Showing posts with label elvis. Show all posts
Showing posts with label elvis. Show all posts

Monday, January 22, 2018

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Elvis (No Last Name Needed) Made All The Women Sweat-“Are You Lonesome Today”   



Sketches From The Pen Of Frank Jackman

He’s Got It Bad-With Elvis’s Are You Lonesome Tonight -Take Two

…he wondered, truly wondered, whether she missed him just then, missed her walking daddy, her walking daddy when they walked  down the street hand-in-hand and later when high as kites they messed up the pillows at her place, got those satin sheets all sweaty and love moist from their exertions when their fling was fresh and bright. Yes, he wondered for the millionth time that night, that seemingly endless sleepless night when he wondered once again whether  she missed him after all the slow meaningless time that had passed these past few months since their over-heated short love affair had gone down in flames almost as quickly as it had started.

That walking daddy moniker by the way was a little term of endearment that she had tagged him with after they had, well, done the “do the do” and she though that she had him reined in, reined him in with kisses and a few little special things that he liked, and that she knew he liked even before he told her that he did. That “do the do” sex stuff was the least of their problems, he knew she liked his kisses and a few little special things that she liked, and that he knew she liked even before she told him that she did, although at the end maybe it was the sex stuff too that did them in when he started asking her to do stuff from the Karma Sutra and she who previously had been the aggressor practically pulling his pants down balked at a few of the kinkier positions described in that manual, it could have been everything jumbled together. But if anybody asked him he missed that part, no question.   

He did not really believe underneath it all although he kept his doubts open based on a few odd facts about going the other way, that she did, did miss him. She was not built that way, had kind of a steel-trap mind on the subject of men and missing them after she was done with them (and others too, subjects she was steel-trapped about). He knew from the first, and she made the fact abundantly clear in all their conversations, that once she was done with a man that was that and she moved on, maybe to the next man, maybe just off to lick her wounds. She would illustrate the point  with examples citing, chapter and verse, whenever the subject came up ex-husbands and lovers, one husband of whom she said had asked if she needed a blackboard to help lecture him once she got on her high horse about the subject. Still he took a ticket, took a chance that he would be, what she called him at the beginning, oh yeah, her “forever” man and in a chillingly ironic shift a few short months later her “never” man although she did not say that word exactly he just plucked it out of the air one night, one early on sleepless night when he first thought about whether she missed him.  Yeah, so no question he was as sure as a man could be, a man who no longer was on speaking terms with her, that he would not be surprised to find out that she did not miss him.

He wondered too whether she was lonesome tonight for her walking daddy, a very different proposition than whether she missed him. He was not sure on that score, although he thought in the far recesses of his brain she might. See as she also explained in detail with those same ex-husbands and major lovers example complete with blackboard remark even if she was through with a man, had moved on to another man, or just went off to lick her wounds the way she put the fact in those same conversations about her way with men, she was as likely to be licking her wounds as looking for another man. As likely to be filled with solitary sadness as out on the town, out with another man.

That is where those two marriages and many love affairs came in, came in and softened rather than hardened her to life’s romantic ups and downs. She had mentioned to him one night that she had since childhood and a very savagely cruel upbringing had a hard time letting go, letting the past fade, and that it took her a long time to get over a man once they were through. How did he say she put it one night, oh yeah, she was fast to love a man when he got under her skin and slow to forget him. That fast love start had been her way with him in their whirlwind love affair smothering him with all kinds of undeserved accolades based on fairly limited knowledge of who he was, what he had been through, and his own spoken appreciations of his worth which added up to a profile of the usual man of clay, nothing more. All of the above smotherings by her not giving him time to breathe, to think things through, before trying to plan their future unto infinity after about a month into their relationship.

Yeah, in the far recesses of her brain might be just the right way to put it about whether she might be lonesome that night he spoke of but let me tell you what he told me one night about that night he was wondering and many other nights before and after while we were sipping white wines at a Boston bar, listening to some old time piped-in jazz music as background (could have been Cry Me A River starting out, in fact I think it was), which started him off to tell me  what exactly had happened the previous few months. Let me give you some of the story and you try to figure the damn thing out:     

He had met her sitting at the bar in Cambridge, a rock and roll bar, an “oldies but goodies” bar, a 1950s classic age of rock and roll bar that he frequented when he needed to hear Elvis, Chuck, Bo, Jerry Lee or some Warren Smith rockabilly beat after some hard court case was done or he just needed to blow off steam when some appeals case was slipping away from him for lack of presentable issues that could win. Some nights, like that night, he wound up just slugging quarters in the juke-box, others, mainly weekend nights he would wind up listening to a live band, The Rockin’ Ramrods, covering the classics. He noticed that from his vantage point a few stools down she looked very familiar in a long ago way. After he slid down the few empty barstools between them to get beside her he had mentioned that fact to her as a come-on and offered and bought her a drink on that basis (a glass of red wine which she loved, loved to perdition as he would find out later) they spent the next several minutes trying to figure where that might have been. Work, no, some godforsaken political conference, no, another long ago bar, no, the Cape, no, College, no, and so on. 

Strangely they found out once they discussed where they had grown up (she had told him at first she was from New Hampshire and he said that he lived in Cambridge so the subject of home towns did not come up on the first run) that the link had been  that they had gone to the same high school together, she a couple of years after him, North Adamsville High, located on the South Shore of Boston although they had not known each other, had not had any of the same classes back then (but since they had also gone to the same junior high school they agreed later after they were “smitten” with each other, her term, and wanted to make some symbolic “written in the wind” closeness count they must have been in the same space at some point if only the gym, auditorium or cafeteria). That revelation got them cutting up old touches that night for a while, well, a long while since they closed the bar that night. They agreed that they had some common interests and that they should continue the conversation further via e-mail and cellphone. See, since she lived up in New Hampshire in a town outside of Manchester, was a professor at the state university and had been in Cambridge to attend an education conference at Harvard getting together soon in person with her busy start of semester schedule was problematic.

So for a while, a few weeks, they carried on an e-mail/cellphone correspondence. Both were however struck by the number of things they had in common, things from childhood like growing up poor, growing up in hostile and dangerous family environments, growing up insecure and with nothing and nobody to guide them left to their own resources. Moreover they found that they had many similar teenage angst and alienation episodes in high school in common as well as current political and academic interests. Both agreed that they should meet again in person since they had already “met” in high school (somehow in the rush of things they discounted that they had really met in Cambridge in a bar, but such are the ways of love in bloom go figure).

And so they met again, met many times in neutral territory since they lived so far apart (they called their romance, the Merrimack romance for all the old mill towns they met in for half way convenient, Lowell, Nashua, Manchester, Haverhill, Amesbury and a couple of others I forgot), had many chatty dinners and did other things together like museums and took long walks along the river. He explained to me the powerful first dinner where they talked for hours and when he escorted her to her car in the parking lot for them to go their separate ways home she got teary-eyed and he caressed her hair to console her. Yeah, it was like that when it was good.   Before long they agreed to meet at a hotel in New Hampshire to see if they had a spark that way. Well you know they did since otherwise there would be no story to tell. You also know, at least you know what he thought about the matter, that they did very well in bed together.  Yes, they, he and she, were both smitten, both felt very comfortable with each other and were heading forward with eyes open.

