Showing posts with label international women's day. Show all posts
Showing posts with label international women's day. Show all posts

Sunday, March 10, 2013

In Honor Of Women’s History Month – Poet Jesse Baxter’s In Pharaoh Times



In Pharaoh Times

Isis, daughter of Isis major, mother- wife-sister of the human sun god

Awoke, awoke with a start weary from brother couplings; and stray poppy laden abandoned copulations

Configurations only a deacon priest filled with signs and amulets could fathom, or some racked court astrologer

To face the stone-breaking day, a day filled to the brim, overflowing, with portents

Arisen, washed, fragranced, headed to the balcony to observe unseen and to be observed seen beneath the cloudless skies

Out in the ocean sea of whirling sand, out in the endless chiseled stone sun blazing day; her sea visage on down heads, eyes averted

Hittites, Gilts, Samians, Cretans, Nubians, Babylonians all conquered all down heads and averted eyes

Out on the ocean see, a lone sable warrior defeated, defeated with down head and upward eye disturbed the blistering heat day

Isis, daughter of Isis major, mother-wife-sister-child of the human sun king shrinks back in fear, fear time has come

That black will devour Nubian and rise, rise

Yes, rise in Pharaoh times

Jesse Baxter had never been so angry in his black young life as he had been at his, well, let’s call her his lady friend, Louise Crawford, since he was not sure whether girlfriend in the intricate relationship networks of the1960s in quirky old Greenwich Village in the depths of trail-blazing New Jack City was an appropriate designation for their newly flowered relationship. Jesse a budding poet, a very hopeful poet who had just begun to get noticed in that rarified Village air had become one of Louise Crawford ‘s, ah, “conquests” on her way to tasting all that the Bohemian night offered (not quite “beat,” that had become passé by then and not quite “hip” as in hippie that would become the fashion later in the decade so bohemian, meaning out on the cultural outer edge, would do, would do as long as Jesse thought such a term was appropriate).

Jesse had seen Louise around the Village several times at the trendy art shows, upbeat coffeehouses beginning to emerge from “beat”poetry and jazz scenes to retro folk revival stuff, and at a few loft parties large enough to get lost in without having met everybody or anyone, if that was what one wanted. He had heard of her “exploits,” exploits tramping through the budding literati but had only become acquainted with Louise through her “old”lover, Jose, Jose Guzman, the surrealist-influenced painter who was beginning to make a splash for himself in the up and coming art galleries emerging over in nearby Soho. And either she had tired of him (possible) or he had tired of her (more probable since Jose was thrown off right from the beginning by her“bourgeois “command manner and her overweening need to seem like a white hipster under every circumstance although she was quote, Jose, quote, square, unquote but a good tumble, a very good tumble under the sheets) and so one night she had hit on Jesse at a coffeehouse where he was reading and that was that.

But enough of small talk and back to Jesse’s rage. At one up-scale party held on Riverside Drive among the culturati, or what passed for such in downtrodden New York, as they had become an “item” Louise had introduced Jesse as the “greatest Negro poet since Langston Hughes and the Harlem Renaissance.” Jesse was not put off by the comparison with the great Hughes, no way, he accepted that designation with a certain sense of honor, although qualified a bit by the different rhythm that motivated Langston’s words, be-bop jazz, and his own Bo Diddley /Chuck Berry-etched “child of rock and roll” beat running in his head. What he was put off by was that “negro” designation, a term of derision just then in his universe as young blacks, especially young black men, were moving away from the negro Doctor King thing and toward that Malcolm freedom term, black, black as night, black is beautiful. Jesus, hadn’t she read his To Malcolm –Black Warrior Prince. (Apparently one of the virtues of tramping through the literati was an understanding that there was no actual need to read, look, hear, anything that your new “conquest” had written, drawn or sung. In the case of Louise she had made something of an art form out of that fact once confessing to Jesse that she had only actually read (and re-read) his Louise Love In Quiet Time written by him after some silly spat since she was the subject. His other work she had somebody summarize for her. Jesus, again.)

And it was not like Louise Crawford, yes, that Crawford, the scion-ess [sic] of the Wall Street Crawfords who had (have) been piling up dough and gouging profits since the start of the republic, was not attuned to the changes going on underneath bourgeois society just then but was her way to “own” him, own him like in olden times. While he was too much the gentile son of W.E.B. Dubois’ “talented tenth” (his parents both school teachers down in hometown Trenton who however needed to scrimp and safe to put him through Howard University) to make a scene at that party latter in the cab home to her place in the Village (as the well-tipped taxi driver could testify to, if necessary) Jesse lashed into her with all the fury a budding poet and belittled black man could muster. In short, he would not be “owned” by some white bread women who was just “cruising” the cultural and ethnic out-riggings before going back to marry some son of some sorry family friend stockbroker and live on Riverside Drive and summer in the Hamptons and all the rest while he struggled to create his words, his black soul-saturated words.
The harangue continued up into her loft and then Jesse ran out of steam a little (he had had a little too much of high-shelf liquors and of hits on the bong pipe to last forever in that state). Louise called for a truce, said she was sorry, sorry for being a square, and called him to her bed, pretty please to her bed. He, between the buzz in his head from the stimulants and the realization that she was good in bed, if nothing else, followed. And that night they made those sheets sweat with their juices. After they were depleted Jesse thought to himself that Louise might be just slumming but he would take a ticket and stay for the ride and felt asleep. Louise on the other hand, got up and went to the window to look out at her city, lit a cigarette and pondered some of Jesse’s words, pondered them for a while and got just a little bit fearful for her future as she would back to her bed and lay down next to the sleeping Jesse.

