Click on title to link to my blog entry of September 27, 2007 reposted here in honor of the struggle in Kentucky coal country entitled Once Again, Hard Times In Babylon for a link to information from that period.
Once Again, Hard Times in Babylon-revised
Markin comment:
I had, several years ago, received a recent comment (not on this site) concerning my take on the labor movement these days. (See my entry at the American Left History blog, The AFL-CIO bureaucracy and the 2008 elections, dated September 25, 2007). The gist of the comment concerned my argument on the necessity of organizing (or rather, in effect, re-organizing) the coal miners, in the eastern and western sections of America (and elsewhere as well). As part of that comment I noted that one of the problems in such organization is the geographical and physical isolation of the mines. I also noted that the miners tend to be a parochial lot and mistrustful of outsiders, as a result. That seemed to have set the reader off. In short, that person questioned my ‘credentials’ to speak on the question. He or she, apparently, missed the sentences about my father’s experiences as a young coal-miner in Eastern Kentucky. That does not qualify me to be president of the United Mineworkers Union (which, I believe, at last look required five years in the mines before one could run for that office) but I know the ‘coal’ in an indirect way. Here’s a little bio sketch on that point.
GROWING UP DIRT POOR IN THE 1950’S
Several years ago I wrote a personal commentary about a childhood friend from back in the old neighborhood in North Adamsville where I grew up in the 1950’s who had passed away.(see An Uncounted Casualty of War,, May 8, 2007 archives). I had also at that time been re-reading the then recently deceased investigative journalist David Halberstam’s book, The Fifties, that covers that same basic period. Halberstam’s take on the trends of the period, in contrast to the reality of my own childhood experiences as a child of the working poor that missed most of the benefits of that ‘golden age,’ rekindled some memories, a few painful. It is no exaggeration to say that those were hard times in Babylon. Not so much for individual lacks like a steady (and reliable) family car to break out of the cramped quarters, house on house, where we lived once in a while. Or the inevitable hand-me-down clothes (all the way through high school, almost), or worst the Bargain Center bargains that were no bargains (the local “Wal-Mart” of the day to give you an idea of what I mean). Or even the always house coldness in winter (to save on precious fuel even in those cheap-priced heating oil times) and hotness in summer (ditto, save on electricity so no A/C, or fans).
They, and other such lacks, all had their place in the poor man’s pantheon, no question. No, what, in the end, turned things out badly was the sense of defeat that hung, hung heavily and almost daily over the household, the street, the neighborhood at a time when others, visibly and not so far away, were getting ahead. Some sociologist, some academic sociologist, for, sure, would call it the death of “rising expectations.” And for once they would be right, or at least on the right track. Thinking back on those times has also made me reflect on how the hard anti-communist politics of the period, the “red scare” left people like my parents high and dry, although they were as prone to support it as any American Legionaire. The defeat and destruction of the left-wing movement, principally pro-communist organizations, of that period has continued to leave a mark, and a gaping vacuum on today’s political landscape, and on this writer.
There are many myths about the 1950’s to be sure. However, one cannot deny that the key public myth was that those who had fought World War II and were afterwards enlisted in the anti-Soviet Cold War fight against communism were entitled to some breaks. The overwhelming desire for personal security and comfort on the part of those who had survived the Great Depression and fought the war (World War II just so there is no question about which in the long line of wars we are talking about) was not therefore totally irrational. That it came at the expense of other things like a more just and equitable society is a separate matter. Moreover, despite the public myth not everyone benefited from the ‘rising tide.' The experience of my parents is proof of that. Thus this commentary is really about what happened to those, like my parents, who did not make it and were left to their personal fates without a rudder to get them through the rough spots. Yes, my parents were of the now much ballyhooed and misnamed ‘greatest generation’ but they were not in it.
