Markin comment:
I already told you the story one time about the Moline Meltdown that was part of the search in the old days for the great blue-pink American West night so I don’t have to repeat that here but I did start to think that the story of Captain Cob and the S.S. Blue-Pink Night that was part of it would be easier to tell and I would not get myself so balled up in the telling if it was done as a ballad. Make it shorter and more to the point, if nothing else. Also an important source for this story, or model for the story if you will, was Red Sovine’s Big Joe and Phantom 309 as translated by Tom Waits. And Big Joe was nothing but a “talking” ballad in the old Hank Williams or Woody Guthrie style. So I am in good company. Here goes:
The Ballad Of Captain Cob And The S.S. Blue-Pink Night
Okay, let me tell this thing straight through even though I know it will sound off-kilter to you anyway I say it, hell, it will sound half off-kilter to me and I lived through it:
See, back a few years ago, yah, it was back a few years ago when I was nothing but a summer-sweltered sixteen year old high school kid, a city boy high school kid, with no dough, no way to get dough, and nobody I knew who had dough to put a touch on, I went off the deep end.
Plus, plus I had about thirty-six beefs with Ma, around par for the course for a whole summer but way too many for a couple of weeks in, and not even Fourth of July yet.
Worst, worst, if you can believe this, I had a few, two maybe, beefs with the old man, and having a beef with him with Ma the official flak-catcher meant things were tough, too tough to stay around.
Sure, I know, how tough can it be at sixteen to stay put waiting for the summer heat to break and maybe have some clean clear wind bring in a change of fortune. But don’t forget, don’t ever forget when I’m telling you this story that we are talking about a sixteen year old guy, with no dough and plenty of dreams, always plenty of dreams, whatever color they turned out to be.
I threw a few things together in an old green, beaten to hell, knapsack you know enough to get by until things break, that stuff and about three dollars, and I headed out the door like a lot of guys headed out that same kind of door before me in search of fame and fortune.
I hit the main street with a swagger and immediately start thumbing as if my life depended on it. Right away a car, I didn’t see where it had come from before it came into my view, a late model car, looked like a 1961 Ford, slowed down, the driver rolled down his passenger side window and asked where was I heading.
I said “west, I guess,” he said “I’m heading up to Maine to work. Too bad I can’t help you.” As he readied to make tracks I say, “Hey, wait a minute, I‘ll take that ride, North or West it’s all the same to me.” Whoever said that my fortune could not be made in Maine just as easily as in California.
This guy, if you are thinking otherwise, turned out to be pretty interesting, he wasn’t any fruit like a lot of guys who stop when they see a young guy with a dour, carrying the weight of the world on his shoulders pan like mind, and are ready to pounce on that fact.
Seems that Kenny, Kenny of a thousand ships, his name was, worked the boats, the ferries out of Portland and Bar Harbor over to Nova Scotia and filled the time we traveled with stories about different funny things that happened on the trips back and forth.
And this one story that I didn’t think anything about when he told it. He is going on a bit about how one time out in the misty mist his uncle, Captain Cob, Captain Caleb Cob, some old swamp Yankee, whom he served under in some boat saved a bunch of people off an island ferry, off of Portland Light, got them to shore, and went back out looking for more.
Well, he was telling his stories, and I was telling mine about this and that, but mainly about my love of the sea, and about going west to see the Pacific when I get tired of the Atlantic.
Suddenly, Kenny said out of the blue, “Hey, if you’re gonna bum around I’ll leave you off at Old Orchard Beach, right at the beach, there’s plenty of places to sleep there without being bothered.
See, though this guy, Kenny, was so good, such a good guy, that when we get there he doesn’t just let me off on Route One and so I have to thumb another ride into town like most guys would do but takes me right down to the pier, the amusement park pier.
Then he said you know it is probably better to get away from this crowded area, let me take you down Route 9 to the Saco jetty where you can set yourself up in an empty boat. Okay, that sounds right and besides it’s won’t be dark for hours yet and it’s not dark enough for me to make my big teenage city boy moves.
I could see right away that Kenny was right, this place was quiet and there were many row boats just waiting to be used for housekeeping purposes. But, what got my attention was, maybe fifty yards away, was the start of the longest jetty in the world, or so I thought.
Hey, I had walked a few jetties and while you have to be careful for the ill-placed boulders when you get to the end you are feeling like the king of the sea, and old Neptune better step aside. I started walking out,
Christ this was tough going I must be a little tired from all the travel. Nah it’s more than that, the granite slaps are placed helter-skelter so you can’t bound from one to another and you practically have to scale them. After about a hundred yards of scraping my hands silly, and raw, I say the heck with this and head back.
But put sixteen, hunger for adventure, and hunger to beat old fellaheen king Neptune down together and you know this is not the end. I go around looking at my boat selection just exactly like I am going to rent an apartment. Except before I set up housekeeping I am going to take an old skiff out along the jetty to the end. So I pushed one off the sand, jump in and started rowing.
Now I am an ocean guy, no question. And I know my way around boats, a little, so I don’t think much of anything except that I will go kind of slow as I work my way out. Of course a skiff ain’t nothing but a glorified rowboat, if that. It’s all heavy lifting and no “hi tech” like navigation stuff or stuff that tells you how far the end of jetty is. Or even that there is a heavy afternoon fog starting to roll in on the horizon. Yah, but intrepid that’s me.
Hey, I’m not going to England just to the end of the jetty. I said that as the fog, the heavy dark fog as it turned out, enveloped the boat and its new-found captain. I started rowing a little harder and a little more, I ain’t afraid to say it, panic-stricken.
See I thought I was rowing back to shore but I knew, knew deep somewhere in my nautical brain that I was drifting out to sea. I’m still rowing though, as the winds pick up and rain starts slashing away at the boat. Or course, the seas have started swelling, water cresting over the sides. Christ, so this is the way it is going to finish up for me.
What seemed like a couple more hours and I just plain stopped rowing, maybe I will drift to shore but I sure as hell am not going to keep pushing out to sea. Tired, yah, tired as hell but with a little giddy feeling that old Neptune was going be seeing me soon so I decided to put my head down and rest.
Suddenly I was awoken by the distinct sound of a diesel engine, no about six diesels, and a big, flashing light coming around my bow. I yell out, “over here.” A voice answers, “I know.”
Next thing I know an old geezer, a real old geezer decked out in his captain’s gear is putting a rope around the bow of my boat and telling me to get ready to come aboard.
After getting me a blanket, some water and asking if I wanted a nip of something (I said yes) he said I was lucky, lucky as hell that he came by. Then he asked what I was doing out here in the open sea with such a rig, and wasn’t I some kind of fool boy.
Well, I told my story, although he seemed to know it already like he made a daily habit of saving sixteen year old city boys from the sea, or themselves. So we swapped stories for a while as we headed in, and I had a nip or two more.
As we got close to Saco pier though he blurted out that he had to let me off before the dock because he had some other business on the Biddeford side.
Here is where it gets really weird though. He asked me, as we parted, did I know the name of his boat (a trawler, really). I said I couldn’t see it in all the fog and swirling sea. He told me she was the “S.S. Blue-Pink Night”.
I blurted out, “Strange name for a boat, what is it a symbol or something?”
Then he told me about how he started out long ago on land, as a kid just like me, maybe a little older, heading to California, and the warm weather and the strange blue-pink night skies and the dreams that come with them. I said how come you’re still here but he said he was pressed for time.
Here is the thing that really threw me off. He gave me a small dried sea shell, a clam shell really, that was painted on its inner surface and what was painted on it was a very intricate, subliminally beautiful scene of what could only be that blue-pink California sky.
I said, “Thanks; I’ll always remember you for this and the rescue.” He said, “Hell lad that ain’t nothing but an old clam shell." When you get over to that Saco café at the dock just show it to them and you can get a meal on it. That meal is what you’ll remember me by.”
Hungry, no famished, I stumbled into the Saco café, although that was not its name but some sea name, and it was nothing but a diner if you thought about it, a diner that served liquor to boot so there were plenty of guys, sea guys, nursing beers until the storm blew over, or whatever guys spend half the day in a gin mill waiting to blow over.
I stepped to the counter and told the waitress, no, I asked politely just in case this was a joke, whether this old clam shell from the captain of the “Blue-Pink Night” got me a meal, or just a call to take the air.
All of a sudden the whole place, small as it was, went quiet as guys put their heads down and pretended that they didn’t hear or else though the joint doubled up as a church.
I asked my question again and the waitress answered , “What’ll you have?”
Then she asked me did I know anything about the captain, and how did he look, and where did he meet me, and a whole bunch of questions like this was some mystery, and I guess maybe there was at that.
Then the waitress told me this (and I think every other guy in the room by the loudness of her voice),
“A few years back, yes, about six or seven years ago, there was a big storm that came through Portland Light, some say a perfect storm, I don’t know, but it was a howler.”
“Well, one of the small ferries capsized out there and somehow someone radioed that there were survivors clinging to the boat. Well, the old captain and his nephew, I think, started up the old “Blue-Pink Night” and headed out, headed out hard, headed out full of whiskey nips, and one way or another, got to the capsized boat and brought the survivors into shore and then headed out again.”
“And we never saw them again.”
“Here is the funny part; when he was unloading his passengers he kept talking, talking up a perfect storm about seeing the blue-pink night when he was out there before and maybe it was still there.”
“I guess the booze had got the best of him. But hear me son, old captain was square with everyone in this place, he used to own it then, and some of his kin are sitting right here now. He was square with them too. So, eat up kid, eat up on the house, ‘cause I want you to save that old clam shell and any time you’re on your uppers you can always get a meal here. Just remember how you got it.”
“Thanks, ma’am,” I said.
Then I slowly, like my soul depended on it, asked, “Oh, by the way what was that old captain’s nephew’s name?” and I said it in such a way that she knew, knew just as well as I did, that I knew the answer.
“Kenny, Kenny Cob, bless his soul.”
Tuesday, July 31, 2012
From The Pen Of Joshua Lawrence Breslin-Just Like Farley Granger- Strangers On A Train- A Film Review
Click on the headline to link to Wikipedia entry for Alfred Hitchcock’s Strangers On A Train.
DVD Review
Strangers On A Train, starring Farley Granger, Robert Walker, directed by Alfred Hitchcock, Warner Brothers, 1951
Hey, I always used to like to ride trains, passenger trains, the scenic way to travel through the hills and dale of the great American landscape. I even used to like to ride a freight car once in a while back in those old time hitchhike day when the feet got weary and a railroad track beckoned to put some miles between me and, whatever, in the search for the great American West night. But after watching the film under review, Alfred Hitchcock’s classic thriller, Strangers On A Train, I am re-thinking that position. Maybe the private passenger car, or those weary feet are a better bet.
Here is why. Guy (played by one Farley Granger), a tennis star with marital problems is, well, accosted on an East Coast train (not by chance), by Bruno (played by Robert Walker), a rich kid with a little problem. He is psycho (before Psycho); the kind of guy who would pull the wings off a butterfly as a kid just for kicks. Beyond that, surprise, surprise our Bruno has a bigger problem, he hates his father, murderously hates his father. To cut to the chase Bruno has an idea. Criss-Cross- murders. See Bruno will take care of Guy’s marital problems quickly, and finally. Guy, as a return favor will do away with Bruno’s father. No problem.
The plot revolves around the central problem here though. Bruno did his part, no problem. But Guy, see Guy has some scruples, and has no intention in hell of doing Bruno’s bidding. The problem is that Bruno does not, how to put it kindly, know how to take no for an answer. Guy definitely did the wrong thing- he tried to welsh on the deal. Bruno is not one to be crossed. No way. That little tic, and a fateful cigarette lighter get us through this classic Hitchcock thriller. So you see where I am a little wary of making reservations on Amtrak right this minute. And also am cautious about lighting somebody’s cigarette, just in case. Or riding merry-go-rounds for that matter.
DVD Review
Strangers On A Train, starring Farley Granger, Robert Walker, directed by Alfred Hitchcock, Warner Brothers, 1951
Hey, I always used to like to ride trains, passenger trains, the scenic way to travel through the hills and dale of the great American landscape. I even used to like to ride a freight car once in a while back in those old time hitchhike day when the feet got weary and a railroad track beckoned to put some miles between me and, whatever, in the search for the great American West night. But after watching the film under review, Alfred Hitchcock’s classic thriller, Strangers On A Train, I am re-thinking that position. Maybe the private passenger car, or those weary feet are a better bet.
Here is why. Guy (played by one Farley Granger), a tennis star with marital problems is, well, accosted on an East Coast train (not by chance), by Bruno (played by Robert Walker), a rich kid with a little problem. He is psycho (before Psycho); the kind of guy who would pull the wings off a butterfly as a kid just for kicks. Beyond that, surprise, surprise our Bruno has a bigger problem, he hates his father, murderously hates his father. To cut to the chase Bruno has an idea. Criss-Cross- murders. See Bruno will take care of Guy’s marital problems quickly, and finally. Guy, as a return favor will do away with Bruno’s father. No problem.
The plot revolves around the central problem here though. Bruno did his part, no problem. But Guy, see Guy has some scruples, and has no intention in hell of doing Bruno’s bidding. The problem is that Bruno does not, how to put it kindly, know how to take no for an answer. Guy definitely did the wrong thing- he tried to welsh on the deal. Bruno is not one to be crossed. No way. That little tic, and a fateful cigarette lighter get us through this classic Hitchcock thriller. So you see where I am a little wary of making reservations on Amtrak right this minute. And also am cautious about lighting somebody’s cigarette, just in case. Or riding merry-go-rounds for that matter.
Monday, July 30, 2012
The Labor Party Question In The United States- An Historical Overview-Fight For A Worker Party That Fights For A Workers Government
These notes (expanded) were originally intended to be presented as The Labor Question in the United States at a forum on the question on Saturday August 4, 2012. As a number of radicals have noted, most particularly organized socialist radicals, after the dust from the fall bourgeois election settles, regardless of who wins, the working class will lose. Pressure for an independent labor expression, as we head into 2013, may likely to move from its current propaganda point as part of the revolutionary program to agitation and action so learning about the past experiences in the revolutionary and radical labor movements is timely.
I had originally expected to spend most of the speech at the forum delving into the historical experiences, particularly the work of the American Communist Party and the American Socialist Workers Party with a couple of minutes “tip of the hat” to the work of radical around the Labor Party experiences of the late 1990s. However, the scope of the early work and that of those radical in the latter work could not, I felt, be done justice in one forum. Thus these notes are centered on the early historical experiences. If I get a chance, and gather enough information to do the subject justice, I will place notes for the 1990s Labor party work in this space as well.
*********
The Labor Party Question in the United States. For starters I want to reconfigure this concept and place it in the context of the Transitional Program first promulgated by Leon Trotsky and his fellows in the Fourth International in 1938. There the labor party concept was expressed as “a workers’ party that fights for a workers government.” [The actual expression for advanced capitalist countries like the U.S. was for a workers and farmers government but that hardly is applicable now, at least in the United States. Some wag at the time, some Shachtmanite wag from what I understand, noted that there were then more dentists than farmers in the United States. Wag aside that is a good point since today we would call for a workers and X (oppressed communities, women, etc.) to make our programmatic point more inclusive]
For revolutionaries these two algebraically -expressed political ideas are organically joined together. What we mean, what we translate this as, in our propaganda is a mass revolutionary labor party (think Bolsheviks first and foremost) based on the trade unions (the only serious currently organized part of the working class) fighting for soviets as an expression of state power(workers councils, factory committees, etc.). In short, the dictatorship of the proletariat, a term we do not yet use in “polite” society these days in order not to scare of the masses. And that is the nut. Those who stand on those intertwined revolutionary premises are few and far between today and so we need, desperately need, to have a bridge expression, and a bridge organization, the workers party, to do the day to day work of bringing masses of working people to see the need for to have a fighting independent organized expression of their class interest. And we, they, need it pronto.
