“One Johnny Rocco More Or Less Is Not Worth Dying For ” –With Lauren Bacall and Humphrey Bogart’s “Key Largo” In Mind     

By Special Guest Commentator Lance Lawrence

Here is the genesis for this commentary. I don’t normally as much as I love the old time 1940s and 1950s black and white movies do film reviews here or in other hard copy and on-line publications I write for. That was usually handled by my old friend, old neighborhood North Adamsville growing up friend, and colleague at this site Sam Lowell. The “was” part is because Sam has recently retired from the day to day fuss of film editor handing it over to our common colleague Sandy Salmon. He has taken the outlandish and over-the-top title of film editor emeritus. That has allowed him to do occasional commentary without the hassle of every impending deadline and having to watch film he doesn’t give a rat’s ass about (his, our, old-time neighborhood expression which I think is self-explanatory.)              

Sam recently had a problem having to do with the film Key Largo I am keeping in mind as I do this piece. Sandy who does not like doing old-time black and white movie reviews as a rule had asked Sam to review this film. He agreed figuring this would be an easy punt since he had always been crazy for Humphrey Bogart films and had always been half in love with foxy Lauren Bacall ever since she and Bogart steamed up the theater in the very loose film adaptation of Ernest Hemingway’s To Have And Have Not. Also many years ago he had already reviewed the film and could use that as a basis for a current review. (Sam never throws anything out and of course now the  computer doesn’t have to so he probably has his first grade papers stored somewhere.) Once he had watched, no, re-watched the film though he had another idea. His angle was looking at the Humphrey Bogart character, ex-World War II soldier Frank McCloud, from the perspective of a guy who had had a hard time coming back the “real” world after the war like many guys probably did (and do so now in Iraq-Afghanistan time as well).    

That is when he thought of me, although really it is the late Peter Paul Markin always and forever known as Scribe, another North Adamsville corner boy of ours that he was really thinking about when he had that grand idea (his expression). (The late Scribe not to be confused with the administrator of this site another North Adamsville guy speaking of nepotism who took the Scribe’s name as his on-line moniker in honor of our fallen comrade.) See the Scribe after he got back from Vietnam where he had been an infantryman and had seen some pretty horrible stuff which he seldom talked about had had serious problems coming back the “real” war after his war. Had been up and down emotionally for a while out in California where he lived after he got back from Vietnam. Had once he settled down a bit (for a while) taken up the journalist’s life which he had gone to college for before he made fateful decision to drop out his sophomore year to get tangled up in the Summer of Love experience out in San Francisco in 1967 (and since he had no student deferment was subject to draft and induction into the military and therefore “fateful” is the right word).         

While working for the now long gone but then influential alternative newspaper East Bay Other the Scribe was handed a plum assignment from the editor Sally Jacobs. Handed it because he was the only Vietnam veteran, the only one with enough street “cred” to do the assignment. It seems that a whole bunch of guys were in the Scribe’s boat, had had a tough time coming back to the “real” world and had formed a “community” or better communities down in Southern California along the riverbanks, railroad tracks and under the multifarious bridges. He was assigned to tell their stories, those that wanted to talk and some did and some didn’t. Those who did formed the basis for what was called the Brothers Under The Bridge series which ran for a while in the newspaper and won the Scribe some awards and stuff.    

So what does the Scribe’s work back then have to do with Sam Lowell asking me to give my take on a guy like ex-soldier Frank McCloud. The Scribe, the logical choice, is no longer with us having succumbed to those Vietnam demons, demons which led to his addiction to cocaine as relief and another fateful and fatal decision to do drug dealing which eventually got him two slugs in the head down in Mexico when a deal went bad. Most of us who knew him count him as an uncounted casualty of the war and maybe his name should be etched in that black granite down in Washington with the 58, 000 others. But we haven’t spoken about it much of late although maybe before we pass on we should make an effort even if we have to get a black granite slab and do it up ourselves in North Adamsville Square. Since the Scribe can’t do the job Sam asked me because I too unlike him, who felt it needed a soldier to soldier touch, was a Vietnam veteran as well. Although I didn’t have as many problems as the Scribe I had my fair share in the immediate aftermath of my military discharge. I have written about those experiences extensively elsewhere so I need not repeat them here after all this is Frank McCloud’s story not mine. More importantly I have taken up the Scribe’s cudgels and written plenty about my fellow Vietnam veterans who are still haunted by that fucking war. Still haven’t come back to the “real” world even though the hobo camps are long vanished and they have been left to their own inadequate devises.

