***Out
In The 1960s Be-Bop Night-Doin’ His Midnight Creep
From
The Pen Of Frank Jackman
Benny
Brady, a freshly-minted teenager out in the 1960s be-bop night, 1960 to be
exact, mercifully no more tween-dom for him, no more kid’s stuff and wait until
you are older stuff, was sick, sick unto death of the music he was hearing on
his transistor radio, on American
Bandstand on the television, at school dances, and on the jukebox down at
Doc’s Drugstore too. Squaresville. Enough of Connie Francis finding somebody to
love without lipstick on his collar, Patsy Cline falling to pieces everybody
she heard some no good guy who left her probably for some other twist, Brenda
Lee being sorry, sorry practically for being born because she offended some
guy, some mechanic or grease monkey and his macho sensibilities, and Sandra Dee
flipping out on some ever so ever beach. Enough of the Bobbies, Rydell, Vinton Darin, and throw in the Everley Brothers telling
some little Susie to wake up. Enough of Mark Dinning and the two hundredth time
that Teen Angel came over the
airwaves, as well as earth angels, paradise angels, Johnny Angel and every
angel from here to L.A. Enough, more than enough too of emaciated, although he
would not have known that word’s meaning exactly then, of raggedy doo-wop since
the heyday with the Teen Queens, the Chiffons and the Shirelles had passed by. But
enough of railing against the fouled-up airwaves around his native
Hullsville. Benny needed, desperately
needed, if you asked him directly, a new sound, a sound to go with his new
found interests.
By
the way that transistor radio, a tiny radio, battery- run which could be
concealed at will, for the unknowing was his life-line, his and about twelve
billion other tweens and teens dragged up in the cold war red scare night by, well,
overprotective parents. Said parents the number one cause as far as Benny was
concerned with the demise of rock ‘n’ rock as he knew it when he was just nothing
but a wet behind the ears tween kid a few years back listening to his brother
Prescott’s records into the wee hours down in the family room when those said
parents were in dreamland. Listening to Elvis and his swivel hips that made all
the girls go crazy (he would not know the why of why the girls, and women too,
went crazy until later in his teen years); listening to Jerry Lee who was
accused of every kind of unclean thing (again he would learn only later what
that meant); listening to Chuck Berry ding-a-linging (ditto on the learning
later thing) But enough too of railing against parent-dom.
If
you haven’t figured out yet Benny’s new found interest was in, ah, girls, girls
who when he was a tween were nothing but nuisances and a pain in the you know
where. Person to be avoided at all costs except when absolutely necessary like
copying homework from or borrowing money for ice cream, stuff like that,
especially if they “liked” you and you were privy to that information. But
after careful re-evaluation once he became a freshly-minted teen he saw that
they might be, well, interesting. At least that is the way he figured, figured
he had the whole boy-girl thing scoped out. What he was looking for in that
vanilla music night was an edge, something he could talk to girls about and of
which they were clueless. Not some prattle about Bobby slick-backed hair this,
or Fabian smooth that which filled all the girl magazines. He needed something
too that might, in light of his reevaluation of girls, give him a leg up with
them as well, especially Lucinda, Lucinda Mott, the one girl he knew who might
be interested in something new in music. Something not parentally
approved. And who he had heard through
that junior high school grapevine that was more effective that the whole
telecommunications industry put together “liked” him.
The
times were hard though just then, nothing looked like it was going to break-out
of the cookie cutter ever since Elvis died, or went in the service or
something, Jerry Lee got caught doing something wrong (although he couldn’t
figure out what that wrong was), and guys Buddy Holly, Richie Valens and the
Big Bopper crashed and burned. Then one Sunday night, it had to be a Sunday
because he had gone up into his room early to try and see if he could get
Murray the K, the big be-bop DJ on some New York station. See something in the
air, something about radio waves and transmitters, on Sunday night allowed
Benny to occasionally get faraway stations on his transistor. That night Benny
got heaven, got the Brother Bopper Blues Blast out of WJDA in Chicago. He could
hardly believe his ears.
Benny
heard stuff that sounded like old time rock ‘n’ roll but not exactly like Elvis
and Jerry Lee. He heard some stuff he couldn’t quite figure out but that
Brother Bopper (real name found out later Milton Jones) said was from down in
the Delta, wherever that was. Stuff done on acoustic guitar accompanied by
raspy-voiced guys who kind of slurred their words, maybe didn’t know proper
English for some reason. Stuff like that. And then Brother Bopper played a
whole segment of the show, about one half hour devoted to one performer.
That
night Benny Brady fell in love with Howlin’ Wolf, fell in love with that raspy,
graspy voice, fell in love with the harmonica sound Brother Bopper between
songs would describe as giving the Wolf (Brother’s term) his power (and which Benny
would later see the Wolf almost ate when he was in rare form, when he was
reaching for the high white note). Wolf spoke of smoke-stack lightning, big-hipped
women, of little red rooster running amuck in barnyards, of pining away for
women, and a lot of stuff that sounded like it might be interesting to know
about; juke joints, knife-wielding guys protecting their women from other guys;
hard work on weekdays and hell-raising on Saturday night.
That
night too Benny Brady, freshly-minted teen knew, knew to a certainty that this
was stuff that Lucinda Mott, once he definitely found out (via an older sister),
that she “liked” him would flip out over, would want to endlessly discuss with
him. And she did.
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