Now there have historically been efforts to create a mass workers party in the United States going all the way back to the 1830s with the Workingmen’s Party based in New York City. Later efforts, after the Civil War, mainly when capitalism began to became the driving norm, included the famous Terence Powderly-led Knights of Labor, including (segregated black locals), a National Negro Union, and various European social-democratic off -shoots (including pro-Marxist formations). All those had flaws, some serious like being pro-capitalist, reformist, (sound familiar?) and reflected the birth pangs of the organized labor movement rather than serious predecessors.
Things got serious around the turn of the century (oops, turn of the 20th century) when the “age of the robber barons” declared unequivocally that class warfare between labor and capital was the norm in American society (if not expressed that way in “polite” society). This was the period of the rise the Debsian-inspired party of the whole class, the American Socialist Party. More importantly, if contradictorily, emerging from a segment of that organization, the Industrial Workers of the World (IWW, Wobblies) was, to my mind the first serious revolutionary labor organization (party/union?) that we could look to as fighting a class struggle fight for working class interests. Everyone should read the Preamble to the IWW Constitution of 1905 (look it up on Wikipedia or the IWW website) to see what I mean. It still retains its stirring revolutionary fervor today.
The real unambiguous work of creating a mass labor party that we would recognize though really comes with the fight of the American Communist Party (which had been formed by the sections, the revolutionary-inclined sections, of the American Socialist Party that split off in the great revolutionary/reform division after the success of the Bolshevik Revolution in Russia in 1917) in the 1920s to form one based on the trade unions (mainly in the Midwest, and mainly in Chicago with the John Fitzgerald –led AFL). That effort was stillborn, stillborn because the non-communist labor leaders who had the numbers, the locals (and dough) wanted a farmer-labor party, a two class party to cushion them. Only the timely intervention of the Communist International saved the day from a major blunder (Go to the James P. Cannon Internet Archives for more, much more on the movement, He, and his factional allies including one William Z. Foster , were in the thick of things to his later red-faced chagrin).
Moving forward, the American Communist Party at the height of the Great Depression (the one in the 1930s, that one, not the one we are in now) created the American Labor Party (along with the American Socialist party and other pro-Democratic Party labor skates) which had a mass base in places like New York and the Midwest. The problem though was this organization was, mainly, a left-handed way to get votes for Roosevelt from adamantly class conscious socialist-minded workers who balked at a direct vote for Roosevelt. (Sound familiar, again?) And that, before the Labor Party movement of the 1990s, is pretty much, except a few odd local attempts here and there by leftist groups, some sincere, some not, was probably the last major effort to form any kind of independent labor political organization. (The American Communist Party after 1936, excepting 1940, and even that is up for questioning, would thereafter not dream of seriously organizing such a party. For them the Democratic Party was more than adequate, thank you.)
So much for the historical aspect of the question. The real question for revolutionaries posed by all of this is really something that was pointed out by James P. Cannon in the late 1930s and early 1940s (and before him Leon Trotsky). Can revolutionaries in the United States recruit masses of working people to a revolutionary labor party today (again think Bolshevik)? To pose the question is to give the answer (an old lawyer’s trick, by the way).
America today, no. Russia in 1917, yes. Germany in 1921, yes. Same place 1923, yes. Spain in 1936 (really from 1934 on), yes. America in the 1930s probably not even with no Stalinist siphoning). France 1968, yes. Greece (or Spain) today, yes. So it is all a question of concrete circumstances. That is what Cannon (and before him Trotsky) was arguing for. If you can recruit to the revolutionary labor party that is the ticket. We, even in America are not historically pre-determined to go the British Labor Party route as an exclusive way to create a mass based political labor organization. If we are not able to recruit directly then you have to look at some way station effort. That is why in his 1940 documents (which can also be found at the Cannon Internet Archives as well) he stressed that the SWP should where possible (mainly New York) work in the Stalinist-controlled (heaven forbid, cried the Shachtmanites) American Labor Party. That was where masses of organized trade union workers were.
Now I don’t know, and probably nobody else does either, if and when, the American working class is going to come out of its slumber. Some of us thought that Occupy might be a catalyst for that. That has turned out to be patently false as far as the working class goes. So we have to expect that maybe some middle level labor organizers or local union officials feeling pressure from the ranks may begin to call for a labor party. That, as the 1990s SA archives indicates, is about what happened when those efforts started. Earlier this year AFL-CIO President Trumka made noises about labor “going its own way.” I guess he had had too much to drink at the Democratic National Committee meeting the night before, or something. So we should be cautious, but we should be ready.
And that last sentence brings up my final point, another point courtesy of Jim Cannon. He made a big point about the various kinds of political activities that small revolutionary propaganda groups or individuals can participate in (and actually large socialist organizations too before taking state power). He lumped propaganda, agitation, and action together. For us today we have our propaganda points “a workers’ party that fights for a workers (and X, okay) government.” In the future, if things head our way, we will united front the labor skates to death agitating for the need for an independent labor expression. But we will really be speaking over their heads to their memberships (and other working class formations, if any, as well). Then we will take action to create that damn party, fighting to make it a revolutionary instrument. Enough said.
I had originally expected to spend most of the speech at the forum delving into the historical experiences, particularly the work of the American Communist Party and the American Socialist Workers Party with a couple of minutes “tip of the hat” to the work of radical around the Labor Party experiences of the late 1990s. However, the scope of the early work and that of those radical in the latter work could not, I felt, be done justice in one forum. Thus these notes are centered on the early historical experiences. If I get a chance, and gather enough information to do the subject justice, I will place notes for the 1990s Labor party work in this space as well.
*********
The Labor Party Question in the United States. For starters I want to reconfigure this concept and place it in the context of the Transitional Program first promulgated by Leon Trotsky and his fellows in the Fourth International in 1938. There the labor party concept was expressed as “a workers’ party that fights for a workers government.” [The actual expression for advanced capitalist countries like the U.S. was for a workers and farmers government but that hardly is applicable now, at least in the United States. Some wag at the time, some Shachtmanite wag from what I understand, noted that there were then more dentists than farmers in the United States. Wag aside that is a good point since today we would call for a workers and X (oppressed communities, women, etc.) to make our programmatic point more inclusive]
For revolutionaries these two algebraically -expressed political ideas are organically joined together. What we mean, what we translate this as, in our propaganda is a mass revolutionary labor party (think Bolsheviks first and foremost) based on the trade unions (the only serious currently organized part of the working class) fighting for soviets as an expression of state power(workers councils, factory committees, etc.). In short, the dictatorship of the proletariat, a term we do not yet use in “polite” society these days in order not to scare of the masses. And that is the nut. Those who stand on those intertwined revolutionary premises are few and far between today and so we need, desperately need, to have a bridge expression, and a bridge organization, the workers party, to do the day to day work of bringing masses of working people to see the need for to have a fighting independent organized expression of their class interest. And we, they, need it pronto.
Now there have historically been efforts to create a mass workers party in the United States going all the way back to the 1830s with the Workingmen’s Party based in New York City. Later efforts, after the Civil War, mainly when capitalism began to became the driving norm, included the famous Terence Powderly-led Knights of Labor, including (segregated black locals), a National Negro Union, and various European social-democratic off -shoots (including pro-Marxist formations). All those had flaws, some serious like being pro-capitalist, reformist, (sound familiar?) and reflected the birth pangs of the organized labor movement rather than serious predecessors.
Things got serious around the turn of the century (oops, turn of the 20th century) when the “age of the robber barons” declared unequivocally that class warfare between labor and capital was the norm in American society (if not expressed that way in “polite” society). This was the period of the rise the Debsian-inspired party of the whole class, the American Socialist Party. More importantly, if contradictorily, emerging from a segment of that organization, the Industrial Workers of the World (IWW, Wobblies) was, to my mind the first serious revolutionary labor organization (party/union?) that we could look to as fighting a class struggle fight for working class interests. Everyone should read the Preamble to the IWW Constitution of 1905 (look it up on Wikipedia or the IWW website) to see what I mean. It still retains its stirring revolutionary fervor today.
The real unambiguous work of creating a mass labor party that we would recognize though really comes with the fight of the American Communist Party (which had been formed by the sections, the revolutionary-inclined sections, of the American Socialist Party that split off in the great revolutionary/reform division after the success of the Bolshevik Revolution in Russia in 1917) in the 1920s to form one based on the trade unions (mainly in the Midwest, and mainly in Chicago with the John Fitzgerald –led AFL). That effort was stillborn, stillborn because the non-communist labor leaders who had the numbers, the locals (and dough) wanted a farmer-labor party, a two class party to cushion them. Only the timely intervention of the Communist International saved the day from a major blunder (Go to the James P. Cannon Internet Archives for more, much more on the movement, He, and his factional allies including one William Z. Foster , were in the thick of things to his later red-faced chagrin).
Moving forward, the American Communist Party at the height of the Great Depression (the one in the 1930s, that one, not the one we are in now) created the American Labor Party (along with the American Socialist party and other pro-Democratic Party labor skates) which had a mass base in places like New York and the Midwest. The problem though was this organization was, mainly, a left-handed way to get votes for Roosevelt from adamantly class conscious socialist-minded workers who balked at a direct vote for Roosevelt. (Sound familiar, again?) And that, before the Labor Party movement of the 1990s, is pretty much, except a few odd local attempts here and there by leftist groups, some sincere, some not, was probably the last major effort to form any kind of independent labor political organization. (The American Communist Party after 1936, excepting 1940, and even that is up for questioning, would thereafter not dream of seriously organizing such a party. For them the Democratic Party was more than adequate, thank you.)
So much for the historical aspect of the question. The real question for revolutionaries posed by all of this is really something that was pointed out by James P. Cannon in the late 1930s and early 1940s (and before him Leon Trotsky). Can revolutionaries in the United States recruit masses of working people to a revolutionary labor party today (again think Bolshevik)? To pose the question is to give the answer (an old lawyer’s trick, by the way).
America today, no. Russia in 1917, yes. Germany in 1921, yes. Same place 1923, yes. Spain in 1936 (really from 1934 on), yes. America in the 1930s probably not even with no Stalinist siphoning). France 1968, yes. Greece (or Spain) today, yes. So it is all a question of concrete circumstances. That is what Cannon (and before him Trotsky) was arguing for. If you can recruit to the revolutionary labor party that is the ticket. We, even in America are not historically pre-determined to go the British Labor Party route as an exclusive way to create a mass based political labor organization. If we are not able to recruit directly then you have to look at some way station effort. That is why in his 1940 documents (which can also be found at the Cannon Internet Archives as well) he stressed that the SWP should where possible (mainly New York) work in the Stalinist-controlled (heaven forbid, cried the Shachtmanites) American Labor Party. That was where masses of organized trade union workers were.
Now I don’t know, and probably nobody else does either, if and when, the American working class is going to come out of its slumber. Some of us thought that Occupy might be a catalyst for that. That has turned out to be patently false as far as the working class goes. So we have to expect that maybe some middle level labor organizers or local union officials feeling pressure from the ranks may begin to call for a labor party. That, as the 1990s SA archives indicates, is about what happened when those efforts started. Earlier this year AFL-CIO President Trumka made noises about labor “going its own way.” I guess he had had too much to drink at the Democratic National Committee meeting the night before, or something. So we should be cautious, but we should be ready.
And that last sentence brings up my final point, another point courtesy of Jim Cannon. He made a big point about the various kinds of political activities that small revolutionary propaganda groups or individuals can participate in (and actually large socialist organizations too before taking state power). He lumped propaganda, agitation, and action together. For us today we have our propaganda points “a workers’ party that fights for a workers (and X, okay) government.” In the future, if things head our way, we will united front the labor skates to death agitating for the need for an independent labor expression. But we will really be speaking over their heads to their memberships (and other working class formations, if any, as well). Then we will take action to create that damn party, fighting to make it a revolutionary instrument. Enough said.
Sunday, July 29, 2012
From The Pen Of Peter Paul Markin From The “Out In The Be-Bop Night” Series - Scenes From The Search For The Blue-Pink Great American West Night-Moline Meltdown Madness-An Interlude
The scene below stands (or falls) as a moment in support of that eternal search mentioned in the headline.
Scene Seven: The Search For The Blue-Pink Great American West Night-Moline Meltdown Madness-An Interlude
Defeat takes many forms, no question, no question at all, but on the hard-scrabble, white-lined hitchhike highway nothing augured defeat like three or four days of hard, hard-driving, hard-bucket, squishing, swirling, streaming, overflowing the drain spouts, rain. But see, at just that minute on just that road we, Angelica and I, did not know though that we faced that sock in the jaw by dear Mother Nature, having only been out there for a couple of hours. The rain, steady, steady as the homeward-bound after a hard day’s work traffic that passed us by, had started about an hour earlier. Not long, but long enough to get ourselves rain-dripped to perdition.
Rain, rain that dripped deep into your bones, and maybe to your soul if you had one handy that could get wet, and added at least five hundred pounds to your load. No, not the soul the rain soak, and more consequentially, dripped down the back of your neck into your collar despite the best efforts of your seaman’s cap to absorb and contain all before the deluge. And pancho-ed Angelica, patient yellow pancho-ed Angelica, hood up covering half her face, and maybe all of her peripheral vision, acted the trouper, as usual. Drawing strength, drawing vital strength, from somewhere deep in that pioneer American Midwest good night stock from whence she came. The road, the far too long road from gentle, restful, lazy farm, joints and music, edenic commune Springfield of an earlier phase of the journey has sapped some of her energy, and, hell, mine as well.
Yah, but take a guess at what human solidarity, or at least what one would hope would rise from the human sink on such an occasion, and would provide as a natural curative in these circumstances. One could guess, and hopefully not too be far off that the sight of two young, not too disheveled, if somewhat “hippie” attired, rain-beaten people standing on the shoulder of a hitchhike 1969 road would cause at least one lonely-hearted car, one battered truck, one moseying hay wagon, one misplaced mule team, or whatever was out there on Route 5 in Moline, where our last ride let us off, Moline, Illinois, the one near the Mississippi River, the Quad Cities one that is, in case there is another Moline that I don’t know about and might curse by mistake. But one would be wrong.
No, these were all fair-weather farm people who had that look on their faces as they passed by, not of fear or menace, but that those young folk on the road, meaning us, on their industrious road, did not work. Not at least at anything respectable, this out here means something to do with the land, the sweet sweat of backbreaking labor on the land, and of endless toil. No these two young vagabonds were not like their Johnnies and Sues already lined up by age fourteen to take over the farm, to marry that nice girl or guy the next few farms over, have their fair share of children, and then…on some 1989 or 1999 rain-soaked, white-lined hitchhike road they will be able to give some young nature-devastated couple that selfsame look, if there are still any such hearty souls left by then to tweak their ire.