I will not go through all the details of my parents’ childhoods, courtship and marriage for such biographic details of the Depression and World War II are plentiful and theirs fits the pattern. One detail is, however, important and that is that my father grew up in the hills of eastern Kentucky, Hazard, near Harlan County to be exact, coal mining country made famous in song and story and by Michael Harrington in his 1960s book The Other America. This was, and is, hardscrabble country by any definition. Among whites these “hillbillies” were the poorest of the poor. There can be little wonder that when World War II began my father left the mines to join the Marines, did his fair share of fighting in the Pacific, settled in the Boston area and never looked back.
By all rights my father should have been able to take advantage of the G.I. Bill and enjoyed home and hearth like the denizens of Levittown (New York and elsewhere) described in Halberstam’s book and shown on such classic 1950s television shows as Ozzie and Harriet and Leave It To Beaver. But life did not go that way. Why? He had virtually no formal education. And moreover had three young sons born close together in the immediate post-war period. Furthermore he had no marketable skills usable in the Boston labor market. There was (and is) no call for coal-miners here. My father was a good man. He was a hard-working man; when he was able find work. He was an upright man. But he never drew a break. Unskilled labor, to which he was reduced, is notoriously unstable, and so his work life was one of barely making ends meet. Thus, well before the age when the two-parent working family became the necessary standard to get ahead, my mother went to work to supplement the family income. She too was an unskilled laborer. Thus, even with two people working we were always “dirt poor.” I have already run through enough of the litany of lacks to give an idea of what dirt poor meant in those hard times so we need not retrace those steps.
Our little family started life in the Adamsville housing projects, at that time not the notorious hell-holes of crime and deprivation that they later became but still a mark of being low, very low, on the social ladder at a time when others were heading to the Valhalla of the newly emerging suburbs. By clawing and scratching my parents saved enough money to buy an extremely modest single-family house. Hell, why pussyfoot about it, a shack. The house, moreover, was in a neighborhood that was, and is, one of those old working class neighborhoods where the houses are small, cramped, and seedy, the leavings of those who have moved on to bigger and better things. The neighborhood nevertheless reflected the desire of the working poor in the 1950’s, my parents and others, to own their own homes and not be shunted off into decrepit apartments or dilapidated housing projects, the fate of those just below them on the social ladder. This is social progress?
But enough of all that. Where in this story though is there a place for militant left-wing political class-consciousness to break the trap? Not the sense of social inferiority of the poor before the rich (or the merely middle class). Damn, there was plenty of that kind of consciousness in our house. A phrase from the time, and maybe today although I don’t hear it much, said it all “keeping up with the Jones.’” Or else. But where was there an avenue in the 1950’s, when it could have made a difference, for a man like my father to have his hurts explained and have something done about them? No where. So instead it went internally into the life of the family and it never got resolved. One of his sons, this writer, has had luxury of being able to fight essentially exemplary propaganda battles in small left-wing socialist circles and felt he has done good work in his life. My father’s hurts needed much more. The "red scare" aimed mainly against the American Communist Party but affecting wider layers of society decimated any possibility that he could get the kind of redress he needed. That dear reader, in a nutshell, is why I proudly bear the name communist today. And the task for me today? To insure that future young workers, unlike my parents in the 1950’s, will have their day of justice.
Showing posts with label Hazard. Show all posts
Showing posts with label Hazard. Show all posts
Thursday, September 22, 2011
Thursday, July 21, 2011
The Hills And Hollas Of Home- In Honor Of The Late Mountain Music Singer Hazel Dickens
Click on the headline to link to a YouTube film clip of the late Hazel Dickens performing Hills Of Home.
