Love’s Labors Lost -With The Tune
Weavers’ Happy, Happy Birthday Baby In
Mind
THE TUNE WEAVERS
"Happy, Happy
Birthday Baby"
Happy, happy birthday, baby
Although you're with somebody new
Thought I'd drop a line to say
That I wish this happy day
Would find me beside you
Happy, happy birthday, baby
No I can't call you my baby
Seems like years ago we met
On a day I can't forget
'Cause that's when we fell in love
Do you remember the names we had for
each other
I was your pretty, you were my baby
How could we say goodbye
Hope I didn't spoil your birthday
I'm not acting like a lady
So I'll close this note to you
With good luck and wishes too
Happy, happy birthday, baby
**********
…damn he never should have sent that
note, that short, silly, puffed-up cry-baby note trying to worm his way back
into Lucy’s arms with memory thoughts about this kiss, or that embrace, about
that night down at the beach searching for those elusive “submarines” in the
back seat of Jimmy Jenkin’s car or this funny moment at the Fall Frolics dance
when they first started taking furtive glances at each other. Worse, going
chapter and verse, getting all gooey bringing up old seawall sugar shack beach
nights before the step up to back seats of ocean view cars holding hands
against the splashed tides, against full moons (which actually impeded any
serious fooling around since even some old blind lady could see what they were
up to in that light), against tomorrow coming too soon on those submarine
nights; double date drive-in movies, speakers on low, deep-breathing car
fog-ups on cold October nights, embarrassed, way embarrassed, when they
surfaced for intermission's stale popcorn or reheated hot dogs; and, that last
dance school dance holding tight, tight as hell, to each other as the DJ,
pretending to be radio jockey Arnie "Woo Woo" Ginsberg, played Could
This Be Magic? on that creaky record player used at North Adamsville High
School dances since his mother’s time, maybe hers too since they had been
classmates in their time, ancient Frank Sinatra, Billie Holiday times.
Damn, a scratchy, scribbly note, a note
written on serious stationary and with a real fountain pen to show his
sincerity, and not the usual half- lined sheet, pulled out a three-ring subject
notebook, and passed to Lucy during their common study class. Notes the passing
of which sometimes got them severe looks from the study monitor, Miss Green,
and giggles and taunts, usually some lewd or luscious remarks fraught with
sexual innuendo about “doing the do” or what exactly was she doing with her
head on his lap from their fellow students, boys and girls alike, about
fogged-up cars and trash talk like that who also tried to intercept those
precious notes without success. Yah, “the note heard round the world” that
would expose him to all kinds of ridicule, endless be-bop jive patter, and
snide questions about his manhood from guys, and probably girls too, around the
school, hell, all around North Adamsville and maybe already had if Lucy decided
to cut his heart out and tell one and all what a square he, Luke Jackson, was
when all was said and done.
He could hear it now, and could hear
the words ringing in his ears. What a soft guy Luke Jackson really was, a guy
known to be a love ‘em and leave ‘em guy, what did he call it, oh yeah, “doing
the Eddie,” moving on with no forwarding address and no regrets like his Eddie
hero of the Teen Queens’ Eddie, My Love,
before Lucy. A guy, a used to be sharp guy who shrugged off more things that
you could shake a stick at, not just girls, but guys from other corners who he
had, or they had, beefs about, some crazed teacher who thought he had promise
yakking about him applying himself, some cop trying to meet his mother quota
giving him a ration of crap about his speed, stuff like that, and came back
swinging. But who now was getting all misty-eyed and cry-baby just because some
dame, a good looking dame in all the right places, yes, a dame all the guys
were ready to pursue once he was out of the picture, but still a dame, a young
high school dame, when all was said and done, got under his skin, like they
were married or something.
Hell, he thought, thought now too late,
to himself, that he would have been better off, much better off, if he had just
left it at calling Lucy on the telephone every few hours and either hanging up
before she answered or when she did answer freezing up. She knew who it was
after a while, or should have, but at least he would not have left a paper
trail and be the upcoming subject of locker room and lavatory snickers. But
that was costing money, serious add up money, since he had had to use a public
pay telephone up the street from his house because the telephone service had
been turned off for non-payment as his family could not afford to pay the bill
the past few months.
Besides it had been getting kind of
creepy going in and out of the house at all hours, midnight by the telephone
waiting like some lonely, awkward girl, walking up the street like a zombie,
half mope, half dope, then hesitating before deciding to make the call, making
it, or not, and then scurrying like a rat from the public glare of the booth.
Christ, one time the cops looked at him funny, real funny, when he was calling
at about midnight. And he had to admit that he might have called the police
station a few times too after he looked at himself in the mirror upon returning
home.