But enough of that, by this time things were serious and I could tell by the look of Angelica’s stance, or rather her ballooning yellow poncho-covered half-stance against the hardness of the rain that I had better come with some idea, some idea better than standing on this side road being sneered at, or worst, ignored by the local kulaks. And I did. Look, if I had been out there on that windswept piece of flatland alone I could have found myself some old barn to share with the local farm animals, or if that didn’t work out then some lean-to. A fallback option, although I would have rather not, was to draw a beeline to the railroad yards and seek shelter in an empty freight car. Except every hobo, bum, tramp and faux vagabond within fifty miles of there would have had has the same idea and while I can respect the lore of the comradely road as well as the next man, frankly, that lore is overrated when you get twenty males of various physical and mental conditions communing in a freight. But right then I was a respectable “married” man and I had to seek some more appropriate shelter at least for this night for my better half, or else.
And, of course, we were not in covered-wagon, prairie schooner days but in a heartland city so off we went back up the road a bit to find some kind of cheap, flea-bitten motel to wait out this, hopefully, passing storm. Sure, we were pinching pennies and we certainly did not expect to have had lay over there but such is the such of the road, the “married” road. Needless to say I already knew the motel we would wind up at. No, I had never been in Moline before; at least I did not think so. But I did know the motel. I didn’t know the actual name of the place, although Dew Drop Inn rated pretty high as a quick guess. And I did not know the exact layout of the rooms except that there would be about sixteen to twenty identical units, all on the first floor; park the car, if you had a car, directly in front of your little bungalow. After the formality of payment and registration, that is.
Thereafter, open the plywood-thick “security” door, cheaply painted, to gain the first view of your “suite” and inhale the ammonia, bleach, smoke-stained smells that are guaranteed with the room key. And as a bonus whatever odors the previous tenants had left. These cheap, flea-bitten places frown upon pre-inspection, and those who find themselves, like us, in reduced circumstances, would rather not “inspect” the room anyway. Take my word for this, please. Go on then to view your slightly sagging twin bed, with almost matching pillows and sheets, usually lime and pink. Your deluxe color television (guaranteed to run, the colors that is). Your complimentary tray, your Salvation Army-found bureau and night table (complete with Gideon’s Bible) and your bathroom (shower, no bath) with about seventeen sets of laundry over-bleached towels for every possible usage from face to figure. Set off by a genuine reproduction of a reproduction of some seascape on the wall to add a homey touch by an artist whose name will just escape your remembrance. But I have now given it all away, even before we found our cozy cottage. Not to worry there it is. No, not Dew Drop Inn this time, E-Z Rest. All for sixteen dollars a night, plus tax (and two dollar deposit on the television, returnable on departure, returnable presumably if you didn’t decide in a frenzied moment to “steal” the damn thing). Oh yah, I was off on the picture on the wall, it was a farm scene. Silly me.
I will say this for Angelica, for the several weeks that we had been on the road, through all the hassles we have faced up until then; she has been remarkably good-natured about things. Remarkable, as well, I might add for the first time out on the road. Remarkable, moreover, for an Ivory soap naïve Midwestern gal who a few months before had hardly ever left Muncie, as she related parts of her life to me while we, sometimes seemingly endlessly, waited for rides. Remarkable, above all, for her innate ability to face adversity without having a nervous breakdown about it every five minutes. Flame, Boston flame that I had just run away from, Joyell would have been a pretty high up number in her one thousand frustrations wearing on my nerves by now.
The reason I mention this is that out back there on the Route 5 no-ride road, the rain-swept road that drove us inside I had a feeling for just a minute, but a feeling just the same, that the wilds of the road, the “freedom” of the road, the adventure now not when we are too old to do anything about it, was starting to weight down on her, and on her dreams. Not a good sign, especially not a good sign as the rain kept tap-tapping relentlessly down the spout outside and on top of the creaky rooftop that made you think that it was going to come in the room in about five minutes. And as if she too caught a glimpse of that notion that I felt she sidled up to me and said to me that we needed to take a “nap” to get the chill off from the road. I was only following doctor’s on that command, okay, well the future radiologist’s orders, if that‘s how things worked out. It’s kind of the same, right?
“Married” or not. Remarkable or not. After what turned out to be three days of steady rain and three days of a foul, cumbersome room with nothing but drippy-runny colored television and some light (meaning non-political for me, romance novels for her) reading material bought up the road at a very strange bookstore that ran the gamut in light reading from 17th century novels to soft-core porn (smut, okay) to while away the hours we both were getting severe cases of cabin fever. Remind me to tell you about the bookstore, and another one out in the middle of the desert in California some time but right then I could sense, and more importantly, fair Angelica could sense, that something was wrong. Wrong, right now. And so wrong that it needs to be fixed, right then. It boiled down to this (I will give her version but it will do for my sense of the thing as well). Why were two seemingly sane young people sitting in some dusty, broken down, rain-splattered, motel room in god-forsaken yes, god-forsaken, Moline, Illinois waiting for the rain to stop, or to let up enough so that we could move on to the “bright lights” of Davenport, Iowa or points west.
I will not detail all the talk back and forth that ensued except to say that that momentary glance I had noted back on the road a few days ago when we hit town had some meaning behind it. Angelica was road-weary. Hell, I was a little myself. But, I was not ready to go off the road, not ready to go back to the same old. And here is the truth. Just at that minute my delights in Angelica were running just about three to two in her favor, and dropping. This called for drastic measures. I had to unwind the story of the search for the blue-pink great American West night that I had been holding back on. You already know the story, but old Angelica didn’t. Seemed clueless about what I meant when I even mentioned the words. Before this it just seemed too complicated to run by someone who was just traveling on the road to travel on the road. Not someone looking for some ancient, unnamed, unnamable quest that spoke more to the stuff of dreams than anything else.
If you know this old saga, although I did touch it up a little here, then you can kind of skip this part and proceed to find out what Angelica though of the whole thing. Or, maybe, you can re-read it to rekindle that old time wanderlust that drove your dreams, you name the color, you name the place, and you name the pursuit of them:
“I, once was asked, in earnest (by an old flame), what I meant by the blue-pink western skies. Or rather the way I would prefer to formulate it, and have always taken some pains to emphasize it this way, the search for the blue-pink great American West night. Well, of course, there was a literal part to the proposition since ocean-at-my back (sometimes right at my back) New England homestead meant unless I wanted to take an ill-advised turn at piracy or high-seas hijacking or some such thing east that the hitchhike road meant heading west.
So that night was clearly not in the vicinity of the local Blues Hills or of the Berkshires back in ocean-fronted Massachusetts, those are too confined and short-distanced to even produce blues skies much less that west-glanced sweet shade just before heaven, if there was a heaven shade, blue-pink. And certainly not hog-butcher-to-the-world, sinewy Midwest Chicago night, Christ no, nor rarefied, deep-breathed, rockymountainhigh Denver night, although jaded sojourner-writer not known for breathe-taking, awe-bewilderment could have stopped there for choice of great western night. Second place, okay.
But no, onward, beyond, beyond pioneer, genetically-embedded pioneer America, past false god neon blue-pink glitter Las Vegas in the Nevada desert night to the place where, about fifty miles away from sanctified west coast, near some now nameless abandoned ghost town, nameless here for it is a mere speck on the map you would not know the name, you begin, ocean man that you are, if you are, and organically ocean-bred says you are, to smell the dank, incense-like, seaweed-driven, ocean-seized air as it comes in from the Japanese stream, or out there somewhere in the unknown, some Hawaii or Guam or Tahiti of the mind, before the gates of holy city, city of a thousand, thousand land’s end dreams, San Francisco. That is where the blue-pink sky devours the sun just before the be-bop, the bop-bop, the do wang-doodle night, the great American Western star-spangled (small case) night I keep reaching for, like it was some physical thing and not the stuff of dreams.”
See, though Angelica got all confused by this way of telling about the night, hell, I started to get a little balled up on it myself. She was getting fidgety toward the end and I could tell by her facial expressions that, rain beating down outside, I had not made the right “adjustment” this time. Okay, off came the gloves, here is the” real” story, and as the rain started beating harder I got into a trance-like state telling Angelica of the following:
“Okay, let me tell this thing straight through without questions even though I know that it will sound off-kilter to you anyway I say it, hell it will sound half off-kilter to me and I lived through the thing. But let’s get to it anyway; we can gab about it later. See, back a few years ago, yah, it was a few years back when I was nothing but a summer-sweltered sixteen year old high school kid, a city boy high school kid, with no dough, no way to get dough, and nobody I knew who had dough to put a touch on, I went off the deep end. Plus, plus I had about thirty-six beefs with Ma, around par for the course for a whole summer but way too many for a couple of weeks in, and not even Fourth of July yet. Worst, worst, if you can believe this, I had a few, two maybe, beefs with the old man, and having a beef with him with Ma the official flak-catcher meant things were tough, too tough to stay around.
Sure, I know, how tough can it be at sixteen to stay put waiting for the summer heat to break and maybe have some clean clear wind bring in a change of fortune? But don’t forget, don’t ever forget when I’m telling you this story that we are talking about a sixteen year old guy, with no dough and plenty of dreams, always plenty of dreams, whatever color they turned out to be. So I threw a few things together in an old green beaten up knapsack, you know enough to get by until things break, that stuff and about three dollars, and I headed out the door like a lot of guys headed out that same kind of door before me in search of fame and fortune, Looking back on it I’ll take the fortune, if I have a choice.
I hit the main street with a swagger and immediately start thumbing as if my life depended on it, or at least that I had to act that way to click the dust of the old town off my heels pronto. And right away a car, although I hadn’t seen where it had come from before it came into my view, a late model car, looked like a 1961 Ford, came up on me, slowed down, the driver rolled down his passenger side window and asked where was I heading. I said “west, I guess,” he says “I’m heading up to Maine, Portland, Maine to work. Too bad I can’t help you.” As he readied to make tracks I say, “Hey, wait a minute, I‘ll take that ride, North or West it’s all the same to me.” Whoever said that my fortune could not be made in Maine just as easily as in California.
This guy, if you are thinking otherwise, turned out to be pretty interesting, he wasn’t any fruit like a lot of guys who stop when they see a young guy with a dour, carrying the weight of the world on his shoulders pan like mind, and are ready to pounce on that fact. Seems that Kenny, Kenny of a thousand ships, his name was, worked the boats, the ferries out of Portland and Bar Harbor over to Nova Scotia and filled the time we traveled with stories about different funny things that happened on the trips back and forth. Funny things that happened to landlubbers that is, those who were not used to the open sea and who got seven shades of seasick.
And he told this one story that I didn’t think anything of, just a guy puffing himself up like a million other guys, like I have myself when I’d brag about how I had so many girlfriends that I was going to have invent some extra days in the week and really I’d, usually, just be scratching and crawling on all fours for one date, and praying for that to come through. Like I say, just puffing. He went on a bit about how one time out in the misty mist his uncle, Captain he called him, some old swamp Yankee, whom he served under in some boat saved a bunch of people off an island ferry off of Portland Light, got them to shore, and went back out looking for more.
Well, he is telling his stories, and I am telling mine about this and that, but mainly about my love of the sea, and about going west to see the Pacific when I get tired of the Atlantic but it looks like not today because where we are heading is nothing but cold hard, windy fighting Atlantic. But that dream, as I start talking myself around it, that getting tired of the Atlantic, is only a maybe because today now that I have made my break-out I can see where going to the coast of Maine to start my new life seems just about right. Suddenly, Kenny says out of the blue, “Hey, if you’re gonna bum around I’ll leave you off at Old Orchard Beach, right at the beach, there’s plenty of places to sleep without being bothered. And besides…” But before he can get the words out I say, hey, there is an amusement park there, right?
Hell, this was getting better all the time. I remember one time we, meaning me and my family, went up there and I played Skees, which I love, and I met a girl there who was watching me play and I impressed her by winning a penny whistle for her. I think I was ten or eleven then, okay, so lay off.
See, though this guy, Kenny, was so good, such a good guy, that when we get to the Old Orchard exit he doesn’t just let me off on Route One and so I have to thumb another ride into town like most guys would do but takes me right down to the pier, the amusement park pier. Then he says you know it is probably better to get away from this crowded area, let me take you down Route 9 to the Saco jetty where you can set yourself up in an empty boat. Okay, that sounds right and besides it’s won’t be dark for hours and it’s not dark enough yet for me to make my big teenage city boy, Skeet champion city boy, amusement park moves on the local twists. Nice guy, Kenny, right, a prince of the road. We shook hands as he left, saying see you around.
I can see right away that Kenny was right, this place is quiet and there are many boats just waiting to be used for housekeeping purposes. But, what got my attention was, maybe fifty yards away, the start of the longest jetty in the world, or so I thought. Hey, I had walked a few jetties before and while you have to be careful for the ill-placed boulders when you get to the end you feel like the king of the sea, and old Neptune better step aside. I started walking out, Christ this is tough going I must be a little tired from all the travel. Nah it’s more than that, the granite slabs are placed helter-skelter so you can’t bound from one to another and you practically have to scale them. After about a hundred yards of scraping my hands silly, and raw, I say the heck with this and head back. But put sixteen, hunger for adventure, and hunger to beat old fellaheen king Neptune down together and you know this is not the end. I go around looking at my boat selection just exactly like I am going to rent an apartment. Except before I set up housekeeping I am going to take the old skiff I select out along the jetty to the end. So I push one off the sand, jump in and start rowing.
Now I am an ocean guy, no question. And I know my way around boats, a little, so I don’t think much of anything except that I will go kind of slow as I work my way out. Of course a skiff ain’t nothing but a glorified rowboat, if that. It’s all heavy lifting and no “hi tech” like navigation stuff or stuff that tells you how far the end of jetty is. Or even that there is a heavy afternoon fog starting to roll in on the horizon. Yah, but intrepid that’s me. Hey, I’m not going to England just to the end of the jetty. I said that as the fog, the heavy dark fog as it turned out, enveloped the boat and its new-found captain. I started rowing a little harder and a little more, I ain’t afraid to say it, panic-stricken. See I thought I was rowing back to shore but I know, know deep somewhere in my nautical brain that I am drifting out to sea. I’m still rowing though, as the winds pick up and rain starts slashing away at the boat. Or course, the seas have started swelling, water cresting over the sides. Christ, so this is the way it is going to finish up for me. What seemed like a couple more hours and I just plain stopped rowing, maybe I will drift to shore but I sure as hell am not going to keep pushing out to sea. Tired, yah, tired as hell but with a little giddy feeling that old Neptune is going be seeing me soon so I decide to put my head down and rest.
Suddenly I am awoken by the distinct sound of a diesel engine, no, sounds about six diesels, and a big, flashing light coming around my bow. I yell out, “over here.” A voice answers, “I know.” Next thing I know an old geezer, a real old geezer decked out in his captain’s gear is putting a rope around the bow of my boat and telling me to get ready to come aboard. Ay, ay, Captain. After getting me a blanket, some water and asking if I wanted a nip of something (I said yes) he, old Captain Cob his name was, said I was lucky, lucky as hell that he came by. Then he asked what I was doing out here in the open sea with such a rig, and wasn’t I some kind of fool boy. Well, I told my story, although he seemed to know it already like he made a daily habit of saving sixteen year old city boys from the sea, or themselves. So we swapped stories for a while as we headed in, and I had a nip or two more. As we got close to Saco pier though he blurted out that he had to let me off in my boat before the dock because he had some other business on the Biddeford side.