Along the way she had discussed her two divorce-ended marriages, her serious love affairs and her attitudes toward relationships. Those were the times she would emphasize her take on men, her jealousies, expectations and her limitations. She also early on started her campaign to get him to go to stay with her in New Hampshire and leave Cambridge. He although not as well formed in his take on their relationship as she did likewise explained his two marriages, especially the hard fall of the second marriage which left him very stunned, and major love affairs, although he early on balked when she spoke of leaving the city for the Podunk country up north as he called her place, called the whole state of New Hampshire for that matter. So yes both sets of eyes were open, open wide.

She pulled the hammer down, pulled it down early. Within a couple of months she spoke of love, of living together, of sailing out into the sunset together. He, slower on the uptake, slower having been more severely burned in his last marriage than he let on to her or had thought had been the case, was a bit bewildered by her speedy emotional attachments to him. They went on a couple of trips away to New York and Washington together, had some good times, had some rocky times interspersed in between too when she tried to rein him in. He wasn’t afraid to commit exactly (well maybe he was as he confessed to me although not to her when it could have helped, maybe had a little “cold feet” problem but he insisted it was a small blip) as much as he wanted the thing to develop naturally, give him time to breathe although I have already said that air to breathe thing before didn’t I, there always seemed to be an air of suffocation every time she got on her high horse, got her wanting habits on, got the best of him sometimes.

Then he made his fatal mistake, or rather series of mistakes, starting with strong words one night at one of their Merrimack River trail dinner when they both had had a bit too much to drink, too much wine, and she was going on and on as she did after her second or third glass depending on how tired she had been after a long day’s work. He admitted he got snappy, told her they needed to slow down and enjoy each other. She responded with a blast that shook him up but they were able to kiss and make up that night. The real mistake though was one time after they had not seen each other for a week or so when he sent her an e-mail speaking in sorrow of the drift of their recent relationship and he wanted the spark back that had go them going.

She exploded at that e-mail seeing that as a callous rebuke of her actions rather than as what he thought was a plaintive let’s go forward love letter. What did he say she had called it, oh yeah, a closing argument, a damn lawyer’s closing argument (the “damn” part a result of having been married to a lawyer the first time out and now being with him). They agreed to meet at a neutral restaurant to discuss the matter (on the Merrimack River of course but I will not give the location since there still may be blood on the water).

When he thought about it later he could see where she had prepared herself to be confrontational toward him or at least be prepared to force the issue because the first words out of her mouth were an ultimatum-“come live with me or the affair is over.” The exchange got heated as she drank more wine on this night as well (he did not drink that night having learned a lesson from the last session). She said something that when we talked he could not for the life of him remember but they were fighting words. He exploded saying “I don’t need this,” threw money on the table and stormed out. That was the last he saw of her not even looking back to see how she took the matter.  Oh sure the next day he tried frantically to call several times knowing that a decisive turning point had been reached, no answer. Tried some e-mails-same response. Later that day he got a message on his voicemail from her giving her walking daddy his walking papers. She told him not to call, not to write as she would not respond. He never did. As he explained it to me he never did although he spent many a night thinking about whether he should call, about what he would say and thought too of an e-mail but he knew in his bones she would not answer like with his first attempts so he let it go. Knew her steel-trapped policies toward men, toward him in her walking papers summary. So he let it go to spend his time, his free time, fretting about what had happened. Jesus.
  
What he did do seriously in the few weeks after their break-up, what he was doing this night he spoke to me as well as months earlier  when he first fretted over what had gone wrong, was think through how it could have played out differently. Did that blame game in order to curb his own lonesomeness as he replayed their short affair, as he tried to try to figure out something that had bothered him since that fierce parting night. No, not about the specific details of what had caused his downfall, although he was still perplexed about why his concern about the over-heated pace of their relationship and his anger at that last meeting over her ultimatum should have been the irretrievable cause. He would accept that, had to accept that was the way she perceived the situation and that those were the causes of his downfall pure and simple. He didn’t like it but he has come to see where what she said in her voicemail message that she could never see him in the old way, the way she had in the beginning of their affair when their love flamed, precluded any future romantic relationship. 

What he thought about mostly though concerned one point-how could two intelligent, worldly people, who individually had many strong and powerful inner resources gathered through surviving stormy childhoods and life’s hard knocks, not be able to figure a way to avoid letting their fragile relationship blow away in the wind, blow away without a trace after many professions of desire, devotion and fidelity. He fretted over how little energy they had devoted to using some of those personal inner resources in order to build the foundations of a strong relationship. He had been willing to take his fair share of the blame for his “cold feet” which had him, more often than not, attempting to walk away from not toward her. That last marriage had damaged him more than he had thought and it had still colored his worldview on intimacy, on commitment, no question. That walking away from her in fear as they got closer, as she started to get under his skin, always seemed strongest as he left her after some bad days when she was pushing him hard. Or when he thought the whole thing was hopeless since they lived too far away from each other to compromise on a living arrangement. Yeah, he would take his fair share of blame on that.

She infuriated him though with her interminable future plans while disregarding the present, although he could not speak for her and whether she believed his house of card blown in the wind idea about what had happened. She had plans for them to go to live in California when they retired, deemed it mandatory that he spent a certain number of days up in New Hampshire even while he had pressing business to take care of in Boston, but best, best as an example, was that she had their next Christmas and New Year plans already mapped out in March. All the time not paying attention to the drift of the tempo of their day to day relationship where he was, frankly, unhappy, very unhappy. In the end he was shocked by how little there had been to hold them together in a serious crisis which he conceded, or would have conceded if she had ever decided to talk to him again, was a serious crisis. Now that he thought about it for a while he told me, now that he had talked it through with me, he decided, no, whether she had a new walking daddy or not (or whatever new moniker she would make up for him) she would not be lonesome for him that night.                        
Are You Lonesome Tonight? Lyrics
Translation in progress. Please wait...
Are you lonesome tonight,
Do you miss me tonight?
Are you sorry we drifted apart?
Does your memory stray to a brighter sunny day
When I kissed you and called you sweetheart?
Do the chairs in your parlor seem empty and bare?
Do you gaze at your doorstep and picture me there?
Is your heart filled with pain, shall I come back again?
Tell me dear, are you lonesome tonight?

I wonder if you're lonesome tonight
You know someone said that the world's a stage
And each must play a part.
Fate had me playing in love you as my sweet heart.
Act one was when we met, I loved you at first glance
You read your lin so cleverly and never missed a cue
Then came act two, you seemed to change and you acted strange
And why I'll never know.
Honey, you lied when you said you loved me
And I had no cause to doubt you.
But I'd rather go on hearing your lies
Than go on living without you.
Now the stage is bare and I'm standing there
With emptiness all around
And if you won't come back to me
Then make them bring the curtain down.