CD Review
It’s Hard To Tell The Singer From The Song, Hazel Dickens, Rounder Records, 1987
Kenny Jackman heard the late Hazel Dickens (d. 2011) for the very first time on her CD album It’s Hard To Tell The Singer From The Song some years back when he was in thrall to mountain music after being hit hard by Reese Witherspoon’s role as June Carter in the film Walk The Line. At that time he was into all things Carter Family unto the nth generation. A friend, a Vermont mountain boy friend, hipped him to Hazel during his frenzy and he picked up the CD second-hand in Harvard Square. Hazel’s You’ll Get No More Of Me, A Few Old Memories and the classic Hills of Home knocked him out. The latter, moreover, seemed kind of familiar and later, a couple of months later, he finally figured out why. He had really first heard Hazel back in 1970 when he was down in the those very hills and hollows that are a constant theme in her work, and that of the mountain mist winds music coming down the crevices. What is going on though? Is it 2005 when he first heard Hazel or that 1970 time? Let me go back and tell that 1970 story.
Kenny Jackman like many of his generation of ’68 was feeling foot loose and fancy free, especially after he had been mercifully declared 4-F by his friendly neighbors local draft board in old hometown North Adamsville. So Kenny, every now and again, took to the hitchhike road, not like his mad man friend Peter Paul Markin with some heavy message purpose a la Jack Kerouac and his beat brothers (and a few sisters) but just to see the country while he, and it, were still in one piece. On one of these trips he found himself kind of stranded just outside Norfolk, Virginia at a road-side campsite. Feeling kind of hungry one afternoon, and tired, tired unto death of camp-side gruel and stews he stopped at a diner, Billy Bob McGee’s, an old-time truck stop diner a few hundred yards up the road from his camp for some real food, maybe meatloaf or some pot roast like grandma used to make or that was how it was advertised.
When he entered the mid-afternoon half-empty diner he sat down at one of the single stool counter seats that always accompany the vinyl-covered side booths in such place. But all of this was so much descriptive noise that could describe a million, maybe more, such eateries. What really caught his attention though was a waitress serving them “off the arm” that he knew immediately he had to “hit” on (although that is not the word used in those days but “hit on” conveys what he was up to in the universal boy meets girl world). As it turned out she, sweetly named Fiona Fay, and, well let’s just call her fetching, Kenny weary-eyed fetching, was young, footloose and fancy free herself and had drawn a bead on him as he entered the place, and, …well this story is about Hazel, so let us just leave it as one thing let to another and let it go at that.
Well, not quite let’s let it go at that because when Kenny left Norfolk a few days later one ex-waitress Fiona Fay was standing by his side on the road south. And the road south was leading nowhere, no where at all except to Podunk, really Prestonsburg, Kentucky, and really, really a dink town named Pottsville, just down the road from big town Prestonsburg, down in the hills and hollows of Appalachia, wind swept green, green, mountain mist, time forgotten . And the reason two footloose and fancy free young people were heading to Podunk is that a close cousin of Fiona’s lived there with her husband and child and wanted Fiona to come visit (visit “for a spell” is how she put it but I will spare the reader the localisms). So they were on that hell-bend road but Kenny, Kenny was dreading this trip and only doing it because, well because Fiona was the kind of young woman, footloose and fancy free or not, that you followed, at least you followed if you were Kenny Jackson and hoped things would work out okay.
What Kenny dreaded that day was that he was afraid to confront his past. And that past just then entailed having to go to his father’s home territory just up the road in Hazard. See Kenny saw himself as strictly a yankee, a hard “we fought to free the slaves and incidentally save the union” yankee for one and all to see back in old North Adamsville. And denied, denied to the high heavens, that he had any connection with the south, especially the hillbilly south that everybody was making a fuse about trying to bring into the 20th century around that time. And here he was with a father with Hazard, Kentucky, the poorest of the poor hillbillies, right on his birth certificate although Kenny had never been there before. Ya, Fiona had better be worth it.
Kenny had to admit, as they picked up one lonely truck driver ride after another (it did not hurt in those days to have a comely lass standing on the road with you in the back road South, or anywhere else, especially with longish hair and a wisp of a beard), that the country was beautiful. As they entered coal country though and the shacks got crummier and crummier he got caught up in that 1960s Michael Harrington Other America no running water, outhouse, open door, one window and a million kids and dogs running around half-naked, the kids that is vision. But they got to Pottsville okay and Fiona’s cousin and husband (Laura and Stu) turned out to be good hosts. So good that they made sure that Kenny and Fiona stayed in town long enough to attend the weekly dance at the old town barn (red of course, run down of course) that had seen such dances going back to the 1920s when the Carter Family had actually come through Pottsville on their way back to Clinch Mountain.
