Click on the headline to link to a YouTube film clip of Memphis Minnie performing her classic Hoodoo Lady Blues
CD Review
Memphis Minnie, In My Girlish Days, 1991
One of the interesting facts about the development of the blues is that in the early days the recorded music and the bulk of the live performances were done by women, at least they were the most popular exponents of the genre. That time, the early 1920’s to the 1930’s was the classic age of women blues performers. Of course, when one thinks about that period the name that comes up is the legendary Bessie Smith. Beyond that, maybe some know Ethel Waters. And beyond that-a blank. Yet the blues singer under review, Memphis Minnie, probably had as a productive career as either of the above-mentioned names. And here is the kicker. If you were to ask today’s leading women blues singers like Bonnie Raitt or Maria Muldaur about influences they will, naturally, give the obligatory Bessie response, but perhaps more surprisingly will also praise Ms. Minnie to the skies.
This compilation, while not technically the best, will explain the why of the above paragraph. Minnie worked with many back-up players over the years, some good some bad, but her style and her energy carried most of the production. She was the mistress of the double entendre so popular in old time blues- you know, or you better ask somebody, phrases like “put a little sugar in my bowl”. The best of the bunch here are Bumble Bee, Down Home Girl and the classic In My Girlish Days. Listen on.
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