Is your heart filled with pain, shall I come back again?
Tell me dear, are you lonesome tonight?
Songwriters: ROY TURK, LOU HANDMAN
Are You Lonesome Tonight? lyrics © BOURNE CO., CROMWELL MUSIC

The Teen Scene In Between- With Ike Turner’s Rocket 88 In Mind 


























Tuesday, January 15, 2013

***Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- Billie’s Lament-Elvis’ “One Night”



 

Peter Paul Markin comment:

This is the back story, the teen listener back story if you like, going back to the primordial youth time of the mid to late 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billie, William James Bradley, the schoolboy mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood. Yah, in those days, unlike during his later fateful wrong turn trajectory days, every kid, including best friend Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every one that we would recognize as our own.

Billie and I spent many, many hours mainly up in his tiny bedroom, his rock heaven bedroom, walls plastered with posters of Elvis, Bo Diddley, Chuck Berry, somewhat later Jerry Lee Lewis, and of every new teen heartthrob singer, heartthrob to the girls that is, around; on his night table every new record Billie could get his hands on, by hook or by crook; and, neatly folded piles of clothing, also gathered by that same hook or by crook, appropriate to the king hell king of the schoolboy rock scene, the elementary school rock scene between about 1956 to 1960. Much of that time was spent discussing the “meaning” of various songs, especially their sexual implications, ah, their mystery of girls-finding-out-about worthiness.

Although in early 1959 my family had started the process of moving out of the projects, and, more importantly, I had begun to move away from Billie’s orbit, his new found orbit as king hell gangster wannabe, I still would wander back there until mid-1960 just to hear his take on whatever music was interesting him at the time. These commentaries, these Billie commentaries, are my recollections of his and my conversations on the song lyrics in this series. But I am not relying on memory alone. During this period we would use my father’s tape recorder, by today’s standard his big old reel to reel monstrosity of a tape recorder, to record Billie’s covers of the then current hit songs (for those who have not read previously of Billie’s “heroics” he was a pretty good budding rock singer at the time) and our conversations of those song meanings that we fretted about for hours. I have, painstakingly, had those reels transcribed so that many of these commentaries will be the actual words spoken during those conversations (somewhat edited, of course). That said, Billie, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billie I’m still pulling for you. Got it.

*********

One Night-Elvis Presley

Intro: E A A11 E

[NC] Riff 1 Riff 1

One night with you

B7

Is what I'm now praying for

B7

The things that we two could plan

E

Would make my dreams come true

[NC] Riff 1 Riff 1

Just call my name

B7

And I'll be right by your side

B7

I want your sweet helping hand

E E7

My loves too strong to hide

Riff 2 Riff 2

Always lived, very quiet life

Riff 1

I ain't never did no wrong

Riff 3

Now I know that life without you

B7

Has been too lonely too long

One night with you

Is what I'm now praying for

The things that we two could plan

Would make my dreams come true

Always lived, very quiet life

I ain't never did no wrong

Now I know that life without you

Has been too lonely too long

One night with you

Is what I'm now praying for

The things that we two could plan

E A A11 E B7 E7

Would make my dreams come true

*****

Billie, William James Bradley, comment:

Yah, I know I haven’t talked to you in a while like I was supposed to. I was supposed to tell you all about Markin’s, Peter Paul Markin's, my best friend over Adamsville Elementary School, ill-fated attempts to single-handedly close the space gap they keep talking about ever since the commies put that Sputnik satellite up in orbit last year. I will have to put that on hold for now, because I still kind of broken up about something. See I got caught up, well I might as well just come out with it, with woman trouble, alright girl trouble okay. Some of you may know about how old best buddy Peter Paul tried to used Jerry Lee Lewis to cut my time with Laura, Laura Doyle. Ya Laura, the hottest frill in school, and maybe in this dead old town if you just count twelve or thirteen year old girls. And for right now all that counts, anyway. Got it.

Oh you think that Peter Paul, old best pal but definitely strictly junior varsity when it comes to the women, ah, girls took Laura away from me. Jesus, are you kidding? Come on now, if you know the story then you know that’s a joke, and if you don’t you should still know it is a joke. Hell, I swept Laura back even before the next school dance. I just let, once I figured out that Laura was really dazzled more by Jerry Lee’s hopped-up piano on High School Confidential than Peter Paul’s book shuffle dancing, nature take its course and she was back in my arms before you knew it. Maybe I will tell you the details of that one sometime but unlike that space thing, that Markin single-handed space thing, don’t hold me to telling you that story. Just say that nature is one thing you can’t escape from, nature and the king of the rock night around here, me, putting on his charm, his high Elvis charm and it was all over. Markin’s white flag was flying all over the place almost before it began.

No, what has me down in the dumps, seriously down in the dumps is that Laura moved  away from the neighborhood a couple of weeks ago. Now I don’t know if Markin explained what this “projects” neighborhood thing is here down in Adamsville but it started out with guys like Markin’s father Prescott (a good guy although he is nothing but a Protestant, a Southern Baptist or something like that, but not a Roman Catholic like most of us here, and definitely not Irish like most of us too, but everybody likes him even William James Bradley Senior, my father, and he doesn’t like anybody usually, anybody without a beer bottle in his hand giving it to him anyway) and my father coming back from the war, World War II, and needing some housing, some cheap housing to hold them over until better times came along. And that’s how it worked for lots of people, well, except for Markin’s father and mine, who seem are going to be here forever and you can forget the better times. Well the ship finally came in for Laura’s father, a veteran like Prescott and mine, and so they moved to New Hampshire to some better place in the country or something. Laura showed me a picture of the place and it looked pretty good.

But see here is the bitch, excuse my language. No question Billie, William James Bradley, is strictly a love ‘em and leave guy. I have had plenty of girlfriends already, most of them sticks, no shapes, if you know what I mean, eleven and twelve year sticks, maybe one or two ten, sticks like Theresa, Karen and Donna (Cool Donna O’Toole, not my older sister Donna who is no stick but who I don’t talk to lately, if I can help it, what with her not liking anything in the world just because I like it). Laura though was my first step-up not stick girl, with a nice shape, a shape like a woman, or trying to be, and it showed, the trying part. Definitely something to invest some time in, some Billie time, and I did.

Here is where the bitch part comes in. Not only was Laura smart, and had those curves, that shape I just told you about. But as it turned out she had some great kind of kiss, long kisses, longer than any of the stick girls, way longer. And Laura was not afraid, once I put on the charm, to let me feel her up. I am not bragging and she is gone far away and so I am not talking behind her back but a few times, about four or five, she and I well, we acted like adults that way. And it wasn’t all me pushing either. See I knew that from my sister Donna, when we were talking more, that girls like this kind of stuff as well as guys do although they usually don’t let on. So, if you excuse me, I am kind of down in the dumps because I will now be left with just the sticks. And you know they don’t go for that sex stuff, or even think about it, or maybe even dream about it like it was a mortal sin. And maybe it is but don’t tell me that, or Laura.