Here is where it gets really weird though. He asked me, as we parted, did I know the name of his boat (a trawler, really). I said I couldn’t see it in all the fog and swirling sea. He told me she was the “Blue-Pink Night”. I blurted out, “Strange name for a boat, what is it a symbol or something?” Then he told me about how he started out long ago on land, as a kid just like me, a little older maybe, heading to California, and the warm weather and the strange blue-pink night skies and the dreams that come with them. I said how come you’re still here but he said he was pressed for time and left. Here is the thing that really threw me off. He gave me a small dried sea shell, a clam shell really, that was painted on its inner surface and what was painted was a very intricate, subliminally beautiful scene of what could only be that blue-pink California sky. I said, “Thanks; I’ll always remember you for this and the rescue." He said, “Hell lad that ain’t nothing but an old clam shell. When you get over to that Saco café at the dock just show it to them and you can get a meal on it. That meal is what you’ll remember me by.”
Hungry, no famished, I stumbled into the Saco café, although that was not its name but some sea name, and it was nothing but a diner if you thought about it, a diner that served liquor to boot so there were plenty of guys, sea guys, nursing beers until the storm blew over, or whatever guys spend half the day in a gin mill waiting to blow over. I stepped to the counter and told the waitress, no, I asked politely just in case this was a joke, whether this old clam shell from the captain of the “Blue-Pink Night” got me a meal, or just a call to take the air.
All of a sudden the whole place, small as it was, went quiet as guys put their heads down and pretended that they didn’t hear or else though the joint doubled up as a church. I asked my question again and the waitress said, “What’ll you have?” I called my order and she called it to the short order cook. The she said did I know anything about this captain, and how did he look, and where did he meet me, and a whole bunch of questions like this was some mystery, and I guess maybe there was at that.
Then the waitress told me this (and I think every other guy in the room by the loudness of her voice), “ A few years back, yes, about six or seven years ago, there was a big storm that came through Portland Light, some say a perfect storm, I don’t know, but it was a howler. Well, one of the small ferries capsized out there and somehow someone radioed that there were survivors clinging to the boat. Well, the old captain and his nephew, I think, started up the old “Blue-Pink Night” and headed out, headed out hard, headed out full of whiskey nips, and one way or another, got to the capsized boat and brought the survivors into shore and then headed out again. And we never saw them again.
And here is the funny part; when he was unloading his passengers he kept talking, talking up a perfect storm about seeing the blue-pink night when he was out there before and maybe it was still there. I guess the booze got the best of him. But hear me son, old captain was square with everyone in this place, he used to own it then, and some of his kin are sitting right here now. He was square with them too. So, eat up kid, eat up on the house, ‘cause I want you to save that old clam shell and any time you are on your uppers you can always get a meal here. Just remember how you got it.” “Thanks, ma’am,” I said. Then I slowly, like my soul depended on it, asked, “Oh, by the way, what was that old captain’s nephew's name?” and I said it in such a way that she knew, knew just as well as I did, that I knew the answer. “Kenny, Kenny Cob, bless his soul.”
And that story my friends, got me a week’s reprieve from being abandoned by Angelica on the road. Not bad, right? Yah, but she didn’t believe the story really, just like you, but tell me what is this now faded, scratched and worn out painted blue-pink great American West night clam shell that I am looking at right now anyhow.
Scene Seven: The Search For The Blue-Pink Great American West Night-Moline Meltdown Madness-An Interlude
Defeat takes many forms, no question, no question at all, but on the hard-scrabble, white-lined hitchhike highway nothing augured defeat like three or four days of hard, hard-driving, hard-bucket, squishing, swirling, streaming, overflowing the drain spouts, rain. But see, at just that minute on just that road we, Angelica and I, did not know though that we faced that sock in the jaw by dear Mother Nature, having only been out there for a couple of hours. The rain, steady, steady as the homeward-bound after a hard day’s work traffic that passed us by, had started about an hour earlier. Not long, but long enough to get ourselves rain-dripped to perdition.
Rain, rain that dripped deep into your bones, and maybe to your soul if you had one handy that could get wet, and added at least five hundred pounds to your load. No, not the soul the rain soak, and more consequentially, dripped down the back of your neck into your collar despite the best efforts of your seaman’s cap to absorb and contain all before the deluge. And pancho-ed Angelica, patient yellow pancho-ed Angelica, hood up covering half her face, and maybe all of her peripheral vision, acted the trouper, as usual. Drawing strength, drawing vital strength, from somewhere deep in that pioneer American Midwest good night stock from whence she came. The road, the far too long road from gentle, restful, lazy farm, joints and music, edenic commune Springfield of an earlier phase of the journey has sapped some of her energy, and, hell, mine as well.
Yah, but take a guess at what human solidarity, or at least what one would hope would rise from the human sink on such an occasion, and would provide as a natural curative in these circumstances. One could guess, and hopefully not too be far off that the sight of two young, not too disheveled, if somewhat “hippie” attired, rain-beaten people standing on the shoulder of a hitchhike 1969 road would cause at least one lonely-hearted car, one battered truck, one moseying hay wagon, one misplaced mule team, or whatever was out there on Route 5 in Moline, where our last ride let us off, Moline, Illinois, the one near the Mississippi River, the Quad Cities one that is, in case there is another Moline that I don’t know about and might curse by mistake. But one would be wrong.
No, these were all fair-weather farm people who had that look on their faces as they passed by, not of fear or menace, but that those young folk on the road, meaning us, on their industrious road, did not work. Not at least at anything respectable, this out here means something to do with the land, the sweet sweat of backbreaking labor on the land, and of endless toil. No these two young vagabonds were not like their Johnnies and Sues already lined up by age fourteen to take over the farm, to marry that nice girl or guy the next few farms over, have their fair share of children, and then…on some 1989 or 1999 rain-soaked, white-lined hitchhike road they will be able to give some young nature-devastated couple that selfsame look, if there are still any such hearty souls left by then to tweak their ire.
But enough of that, by this time things were serious and I could tell by the look of Angelica’s stance, or rather her ballooning yellow poncho-covered half-stance against the hardness of the rain that I had better come with some idea, some idea better than standing on this side road being sneered at, or worst, ignored by the local kulaks. And I did. Look, if I had been out there on that windswept piece of flatland alone I could have found myself some old barn to share with the local farm animals, or if that didn’t work out then some lean-to. A fallback option, although I would have rather not, was to draw a beeline to the railroad yards and seek shelter in an empty freight car. Except every hobo, bum, tramp and faux vagabond within fifty miles of there would have had has the same idea and while I can respect the lore of the comradely road as well as the next man, frankly, that lore is overrated when you get twenty males of various physical and mental conditions communing in a freight. But right then I was a respectable “married” man and I had to seek some more appropriate shelter at least for this night for my better half, or else.
And, of course, we were not in covered-wagon, prairie schooner days but in a heartland city so off we went back up the road a bit to find some kind of cheap, flea-bitten motel to wait out this, hopefully, passing storm. Sure, we were pinching pennies and we certainly did not expect to have had lay over there but such is the such of the road, the “married” road. Needless to say I already knew the motel we would wind up at. No, I had never been in Moline before; at least I did not think so. But I did know the motel. I didn’t know the actual name of the place, although Dew Drop Inn rated pretty high as a quick guess. And I did not know the exact layout of the rooms except that there would be about sixteen to twenty identical units, all on the first floor; park the car, if you had a car, directly in front of your little bungalow. After the formality of payment and registration, that is.
Thereafter, open the plywood-thick “security” door, cheaply painted, to gain the first view of your “suite” and inhale the ammonia, bleach, smoke-stained smells that are guaranteed with the room key. And as a bonus whatever odors the previous tenants had left. These cheap, flea-bitten places frown upon pre-inspection, and those who find themselves, like us, in reduced circumstances, would rather not “inspect” the room anyway. Take my word for this, please. Go on then to view your slightly sagging twin bed, with almost matching pillows and sheets, usually lime and pink. Your deluxe color television (guaranteed to run, the colors that is). Your complimentary tray, your Salvation Army-found bureau and night table (complete with Gideon’s Bible) and your bathroom (shower, no bath) with about seventeen sets of laundry over-bleached towels for every possible usage from face to figure. Set off by a genuine reproduction of a reproduction of some seascape on the wall to add a homey touch by an artist whose name will just escape your remembrance. But I have now given it all away, even before we found our cozy cottage. Not to worry there it is. No, not Dew Drop Inn this time, E-Z Rest. All for sixteen dollars a night, plus tax (and two dollar deposit on the television, returnable on departure, returnable presumably if you didn’t decide in a frenzied moment to “steal” the damn thing). Oh yah, I was off on the picture on the wall, it was a farm scene. Silly me.
I will say this for Angelica, for the several weeks that we had been on the road, through all the hassles we have faced up until then; she has been remarkably good-natured about things. Remarkable, as well, I might add for the first time out on the road. Remarkable, moreover, for an Ivory soap naïve Midwestern gal who a few months before had hardly ever left Muncie, as she related parts of her life to me while we, sometimes seemingly endlessly, waited for rides. Remarkable, above all, for her innate ability to face adversity without having a nervous breakdown about it every five minutes. Flame, Boston flame that I had just run away from, Joyell would have been a pretty high up number in her one thousand frustrations wearing on my nerves by now.
The reason I mention this is that out back there on the Route 5 no-ride road, the rain-swept road that drove us inside I had a feeling for just a minute, but a feeling just the same, that the wilds of the road, the “freedom” of the road, the adventure now not when we are too old to do anything about it, was starting to weight down on her, and on her dreams. Not a good sign, especially not a good sign as the rain kept tap-tapping relentlessly down the spout outside and on top of the creaky rooftop that made you think that it was going to come in the room in about five minutes. And as if she too caught a glimpse of that notion that I felt she sidled up to me and said to me that we needed to take a “nap” to get the chill off from the road. I was only following doctor’s on that command, okay, well the future radiologist’s orders, if that‘s how things worked out. It’s kind of the same, right?
“Married” or not. Remarkable or not. After what turned out to be three days of steady rain and three days of a foul, cumbersome room with nothing but drippy-runny colored television and some light (meaning non-political for me, romance novels for her) reading material bought up the road at a very strange bookstore that ran the gamut in light reading from 17th century novels to soft-core porn (smut, okay) to while away the hours we both were getting severe cases of cabin fever. Remind me to tell you about the bookstore, and another one out in the middle of the desert in California some time but right then I could sense, and more importantly, fair Angelica could sense, that something was wrong. Wrong, right now. And so wrong that it needs to be fixed, right then. It boiled down to this (I will give her version but it will do for my sense of the thing as well). Why were two seemingly sane young people sitting in some dusty, broken down, rain-splattered, motel room in god-forsaken yes, god-forsaken, Moline, Illinois waiting for the rain to stop, or to let up enough so that we could move on to the “bright lights” of Davenport, Iowa or points west.
I will not detail all the talk back and forth that ensued except to say that that momentary glance I had noted back on the road a few days ago when we hit town had some meaning behind it. Angelica was road-weary. Hell, I was a little myself. But, I was not ready to go off the road, not ready to go back to the same old. And here is the truth. Just at that minute my delights in Angelica were running just about three to two in her favor, and dropping. This called for drastic measures. I had to unwind the story of the search for the blue-pink great American West night that I had been holding back on. You already know the story, but old Angelica didn’t. Seemed clueless about what I meant when I even mentioned the words. Before this it just seemed too complicated to run by someone who was just traveling on the road to travel on the road. Not someone looking for some ancient, unnamed, unnamable quest that spoke more to the stuff of dreams than anything else.
If you know this old saga, although I did touch it up a little here, then you can kind of skip this part and proceed to find out what Angelica though of the whole thing. Or, maybe, you can re-read it to rekindle that old time wanderlust that drove your dreams, you name the color, you name the place, and you name the pursuit of them:
“I, once was asked, in earnest (by an old flame), what I meant by the blue-pink western skies. Or rather the way I would prefer to formulate it, and have always taken some pains to emphasize it this way, the search for the blue-pink great American West night. Well, of course, there was a literal part to the proposition since ocean-at-my back (sometimes right at my back) New England homestead meant unless I wanted to take an ill-advised turn at piracy or high-seas hijacking or some such thing east that the hitchhike road meant heading west.
So that night was clearly not in the vicinity of the local Blues Hills or of the Berkshires back in ocean-fronted Massachusetts, those are too confined and short-distanced to even produce blues skies much less that west-glanced sweet shade just before heaven, if there was a heaven shade, blue-pink. And certainly not hog-butcher-to-the-world, sinewy Midwest Chicago night, Christ no, nor rarefied, deep-breathed, rockymountainhigh Denver night, although jaded sojourner-writer not known for breathe-taking, awe-bewilderment could have stopped there for choice of great western night. Second place, okay.
But no, onward, beyond, beyond pioneer, genetically-embedded pioneer America, past false god neon blue-pink glitter Las Vegas in the Nevada desert night to the place where, about fifty miles away from sanctified west coast, near some now nameless abandoned ghost town, nameless here for it is a mere speck on the map you would not know the name, you begin, ocean man that you are, if you are, and organically ocean-bred says you are, to smell the dank, incense-like, seaweed-driven, ocean-seized air as it comes in from the Japanese stream, or out there somewhere in the unknown, some Hawaii or Guam or Tahiti of the mind, before the gates of holy city, city of a thousand, thousand land’s end dreams, San Francisco. That is where the blue-pink sky devours the sun just before the be-bop, the bop-bop, the do wang-doodle night, the great American Western star-spangled (small case) night I keep reaching for, like it was some physical thing and not the stuff of dreams.”
See, though Angelica got all confused by this way of telling about the night, hell, I started to get a little balled up on it myself. She was getting fidgety toward the end and I could tell by her facial expressions that, rain beating down outside, I had not made the right “adjustment” this time. Okay, off came the gloves, here is the” real” story, and as the rain started beating harder I got into a trance-like state telling Angelica of the following:
“Okay, let me tell this thing straight through without questions even though I know that it will sound off-kilter to you anyway I say it, hell it will sound half off-kilter to me and I lived through the thing. But let’s get to it anyway; we can gab about it later. See, back a few years ago, yah, it was a few years back when I was nothing but a summer-sweltered sixteen year old high school kid, a city boy high school kid, with no dough, no way to get dough, and nobody I knew who had dough to put a touch on, I went off the deep end. Plus, plus I had about thirty-six beefs with Ma, around par for the course for a whole summer but way too many for a couple of weeks in, and not even Fourth of July yet. Worst, worst, if you can believe this, I had a few, two maybe, beefs with the old man, and having a beef with him with Ma the official flak-catcher meant things were tough, too tough to stay around.
Sure, I know, how tough can it be at sixteen to stay put waiting for the summer heat to break and maybe have some clean clear wind bring in a change of fortune? But don’t forget, don’t ever forget when I’m telling you this story that we are talking about a sixteen year old guy, with no dough and plenty of dreams, always plenty of dreams, whatever color they turned out to be. So I threw a few things together in an old green beaten up knapsack, you know enough to get by until things break, that stuff and about three dollars, and I headed out the door like a lot of guys headed out that same kind of door before me in search of fame and fortune, Looking back on it I’ll take the fortune, if I have a choice.
I hit the main street with a swagger and immediately start thumbing as if my life depended on it, or at least that I had to act that way to click the dust of the old town off my heels pronto. And right away a car, although I hadn’t seen where it had come from before it came into my view, a late model car, looked like a 1961 Ford, came up on me, slowed down, the driver rolled down his passenger side window and asked where was I heading. I said “west, I guess,” he says “I’m heading up to Maine, Portland, Maine to work. Too bad I can’t help you.” As he readied to make tracks I say, “Hey, wait a minute, I‘ll take that ride, North or West it’s all the same to me.” Whoever said that my fortune could not be made in Maine just as easily as in California.