I want to describe Frank McCloud, ex-Major in the European Theater of World War II under the sign of ‘one Johnny Rocco more or less in the world isn’t worth dying for ” a classic line uttered a few times throughout the film. That refers to the villain of the piece bastard gangster Johnny Rocco, played by gangster film fixture Edward G. Robinson, deported by the federal authorities as a no account blight alien residing in Cuba but late of Chicago and the gang wars that dominated that town back in the day and how good men let guys like Johnny breathe and breed.  

      

 As the background to why soldier Frank McCloud  had taken the Greyhound bus down to the Keys, down to Key Largo at the beginning one of America land’s end. Why he was to wind up at that very spot locking horns with one Johnny Rocco probably the last thing he had expected to deal with in sunny tropical Florida. Why he had been drifting along in the post-war period after that war had taken the starch out of him, made him cynical. Why he had, sound familiar, a tough time coming back to the “real” world after slogging through the Italian campaign. See he had gone back to the old job he held before the war but just couldn’t make it make sense. Became a drifter, day worker, low rung work, a man of no fixed abode. Not quite down in the under the bridge jungle like out in post-Vietnam California but still restless and moving aimlessly.

So one day Frank decided to take that fateful bus ride down to the Keys to make sense of the life, and death, of one of the guys under his command whose grieving father, played by Lionel Barrymore, and a young done on the run wife, played by Lauren Bacall running the Largo Hotel. Supposedly this was just a courtesy call at least that was what he told one of Johnny’s boys, guys like Johnny always travelled with a “don’t give a fuck” entourage when he was told by that guy there was no room for him in the inn. Then the damn hurricane winds started picking up and that tidy metaphor-filled event would blow the lid off Frank’s duel with the real world.      

Enter Johnny, no, enter a snoopy cop who was looking for a couple of wild-eyed Seminoles who fled the coop on him and sought safe harbor at the hotel. That copper after taking a beating took a couple to the heart by dear Johnny just to prove he had not lost the old touch.  Along the way Frank had chances to show some of the bravery he had shown in war but he was no longer the knight-errant going after bad guys for other guys who would not give him a fair shake. That when he said it all, made it clear the, his post-war world would be every man and woman for his or herself. That shocked that dead G.I.s people, that broken down old man and that fetching wife who had heard better things about Frank from that son-husband’s letters but that was that.

Now is the time to tell why undesirable alien Johnny Rocco was in some stinking off-season deadbeat hotel facing down hurricane winds and playing with fire-power. He was trying to pass paper, trying to unload counterfeit money for dimes on the dollar to a rival gangster and his confederates. This hole-in-the-wall hotel was the meeting place for the exchange which actually happened despite the hurricane coming to blow all the people all away. Problem (beside the sheriff showing up and finding his copper deputy washed up by hurricane) was the big yacht he arrived on had been taken to a safe harbor by the skipper. No boat. No boat to flee back that ninety or so miles to friendly Havana.    

      

Well almost no boat. See among his skills our man Frank had been an expert sailor, had been so since he was a kid. He made the mistake of telling one of Johnny’s boys that fact when he was helping to secure the hotel’s boat against the hurricane blow. So naturally Johnny latched onto the Frank-boat idea as the way to get him, his boys, and that ill-gotten dough back to Cuba. Johnny had taken the measure of the man, had seen that Frank had that beaten down look a lot of returning soldiers had after finding all the patriotic stuff,  all the making the world safe against the night-takers from guys like Hitler and Mussolini down to punk gangster Johnny Rocco was a lot of hooey. Johnny’s entreaty picking up on what Frank had said previously that after all what was it to small guy Frank McCloud whether a putting a guy like Johnny out of commission was worth breaking a sweat for played its part. After a couple of threats to put Frank on the rack and to the disappointment of that disillusioned old man and that comely daughter-in-law he consented.        

You never know what will push a man’s buttons, and what won’t. Given a handy pistol filched from Johnny by the gangster’s moll, Gaye, seemed to have put life back into Frank, got him thinking maybe another small fight against the night-takers was in order. In the end there would now be no brothers under the bridge fate for our boy. It was a thing of beauty to watch as Frank totally outmaneuvered Johnny and his four confederates, one overboard with a nice turning maneuver, another bang-bang, a third bang-bang, ditto the fourth. Then the inevitable mano a mano with evil Johnny. Johnny Too Bad. Johnny gone to push up the daisies. Yeah, you never know what will push a man’s buttons. Bring him back to the “real” world. I wished the Scribe could have figured that one out.