And do you know how we set the mood for our fooling around once Laura got over that one-hit Jerry Lee thing? Well, I’ll give you a hint. A guy from Mississippi with long sideburns and a wicked sneer that made all the girls act crazy, and women too. Sure, Elvis. But not just any Elvis song. One Night. That was OUR song. And if you think about the lyrics a minute it talks about a guy being lonely, finding the right girl and making plans for the future. That guy was me, me with Laura because, and just ask Peter Paul, otherwise I am a love ‘em and leave ‘em guy. But now she’s gone, gone to some freaking farm country and will probably wind up showing some hayseed a good time, if you know what I mean. But, as my father s ays, says all the time-“that’s the breaks, kid.”

See, now that I am over my period of mourning, two weeks is enough for any girl, shape or no shape, and I am talking to Peter about different records I might as well tell you what I discovered in checking up on history, Elvis history, what else? That One Night thing was strictly kid’s stuff, goodie, goodie Ed Sullivan, and good parenting seal of approval kid’s stuff to make us act just like grown-ups. Find a girl or guy, make plans, settle down and maybe listen to Elvis all day and all night until we are old, like thirty maybe. Square, very square, if not just plain cube.

There is the real thing though and I can hardly wait to try it out on my next chick, my next love ‘em and leave ‘em chick. I found a recording up at Benny’s Record Shop in Adamsville Square that Elvis recorded that has the same beat as One Night but with different lyrics, One Night Of Sin. Yah, that’s more like it, more like real Elvis, more like Billie, William James Bradley, king of the rock night around here. And guess what? I have been noticing that Donna O’Toole, Cool Donna O’Toole is starting to have some shape, some woman’s shape, or trying to and maybe I‘ll give her another chance. Peter Paul, mad man Peter Paul Markin, heard that Donna cried no tears, no tears at all, when Laura headed north. I know one thing for sure I am going to make One Night Of Sin my song, and I don’t mind paying for my sins after. Got it.

*****

One Night Of Sin lyrics

One night of sin, yeah

Is what I'm now paying for

The things I did and I saw

Would make the earth stand still

Don't call my name

It makes me feel so ashamed

I lost my sweet helping hand

I got myself to blame

Always lived, very quiet life

Ain't never did no wrong

But now I know that very quiet life

Has cost me nothing but harm

One night of sin, yeah

Is what I'm now paying for

The things I did and I saw

Would make the earth stand still

Always lived, very quiet life

Ain't never did no wrong

But now I know that very quiet life

Has cost me nothing but harm

One night of sin, yeah

Is what I'm now paying for

The things I did and I saw

Would make the earth stand still

 

 

 

 

 

 

Wednesday, December 19, 2012

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Battle Rages- Jerry Lee or Elvis?- Jerry Lee Lewis’ “High School Confidential”- Billie And Peter Paul Square Off

Markin comment:


This is the back story, the teen listener back story if you like, going back to the primordial youth time of the mid to late 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billie, William James Bradley, the schoolboy mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood. Ya, in those days, unlike during his later fateful wrong turn trajectory days, every kid, including best friend Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every one that we would recognize as our own.

Billie and I spent many, many hours mainly up in his tiny bedroom, his rock heaven bedroom, walls plastered with posters of Elvis, Bo Diddley, Chuck Berry, somewhat later Jerry Lee Lewis, and of every new teen heartthrob singer, heartthrob to the girls that is, around, on his night table every new record Billie could get his hands on, by hook or by crook, and neatly folded piles of clothing, also gathered by that same hook or by crook, appropriate to the king hell king of the schoolboy rock scene, the elementary school rock scene between about 1956 to 1960. Much of that time was spent discussing the “meaning” of various songs, especially their sexual implications, ah, their mystery of girls-finding-out-about worthiness.

Although in early 1959 my family had started the process of moving out of the projects, and, more importantly, I had begun to move away from Billie’s orbit, his new found orbit as king hell gangster wannabe, I still would wander back there until mid-1960 just to hear his take on whatever music was interesting him at the time. These commentaries, these Billie commentaries, are my recollections of his and my conversations on the song lyrics in this series. But I am not relying on memory alone. During this period we would use my father’s tape recorder, by today’s standard his big old reel to reel monstrosity of a tape recorder, to record Billie’s covers of the then current hit songs (for those who have not read previously of Billie’s “heroics” he was a pretty good budding rock singer at the time) and our conversations of those song meanings that we fretted about for hours. I have, painstakingly, had those reels transcribed so that many of these commentaries will be the actual words spoken during those conversations(somewhat edited, of course). That said, Billie, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billie I’m still pulling for you. Got it.
*********
High School Confidential lyrics-Jerry Lee Lewis

You better open up honey it's your lover boy me that's a knockin'
You better listen to me sugar all the cats are at the High School rockin'
Honey get your boppin' shoes Before the juke box blows a fuse
Got everybody hoppin' everybody boppin'

Boppin' at the High School Hop
Boppin' at the High School Hop
Shakin' at the High School Hop
I've rollin' at the High School Hop
I've been movin' at the High School Hop
Everybody’s hoppin' Everybody's boppin'
Boppin' at the High School Hop

Come on little baby gonna rock a little bit tonight
Woooh I got get with you sugar gonna shake things up tonight
Check out the heart beatin' rhythm cause my feet are moving smooth and
Light

Boppin' at the High School Hop
Shakin' at the High School Hop
Rollin' at the High School Hop
Movin' at the High School Hop
Everybody’s hoppin' just a boppin' just a boppin'

Piano Solo!

Come on little baby let me give a piece good news good news good news
Jerry Lee is going to rock away all his blues
My hearts beatin' rhythm and my soul is singin' the blues

Oooooh Boppin' at the High School Hop
Shakin' at the High School Hop
Rollin' at the High School Hop
Gettin' it at the High School Hop
Everybody’s hoppin' Everybody's boppin'
Boppin' at the High School Hop
********
Peter Paul Markin comment:

“Who are you taking to the hop? Come on now, tell me, tell me, your old buddy Billie, who you asked? Was it Theresa? Was it Donna? Was it Karen?” That was the incessant bugging by my old elementary school boy compadre, Billie, William James Bradley if you didn’t know already, every time a school sock hop came up. But you know, or you should know, that was just a little way that he had to bait me about my shyness, or rather my awkwardness around girls. Around girls that he, king hell king of the late 1950s rock night “discarded” and left for the rest of us, especially for me.