This guy, if you are thinking otherwise, turned out to be pretty interesting, he wasn’t any fruit like a lot of guys who stop when they see a young guy with a dour, carrying the weight of the world on his shoulders pan like mind, and are ready to pounce on that fact. Seems that Kenny, Kenny of a thousand ships, his name was, worked the boats, the ferries out of Portland and Bar Harbor over to Nova Scotia and filled the time we traveled with stories about different funny things that happened on the trips back and forth. Funny things that happened to landlubbers that is, those who were not used to the open sea and who got seven shades of seasick.
And he told this one story that I didn’t think anything of, just a guy puffing himself up like a million other guys, like I have myself when I’d brag about how I had so many girlfriends that I was going to have invent some extra days in the week and really I’d, usually, just be scratching and crawling on all fours for one date, and praying for that to come through. Like I say, just puffing. He went on a bit about how one time out in the misty mist his uncle, Captain he called him, some old swamp Yankee, whom he served under in some boat saved a bunch of people off an island ferry off of Portland Light, got them to shore, and went back out looking for more.
Well, he is telling his stories, and I am telling mine about this and that, but mainly about my love of the sea, and about going west to see the Pacific when I get tired of the Atlantic but it looks like not today because where we are heading is nothing but cold hard, windy fighting Atlantic. But that dream, as I start talking myself around it, that getting tired of the Atlantic, is only a maybe because today now that I have made my break-out I can see where going to the coast of Maine to start my new life seems just about right. Suddenly, Kenny says out of the blue, “Hey, if you’re gonna bum around I’ll leave you off at Old Orchard Beach, right at the beach, there’s plenty of places to sleep without being bothered. And besides…” But before he can get the words out I say, hey, there is an amusement park there, right?
Hell, this was getting better all the time. I remember one time we, meaning me and my family, went up there and I played Skees, which I love, and I met a girl there who was watching me play and I impressed her by winning a penny whistle for her. I think I was ten or eleven then, okay, so lay off.
See, though this guy, Kenny, was so good, such a good guy, that when we get to the Old Orchard exit he doesn’t just let me off on Route One and so I have to thumb another ride into town like most guys would do but takes me right down to the pier, the amusement park pier. Then he says you know it is probably better to get away from this crowded area, let me take you down Route 9 to the Saco jetty where you can set yourself up in an empty boat. Okay, that sounds right and besides it’s won’t be dark for hours and it’s not dark enough yet for me to make my big teenage city boy, Skeet champion city boy, amusement park moves on the local twists. Nice guy, Kenny, right, a prince of the road. We shook hands as he left, saying see you around.
I can see right away that Kenny was right, this place is quiet and there are many boats just waiting to be used for housekeeping purposes. But, what got my attention was, maybe fifty yards away, the start of the longest jetty in the world, or so I thought. Hey, I had walked a few jetties before and while you have to be careful for the ill-placed boulders when you get to the end you feel like the king of the sea, and old Neptune better step aside. I started walking out, Christ this is tough going I must be a little tired from all the travel. Nah it’s more than that, the granite slabs are placed helter-skelter so you can’t bound from one to another and you practically have to scale them. After about a hundred yards of scraping my hands silly, and raw, I say the heck with this and head back. But put sixteen, hunger for adventure, and hunger to beat old fellaheen king Neptune down together and you know this is not the end. I go around looking at my boat selection just exactly like I am going to rent an apartment. Except before I set up housekeeping I am going to take the old skiff I select out along the jetty to the end. So I push one off the sand, jump in and start rowing.
Now I am an ocean guy, no question. And I know my way around boats, a little, so I don’t think much of anything except that I will go kind of slow as I work my way out. Of course a skiff ain’t nothing but a glorified rowboat, if that. It’s all heavy lifting and no “hi tech” like navigation stuff or stuff that tells you how far the end of jetty is. Or even that there is a heavy afternoon fog starting to roll in on the horizon. Yah, but intrepid that’s me. Hey, I’m not going to England just to the end of the jetty. I said that as the fog, the heavy dark fog as it turned out, enveloped the boat and its new-found captain. I started rowing a little harder and a little more, I ain’t afraid to say it, panic-stricken. See I thought I was rowing back to shore but I know, know deep somewhere in my nautical brain that I am drifting out to sea. I’m still rowing though, as the winds pick up and rain starts slashing away at the boat. Or course, the seas have started swelling, water cresting over the sides. Christ, so this is the way it is going to finish up for me. What seemed like a couple more hours and I just plain stopped rowing, maybe I will drift to shore but I sure as hell am not going to keep pushing out to sea. Tired, yah, tired as hell but with a little giddy feeling that old Neptune is going be seeing me soon so I decide to put my head down and rest.
Suddenly I am awoken by the distinct sound of a diesel engine, no, sounds about six diesels, and a big, flashing light coming around my bow. I yell out, “over here.” A voice answers, “I know.” Next thing I know an old geezer, a real old geezer decked out in his captain’s gear is putting a rope around the bow of my boat and telling me to get ready to come aboard. Ay, ay, Captain. After getting me a blanket, some water and asking if I wanted a nip of something (I said yes) he, old Captain Cob his name was, said I was lucky, lucky as hell that he came by. Then he asked what I was doing out here in the open sea with such a rig, and wasn’t I some kind of fool boy. Well, I told my story, although he seemed to know it already like he made a daily habit of saving sixteen year old city boys from the sea, or themselves. So we swapped stories for a while as we headed in, and I had a nip or two more. As we got close to Saco pier though he blurted out that he had to let me off in my boat before the dock because he had some other business on the Biddeford side.
Here is where it gets really weird though. He asked me, as we parted, did I know the name of his boat (a trawler, really). I said I couldn’t see it in all the fog and swirling sea. He told me she was the “Blue-Pink Night”. I blurted out, “Strange name for a boat, what is it a symbol or something?” Then he told me about how he started out long ago on land, as a kid just like me, a little older maybe, heading to California, and the warm weather and the strange blue-pink night skies and the dreams that come with them. I said how come you’re still here but he said he was pressed for time and left. Here is the thing that really threw me off. He gave me a small dried sea shell, a clam shell really, that was painted on its inner surface and what was painted was a very intricate, subliminally beautiful scene of what could only be that blue-pink California sky. I said, “Thanks; I’ll always remember you for this and the rescue." He said, “Hell lad that ain’t nothing but an old clam shell. When you get over to that Saco café at the dock just show it to them and you can get a meal on it. That meal is what you’ll remember me by.”
Hungry, no famished, I stumbled into the Saco café, although that was not its name but some sea name, and it was nothing but a diner if you thought about it, a diner that served liquor to boot so there were plenty of guys, sea guys, nursing beers until the storm blew over, or whatever guys spend half the day in a gin mill waiting to blow over. I stepped to the counter and told the waitress, no, I asked politely just in case this was a joke, whether this old clam shell from the captain of the “Blue-Pink Night” got me a meal, or just a call to take the air.
All of a sudden the whole place, small as it was, went quiet as guys put their heads down and pretended that they didn’t hear or else though the joint doubled up as a church. I asked my question again and the waitress said, “What’ll you have?” I called my order and she called it to the short order cook. The she said did I know anything about this captain, and how did he look, and where did he meet me, and a whole bunch of questions like this was some mystery, and I guess maybe there was at that.
Then the waitress told me this (and I think every other guy in the room by the loudness of her voice), “ A few years back, yes, about six or seven years ago, there was a big storm that came through Portland Light, some say a perfect storm, I don’t know, but it was a howler. Well, one of the small ferries capsized out there and somehow someone radioed that there were survivors clinging to the boat. Well, the old captain and his nephew, I think, started up the old “Blue-Pink Night” and headed out, headed out hard, headed out full of whiskey nips, and one way or another, got to the capsized boat and brought the survivors into shore and then headed out again. And we never saw them again.
And here is the funny part; when he was unloading his passengers he kept talking, talking up a perfect storm about seeing the blue-pink night when he was out there before and maybe it was still there. I guess the booze got the best of him. But hear me son, old captain was square with everyone in this place, he used to own it then, and some of his kin are sitting right here now. He was square with them too. So, eat up kid, eat up on the house, ‘cause I want you to save that old clam shell and any time you are on your uppers you can always get a meal here. Just remember how you got it.” “Thanks, ma’am,” I said. Then I slowly, like my soul depended on it, asked, “Oh, by the way, what was that old captain’s nephew's name?” and I said it in such a way that she knew, knew just as well as I did, that I knew the answer. “Kenny, Kenny Cob, bless his soul.”
And that story my friends, got me a week’s reprieve from being abandoned by Angelica on the road. Not bad, right? Yah, but she didn’t believe the story really, just like you, but tell me what is this now faded, scratched and worn out painted blue-pink great American West night clam shell that I am looking at right now anyhow.
Saturday, July 28, 2012
From the Pen Of Peter Paul Markin-From The “Out In The Be-Bop 1960s Night” Series- Rock ‘n’ Roll Will Never Die- British Style
Click on the headline to link to a YouTube film clip of the movie trailer for Pirate Radio.
First Question: Who put the rock in rock ‘n’ roll? Well, of course, Bo Diddley did (okay, okay others too). That’s his story anyway and who would deny his input. Certainly not I. Not when you listen to Who Do You Love? or Bo Diddley(the song). But there is more. I have gone on and on about the formative influences of the jail-break music of my generation, the generation of ’68. The blues as they headed north up the Mississippi (and other rivers) and got electrified in Chicago, Detroit and other migratory Midwest black enclaves. The blue after a while, post-World War II after a while, getting a little jazz-influenced and more sophisticated as the blue milieu settled in its northern climes and got be-bop R&B along the way. And, of course, down other southern rivers a bunch white good old boys (in the making anyway) making hillbilly music jump, electric Les Paul jump, a notch with rockabilly. Guys like Carl Perkins, Elvis and Jerry Lee. Mix that all together with Ms. Patti Page, Mr. Bing Crosby (oops, forgot these last two names) and I don’t know about you but that spells jail-break, 1950s jail-break to me.
Second Question: Who brought rock ‘n’ roll to your double-locked secret security code armed camp bedroom, hideaway dank cellar, pressed for space storage-filled garage, or other secret ear place back in old time battery-operated transistor radio days (pre-iPod, MP3 alright) ? Well, of course, your local dee-jay (DJ, if you insist) who helped you while away your night, your dream-plagued rock ‘n’ roll night, with his (mainly hes) mile-a-minute-banter, selection of platters (records, 45s and LPs, pre-CD, DVD, iTunes, YouTube, you’ve heard about them, right?), and, yes, selected advertising targeted to the newly enriched (maybe) teenager with disposable dollars.
Disposable income to while away the date nights at double feature stale popcorn drive-in movies, fatted hamburger, fries and soda drive-in restaurants, and drive-into town to the get the very latest 45 and LP platters (records).
The pantheon airways of hallowed such names as Allan Freed, Wolfman Jack, Murry the K, and Arnie Ginsberg come quickly to mind. The best of the lot though came out of the midnight, the Sunday midnight air, of Chicago with Mr. Magic Bill’s (don’t forget the mister part when you address him, he didn’t) Blues Hour where despite its name (and origin) had all the cutting edge stuff before it became cutting edge stuff like Irma Thomas, Etta James, Francie Knight, and the early Platters. Although the music, praise be, outlasted the careers and remembrance of that lot of dee-jays (including Mr. Magic Bill) this classic rock period has always been associated in my mind (and yours too, I bet) with that very dee-jay transistor radio night.
But what about when rock headed overseas, over to the homeland (okay, okay homeland for some of us, the British Isles). That my friends, was a very different experience, rock British version.
In many ways the British 1960s rock explosion paralleled the American classic rock scene, although later than that genre’s American 1950s heyday. The greatest difference, however, was the way that British audiences heard their rock- literally through the pirate radio. Off-shore, out in the ocean depths, white waves splashing against some barnacled old tub of a ship, rock radio. Without getting into the ins and outs of British broadcasting traditions the battle, the age-old battle really, here was between those who wanted to listen to rock and not just in that double-locked bedroom mentioned above, and those nasty governmental officials and their hangers-on who wanted to outlaw it by shutting down this uncontrolled method. Sound familiar?
That battle drove British teens wild to an almost bizarre ends (by today’s cyberspace ease of listening to any damn thing you want, whenever you want , or what somebody decides to put on standards). But get this those British dee-jays like their American counterparts were a bunch of guys (mainly, again) who loved to play rock, who loved to present it in their own fashion, and who wanted the fame, fortune (and, incidental sex) that came with heroic dee-jay-dom out on the briny.
One motley crew (not the group) was I heard ready to go down with the ship, literally, in order to keep rock freedom alive when the authorities pulled the hammer. Of course there were, like American radio with its bongs, gongs and dongs, more than a few gag shows (although British gag, a la Monty Python) provided on air that were better left unmentioned. But there were plenty of drugs, sex, and rock and roll on the high seas. Jesus. You might ask what was wrong with that. Ah, come to think about what was wrong with that? The culture police are listening, or at least your disapproving parents.
One famous dee-jay, the Count, the only American in the lot from what I understand, was allegedly a real wild man. But think about this whole mix of radio personalities, American and British, beaming our music in the good midnight air or out in the seas rock night, late night, early morning and so on. So, here is the drill. Bo (and, yes, others) put the rock in rock ‘n’ roll but the Count and the boys put the bop in the be-bop pirate radio night.
First Question: Who put the rock in rock ‘n’ roll? Well, of course, Bo Diddley did (okay, okay others too). That’s his story anyway and who would deny his input. Certainly not I. Not when you listen to Who Do You Love? or Bo Diddley(the song). But there is more. I have gone on and on about the formative influences of the jail-break music of my generation, the generation of ’68. The blues as they headed north up the Mississippi (and other rivers) and got electrified in Chicago, Detroit and other migratory Midwest black enclaves. The blue after a while, post-World War II after a while, getting a little jazz-influenced and more sophisticated as the blue milieu settled in its northern climes and got be-bop R&B along the way. And, of course, down other southern rivers a bunch white good old boys (in the making anyway) making hillbilly music jump, electric Les Paul jump, a notch with rockabilly. Guys like Carl Perkins, Elvis and Jerry Lee. Mix that all together with Ms. Patti Page, Mr. Bing Crosby (oops, forgot these last two names) and I don’t know about you but that spells jail-break, 1950s jail-break to me.
Second Question: Who brought rock ‘n’ roll to your double-locked secret security code armed camp bedroom, hideaway dank cellar, pressed for space storage-filled garage, or other secret ear place back in old time battery-operated transistor radio days (pre-iPod, MP3 alright) ? Well, of course, your local dee-jay (DJ, if you insist) who helped you while away your night, your dream-plagued rock ‘n’ roll night, with his (mainly hes) mile-a-minute-banter, selection of platters (records, 45s and LPs, pre-CD, DVD, iTunes, YouTube, you’ve heard about them, right?), and, yes, selected advertising targeted to the newly enriched (maybe) teenager with disposable dollars.
Disposable income to while away the date nights at double feature stale popcorn drive-in movies, fatted hamburger, fries and soda drive-in restaurants, and drive-into town to the get the very latest 45 and LP platters (records).