Kenny buckled at the thought, the mere thought, of going to some Podunk Saturday night “hoe-down” and tried to convince Fiona that they should leave before Saturday. Fiona would have none of it and so Kenny was stuck. Actually the dance started out pretty well, helped tremendously by some local “white lightning” that Stu provided and which he failed to mention should be sipped, sipped sparingly. Not only that but the several fiddles, mandolins, guitars, washboards and whatnot made pretty good music. Music like Anchored in Love and Come All You Fair And Tender Ladies, stuff that he had heard in the folk clubs in Harvard Square when he used to hang out there in the early 1960s. And music that even Kenny, old two left-feet Kenny, could dance to with Fiona.
So Kenny was sipping, well more than sipping, and dancing and all until maybe about midnight when this woman, this local woman came out of nowhere and begins to sing, sing like some quick, rushing wind sound coming down from the hills and hollas (hollows for yankees, okay). Kenny begins to toss and turn a little, not from the liquor but from some strange feeling, some strange womb-like feeling that this woman’s voice was a call from up on top of these deep green hills, now mist-filled awaiting day. And then she started into a long, mournful version of Hills of Home, and he sensed, sensed strongly if not anything he could articulate that he was home. Yes, Kenny Jackson, yankee, city boy, corner boy-bred was “home,” hillbilly home. So Kenny did really hear Hazel Dickens for first time in 1970, see.
CD Review
It’s Hard To Tell The Singer From The Song, Hazel Dickens, Rounder Records, 1987
Kenny Jackman heard the late Hazel Dickens (d. 2011) for the very first time on her CD album It’s Hard To Tell The Singer From The Song some years back when he was in thrall to mountain music after being hit hard by Reese Witherspoon’s role as June Carter in the film Walk The Line. At that time he was into all things Carter Family unto the nth generation. A friend, a Vermont mountain boy friend, hipped him to Hazel during his frenzy and he picked up the CD second-hand in Harvard Square. Hazel’s You’ll Get No More Of Me, A Few Old Memories and the classic Hills of Home knocked him out. The latter, moreover, seemed kind of familiar and later, a couple of months later, he finally figured out why. He had really first heard Hazel back in 1970 when he was down in the those very hills and hollows that are a constant theme in her work, and that of the mountain mist winds music coming down the crevices. What is going on though? Is it 2005 when he first heard Hazel or that 1970 time? Let me go back and tell that 1970 story.
Kenny Jackman like many of his generation of ’68 was feeling foot loose and fancy free, especially after he had been mercifully declared 4-F by his friendly neighbors local draft board in old hometown North Adamsville. So Kenny, every now and again, took to the hitchhike road, not like his mad man friend Peter Paul Markin with some heavy message purpose a la Jack Kerouac and his beat brothers (and a few sisters) but just to see the country while he, and it, were still in one piece. On one of these trips he found himself kind of stranded just outside Norfolk, Virginia at a road-side campsite. Feeling kind of hungry one afternoon, and tired, tired unto death of camp-side gruel and stews he stopped at a diner, Billy Bob McGee’s, an old-time truck stop diner a few hundred yards up the road from his camp for some real food, maybe meatloaf or some pot roast like grandma used to make or that was how it was advertised.
When he entered the mid-afternoon half-empty diner he sat down at one of the single stool counter seats that always accompany the vinyl-covered side booths in such place. But all of this was so much descriptive noise that could describe a million, maybe more, such eateries. What really caught his attention though was a waitress serving them “off the arm” that he knew immediately he had to “hit” on (although that is not the word used in those days but “hit on” conveys what he was up to in the universal boy meets girl world). As it turned out she, sweetly named Fiona Fay, and, well let’s just call her fetching, Kenny weary-eyed fetching, was young, footloose and fancy free herself and had drawn a bead on him as he entered the place, and, …well this story is about Hazel, so let us just leave it as one thing let to another and let it go at that.