And he knew, he knew damn well that I had not gotten up the nerve to ask any of those three ex-flames, or any girl, to the dance coming up in a few days. For one thing because, as king hell king of the rock night, and therefore king, crowned or uncrowned, of the sock hop he had all the configurations, combinations, set-ups, and, and, no-go bust-ups all computed out, no, not on some machine memory depot but in his head. For another because he didn’t know that I had decided just to go to the dance alone and maybe getting lucky there. Heck, I had done it before, a few times, although not with any great success but if there is any rhyme or reason to youth it is around the possibilities of getting lucky. Of course, old Billie had “selected” Laura as his escort, no awkwardness in Billie, although I had heard, heard from more than one budding teenage source that she “liked me,”(don’t ever tell him this though for I will deny it on seven stacked bibles). Or liked my seriousness, and my clowny, get in the way bookishness. So I am going “stag” on the hope, the hell or high water hope that Billie will let his old buddy, his old amigo, his, well you know, have a dance with his escort to see if I have some “magic.”

Now, and ever since I heard about her opinion of me, I have been wracking my brain to figure out this question. How could she “like me”, or not like me for that matter, I do not know because although I had looked over in her direction in class dreamily (yes, dreamily) more than somewhat I had never said word one to her, or her to me. Now this Laura, if you want a description is not drop-dead beautiful, at least by Billie-Markin defined drop-dead beautiful, twelve and thirteen year old girl beautiful, but she has something else that I would not (and Billie definitely would not) figure out how to say for many years, she was fetching. Definition: nice figure, meaning having a shape, if you really want to know, because when you think about it, boy or girl, twelve and thirteen year old boy or girl, any girl that had a shape (meaning had womanly contours, hips, breasts, nicely-formed legs) rather than a stock stick figure tomboy-like girl was bound to get ahead in that be-bop night, and probably now too.

But more than that, for me, if not for Billie, she didn’t giggle, silly giggle like the other girls when a boy said something stupid-funny (and the twelve and thirteen year old boy universe is more than somewhat filled with stupid-funny stuff done by eons of clueless guys, trying, trying just like me, and just like Billie if he could have ever been honest about it, to figure out the key to the girl-charm thing, yes, there is plenty of room in that universe even now for the stupid-funny) and, she carried herself in a way, sometimes with a certain thoughtful look, sometimes by a thing she did by putting her fingers to her lips, and maybe the most important, that she knew she was a girl and was content with that knowledge. She would lack for no dates or admirers, ever. Oh, ya she was also smart, not Billie street smart, not Markin two-thousand facts smart but asking and answering teacher smart, without being crazy smart about it that you also knew every boy, or almost every boy, in the twelve and thirteen year old boy universe did not like in girls then, and maybe now for all I know. It only gets sifted out later.

But enough of Laura, of Billie, christ of Markin as well, of pre-sock hop arrangements, derangements and dreamily kid in the night be-bop stuff let us get to the sock hop. Hey, wait a minute, you know what sock hops are, or you heard from your parents or grandparents what sock hops are, right? Back in the fifties, yes, the 1950s (and a little bit into the 1960s but the term had kind of died out by then, at least for “non-squares”). If you don’t then I’ll fill you in quickly now, but you’ll see you really know about all of this because it is nothing but a “primitive”, maybe Stone Age when you hear it, version of any school dance scene since they started making teenagers a separate social category in the world, the whole wide world even. Okay the idea was to hem in this mad dash, this mad craze to dance, and dance guys with girls and vice versa, that kids have been into since the radio and jukebox came on the scene, maybe back in that Stone Age now that I think about it.

So dear mother and father, you name the generation, figured out if you can’t beat them join them, and the schools (and churches later) were in cahoots. So every once in a while to keep three eyes on this stuff (and to avoid the feared, seriously feared, basement or “family room”-launched “petting parties” if kids are left to their own devices), maybe a few times a month they would throw a sock hop (the sock part comes from the fact, the hard fact, that most girls, most twelve and thirteen year old girls, wore ankle socks. Ya, no nylons, etc. If you don’t believe me look it up on Wikipedia, or something). Now, most times, this was nothing but some parent or teacher acting as dee-jay and "spinning platters” (records) in some dank, well-lighted, too well-lighted school gym or church basement, christ more than once in the school cafeteria when the gym was being used for other purposes that night. Yes, the night, the night in those days being from seven to about ten in the evening so you would have to think pretty hard about not going, stag or dated up, to the dance if for no other reason than to be able to get out of the house, the cramped, nowhere project house (really apartment) for a few hours uncramped freedom.

This night, this night that Billie kidded me about, this Billie and Laura night, though somehow, although I am vague on the details of how they were brought in, we are not reduced to cranky, scratchy records but a real live local band, a band that prided itself, I heard, on doing covers of the “hot” new singers and groups we knew from American Bandstand (an afternoon television show that had Philly kids, older Philly kids, dancing and swaying to whatever dee-jay Dick Clark, is he still around?, decided was wholesome and fit for the ears of America’s afternoon rock obsessed youth). So this is a time you definitely did not want to miss. And to truth to tell I went early, nervously early if you must know, to see what was up and watch the band set up.

Now this is not just any time in the 1950s, although the sock hop thing, the worried parent, worried about those “petting party” things(and more, much more, about sex things) and this wild and woolly rock obsessed thing their no understand what kids are into could have been anytime from about 1955 on, from the time that Elvis exploded onto the scene with those swiveling hips, that jumping girl guitar, that unkempt hair (ya, unkempt to them), and that permanent sneer came onto the scene.

No, this is 1958 when the Elvis thing had died down a little now that he was dead, or we thought he was dead, and for a fact he might have well have been dead in the constant teen chew-up of rock talent from the kind of music and movies he was into after giving us such great stuff like Jailhouse Rock, Good Rockin’ Tonight, Heartbreak Hotel and One Night With You. Ya, the king was dead, long live the king, and let’s move on, okay. Billie and I talked about it, about how guys, rock guys that is, seen to have a short shelf-life, but as Billie knew, knew from his own bumpy rock “career”, that’s show biz. So this night we are wondering, wondering like crazy, how the band will work out and whose music they will cover.

Like I said I got there early and watched the band set up, including a piano besides the guitar and drums so I figure maybe they will do some Little Richard or Fats Domino stuff. Seven o’clock comes and here comes Billie with Laura. Wow, Billie has on a nice jacket, wide lapels like all the rock guys are wearing these days (I’ll tell you about how he got it sometime but you can figure that a projects boy didn’t get it as a birthday present from Ma and Pa). Really sharp. But double wow on Laura who has on a cashmere sweater, some wide skirt and, can you believe this, nylons, to show off her nice legs. Oh ya, and just a hint of smile on her face like she is here with the king of the rock night, crowned or uncrowned, and she has staked out the territory as queen, demure queen, but queen nevertheless.

