In The Time
Of B-Film Forgotten Noir-Fingerprints Don’t Lie-Do They?
DVD Review
From The Pen
Of Sam Lowell
Fingerprints Don’t Lie, starring Richard Travis, Sheila Ryan, 1951
Well of
course since we are in the age of science, the age when various rational ways
of investigating phenomena is much preferred over vacant daydreaming, ideology
or acts of God. This same process applies to the investigation of criminal
activity since despite the advances of humankind we are still stuck with crime
and the criminal mind. Plus we have come a long way, at least I used to think
we have come a long way from using racks, thumbscrews and such as the way to
separate the guilty from the innocent although lately that proposition has been
turned on his head more times than I like to remember. All of this by way of
looking at the scientific method of fingerprinting which in its time
represented that advance over thumbscrews and dark jail cell beating to get a
confession from the innocent or the guilty that I just mentioned in the film
under review whose title tells the tale here, Fingerprints Don’t Lie.
Everybody
knows, or should know, that each person’s fingerprints are essentially unique
and for law enforcement purposes if you can match a set of a suspect’s prints
with some object involved in a crime well then it is only a question then of
how long a jail sentence, or how quick the big step off in the big house when
the lights go dark, will be if you capture that miscreant. This film despite
its title turns that proposition on its head, for a while. See Matt, who is in
love with the Mayor of Gotham City’s daughter, had a beef with the good mayor
over his martial intensions with that mayor’s daughter. Here is where Matt gets into trouble though, gets
himself set up for the big step off, because he was the last person seen
leaving the mayor’s office the night of the beef. Problem: the mayor turned up
dead, very dead the next morning and guess who the prime suspect is. And the
basis for that suspicion and subsequent trial where Matt falls down for the
count, is going to the big house to await his terminal fate was a set of fingerprints
found on the telephone that turned out to be the murder weapon.
Here is
where Matt is both hung out to dry and eventually cleared. The fingerprint
expect, Robert Jordan, testified in open court that the set on the telephone
matched Matt’s. Done. Done, despite the fact that Matt endlessly proclaimed his
innocence. But don’t they all. I guess though that the mayor’s daughter Theresa
bought Matt’s story and begged Jordan to see if he had made an error. Now most
guys, most fingerprint guys, men of science guys, women of science too, would
have blown her off but Theresa’s begging finally payed off. Once Jordan saw the
possibility of error, went beyond the hard fingerprints on the telephone angle he
went might and main to figure it out. To not leave you guessing since where
love is involved no way a good-looking kid like Matt is going to take the fall,
not in Hollywood in the 1950s, it turned out that the old regime police
commissioner the Mayor had been elected to root out, Jack Callahan, figured as
the villain. See as the old story goes Jack had some frail he was playing
around with and needed plenty of dough, and to keep his job (which as anybody
but a goof knows includes plenty of graft) to keep her in style. So Jack fudged
the evidence, did some scientific mumbo-jumbo of his own. Naturally rather than
take the fall, take the big step himself he tried to escape when he was
cornered with the evidence. But Jordan not only was handy with an inkpad but
with a rod and wasted the guy. So if anybody asks you if fingerprints don’t lie
you can say that they do not-except sometimes.
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