Well, not quite let’s let it go at that because when Kenny left Norfolk a few days later one ex-waitress Fiona Fay was standing by his side on the road south. And the road south was leading nowhere, no where at all except to Podunk, really Prestonsburg, Kentucky, and really, really a dink town named Pottsville, just down the road from big town Prestonsburg, down in the hills and hollows of Appalachia, wind swept green, green, mountain mist, time forgotten . And the reason two footloose and fancy free young people were heading to Podunk is that a close cousin of Fiona’s lived there with her husband and child and wanted Fiona to come visit (visit “for a spell” is how she put it but I will spare the reader the localisms). So they were on that hell-bend road but Kenny, Kenny was dreading this trip and only doing it because, well because Fiona was the kind of young woman, footloose and fancy free or not, that you followed, at least you followed if you were Kenny Jackson and hoped things would work out okay.
What Kenny dreaded that day was that he was afraid to confront his past. And that past just then entailed having to go to his father’s home territory just up the road in Hazard. See Kenny saw himself as strictly a yankee, a hard “we fought to free the slaves and incidentally save the union” yankee for one and all to see back in old North Adamsville. And denied, denied to the high heavens, that he had any connection with the south, especially the hillbilly south that everybody was making a fuse about trying to bring into the 20th century around that time. And here he was with a father with Hazard, Kentucky, the poorest of the poor hillbillies, right on his birth certificate although Kenny had never been there before. Ya, Fiona had better be worth it.
Kenny had to admit, as they picked up one lonely truck driver ride after another (it did not hurt in those days to have a comely lass standing on the road with you in the back road South, or anywhere else, especially with longish hair and a wisp of a beard), that the country was beautiful. As they entered coal country though and the shacks got crummier and crummier he got caught up in that 1960s Michael Harrington Other America no running water, outhouse, open door, one window and a million kids and dogs running around half-naked, the kids that is vision. But they got to Pottsville okay and Fiona’s cousin and husband (Laura and Stu) turned out to be good hosts. So good that they made sure that Kenny and Fiona stayed in town long enough to attend the weekly dance at the old town barn (red of course, run down of course) that had seen such dances going back to the 1920s when the Carter Family had actually come through Pottsville on their way back to Clinch Mountain.
Kenny buckled at the thought, the mere thought, of going to some Podunk Saturday night “hoe-down” and tried to convince Fiona that they should leave before Saturday. Fiona would have none of it and so Kenny was stuck. Actually the dance started out pretty well, helped tremendously by some local “white lightning” that Stu provided and which he failed to mention should be sipped, sipped sparingly. Not only that but the several fiddles, mandolins, guitars, washboards and whatnot made pretty good music. Music like Anchored in Love and Come All You Fair And Tender Ladies, stuff that he had heard in the folk clubs in Harvard Square when he used to hang out there in the early 1960s. And music that even Kenny, old two left-feet Kenny, could dance to with Fiona.
So Kenny was sipping, well more than sipping, and dancing and all until maybe about midnight when this woman, this local woman came out of nowhere and begins to sing, sing like some quick, rushing wind sound coming down from the hills and hollas (hollows for yankees, okay). Kenny begins to toss and turn a little, not from the liquor but from some strange feeling, some strange womb-like feeling that this woman’s voice was a call from up on top of these deep green hills, now mist-filled awaiting day. And then she started into a long, mournful version of Hills of Home, and he sensed, sensed strongly if not anything he could articulate that he was home. Yes, Kenny Jackson, yankee, city boy, corner boy-bred was “home,” hillbilly home. So Kenny did really hear Hazel Dickens for first time in 1970, see.
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