Yes, fetching (although we will agree between ourselves that I don’t know that word, or how to use it in relationship to describing girls and their charms just yet, alright). But here is where the sweetest part comes in when Billie and Laura make their royal entrance and come over to where I am standing when Billie introduces me, formally introduces Laura to me, she gives me this, well, I don’t care if I do wear out the word, fetching smile and says “I’ve seen you in class but you never seem to pay any attention to me. I thought that report you gave on Greek democracy in class was very well done.” Be still my heart, she actually remembers the report… and me. And here I am wearing some bedraggled (always bedraggled, always) stripped (stripes, jesus) white collared shirt, ratty black pants, and old Thom McAn Easter-bought brown shoes. Well, she remembered my report, that’s a start, and it actually was pretty good because I went to the Thomas Crane Public Library right up in Adamsville Square to look the stuff up.

But enough of reports, and "be still my hearts" because the music is going on. A few covers of Little Richard and Fats as I expected, with that piano and all, some Buddy Holly that sounded a little tinny, a few other non-memorable odd and ends, including some Elvis that sounded, and I again swear on seven bibles, like old time parents’ music, like Frank Sinatra, or those guys. The suddenly, the leader of the band said that he had a special guest on the piano for the next number. We all wondered what the song would be while they were setting the piano up closer to the front. I heard somebody say it was going to be something by a new guy, Jerry Lee Lewis. Whoa! I have only heard him once or twice but I thought his piano was smoking so maybe this guest guy could do a good cover on it. Billie, Billie king hell king of the rock night, must have known something was up, and why (always why) because he brought Laura over and asked me if wanted to dance the next dance with her. Me, two left feet, or two right feet, stag, coming to the dance stag just hoping that I would get lucky with “discarded” Theresa, Donna, or Karen dance with fetching Laura. No way. The she said “but I really want to dance with you, you being Billie friend, and he says you are a good dancer,” and then turns a very whimsical smile on me.

Well what are you going to do when a woman (alright girl, but a girl with a shape) wants to dance with you, and had something nice to say about your school report, and, oh yes had that smile, that come hinter smile that leaves a man (okay, boy) anywhere from twelve to twelve hundred weak at the knees. Well, the music is starting so I say yes, okay yes.

And what does our guest pianist do but a cover, a hot cover by the way, of Jerry Lee Lewis’ latest, High School Confidential, which I had heard about but had not heard. Great. Laura and I are dancing away and she is doing nothing but give me meaningful smiles and, maybe that rumor about her “liking me” was true. I am just dancing away like crazy and people are looking at me like where did he learn how to do that. After the dance I returned Laura to Billie, a little miffed Billie but I could have been wrong on that. And then Theresa came over and asked if I wanted to dance. A few dances, a few Laura-less dances later the call for last dance came, and not feeling like watching Laura with Billie just then I headed home.

The next morning, a Sunday morning, if I recall, Billie came over to the house and was fuming/hangdog as we talked, talked obviously about the sock hop doings. Fuming because I had switched up on him. How? Well, apparently, Laura, sweet fetching Laura, spent more than the allotted time talking about me, rather than about Billie’s virtues and he had used the dance, the Jerry Lee Lewis manic rock number that he had found out the band was going to play to make me look silly (his word, although mine when I heard it was more of an expletive). Hangdog because he felt bad now that he had done his best friend wrong, wrong over a girl although, in Billie fashion, he tried to step back and argue that maybe he did me a favor getting me out on the dance floor. See, though what he didn’t know (and don’t tell him either, if you know his whereabouts) is that I had been taking lessons from his slightly older sister, Carol, on how to dance this latest faster dance stuff.

So that is the end of the story, or almost the end. A few days later Laura knocked at our apartment door in the afternoon after school. My mother answered the door and invited her in, although she, my mother that is, said Laura was coming in no matter what from the look on her face. She was fuming, although as it turns out good fuming, because she said she had been smiling at me like crazy when we were dancing to give me the “hint” to ask her for the last dance, the last close to her dance. Sorry, Laura. And then she blurted out her command, “You and I are going to the next sock hop together and you had better not say no.” Well, when a woman (girl, are you happy) "insists” on something, almost anything like that, and on top of that had that kind remark about that school report, and that shape, what is a boy, a boy of the twelve and thirteen year old universe to do but say yes. So at the next dance I won’t be dancing with Billie “discard” Theresa, Donna, or Karen although they are okay but with fetching Laura. So there Billie, we are even. And if anybody asks you, like they asked me once-Elvis or Jerry Lee? Jerry Lee, long live the king.
*********
Billie, William James Bradley comment:



I am fuming, fuming six ways to Sunday if that is possible, fuming until the cows come home if there are any cows around, and if they have wandered I am still fuming. Why? I just called up Laura, Laura that I took to the school dance last week, to ask her if she wanted to go to the church sock hop scheduled for this weekend, Saturday night. Now it wouldn’t be as good as the last school one with a live band, and all, but even with just records and just ten thousand poor as church mice chaperones doing their chaperone thing to get grace or something, for real, we could still have a good time.

And do you know what she said. “I’ve got a date.” What, no way, no possible way, when everybody knows that she is my “personal property.” “Who is the guy, who is the guy, who is the guy who would dare cross the king of the rock night? This world is not big enough for the two of us, give me his name,” I said as I readied my arrows. “It’s Peter Paul, and before you get all crazy I asked him,” she darted back the sound of her voice pleased, pleased as punch the way she said it. “Double what?” I shouted over the phone so everyone within a twenty square mile area could hear, if they wanted to. And she came back, all sweet reason just like every girl, every stick or shapely girl, women even “I like you, I definitely like you, you’re funny, and you’re a good dancer, and you sure know a lot about rock ‘n’ roll, but you seem too bossy, and you take that "king of the rock" thing that Peter Paul keeps telling everybody about way too seriously. If Peter Paul hadn’t spent what seems like half his life building you up as, what did he call it, oh ya, “king of the be-bop night” you might be a better boy to be with. But the big thing, and here is where it all comes down on you, I found out, found out from Karen, that you tried to make a clown out of poor Peter Paul when you let him dance with me and you knew, or thought you knew, that he couldn’t dance for beans.” After she let that set in my head, uneasily in my head for a minute, she continued “So, yes, I went right over to his house and told him, no, what did he say I said, ‘insisted’ that we were going to the next dance together.” But get this, get this dagger thing aimed right at my heart. She finishes off with “And he makes me smile with his silly bookish ways, and you don’t okay. Next dance I’ll go with you, your highness, maybe.” And then she hung up. Ouch!