The pantheon airways of hallowed such names as Allan Freed, Wolfman Jack, Murry the K, and Arnie Ginsberg come quickly to mind. The best of the lot though came out of the midnight, the Sunday midnight air, of Chicago with Mr. Magic Bill’s (don’t forget the mister part when you address him, he didn’t) Blues Hour where despite its name (and origin) had all the cutting edge stuff before it became cutting edge stuff like Irma Thomas, Etta James, Francie Knight, and the early Platters. Although the music, praise be, outlasted the careers and remembrance of that lot of dee-jays (including Mr. Magic Bill) this classic rock period has always been associated in my mind (and yours too, I bet) with that very dee-jay transistor radio night.
But what about when rock headed overseas, over to the homeland (okay, okay homeland for some of us, the British Isles). That my friends, was a very different experience, rock British version.
In many ways the British 1960s rock explosion paralleled the American classic rock scene, although later than that genre’s American 1950s heyday. The greatest difference, however, was the way that British audiences heard their rock- literally through the pirate radio. Off-shore, out in the ocean depths, white waves splashing against some barnacled old tub of a ship, rock radio. Without getting into the ins and outs of British broadcasting traditions the battle, the age-old battle really, here was between those who wanted to listen to rock and not just in that double-locked bedroom mentioned above, and those nasty governmental officials and their hangers-on who wanted to outlaw it by shutting down this uncontrolled method. Sound familiar?
That battle drove British teens wild to an almost bizarre ends (by today’s cyberspace ease of listening to any damn thing you want, whenever you want , or what somebody decides to put on standards). But get this those British dee-jays like their American counterparts were a bunch of guys (mainly, again) who loved to play rock, who loved to present it in their own fashion, and who wanted the fame, fortune (and, incidental sex) that came with heroic dee-jay-dom out on the briny.
One motley crew (not the group) was I heard ready to go down with the ship, literally, in order to keep rock freedom alive when the authorities pulled the hammer. Of course there were, like American radio with its bongs, gongs and dongs, more than a few gag shows (although British gag, a la Monty Python) provided on air that were better left unmentioned. But there were plenty of drugs, sex, and rock and roll on the high seas. Jesus. You might ask what was wrong with that. Ah, come to think about what was wrong with that? The culture police are listening, or at least your disapproving parents.
One famous dee-jay, the Count, the only American in the lot from what I understand, was allegedly a real wild man. But think about this whole mix of radio personalities, American and British, beaming our music in the good midnight air or out in the seas rock night, late night, early morning and so on. So, here is the drill. Bo (and, yes, others) put the rock in rock ‘n’ roll but the Count and the boys put the bop in the be-bop pirate radio night.
From The Pen Of Joshua Lawrence Breslin- Humphrey Bogart’s Dead Reckoning- A Film Review
Click on the headline to link to a Wikipedia entry for the Humphrey Bogart film noir Dead Reckoning
DVD Review
Dead Reckoning, starring Humphrey Bogart, Lizabeth Scott, Columbia Pictures, 1947
Hey, Humphrey Bogart is no stranger to femme fatales, no stranger at all, heart of gold or heart of steel. He takes them where he finds. Like bewitching Lauren Bacall in their hot as it gets with clothes on, 1940s style sex sizzler, To Have Or To Have Not. Or Mary Astor and her bird dreams of gold fetish (and not above wasting more than a few guys with a few indiscreet slugs if they get in the way) in the film adaptation of Dashiell Hammett’s The Maltese Falcon. So old Bogie has certainly been around the block with some funny- thinking dames. Still he should have steered about eleven blocks clear of one Coral Chandler (played by husky-throated, pleading eyes daddy please just shot that guy for me please, Lizabeth Scott) and her, well, trigger-happy ways as put on display in the film under review, Dead Reckoning .
As it turns out this is not the first time Ms. Scott has tried to put a slug, or six, in more than one guy who got in her way. In a recently reviewed film noir in this space, Too Late For Tears, she played sweet Jane Palmer as a homicidal femme fatale with a big time lust for gold. But there she at least varied her routine up a little by just poisoning one guy (and probably driving another guy, her first hubby, to suicide). Here she has the six-guns blaring away. And still, to the very, very end guys were lining up, lining up with a grin on their faces just to get a whiff of that jasmine perfume . Jesus.
Let me explain a little why she had them running through hoops. Coral, a girl from the wrong side of the tracks, the hard Detroit tracks, stepped up a little in class and married a guy for his dough (no big deal there, gals, and guys, have been doing that since about the Stone Age), But she got tired of hubby and started running around with a college professor just before World War II. Problem? Yes, problem and so, whichever story she told that you believe, said hubby when south in a blaze of gunfire. The college professor took the fall for her, no questions asked, and with that now patented grin on his face just like every other guy. Fortunately (for a while) he skipped town.
That is where Captain Bogie comes in. Seems he and our professor saved the world for democracy over in Europe during WW II and they are to be feted with big time war medals for their efforts. Problem, yes, problem. Our professor can’t take the publicity and beats it back to that podunk town down South that he was from to work things out with Coral and maybe square himself with the law. No go. He ends up torched beyond recognition in some dark raven for his efforts. Bogie when he hears of this, being his superior officer and all, and well, just being Bogie in the 1940s, has to square things for his old buddy.
And he does about six bodies later (okay, okay maybe less). See he falls for Ms. Coral along the way (yah, even Bogie had that grin on his face) and tried to get her out from under whatever trouble she had told him she had with a certain nightclub owner who had the goods on her (and who had back in old Detroit days been her hubby) . But this will put paid to this case, grin or no grin. While the white knight Bogie is chasing bad guy night club owner out the door she is waiting in the rain, gun at the ready, to shoot whoever comes out first. Of course she thinks it will be, ah, Bogie. What did I say before, oh yah, Bogie stay eleven blocks away from Coral Chandler. Hell, forget that, stay a mile away. Got it.
DVD Review
Dead Reckoning, starring Humphrey Bogart, Lizabeth Scott, Columbia Pictures, 1947
Hey, Humphrey Bogart is no stranger to femme fatales, no stranger at all, heart of gold or heart of steel. He takes them where he finds. Like bewitching Lauren Bacall in their hot as it gets with clothes on, 1940s style sex sizzler, To Have Or To Have Not. Or Mary Astor and her bird dreams of gold fetish (and not above wasting more than a few guys with a few indiscreet slugs if they get in the way) in the film adaptation of Dashiell Hammett’s The Maltese Falcon. So old Bogie has certainly been around the block with some funny- thinking dames. Still he should have steered about eleven blocks clear of one Coral Chandler (played by husky-throated, pleading eyes daddy please just shot that guy for me please, Lizabeth Scott) and her, well, trigger-happy ways as put on display in the film under review, Dead Reckoning .
As it turns out this is not the first time Ms. Scott has tried to put a slug, or six, in more than one guy who got in her way. In a recently reviewed film noir in this space, Too Late For Tears, she played sweet Jane Palmer as a homicidal femme fatale with a big time lust for gold. But there she at least varied her routine up a little by just poisoning one guy (and probably driving another guy, her first hubby, to suicide). Here she has the six-guns blaring away. And still, to the very, very end guys were lining up, lining up with a grin on their faces just to get a whiff of that jasmine perfume . Jesus.
Let me explain a little why she had them running through hoops. Coral, a girl from the wrong side of the tracks, the hard Detroit tracks, stepped up a little in class and married a guy for his dough (no big deal there, gals, and guys, have been doing that since about the Stone Age), But she got tired of hubby and started running around with a college professor just before World War II. Problem? Yes, problem and so, whichever story she told that you believe, said hubby when south in a blaze of gunfire. The college professor took the fall for her, no questions asked, and with that now patented grin on his face just like every other guy. Fortunately (for a while) he skipped town.
That is where Captain Bogie comes in. Seems he and our professor saved the world for democracy over in Europe during WW II and they are to be feted with big time war medals for their efforts. Problem, yes, problem. Our professor can’t take the publicity and beats it back to that podunk town down South that he was from to work things out with Coral and maybe square himself with the law. No go. He ends up torched beyond recognition in some dark raven for his efforts. Bogie when he hears of this, being his superior officer and all, and well, just being Bogie in the 1940s, has to square things for his old buddy.
And he does about six bodies later (okay, okay maybe less). See he falls for Ms. Coral along the way (yah, even Bogie had that grin on his face) and tried to get her out from under whatever trouble she had told him she had with a certain nightclub owner who had the goods on her (and who had back in old Detroit days been her hubby) . But this will put paid to this case, grin or no grin. While the white knight Bogie is chasing bad guy night club owner out the door she is waiting in the rain, gun at the ready, to shoot whoever comes out first. Of course she thinks it will be, ah, Bogie. What did I say before, oh yah, Bogie stay eleven blocks away from Coral Chandler. Hell, forget that, stay a mile away. Got it.
Friday, July 27, 2012
From The Pen Of Peter Paul Markin -Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night-The Teen Queens’ “Eddy My Love” (1956) - A 55th Anniversary, Of Sorts
Click on the headline to link to a YouTube film clip of the Teen Queens performing the classic Eddie My Love.
Markin comment:
This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post World War II be-bop cultural expression, has drawn some of my interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hardworking, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices, smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us apart from earlier generations has drawn my attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day, the Stone Age day.
EDDIE MY LOVE
(Aaron Collins / Maxwell Davis / Sam Ling)
The Teen Queens - 1956
The Fontane Sisters - 1956
The Chordettes - 1956
Dee Dee Sharp - 1962
Also recorded by:
Lillian Briggs; Jo Ann Campbell; The Sweethearts.
Eddie, my love, I love you so
How I wanted for you, you'll never know
Please, Eddie, don't make me wait too long
Eddie, please write me one line
Tell me your love is still only mine
Please, Eddie, don't make me wait too long
You left me last September
To return to me before long
But all I do is cry myself to sleep
Eddie, since you've been gone
Eddie, my love, I'm sinking fast
The very next day might be my last
Please, Eddie, don't make me wait too long
You left me last September
To return to me before long
But all I do is cry myself to sleep
Eddie, since you've been gone
Eddie, my love, I'm sinking fast
The very next day might be my last
Please, Eddie, don't make me wait too long
Please, Eddie, don't make me wait too long
(Transcribed from the Teen Queens
recording by Mel Priddle - May 2006)
**********
If I said teen angst and teen alienation on this one, Eddie My Love, that is all I need to say, right? We all, one way or the other, went through those emotional turmoils whether we knew enough to know about the words alienation and angst or not. And we related to songs, rock, doo wop, or whatever that spoke to those trials and tribulations. Eddie My Love is a classic in that genre. Not one that you and your sweetie would call a favorite, not one that you prayed to the teen music local school dance record hop dee-jay gods to play for the last dance but one that you keep playing to keep your own midnight by the phone blues away.
Now the story line here is classic teen angst. I am right this minute constructing a very complicated instrument, a technological marvel of the ages, an angst-o-meter, to give an accurate reading of how high or low each song in this series ranks. This one, with or without, instrumentation ranks high. Why? Eddie, a summer love apparently, has flown the coop and, ah, let’s call her Betty, Betty and Eddy, yah that sounds right is pining away to no avail. Maybe she is thinking about those words from the song Will You Still Love Me Tomorrow? after letting Eddie have his way on that sandy beach last summer. And she is now frantic about being left behind just in case. Just in case, you know, she is as we say, euphemistically, “in the family way.” Hell, we are all adults here and it is 2011 so we need not shillyshally around, and besides no self-respecting child over the age of about eight would be reading this stuff. She might be pregnant. That would account for the distress, duress, and near suicidal frenzy of her plea.
Betty, Betty forget it. Eddie, old two-timing, love ‘em and leave them, Eddie ain’t coming back. Whether you are sinking fast, or not. Truth: old Eddie was last seen down in San Juan, Puerto Rico using the name, Juan Cintron, and, Betty, brace yourself, walking, walking very closely with Linda, and she’s a beauty.
But here is my post hoc advice for what it is worth. Why didn’t you decide to go out with steady as a rock Billy, that sensitive, maybe a little nerdy, soul who was pining away for you while you had nothing but eyes for old fast-moving, sweet dual carb, hot rod-driving, fast-talking speedo Eddie? Now it’s too late, girl. Oh, by the way, you were much better off without old petty larceny, world-owes-him-a-living, lamp-shade-on-his-head life of the party that he turned out to be twenty years later Eddie. And that ain’t no lie.
Markin comment:
This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post World War II be-bop cultural expression, has drawn some of my interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hardworking, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices, smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us apart from earlier generations has drawn my attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day, the Stone Age day.
EDDIE MY LOVE
(Aaron Collins / Maxwell Davis / Sam Ling)
The Teen Queens - 1956
The Fontane Sisters - 1956
The Chordettes - 1956
Dee Dee Sharp - 1962
Also recorded by:
Lillian Briggs; Jo Ann Campbell; The Sweethearts.
Eddie, my love, I love you so
How I wanted for you, you'll never know
Please, Eddie, don't make me wait too long
Eddie, please write me one line
Tell me your love is still only mine
Please, Eddie, don't make me wait too long
You left me last September
To return to me before long
But all I do is cry myself to sleep
Eddie, since you've been gone
Eddie, my love, I'm sinking fast
The very next day might be my last
Please, Eddie, don't make me wait too long
You left me last September
To return to me before long
But all I do is cry myself to sleep
Eddie, since you've been gone
Eddie, my love, I'm sinking fast
The very next day might be my last
Please, Eddie, don't make me wait too long
Please, Eddie, don't make me wait too long
(Transcribed from the Teen Queens
recording by Mel Priddle - May 2006)
**********
If I said teen angst and teen alienation on this one, Eddie My Love, that is all I need to say, right? We all, one way or the other, went through those emotional turmoils whether we knew enough to know about the words alienation and angst or not. And we related to songs, rock, doo wop, or whatever that spoke to those trials and tribulations. Eddie My Love is a classic in that genre. Not one that you and your sweetie would call a favorite, not one that you prayed to the teen music local school dance record hop dee-jay gods to play for the last dance but one that you keep playing to keep your own midnight by the phone blues away.
Now the story line here is classic teen angst. I am right this minute constructing a very complicated instrument, a technological marvel of the ages, an angst-o-meter, to give an accurate reading of how high or low each song in this series ranks. This one, with or without, instrumentation ranks high. Why? Eddie, a summer love apparently, has flown the coop and, ah, let’s call her Betty, Betty and Eddy, yah that sounds right is pining away to no avail. Maybe she is thinking about those words from the song Will You Still Love Me Tomorrow? after letting Eddie have his way on that sandy beach last summer. And she is now frantic about being left behind just in case. Just in case, you know, she is as we say, euphemistically, “in the family way.” Hell, we are all adults here and it is 2011 so we need not shillyshally around, and besides no self-respecting child over the age of about eight would be reading this stuff. She might be pregnant. That would account for the distress, duress, and near suicidal frenzy of her plea.
Betty, Betty forget it. Eddie, old two-timing, love ‘em and leave them, Eddie ain’t coming back. Whether you are sinking fast, or not. Truth: old Eddie was last seen down in San Juan, Puerto Rico using the name, Juan Cintron, and, Betty, brace yourself, walking, walking very closely with Linda, and she’s a beauty.
But here is my post hoc advice for what it is worth. Why didn’t you decide to go out with steady as a rock Billy, that sensitive, maybe a little nerdy, soul who was pining away for you while you had nothing but eyes for old fast-moving, sweet dual carb, hot rod-driving, fast-talking speedo Eddie? Now it’s too late, girl. Oh, by the way, you were much better off without old petty larceny, world-owes-him-a-living, lamp-shade-on-his-head life of the party that he turned out to be twenty years later Eddie. And that ain’t no lie.
