Showing posts with label bessie smith. Show all posts
Showing posts with label bessie smith. Show all posts

Wednesday, February 6, 2013

When The Blues Is Dues- When A Girl Has Got To Have It- Bessie Smith’s

When The Blues Is Dues- When A Girl Has Got To Have It- Bessie Smith’s
“Put A Little Sugar In My Bowl”


… she admitted it, had admitted to herself earlier that evening, she needed, no, she wanted a man, a good man, hell, an average man, that night. She was tired of turning herself on her stomach in bed, her lonesome bed, and manipulating her tongue- wetted fingers deep down between her thighs rapidly for some thrills (rapidly, unlike some women, according to her girl talk friends, was the best way that she could get her thrills). After a streak of bad breaks (she, before she got her current job working as a secretary, had been a waitress, a cocktail waitress, in a joint where every guy, married, single, a fag or two even, thought he could hit on her, and the management had expected her to take the cue, which she did for a while until she felt that she was nothing but low-priced whore and left) this bad karma , and bad, almost evil men she had, what did Bessie Smith call it in that gin house, barrelhouse song, oh yah, she had her wanting habits on. No question. So fortified with a few shots of home scotch she went out, hailed the nearest cab, and went up to the Cotton Club all by her lonesome. If the sight of a good-looking dame with alabaster white skin, blue eyes, blond, real blonde, well, blonde with brownish highlights as she told the girls at the water cooler at work when they noticed, as they would, her new “color,” long legs and bedroom-begging hips ready to play house didn’t wake up some good, hell again, average guy, she swore she would go into a nunnery, well, maybe not a nunnery but do something like that to cure her itch and get back at those bastards who took her for a ride and then left her flat.

The point was to be a little subtle when she got there, since a single woman looking like she looked, looking like she was on the prowl, at that club meant only one thing and she would not have to draw the right guy a diagram to know what that thing was, if he was a right guy. She got out of the cab, paid off the cab driver and added a good tip for good luck and entered the club. No stranger she to the wilds of the Cotton Club, but previously she had been somebody’s “exclusive” and so was a little hesitant as she headed to the bar, sat down at a corner stool, opened up her purse and pulled out a cigarette just like in the movies. No bites. No guy coming up out of nowhere to light the damn thing and make some small talk.

She stood up for a moment to arrange her drink to give the boys a good look. Still no bite. A guy, a good-looking guy, looked in her direction, looked like a taker but then along came his honey from the Ladies’ Room and that dream flickered out. Then from behind her came a soft male voice, not feminine, but soft, like the guy was a little unsure of himself too. She turned in his direction and saw a fairly good-looking guy, maybe a professor over at Columbia or something like that from his airy look. He had asked if he could buy her a drink, she automatically said no, her womanly first response no, and then on some kind of cosmic whim, said hell, this guy is maybe it tonight. As she said, “yes scotch and water please” she thought how it was funny that guys always thought it was only them that were sex hunger and wouldn’t this professor be surprised at that if he knew his chances of getting laid tonight were looking better than when he, single man, came into the notorious Cotton Club.

As it turned out this guy wasn’t a professor but another one of those dime a dozen writers from down in the Village who are always trying to find themselves. Although this guy turned out to have a big knowledge of blues stuff, stuff that she was interested in, stuff that if things worked out she might be able to get out from under that steno pool she was now imprisoned in and get a job in some club, maybe not the Cotton Club, but a club, as a torch singer. So they spent a lot of the talking about blues and jazz stuff, having some more loose scotches, and having a dance or two if the song was right. She noticed that when she danced with him he held her firmly but not tightly, the right way, and she also noticed that when they danced she was getting a little steamy, a little steamy in that old love puddle way. About two o’clock she asked him if he wanted to go home with her and, fairly drunk at that point, but also filled with hopeful desire that this guy would be alright, she asked him point blank as they entered a waiting cab if he “would put a little sugar in her bowl.” And knowing the exact meaning of that reference when they hit her place he did…


Saturday, September 24, 2011

I Fall To Pieces Each Time I Hear Her Sing- Pasty Cline-Live At The Cimarron Ballroom (Okalahoma)-A CD Review

Click on the headline to link to a YouTube film clip of Patsy Cline performing her classic I Fall To Pieces.

CD Review

Pasty Cline-Live At The Cimarron Ballroom (1961), Patsy Cline, MCA Records, 1997

For those of us of a certain age (growing up in the early 1960’s) the timeless voice of Patsy Cline, whether we were aware of it or not, formed the backdrop to many a school dance or other romantic endeavor. I was not a fan of Cline’s, at least not consciously, growing up but have come to appreciate her talent and her amazing voice. In another review in this space I have called her the “country torch singer,” par excellence. And she does not fail here. At least musically. On such classics as I Fall To Pieces (twice, the second being better than the first, ah, “warm up”), Walking After Midnight, Stupid Cupid, Foolin’ Round, and some twangy Cline dialogue between songs she is up to par.

However, thematically this CD, while of some value as a historic document (her first concert after a near fatal car accident), is another question. While it was interesting (and a little disconcerting live, circa 1961) to hear her work from the 1950's and early 1960s and covers of others I do not believe that this compilation does justice to her work. Patsy, like many another torch singer like Bessie Smith or Billie Holiday, needs to grow on you. The best way to do that is grab a Greatest Hits (or a Gold Definitive) album and sit back. You won’t want to turn the damn thing off. As for this one, if you have time to listen do so as an appetizer.

"Crazy"

Written by willie nelson
(as performed by willie nelson)
Also performed by patsy cline and ray price*


Crazy
Crazy for feeling so lonely
Im crazy
Crazy for feeling so blue

I knew
Youd love me as long as you wanted
And then someday
Youd leave me for somebody new

Worry
Why do I let myself worry
Wondrin
What in the world did I do

Crazy
For thinking that my love could hold you
Im crazy for tryin
Crazy for cryin
And Im crazy
For lovin you

(repeat last verse)


Patsy Cline, She's Got You Lyrics

Artist: Cline Patsy
Song: She's Got You

“She's Got You”

I've got your picture that you gave to me
And it's signed "with love," just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you

I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new,
I've got the records, she's got you

I've got your memory, or has it got me?
I really don't know, but I know it won't let me be

I've got your class ring; that proved you cared
And it still looks the same as when you gave it dear
The only thing different, the only thing new
I've got these little things, she's got you

Patsy Cline, Why Can't He Be You Lyrics

Artist: Cline Patsy
Song: Why Can't He Be You


“Why Can't He Be You”


He takes me to the places you and I used to go
He tells me over and over that he loves me so
He gives me love that I never got from you
He loves me too, his love is true
Why can't he be you

He never fails to call and tell me I'm on his mind
And I'm lucky to have such a guy; I hear it all the time
And he does all the things that you would never do
He loves me, too, his love is true
Why can't he be you

He's not the one who dominates my mind and soul
And I should love him so, 'cause he loves me, I know
But his kisses leave me cold

He sends me flowers, calls on the hour, just to prove his love
And my friends say when he's around, I'm all he speaks of
And he does all the things that you would never do
He loves me too, his love is true
Why can't he be you

Patsy Cline, Sweet Dreams Lyrics

Artist: Cline Patsy
Song: Sweet Dreams

“Sweet Dreams”


Sweet dreams of you
Every night I go through
Why can't I forget you and start my life anew
Instead of having sweet dreams about you

You don't love me, it's plain
I should know I'll never wear your ring
I should hate you the whole night through
Instead of having sweet dreams about you

Sweet dreams of you
Things I know can't come true
Why can't I forget the past, start loving someone new
Instead of having sweet dreams about you