That note, sent the day before and
probably in Lucy’s plotting hands right now, was a minute, a quick minute, brain-storm
that he had thought up when he was just plain miserable, just plain midnight
telephone tired too, and anyone could make such a rash decision under love’s
duress, teenage love’s duress. Right then though all he could think of was all
the notes, the cutesy, lined-sheet paper school-boyish notes, that he had sent
her when love was in full blossom, full blossom before Jamie Lee Johnson came
on the scene, came on the scene with his big old ’59 Chevy Impala, his money in
his pocket, and his line of patter and stole his “Sweet Pea” Lucy away from her
“Sugar Plum” Luke. And that picture sent him back to thoughts of when he and
Lucy first met, when their eyes first met.
“Let’s see,” Luke said to himself it
was probably at Chrissie McNamara’s sweet sixteen birthday party that he first
laid eyes on her. Hell, who was he kidding, he knew that it was exactly at 8:32
PM on the night of April 25, 1962 that he first laid eyes on her, big almost
star-struck staring eyes. Or maybe it was a few seconds before because, to
break the ice, he had gone up to her and asked her for the time, asked in his
then bolder manner if she had time for him, asked her to dance, she said yes,
and that was that. Oh, yah, there was more to it than that but both of them
knew at that moment, knew somewhere deep down in their teenage hearts, they
were going to be an “item,” for a while. And they were indeed sweet pea and
sugar plum, for a while. Although Luke would get mad sometimes, fighting mad,
fighting break-up mad, when Lucy teased, no, more than teased, him about his
not having a car so that they could go “parking” by themselves and not always
be on some clowny double-date down at the seashore on Saturday night (or any
night in the summer). And Luke would reply that he was saving money for
college, and besides sitting on the seawall (and sometimes in love’s heat down
beneath its height), their usual habit, was okay, wasn’t it.
That simmer, that somehow unarticulated
simmer, went on for a while, a long while. But Luke had noticed a few months
back, or rather Lucy had made her Sugar Plum notice, that now that they were
high school seniors sitting on the seawall was nothing but nowhere kids’ stuff
and why did he want to go to college anyway, and wasn’t going to work down at
the shipyard where he could earn some real dough and get a car a better idea.
The real clincher though, the one that telegraphed to him that the heavens were
frowning on him, was the night she, no bones, stated that she had no plans for
college and was going right to work after graduation, and maybe, just maybe,
she wouldn’t be able to wait for him, wait for him to finish college and maybe
he would find some slow-slung college girl who might “curl his toes” like she
had been doing, Lucy chancing that she might get in the family way and have to
go off to some faked Midwestern aunt and then where would she have been. Even
if that had not happened then what about her needs, her need to get out from
under her own “from hunger” family household complete with drunken slob father,
her need to have a few things before it was too late to appreciate such things.
So most recent date nights had been spent not in her “curling his toes” but in
arguing the finer point of their collective future. And after a succession of
such nights that’s where things started to really break down between them.
Enter one Jamie Lee Johnson, a friend
of Lucy’s older brother Kenny, already graduated from North Adamsville two
years before and working, working steady with advancement possibilities
according to the talk, as a junior welder down at the shipyard making good
dough. Making drive-in movies and even drive-in restaurants good time dough,
and driving that souped-up, retro-fitted, dual-carbed, ’59 Chevy, jet black and
hung to the gills with chrome to make a girl breathless. And before Luke knew
it Lucy’s mother was answering the phone calls for Lucy from Luke saying that
she wasn’t in, wasn’t expected in, and that she, Lucy’s mother, would tell Lucy
that he had called. The runaround, the classic runaround since boy meets girl
time began, except not always done over the telephone. And while Lucy never
said word one about breaking it off between them, not even a “so long, we had
fun,” Luke, although not smart enough to not write that sappy note, knew she
was gone, and gone for good. But see she had gotten under his skin, way under,
and well, and that was that.
Just as Luke was thinking about that
last thought, that heart-tearing thought, he decided, wait a minute, maybe she
didn’t get the note, maybe he had forgotten to put a stamp on it and as a
result of those maybes he fished around his pocket to see if he had some coins,
some telephone coins, and started out of the house prison to make that late
night pilgrimage creep, that midnight waiting by the telephone creep. Walking
up the street, walking up the now familiar night street-lighted against the
deathless shadows Hancock Street he noticed a jet black ’59 Impala coming his
way, coming his way with Jamie Lee and Lucy sitting so close together that they
could not be pried apart with a crowbar. Luke thought about that scene for a
minute, steeled himself with new-found resolve against the love hurts like in
the old love 'em and leave ‘em days, threw the coins on the ground without
anger but rather with relief, turned back to his house wondering, seriously
wondering like the fate of the world depended on it, what pet names they, Jimmy
and Lucy, had for each other.
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