From The Pen Of Peter Paul Markin- From The “Out In The Be-Bop 1960s Night” Series - When Frankie, Frankie From The Old Neighborhood, Was King
In a series of entries that formed scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time, it was noted by me that there had been about a thousand truck stop diner stories left over from those old hitchhike road days. On reflection though, I realized that there really had been about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).
Yah, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.
More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our off-hour high school days. It’s that story, that already told drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.
And who was Frankie? Frankie of one thousand stories, Frankie of one thousand treacheries, Frankie of one thousand kindnesses, and, oh yah, Frankie, my bosom friend in high school. Well, let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.
Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.
But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want; I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.
Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom.
What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way. But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls, that's girls. Okay?)
As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.
Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Sometimes people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.
Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.
So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape, please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you called, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.
But here is where it all came together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).
And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungaree, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to "the connected" or not, not every young tough in any working- class town, not having studied, and studied hard, the sociology of the town, was going to know that some young Irish punk, one kind of "beatnik” Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney was going to know that said pizza parlor owner and its “king”, king hell king, were tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hit the fore. But they learn, and learn fast.
Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before was strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.
So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white Formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (it’s getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (yah, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.
Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (yah, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking; I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.
We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy, crazy as a loon.
Yah, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.
More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our off-hour high school days. It’s that story, that already told drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.
And who was Frankie? Frankie of one thousand stories, Frankie of one thousand treacheries, Frankie of one thousand kindnesses, and, oh yah, Frankie, my bosom friend in high school. Well, let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.
Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.
But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want; I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.
Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom.
What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way. But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls, that's girls. Okay?)
As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.
Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Sometimes people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.
Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.
So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape, please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you called, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.
But here is where it all came together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).
And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungaree, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to "the connected" or not, not every young tough in any working- class town, not having studied, and studied hard, the sociology of the town, was going to know that some young Irish punk, one kind of "beatnik” Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney was going to know that said pizza parlor owner and its “king”, king hell king, were tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hit the fore. But they learn, and learn fast.
Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before was strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.
So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white Formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (it’s getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (yah, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.
Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (yah, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking; I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.
We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy, crazy as a loon.
From The Pen Of Joshua Lawrence Breslin -The Old Neighborhood Buries One of Its Own
Joshua Lawrence Breslin comment:
As a matter of historical record for much of the first half of the 20th century January was traditionally the month to honor fallen working class leaders like Lenin, Liebknecht and Rosa Luxemburg. That tradition still goes on, however, more in the European working class movement than here in America. January, however, can and should also be a time to honor other working class people, those down at the base, as well. Here in its proper place is another about a fallen daughter of the working-class who died in January 2007.
In early 2006 Peter Paul Markin went searching for his roots in his old North Adamsville working class neighborhood where he grew up, grew up to manhood. One of the stories he had related to him after some inquiries to an old-time resident still struggling to get by there was about Kenny, Kenny Callahan, an old childhood friend who got caught up in a bad situation. The gist of that story has been told in a previous sketch. But there were more, more stories.
Maybe it was age, maybe it was memory, maybe it was the need at that late date to gain a sense of roots but that return back in time and place haunted Peter Paul for a long afterwards. (I know he would return to the subject, sometimes out of the blue, on many subsequent talking occasions.) He, moreover, had gone back gone back a couple of times after that to hear more of what had happened to those in the old neighborhood from a woman who continued to live there and had related the above-mentioned story to him. This one is about the fate of his childhood friend Kenny's mother Margaret. Read it and weep.
Peter Paul had, as mentioned, lost track of Kenny who as he reached maturity took the death of a friend, Jimmy Jackman, who died in Vietnam in 1968 very hard. Harder than one could have even imagined. The early details were rather sketchy but they may have involved drug use. The overt manifestations were acts of petty crime and then anti-social acts like pulling fire alarms and walking naked down the street. At some point Kenny was diagnosed as schizophrenic. The institutionalizations inevitably began. And subsequently, almost naturally, the halfway houses and all the other forms of control for those who cannot survive on the mean streets of the world on their own kicked in. Apparently, with drugs and therapy, there were periods of calm but for over three decades poor Kenny struggled with his inner demons. In the end the demons won and he died a few years ago while in a mental hospital.
Needless to say Kenny’s problems were well beyond his mother and father’s ability to comprehend or control. His father, like Peter Paul’s, had had a limited education and meager work prospects. In short, there were no private resources for Kenny so he, and they, were thus consigned to endure public institutionalization schemes. The shame of this inability to provide for one’s own, among other things, led to his father’s early death many, many years ago. His mother, strong Irish Catholic working- class woman that she was, thereafter shouldered the burden by herself until Kenny’s death. The private and public horrors and humiliations that such care entailed must have taken a toll on her most of us could not stand. Apparently in the end it got to her as well as she let her physical appearance go downhill, she became more reclusive, and she turned in on herself reverting in conversation to dwelling on happier times as a young married woman in the mid-1940s.
Kenny’s woes, however, as Peter Paul later found out were only part of this sad story. Kenny had two older brothers whom he did not really know well because they were not around. Part of that reason was they were in and out of trouble or one sort or another. Trouble with a big “T,” that spelled some prison time, or times. Peter Paul’s neighborhood historian related to him that at some point both sons had dropped out of sight and had not been seen by their mother for over thirty years. They were presumed to be dead or that is the story Margaret told my historian. In any case, since Kenny’s death Margaret’s health, or really her will to live, went downhill fairly rapidly. Unable, or unwilling, to care for herself she was finally placed in a nursing home where she died in January 2007. Only a very few attended her funeral (and no sons) and her memory is probably forgotten by all except Peter Paul and his historian friend.
Peter Paul Markin, after relating this story to me, tried to draw, as is his wont, some “lessons” from its telling. He is a proudly a working- class political person. That is the great legacy that his parents left him, intentionally or not. He asked -are there any great political lessons to be learned here? No, came his rather quick answer, but he swore that when we build the new society that this country and this world needs we will not let the Kennys of the world be shunted off to the side. And we will not let the Margarets of the world, our working- class mothers, die alone and forgotten. As for Kenny and Margaret may they rest in peace.
As a matter of historical record for much of the first half of the 20th century January was traditionally the month to honor fallen working class leaders like Lenin, Liebknecht and Rosa Luxemburg. That tradition still goes on, however, more in the European working class movement than here in America. January, however, can and should also be a time to honor other working class people, those down at the base, as well. Here in its proper place is another about a fallen daughter of the working-class who died in January 2007.
In early 2006 Peter Paul Markin went searching for his roots in his old North Adamsville working class neighborhood where he grew up, grew up to manhood. One of the stories he had related to him after some inquiries to an old-time resident still struggling to get by there was about Kenny, Kenny Callahan, an old childhood friend who got caught up in a bad situation. The gist of that story has been told in a previous sketch. But there were more, more stories.
Maybe it was age, maybe it was memory, maybe it was the need at that late date to gain a sense of roots but that return back in time and place haunted Peter Paul for a long afterwards. (I know he would return to the subject, sometimes out of the blue, on many subsequent talking occasions.) He, moreover, had gone back gone back a couple of times after that to hear more of what had happened to those in the old neighborhood from a woman who continued to live there and had related the above-mentioned story to him. This one is about the fate of his childhood friend Kenny's mother Margaret. Read it and weep.
Peter Paul had, as mentioned, lost track of Kenny who as he reached maturity took the death of a friend, Jimmy Jackman, who died in Vietnam in 1968 very hard. Harder than one could have even imagined. The early details were rather sketchy but they may have involved drug use. The overt manifestations were acts of petty crime and then anti-social acts like pulling fire alarms and walking naked down the street. At some point Kenny was diagnosed as schizophrenic. The institutionalizations inevitably began. And subsequently, almost naturally, the halfway houses and all the other forms of control for those who cannot survive on the mean streets of the world on their own kicked in. Apparently, with drugs and therapy, there were periods of calm but for over three decades poor Kenny struggled with his inner demons. In the end the demons won and he died a few years ago while in a mental hospital.
Needless to say Kenny’s problems were well beyond his mother and father’s ability to comprehend or control. His father, like Peter Paul’s, had had a limited education and meager work prospects. In short, there were no private resources for Kenny so he, and they, were thus consigned to endure public institutionalization schemes. The shame of this inability to provide for one’s own, among other things, led to his father’s early death many, many years ago. His mother, strong Irish Catholic working- class woman that she was, thereafter shouldered the burden by herself until Kenny’s death. The private and public horrors and humiliations that such care entailed must have taken a toll on her most of us could not stand. Apparently in the end it got to her as well as she let her physical appearance go downhill, she became more reclusive, and she turned in on herself reverting in conversation to dwelling on happier times as a young married woman in the mid-1940s.
Kenny’s woes, however, as Peter Paul later found out were only part of this sad story. Kenny had two older brothers whom he did not really know well because they were not around. Part of that reason was they were in and out of trouble or one sort or another. Trouble with a big “T,” that spelled some prison time, or times. Peter Paul’s neighborhood historian related to him that at some point both sons had dropped out of sight and had not been seen by their mother for over thirty years. They were presumed to be dead or that is the story Margaret told my historian. In any case, since Kenny’s death Margaret’s health, or really her will to live, went downhill fairly rapidly. Unable, or unwilling, to care for herself she was finally placed in a nursing home where she died in January 2007. Only a very few attended her funeral (and no sons) and her memory is probably forgotten by all except Peter Paul and his historian friend.
Peter Paul Markin, after relating this story to me, tried to draw, as is his wont, some “lessons” from its telling. He is a proudly a working- class political person. That is the great legacy that his parents left him, intentionally or not. He asked -are there any great political lessons to be learned here? No, came his rather quick answer, but he swore that when we build the new society that this country and this world needs we will not let the Kennys of the world be shunted off to the side. And we will not let the Margarets of the world, our working- class mothers, die alone and forgotten. As for Kenny and Margaret may they rest in peace.
From The Pen Of Joshua Lawrence Breslin- Jane Greer Move Over-Lizabeth Scott’s “Too Late For Tears”
Click on the headline to link to a Wikipedia entry for the film noir Too Late For Tears.
DVD Review
Too Late For Tears, starring Lizabeth Scott, Dan Duryea, United Artists, 1949
Too late for tears is right, probably too late at about age six for our shoot-‘em-up femme fatale Jane (played her is demonic fashion by usually demure, if always husky-voiced, Lizabeth Scott). They, those tears, got all dried up and shriveled as she furtively pushed her way forward in this wicked old world. And every man in sight had better watch out, and not turn his back. Jane Greer from Out Of The Past had better move over because there is a new sheriff (actually anti-sheriff) who is not to afraid put a slug, or six, in a guy who will not do her bidding, or even think about not doing it. There are two kinds of femme fatales in this wicked old world, those with hearts of gold and those with no hearts. Dear Jan e fits the later in surprising interesting B crime noir under review, Too Late For Tears
Yes, some of the dialogue is a little stiff and the copy I reviewed had some technical glitches in it but this one nevertheless held my attention. Partially because cinematically anyway it is easy to “fall” for a heartless femme, especially when she gets those wheels in her head turning madly for whatever is it is she is after (and gets those guns blaring too). Partially as well because the theme of the film, although greed as a driving force in human history has been done unto death, crime doesn’t pay gets a little different workout here as the plot develops and is resolved.
Divorcee Jane (prior husband committed suicide, prompted or not, by his business failures and therefore no dough status made him bum of the month is dear Jane’s eyes) is married to a regular middle class guy, Alan, (with nice digs in Hollywood, 1940s Hollywood) who she had latched onto to make her fame and fortune (mainly the latter). While convertible cruising the Hollywood hills a passing car dumps a parcel in the backseat (good aim) of their car. Turned out there was some serious dough (serious 1940s dough now strictly coffee and cakes money) stashed there as part of a blackmail payoff. Naturally the money hunger wheels start working in Jane’s head (although not in Alan’s for which he would pay dearly, very dearly). She taunts Alan into keeping it at the bus station for a while, although against his better judgment.
Enter the “owner” of the dough Danny (played by Dan Duryea) who wants it back (naturally). The rest of the plot centers on Jane playing off every man who gets in her way, starting with kindred spirit Danny, as she tries to “con” a con. Hubby Alan is the first by a few off-hand point blank shots from his own gun when he decides to turn the dough in. Later, after hubby’s demise, when Danny now knee –deep as an accomplice to Jane’s madness gets cold feet at murder (murder of a woman in this case, Alan’s sister, who is getting suspicious about missing Alan’s whereabouts) he takes the fall, this time with some untimely poison administered by guess who. And eventually trouper that she is, Jan is getting ready to plug a guy who turned out to be her ex-husband’s brother who is seeking revenge (possibly) for his brother’s death before her own untimely death. Whoa! So guys if some husky-voiced dame, a blonde probably, wants to keep some off-hand dough, let her keep it, and for god’s sake don’t turn your back.
DVD Review
Too Late For Tears, starring Lizabeth Scott, Dan Duryea, United Artists, 1949
Too late for tears is right, probably too late at about age six for our shoot-‘em-up femme fatale Jane (played her is demonic fashion by usually demure, if always husky-voiced, Lizabeth Scott). They, those tears, got all dried up and shriveled as she furtively pushed her way forward in this wicked old world. And every man in sight had better watch out, and not turn his back. Jane Greer from Out Of The Past had better move over because there is a new sheriff (actually anti-sheriff) who is not to afraid put a slug, or six, in a guy who will not do her bidding, or even think about not doing it. There are two kinds of femme fatales in this wicked old world, those with hearts of gold and those with no hearts. Dear Jan e fits the later in surprising interesting B crime noir under review, Too Late For Tears
Yes, some of the dialogue is a little stiff and the copy I reviewed had some technical glitches in it but this one nevertheless held my attention. Partially because cinematically anyway it is easy to “fall” for a heartless femme, especially when she gets those wheels in her head turning madly for whatever is it is she is after (and gets those guns blaring too). Partially as well because the theme of the film, although greed as a driving force in human history has been done unto death, crime doesn’t pay gets a little different workout here as the plot develops and is resolved.
Divorcee Jane (prior husband committed suicide, prompted or not, by his business failures and therefore no dough status made him bum of the month is dear Jane’s eyes) is married to a regular middle class guy, Alan, (with nice digs in Hollywood, 1940s Hollywood) who she had latched onto to make her fame and fortune (mainly the latter). While convertible cruising the Hollywood hills a passing car dumps a parcel in the backseat (good aim) of their car. Turned out there was some serious dough (serious 1940s dough now strictly coffee and cakes money) stashed there as part of a blackmail payoff. Naturally the money hunger wheels start working in Jane’s head (although not in Alan’s for which he would pay dearly, very dearly). She taunts Alan into keeping it at the bus station for a while, although against his better judgment.
Enter the “owner” of the dough Danny (played by Dan Duryea) who wants it back (naturally). The rest of the plot centers on Jane playing off every man who gets in her way, starting with kindred spirit Danny, as she tries to “con” a con. Hubby Alan is the first by a few off-hand point blank shots from his own gun when he decides to turn the dough in. Later, after hubby’s demise, when Danny now knee –deep as an accomplice to Jane’s madness gets cold feet at murder (murder of a woman in this case, Alan’s sister, who is getting suspicious about missing Alan’s whereabouts) he takes the fall, this time with some untimely poison administered by guess who. And eventually trouper that she is, Jan is getting ready to plug a guy who turned out to be her ex-husband’s brother who is seeking revenge (possibly) for his brother’s death before her own untimely death. Whoa! So guys if some husky-voiced dame, a blonde probably, wants to keep some off-hand dough, let her keep it, and for god’s sake don’t turn your back.