Two-timing that is all that it is. I can see that now. No, not Laura, you know how girls are, twelve and thirteen year old girls, with their hard to figure giggles, their starting to get shapes, and their monthlies (my sisters, Carol and Donna, told me all about it, sorry, tough luck girls). No, Peter Paul, Markin, that s.o.b., two-timed his best friend that’s all it can be. Probably went to the Thomas Crane Public Library branch that is attached to the school and read up everything that was on the shelves about two-timing, the history of two-timing, boys two-timings girls, girls two-timing boys, everything on the subject back to Pharaoh Egypt times. Just to two-time Billie, William James Bradley, known far and wide, despite what Laura said, as the king of the be-bop rock night. And Markin, no more Peter Paul nice guy now, didn’t have diddley to do with that. Period

But how did he switch up on me? I don’t get that. First, I know, I know from Karen, I know from Donna (not my sister Donna, Donna O’Toole, Cool Donna O’Toole, or was until I ditched her, or what did Markin call it, “discarded her”), I know from Theresa, and I know now, because I just asked her before she went out the door, from my sister Carol, that Markin never said word one to Laura before I introduced them the other night. Although now that I think about it I am still ticked off at Carol for not telling me about helping Markin learn to dance, rock dance, not that silly cowboy, barn dance, square dance thing that he calls rock dancing. I also know from Carol that Markin did not know much about jumping Jerry Lee Lewis. He was just hoping to get maybe an Elvis One Night With You, Good Rockin’ Today, Jailhouse Rock chance. Or a Chuck Berry Sweet Little Sixteen, or a Bo Diddley Who Do You Love? chance with Theresa, Karen or Donna (O’Toole). No way he believed, and I am going to go over right now and ask him about it, that he was going to step up to Laura’s league. Hell, it couldn’t have been that silly report, that silly report that he kept hammering me about as he leaned each new thing, Jesus Christ, Greek democracy, what are you kidding.

At his house I confront him. “Okay Markin what gives, what, how, why, where, when did you figure out how to break my time with Laura? And don’t play innocent and definitely, I warn you, start talking about that report, that silly Greek geek report.”

Of course I do not believe Peter Paul’s story, is who me story, no way. No way in hell, excuse my language, is a nice shape like that Laura, a nice shape in all the right places, or trying to be in all the right places, and smart, real smart going to go off the deep-end for a, let’s face it, ragamuffin boy like Markin. Christ, even he said it, a guy with a clowny outfit, a shirt, a shirt, a white stripped shirt for Christ sake, if you can believe that, a Bargie special, or straight of the back-rack at Woolworth’s, black chino pants with cuffs, jesus, cuffs and those square, too square Thom McAn brown shoes that I haven’t worn since about first communion is going to put the whammy on a babe like Laura.

Against me, against the king of the rock night in these parts, with my smart-looking wide lapel two-tone sports jacket just like Eddie Cochran, my black pants (ya, black pants, the black is okay it is the chinos, and, and the cuffs that have to go) nicely-pressed (ya, ma-pressed), my Elvis-style hair-do with just the right length sideburns and my foxy, spit-shined Florheim suede shoes (no, not blue suede, that’s squarey square now).

Ya, it was some drugstore medicine whammy he put on her at the dance that night. No question, although I haven’t quite figured out how he did it, because everybody knows, or I know anyhow that Peter Paul and science don’t mix. Don’t mix since he tried that rocket ship caper last year, trying personally to beat the commies at their own game after Sputnik jumped the night sky, when he tried to send some balsa wood rocket into space when he punctured a CO2 cartridge with a nail and a hammier and almost got us all killed. Or when, after that, he started to mix some chemicals in his cellar to go about it another way with some three-stage rocket concoction and almost blew the whole place up. I’ll tell you about that sometime but right now I wish, I wish, well I wish. See, Peter Paul is really about things like Abigail Adams, or her son John Quincy, or about literary guys, like this guy Fitzgerald who wrote about rich kids with names like Basil something and Josephine this or that and their hi-jinks ages ago that he has been yakking about lately. Ya, reading about rich kids, rich, rich guys having fun with rich girls like that is going get us out of the projects, and like reading that stuff is going make him rich, or even get him a pass out of this dungeon project.

Hey, wait a minute, no, no, it is not about science, it’s not about some silly book report, and it’s not about Peter Paul suddenly being a lady’s man. Why didn’t I think of it before? It’s about this new rocker- Jerry Lee Lewis and his be-bop thing, be-bop piano thing. Ya that's it. They say he is going to replace the king, and for all you squares, cubes, and fourth dimension guys and frills, that means Elvis. And if you don’t know that name you must have been up in space with the dogs, monkeys, or robots or whoever is riding those rockets.

Okay, okay I can take a joke. The spell is not Markin, it’s Jerry Lee. Hell, a momentary thing, maybe a few weeks while the king is resting up and waiting to go into the service, or something. No way someone who jumps up and down on a piano, and is kind of a wild man ever going to be, in his wildest dreams, better than Elvis. No way, no comparison, forget it. Name song names, okay. Heartbreak Hotel, That’s When You’re Heartbreak Begins, Jailhouse Rock, Good Rockin’ Tonight, Hound Dog, One Night (that alone says it all). Come on now, I listed enough. And Jerry Lee, High School Confidential. Ya, it’s good, its be-bop but this guy is strictly a one-hit Johnnie. Ya, okay I’ll let Peter Paul have his moment of glory, and maybe a kiss or two, if he’s not scared like usual, but Laura will be back with me at the next dance. Who knows, if I cut in at this Saturday's dance that's coming up, to spare her having to dance with Peter Paul and his black chino cuffed pants all night, maybe this dance. Then Peter Paul can go back and try his luck on those stick girls that are more his speed anyway. Ya, Elvis and Billie. Long live the kings!

Tuesday, December 18, 2012

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View





High School Confidential lyrics-Jerry Lee Lewis


You better open up honey it's your lover boy me that's a knockin'

You better listen to me sugar all the cats are at the High School rockin'

Honey get your boppin' shoes Before the juke box blows a fuse

Got everybody hoppin' everybody boppin'

Boppin' at the High School Hop

Boppin' at the High School Hop

Shakin' at the High School Hop



I've rollin' at the High School Hop

I've been movin' at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop

Come on little baby gonna rock a little bit tonight

Woooh I got get with you sugar gonna shake things up tonight

Check out the heart beatin' rhythm cause my feet are moving smooth and

Light

Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Movin' at the High School Hop

Everybody’s hoppin' just a boppin' just a boppin'



Piano Solo!



Come on little baby let me give a piece good news good news good news

Jerry Lee is going to rock away all his blues

My hearts beatin' rhythm and my soul is singin' the blues

Oooooh Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Gettin' it at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop

********
Billie, William James Bradley comment:

I am fuming, fuming six ways to Sunday if that is possible, fuming until the cows come home if there are any cows around, and if they have wandered I am still fuming. Why? I just called up Laura, Laura that I took to the school dance last week, to ask her if she wanted to go to the church sock hop scheduled for this weekend, Saturday night. Now it wouldn’t be as good as the last school one with a live band, and all, but even with just records and just ten thousand poor as church mice chaperones doing their chaperone thing to get grace or something, for real, we could still have a good time.

And do you know what she said. “I’ve got a date.” What, no way, no possible way, when everybody knows that she is my “personal property,” “Who is the guy, who is the guy, who is the guy who would dare cross the king of the rock night? This world is not big enough for the two of us, give me his name,” I said as I readied my arrows. “It’s Peter Paul, and before you get all crazy I asked him,”she darted back the sound of her voice pleased; pleased as punch, the way she said it. “What?” I shouted over the phone so everyone with a twenty square mile area could hear, if they wanted to.

