules,
A working class hero is something to be,
A working class hero is something to be.
When they've tortured and scared you for twenty odd years,
Then they expect you to pick a career,
When you can't really function you're so full of fear,
A working class hero is something to be,
A working class hero is something to be.
Keep you doped with religion and sex and TV,
And you think you're so clever and classless and free,
But you're still fucking peasents as far as I can see,
A working class hero is something to be,
A working class hero is something to be.
There's room at the top they are telling you still,
But first you must learn how to smile as you kill,
If you want to be like the folks on the hill,
A working class hero is something to be.
A working class hero is something to be.
If you want to be a hero well just follow me,
If you want to be a hero well just follow me.
The Red Rooster
Howling Wolf
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark,
and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people,
Cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard,
Since the little red rooster been gone
Willie Dixon
*********
*"The Battle Of The Sexes-Round 235"
http://www.youtube.com/watch?v=UtkFmCY9IZ0
Click on the headline to link to a "YouTube" film clip of Patsy Cline performing "She's Got You".
Al Johnson, Class Of 1964, comment:
Posted: Mar 28 2009 on Classmates
"The Battle Of The Sexes-Round 235"
From The Recycle Bin. This entry was originally posted on this site in March 2008. It should be read in conjunction with "The Rolling Stones or The Beatles?" entry.
Brenda Lee or Patsy Cline?
Sometimes one cannot win. As my first entry in the Class of 1964 Message Board (on Classmates) I asked what I thought was an innocuous question: in your youth did you prefer The Rolling Stones or the Beatles? Innocent, right? Not though when my "significant other" (known in the old days, in polite society, as my paramour and in impolite society as...oh, well you can fill in the blank) finished reading the entry. The gist of her indignant argument centered on my alleged testosterone-driven choices of male Rock 'n' Roll bands to the exclusion of kinder, gentler music-in short, choices that women might prefer. Okay, I take the point. And because March 8th is International Women's Day and March is Women's History Month I here make amends. Naturally, I need to make a little comment to motivate my choice.
Frankly, I do not remember being a fan of either Brenda Lee or Patsy Cline in my youth. I picked those names for the purposes of this 'essay' because they stick out in my memories. Both names are associated in those memories with dreamy school dances or other types of romantic endeavor. It was not until several years ago that I came to appreciate Patsy Cline's work. I have always been a sucker for female torch singers like Billie Holiday and the young Peggy Lee in her Benny Goodman period but Patsy only recently became part of my musical interests as a country "torch" singer. So there you have my choice. Make yours.
One last word. Let me get back to that controversy with my "significant other" (I prefer "soul-mate" but I will let that pass here). I mentioned in that first entry that in the summer of 2005 I attended a Rolling Stones concert at Fenway Park. Now who do you think was standing beside me shaking, as the kids say, her "booty" for all she was worth? So much for that testosterone theory. Moreover, who imprisoned me in Fenway Park practically at gunpoint, until I bought her a sassy little Stones T-shirt as a memento of the occasion? Enough said.
VVVV
Alfred Johnson
Posted: Mar 25 2009 10:38am PST
In reply to Class of 1964
Here Are Some Lyrics For Brenda and Patsy So You Can Make An Informed Decision On These Burning Questions Of The Day.
Brenda Lee - I'm Sorry lyrics
Lyrics to I'm Sorry :
I'm sorry, so sorry
That I was such a fool
I didn't know
Love could be so cruel
Oh, oh, oh, oh
Uh, oh
Oh, yes
You tell me mistakes
Are part of being young
But that don't right
The wrong that's been done
Spoken:
(I'm sorry) I'm sorry
(So sorry) So sorry
Please accept my apology
But love is blind
And I was to blind to see
Oh, oh, oh, oh
Uh, oh
Oh, yes
You tell me mistakes
Are part of being young
But that don't right
The wrong that's been done
Oh, oh, oh, oh
Uh, oh
Oh, yes
I'm sorry, so sorry
Please accept my apology
But love was blind
And I was too blind to see
(Sorry)
She's Got You Lyrics
Artist: Patsy Cline
I've got your picture that you gave to me
And it's signed with love just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you
I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new
I've got the records, she's got you
I've got your memory, or, has it got me?
I really don't know but I know it won't let me be
I've got your class ring that proved you cared
And it still looks the same as when you gave it, dear
The only thing different, the only thing new
I've got these little things, she's got you
I've got your memory, or, has it got me?
I really don't know but I know it won't let me be
I've got your class ring that proved you cared
And it still looks the same as when you gave it, dear
The only thing different, the only thing new
I've got these little things, she's-got-you
This blog came into existence based on a post originally addressed to a fellow younger worker who was clueless about the "beats" of the 1950s and their stepchildren, the "hippies" of the 1960s, two movements that influenced me considerably in those days. Any and all essays, thoughts, or half-thoughts about this period in order to "enlighten" our younger co-workers and to preserve our common cultural history are welcome, very welcome.
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