Thursday, July 26, 2012
From The Pen Of Joshua Lawrence Breslin- Tales From The 'Hood-Time Is Not On Our Side
Joshua Lawrence Breslin comment:
He, Peter Paul Markin to give him a name although many of the generation of ‘68 had been on the same quest, for a whole number of reasons both personal and political, had been on the trail of his roots, including trips to the old working class neighborhoods where he came of political age. Through various methods, including extensive use of the glorious Internet, he was able to track down a couple of guys from the old neighborhood whose family story had gripped him in olden times.
As an unintended result of that research he have also come in contact with some helpful old high school classmates, North Adamsville High School (that’s in Massachusetts) Class of 1964 . One such helpful person, a class officer back in the day, had asked him to answer some questions that her committee was putting together for his high school class with an eye to the upcoming 50th anniversary reunion. You know the “what the hell have you done with your ill-begotten life for the past half century,” how many kids, grandkids,egad, great-grandkids do you have, don’t lie about anything in any answer because we have ways of finding out the truth of your silly life. How do you think we find you after all these years anyway? (Although, as simple matter, a glance a local telephone book would have provided the answer.)
Got it. Peter Paul got it alright. He had answered some of the more pertinent questions, the dream questions, like how did things actually work out as against one’s totally inflated and obscenely optimistic teenage dream goals, as truthfully as possible, or as any of the old gang needed to know and gave forth with the expected fair percentage of lies, half-lies, and bizarre falsehoods that they should have expected for him, despite the fore-warnings. And they, in turn provided their inflated estimates. No foul, no harm. He dutifully posted those on the class website, although not without noting that this “memoir” excursion was getting to be a seemingly endless task as the more questions he answered the more they (really she, she unnamed she, just in case legal action becomes necessary) kept sending him. Such is life. But, through some of the interchange correspondence he uncovered more information about his roots coming from an earlier period, the dark “projects” coming of age period . Such is life, indeed.
He told me, one melancholy barroom veranda afternoon, some of the details of his “discovery.” How his family had started life in a housing project in Adamsville with all that implied, then and now. By the beauties of the Internet social networking he have come in contact with someone who remembered him (or rather his brother, his older brother, Prescott- she was sweet on him in elementary school), a woman named Sherry. She had lived in that housing project during his family’s stay there and for many, many year after his family had left (to move to the other side of town in a broken down single, well, shack was the only work he could think of to describe it) , and saw its transformation from a temporary way station for returning World War II veterans as had been its original intention to a classic drug-strewn crime-ridden ‘den of iniquity’ as portrayed in subsequent media accounts, She agreed to be his ‘hood historian. Moreover she had brothers, sisters, children and grandchildren who had memories from that place and she agreed to pump them for their remembrances.
And that is where I came in. Peter Paul, my old yellow brick road magical mystery tour brother from the 1960s summer of love (summers of love?) generational break-out since we met on the West Coast one sunny year called on me to work out some of the kinks in the stories, something he felt was too close to believe that he could do them some small measure of justice. He presented the concept as something that could very well be a slice of life series on the trials and tribulations of members of the marginally working poor, a section of the working class with which I am also very familiar coming from old time mill town Olde Saco up in Maine. See too from my vantage point the thing could have produced a study, with all its inherent limitations, of the decline and disintegration of working class political consciousness in America since World War II. I had (have) written other stories from the Olde Saco days that played out one way with a section of the working class that was slightly above the one that Peter Paul came from, but just above, the steadily employed working people who dotted the coastal Maine landscape back then. That saga did not paint a pretty political picture. Nor would this one, I feared. But, damn, we both agreed, why shouldn’t these people have their stories told, warts and all.
Again, like that Olde Saco series (with a ponderous series title of History and Consciousness, H&C, I have gotten better with my titles since then, thank you), this series would really narrate a very prosaic working class set of stories. I planned, however, to organize these stories differently because now I know what I am looking for and each story will be able to stand on its own. In H&C the stories as they unfolded piecemeal, frankly, got out of control and I do not believe that when I put all the parts together at the end that it had the power that I wanted it to have, and that it did have for me as they unfolded.
That said, if this time last year somebody asked me, including Peter Paul, if I would be doing another series like H&C I would have said they were crazy. I then wanted to discuss the finer theoretical points of organizing for the American withdrawal from Afghanistan Iraq or building a workers’ party in this country. But this series seemed like finding the philosopher’s stone. This was the “real deal” down at the base of society, from a time when with a little tweaking things could have gone in another direction.
I prepared the first story (since published) that dealt with how this poor woman Sherry, Peter’s ‘hood historian, was humiliated by other students (girls mainly) at his elementary school for the mere fact of being from “the projects.” This writer was painfully aware of that type of humiliation as he faced the same thing up in Olde Saco. H expected to use that introductory story to draw some political conclusions, if possible. Again, as I had in H&C, I asked the question- will there be political lessons to be learned? I did not believe so, directly. However, real stories about the fate of the working class down at the base can help explain the very real retardants to working class political consciousness that we face as we try to organize here in America to take back the republic. I have spent a lifetime quoting radical socialist principles, chapter and verse, elsewhere. These stories desperately need to be told. Sadly, after that first story though Sherry passed away and we, Peter Paul and I, have been left a little rudderless. Time is not always on our side. Sherry from the ‘hood, RIP.
He, Peter Paul Markin to give him a name although many of the generation of ‘68 had been on the same quest, for a whole number of reasons both personal and political, had been on the trail of his roots, including trips to the old working class neighborhoods where he came of political age. Through various methods, including extensive use of the glorious Internet, he was able to track down a couple of guys from the old neighborhood whose family story had gripped him in olden times.
As an unintended result of that research he have also come in contact with some helpful old high school classmates, North Adamsville High School (that’s in Massachusetts) Class of 1964 . One such helpful person, a class officer back in the day, had asked him to answer some questions that her committee was putting together for his high school class with an eye to the upcoming 50th anniversary reunion. You know the “what the hell have you done with your ill-begotten life for the past half century,” how many kids, grandkids,egad, great-grandkids do you have, don’t lie about anything in any answer because we have ways of finding out the truth of your silly life. How do you think we find you after all these years anyway? (Although, as simple matter, a glance a local telephone book would have provided the answer.)
Got it. Peter Paul got it alright. He had answered some of the more pertinent questions, the dream questions, like how did things actually work out as against one’s totally inflated and obscenely optimistic teenage dream goals, as truthfully as possible, or as any of the old gang needed to know and gave forth with the expected fair percentage of lies, half-lies, and bizarre falsehoods that they should have expected for him, despite the fore-warnings. And they, in turn provided their inflated estimates. No foul, no harm. He dutifully posted those on the class website, although not without noting that this “memoir” excursion was getting to be a seemingly endless task as the more questions he answered the more they (really she, she unnamed she, just in case legal action becomes necessary) kept sending him. Such is life. But, through some of the interchange correspondence he uncovered more information about his roots coming from an earlier period, the dark “projects” coming of age period . Such is life, indeed.
He told me, one melancholy barroom veranda afternoon, some of the details of his “discovery.” How his family had started life in a housing project in Adamsville with all that implied, then and now. By the beauties of the Internet social networking he have come in contact with someone who remembered him (or rather his brother, his older brother, Prescott- she was sweet on him in elementary school), a woman named Sherry. She had lived in that housing project during his family’s stay there and for many, many year after his family had left (to move to the other side of town in a broken down single, well, shack was the only work he could think of to describe it) , and saw its transformation from a temporary way station for returning World War II veterans as had been its original intention to a classic drug-strewn crime-ridden ‘den of iniquity’ as portrayed in subsequent media accounts, She agreed to be his ‘hood historian. Moreover she had brothers, sisters, children and grandchildren who had memories from that place and she agreed to pump them for their remembrances.
And that is where I came in. Peter Paul, my old yellow brick road magical mystery tour brother from the 1960s summer of love (summers of love?) generational break-out since we met on the West Coast one sunny year called on me to work out some of the kinks in the stories, something he felt was too close to believe that he could do them some small measure of justice. He presented the concept as something that could very well be a slice of life series on the trials and tribulations of members of the marginally working poor, a section of the working class with which I am also very familiar coming from old time mill town Olde Saco up in Maine. See too from my vantage point the thing could have produced a study, with all its inherent limitations, of the decline and disintegration of working class political consciousness in America since World War II. I had (have) written other stories from the Olde Saco days that played out one way with a section of the working class that was slightly above the one that Peter Paul came from, but just above, the steadily employed working people who dotted the coastal Maine landscape back then. That saga did not paint a pretty political picture. Nor would this one, I feared. But, damn, we both agreed, why shouldn’t these people have their stories told, warts and all.
Again, like that Olde Saco series (with a ponderous series title of History and Consciousness, H&C, I have gotten better with my titles since then, thank you), this series would really narrate a very prosaic working class set of stories. I planned, however, to organize these stories differently because now I know what I am looking for and each story will be able to stand on its own. In H&C the stories as they unfolded piecemeal, frankly, got out of control and I do not believe that when I put all the parts together at the end that it had the power that I wanted it to have, and that it did have for me as they unfolded.
That said, if this time last year somebody asked me, including Peter Paul, if I would be doing another series like H&C I would have said they were crazy. I then wanted to discuss the finer theoretical points of organizing for the American withdrawal from Afghanistan Iraq or building a workers’ party in this country. But this series seemed like finding the philosopher’s stone. This was the “real deal” down at the base of society, from a time when with a little tweaking things could have gone in another direction.
I prepared the first story (since published) that dealt with how this poor woman Sherry, Peter’s ‘hood historian, was humiliated by other students (girls mainly) at his elementary school for the mere fact of being from “the projects.” This writer was painfully aware of that type of humiliation as he faced the same thing up in Olde Saco. H expected to use that introductory story to draw some political conclusions, if possible. Again, as I had in H&C, I asked the question- will there be political lessons to be learned? I did not believe so, directly. However, real stories about the fate of the working class down at the base can help explain the very real retardants to working class political consciousness that we face as we try to organize here in America to take back the republic. I have spent a lifetime quoting radical socialist principles, chapter and verse, elsewhere. These stories desperately need to be told. Sadly, after that first story though Sherry passed away and we, Peter Paul and I, have been left a little rudderless. Time is not always on our side. Sherry from the ‘hood, RIP.
From “COURAGE TO RESIST”- A Note From Private Bradley Manning’s Civilian Attorney David E Coombs
From “COURAGE TO RESIST”- A Note From Private Bradley Manning’s Civilian Attorney David E Coombs
Supporting the troops who refuse to fight
484 Lake Park Ave #41, Oakland CA 94610
www.couragetoresist.org
51 0-488-3559
"Brad also asked me to specifically thank on his behalf the unflinching support of Courage to Resist..."
From David Coombs
Civilian defense counsel
for US Army PFC Bradley Manning
July 14, 2012
Over the past two years, thousands of individuals have either donated to the
defense fund or given freely of their time to support PFC Bradley Manning. The support provided has come in many forms:
Signing petitions (standwithbrad.org);
Standing up to say "I am Bradley Manning"
(iam.bradleymanning.org);
Writing to military/government authorities;
Writing letters to the editors of local and national
newspapers;
Attending marches, rallies, and other public events to raise
awareness about Bradley Manning;
Using social media to write about the case and the events of
every hearing;
Contacting government representatives;
Sending messages of support to my
law office;
Donating to the legal defense
fund;
or
Volunteering with the
Bradley Manning Support Network
and Courage to Resist.
At every court hearing, I am given the opportunity to witness this support first hand. The attendance by supporters during these hearings has been nothing short of inspiring. Although my client is not permitted to engage those in attendance, he is aware of your presence and support.
During our latest hearing on 6-8 June, I was particularly struck by the warmth of support by those in attendance. At one point during a break, I had causally mentioned that it was my anniversary.
Apparently a supporter had overheard this statement, and took up a collection to give flowers, a balloon, and a thoughtful card to me and my wife. This kind gesture is emblematic of the type of people who are
supporting Brad.
I would like to publicly thank all those who have supported my client over the past two years. I also want to pass on the following message from Brad: "I am very grateful for your support and humbled by your ongoing efforts." Brad also asked me to specifically thank on his behalf the unflinching support of Courage to Resist and the Bradley Manning Support Network.
What happens in this court-martial is of vital importance to all of us. With your continued support, we will ensure that justice is achieved for Brad.
David E, Coombs
Civilian defense counsel for US Army PFC Bradley Manning
***********
Courage to Resist hosts the Bradley Manning Defense Fund in collaboration with the Bradley Manning Support Network. The Defense Fund has been, and continues to be, responsible for 100% of Bradley's legal expenses. That's amounted to $200,000 thus far, with at least another $50,000 needed through trial.
If you'd like your tax-deductible donation today to go towards Bradley's defense only (including legal and public education efforts), just note that on your reply and/or write "Bradley Manning" on your check's memo line. Otherwise, we'll use your contribution to support Bradley along with other military GI resisters.
Supporting the troops who refuse to fight
484 Lake Park Ave #41, Oakland CA 94610
www.couragetoresist.org
51 0-488-3559
"Brad also asked me to specifically thank on his behalf the unflinching support of Courage to Resist..."
From David Coombs
Civilian defense counsel
for US Army PFC Bradley Manning
July 14, 2012
Over the past two years, thousands of individuals have either donated to the
defense fund or given freely of their time to support PFC Bradley Manning. The support provided has come in many forms:
Signing petitions (standwithbrad.org);
Standing up to say "I am Bradley Manning"
(iam.bradleymanning.org);
Writing to military/government authorities;
Writing letters to the editors of local and national
newspapers;
Attending marches, rallies, and other public events to raise
awareness about Bradley Manning;
Using social media to write about the case and the events of
every hearing;
Contacting government representatives;
Sending messages of support to my
law office;
Donating to the legal defense
fund;
or
Volunteering with the
Bradley Manning Support Network
and Courage to Resist.
At every court hearing, I am given the opportunity to witness this support first hand. The attendance by supporters during these hearings has been nothing short of inspiring. Although my client is not permitted to engage those in attendance, he is aware of your presence and support.
During our latest hearing on 6-8 June, I was particularly struck by the warmth of support by those in attendance. At one point during a break, I had causally mentioned that it was my anniversary.
Apparently a supporter had overheard this statement, and took up a collection to give flowers, a balloon, and a thoughtful card to me and my wife. This kind gesture is emblematic of the type of people who are
supporting Brad.
I would like to publicly thank all those who have supported my client over the past two years. I also want to pass on the following message from Brad: "I am very grateful for your support and humbled by your ongoing efforts." Brad also asked me to specifically thank on his behalf the unflinching support of Courage to Resist and the Bradley Manning Support Network.
What happens in this court-martial is of vital importance to all of us. With your continued support, we will ensure that justice is achieved for Brad.
David E, Coombs
Civilian defense counsel for US Army PFC Bradley Manning
***********
Courage to Resist hosts the Bradley Manning Defense Fund in collaboration with the Bradley Manning Support Network. The Defense Fund has been, and continues to be, responsible for 100% of Bradley's legal expenses. That's amounted to $200,000 thus far, with at least another $50,000 needed through trial.
If you'd like your tax-deductible donation today to go towards Bradley's defense only (including legal and public education efforts), just note that on your reply and/or write "Bradley Manning" on your check's memo line. Otherwise, we'll use your contribution to support Bradley along with other military GI resisters.
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