She came back, all sweet reason just like every girl, every stick or shapely girl, women even “I like you, I definitely like you, you’re funny, and you’re a good dancer, and you sure know a lot about rock ‘n’ roll, but you seem too bossy, and you take that "king of the rock" thing that Peter Paul keeps telling everybody about way too seriously. If Peter Paul hadn’t spent what seems like half his life building you up as, what did he call it, oh yah,“king of the be-bop night” you might be a better boy to be with. But the big thing, and here is where it all comes down on you, I found out, found out from Karen, that you tried to make a clown out of poor Peter Paul when you let him dance with me and you knew, or thought you knew, that he couldn’t dance for beans.”

After she let that set in my head, uneasily in my head for a minute, she continued “So, yes, I went right over to his house and told him, no, what did he say I said, ‘insisted’ that we were going to the next dance together.” But get this, get this dagger thing aimed right at my heart. She finishes off with“And he makes me smile with his silly bookish ways, and you don’t okay. Next dance I’ll go with you, your highness, maybe.” And then she hung up. Ouch!

Two-timing that is all that it is. I can see that now. No, not Laura, you know how girls are, twelve and thirteen year old girls, with their hard to figure giggles, their starting to get shapes, and their monthlies (my sisters, Carol and Donna, told me all about it, sorry, tough luck girls). No, Peter Paul, Markin, that s. o. b., two-timed his best friend that’s all it can be. Probably went to the Thomas Crane Public Library branch that is attached to the school and read up everything that was on the shelves about two-timing, the history of two-timing, boys two-timings girls, girls two-timing boys, everything on the subject back to Pharaoh Egypt times. Just to two-time Billie, William James Bradley, known far and wide, despite what Laura said, as the king of the be-bop rock night. And Markin, no more Peter Paul nice guy now, didn’t have diddley to do with that. Period

But how did he switch up on me? I don’t get that. First, I know, I know from Karen, I know from Donna (not my sister Donna, Donna O’Toole, Cool Donna O’Toole, or was until I ditched her, or what did Markin call it, “discarded her”), I know from Theresa, and I know now, because I just asked her before she went out the door, from my sister Carol, that Markin never said word one to Laura before I introduced them the other night. Although now that I think about it I am still ticked off at Carol for not telling me about helping Markin learn to dance, rock dance, not that silly cowboy, barn dance, square dance thing that he calls rock dancing. I also know from Carol that Markin did not know much about jumping Jerry Lee Lewis. He was just hoping to get maybe an Elvis One Night With You, Good Rockin’ Today, Jailhouse Rock chance. Or a Chuck BerrySweet Little Sixteen, or a Bo Diddley Who Do You Love? chance with Theresa, Karen or Donna (O’Toole). No way he believed, and I am going to go over right now and ask him about it, that he was going to step up to Laura’s league. Hell, it couldn’t have been that silly report, that silly report that he kept hammering me about as he learned each new thing, Jesus Christ, Greek democracy, what are you kidding.

At his house I confronted him. “Okay Markin what gives, what, how, why, where, when did you figure out how to break my time with Laura? And don’t play innocent and definitely, I warn you, start talking about that report, that silly Greek geek report.”

Of course I did not believe Peter Paul’s story, his “who me?” story, no way. No way in hell, excuse my language, is a nice shape like that Laura, a nice shape in all the right places, or trying to be in all the right places, and smart, real smart going to go off the deep-end for a, let’s face it, ragamuffin boy like Markin. Christ, even he said it, a guy with a clowny outfit, a shirt, a shirt, a white striped shirt for Christ sake, if you can believe that, a Bargie special, or straight off the back-rack at Woolworth’s, black chino pants with cuffs, jesus, cuffs and those square, too square Thom McAn brown shoes that I haven’t worn since about first communion is going to put the whammy on a babe like Laura.

Against me, against the king of the rock night in these parts, with my smart-looking wide lapel two-tone sports jacket just like Eddie Cochran, my black pants (yah, black pants, the black is okay it is the chinos, and, and the cuffs that have to go) nicely-pressed (yah, ma-pressed), my Elvis-style hair-do with just the right length sideburns and my foxy, spit-shined Florsheim suede shoes (no, not blue suede, that’s squarey square now).

Yah, it was some drugstore medicine whammy he put on her at the dance that night. No question, although I haven’t quite figured out how he did it, because everybody knows, or I know anyhow that Peter Paul and science don’t mix. Don’t mix since he tried that rocket ship caper last year, trying personally to beat the commies at their own game after Sputnik jumped the night sky, when he tried to send some balsa wood rocket into space when he punctured a CO2 cartridge with a nail and a hammier and almost got us all killed. Or when, after that, he started to mix some chemicals in his cellar to go about it another way with some three-stage rocket concoction and almost blew the whole place up. I’ll tell you about that sometime but right now I wish, I wish, well I wish.

See, Peter Paul is really smart about things like Abigail Adams, or her son John Quincy, or about literary guys, like this guy Fitzgerald who wrote about rich kids with names like Basil something and Josephine this or that and their hi-jinx ages ago that he has been yakking about lately. Yah, reading about rich kids, rich, rich guys having fun with rich girls like that is going get us out of the projects, and like reading that stuff is going make him rich, or even get him a pass out of this dungeon project.

Hey, wait a minute, no, no, it is not about science, it’s not about some silly book report, and it’s not about Peter Paul suddenly being a lady’s man. Why didn’t I think of it before? It’s about this new rocker- Jerry Lee Lewis and his be-bop thing, be-bop piano thing. Yah that's it. They say he is going to replace the king, and for all you squares, cubes, and fourth dimension guys and frills, that means Elvis. And if you don’t know that name you must have been up in space with the dogs, monkeys, or robots or whoever is riding those rockets.

Okay, okay I can take a joke. The spell is not Markin, its Jerry Lee. Hell, a momentary thing, maybe a few weeks while the king is resting up and waiting to go into the service, or something. No way someone who jumps up and down on a piano, and is kind of a wild man ever going to be, in his wildest dreams, better than Elvis. No way, no comparison, forget it. Name song names, okay. Heartbreak Hotel, That’s When You’re Heartbreak Begins, Jailhouse Rock, Good Rockin’Tonight, Hound Dog, One Night (that alone says it all). Come on now, I listed enough. And Jerry Lee, High School Confidential. Yah, its good, its be-bop but this guy is strictly a one-hit Johnnie. Yah, okay I’ll let Peter Paul have his moment of glory, and maybe a kiss or two, if he’s not scared like usual, but Laura will be back with me at the next dance. Who knows, if I cut in at this Saturday's dance that's coming up, to spare her having to dance with Peter Paul and his black chino cuffed pants all night, maybe this dance. Then Peter Paul can go back and try his luck on those stick girls that are more his speed anyway. Yah, Elvis and Billie. Long live the kings!