Later when he awakened just before dawn Jesse wrote his edgy poem In Pharaoh Times partially to contain the edges of his left-over rage and partially to take his distance from a daughter of Isis…
And hence this Women’s History Month contribution.


Thursday, February 23, 2012

Something about “Red” Emma- The Anarchist Emma Goldman-In Lieu Of A Biography-Maybe

Click on the headline to link to a Wikipedia entry for the anarchist Emma Goldman


Sometimes in reviewing a political biography of some capitalist hanger-on such as Bill Clinton it is simply a matter of dismissing a known and deadly political opponent and so heaping scorn up that person is part of the territory. For others, allegedly in the socialist tradition, like the old theoretical leader of the pre-World War I German social democracy Karl Kautsky, who provide reformist rather than revolutionary solutions to the pressing issues of the day that also tends to be true. However, with an enigmatic figure like the anarcho-communist "Red" Emma Goldman it is harder to do the political savaging job that is necessary but distasteful.

Why? Ms. Goldman came out of that tradition of pre-World War I life-style anarchism (made fashionable in the New York Greenwich Village milieu of the time) where her politics, to the extent that political carping is politics, placed her somewhere on the side of the angels. However, the total effect of her career as an anarchist propagandist and sometime agitator shows very little as a contribution to radical history.

Obviously anyone associated with the fiery German anarchist Johann Most is by any measure going to have trouble with the government at some point in their lives. Most was Goldman's lover and first teacher of the principles of “propaganda by the deed” anarchism. For those readers not familiar with that tendency the core of the politics is that exemplary actions, not excluding martyrdom, by individual heroic revolutionaries are supposed to act as the catalyst to move the masses. In short, these are the politics of shoot first and ask questions later. As a tactic within a revolutionary period it may make some sense but as a strategy to put masses in motion, no. Empathically no.

Her own life provides the case for the negative aspects of this theory. At the time of the famous bloody Homestead Steel strike in the 1890's here in America Ms. Goldman's lifelong companion and fellow anarchist of the deed, Alexander Berkman, decided that to enhance the fierce class struggle the assassination of one Henry Frick, no innocent in the strike for the company side, would serve as a symbol in order to intensify the struggle of capital against labor. Needless to say, although Mr. Berkman was successful, in part, in his attempt both Mr. Frick and the Homestead plant were back in business forthwith. For his pains Berkman received a long jail sentence.

The most troubling aspect of Ms. Goldman's career is her relationship to the Bolshevik Revolution. Let us be clear, as readers of this space may be painfully aware, there were problems in that revolution from which, given the course of history in the 20th century, the Soviet Union was never able to recover. However, from Ms. Goldman's descriptions of the problems seen in her short stay in the Soviet Union just after the revolutionary takeover in 1917 one would have to assume that, like most aspects of her life, this was just one more issue to walk away from. She thereafter for the remainder of her life became an opponent of that regime. Some pre-World War I anarchists were able to see the important historic situation with the creation of the Soviet state and were drawn to the Communist International. Others used that flawed experiment as a reason to, in essence, reconcile themselves to the bourgeois order. This is patently Ms. Goldman's case. Nowhere is that position, and that tension, more blatantly spelled out that in Spain in 1936.

Spain, 1936 is the political cutting edge, the dividing line, for all kinds of political tendencies, right and left. While we will allow the rightists to stew in their own juices the various positions on the left in the cauldron of revolution graphically illustrate the roadblocks to revolution that allowed fascism, Spanish style, to gain an undeserved military victory and ruin the political perspectives for at least two generations of Spanish militants. The classic anarchist position is to deny the centrality of conquering the state (and the old ruling governmental, social, cultural and economic apparatuses). Somehow it is to be morphed away but who knows what. Yes, that is the theory but on the hard ground of Spain that was not the reality as the main anarchist federation FAI/CNT gave political support to the bourgeois republican government and accepted seats in that government. These same elements went on to play a part in disarming the 1937 Barcelona uprising that could have sparked a new revolutionary outburst on the disheartened workers and peasants. So much for anarchist practice in the clutch. Ms. Goldman spent no little ink defending the actions of her comrades in Spain. Wrong on the Soviet Union and Spain, on the side of the angels on women's issues and the need to fight capitalism. In short, all over the political map when it came to strategy. Yes, Ms. Goldman was, and her defenders today are, political opponents but this writer does not relish the fact.

Saturday, October 29, 2011

From The Archives-The Struggle To Win The Youth To The Fight For Our Communist Future-PSYCHOANALYSIS AND FEMINISM by Juliet Mitchell (1975)

Markin comment on this series:

One of the declared purposes of this space is to draw the lessons of our left-wing past here in America and internationally, especially from the pro-communist wing. To that end I have made commentaries and provided archival works in order to help draw those lessons for today’s left-wing activists to learn, or at least ponder over. More importantly, for the long haul, to help educate today’s youth in the struggle for our common communist future. That is no small task or easy task given the differences of generations; differences of political milieus worked in; differences of social structure to work around; and, increasingly more important, the differences in appreciation of technological advances, and their uses.

There is no question that back in my youth I could have used, desperately used, many of the archival materials available today. When I developed political consciousness very early on, albeit liberal political consciousness, I could have used this material as I knew, I knew deep inside my heart and mind, that a junior Cold War liberal of the American For Democratic Action (ADA) stripe was not the end of my leftward political trajectory. More importantly, I could have used a socialist or communist youth organization to help me articulate the doubts I had about the virtues of liberal capitalism and be recruited to a more left-wing world view. As it was I spent far too long in the throes of the left-liberal/soft social-democratic milieu where I was dying politically. A group like the Young Communist League (W.E.B. Dubois Clubs in those days), the Young People’s Socialist League, or the Young Socialist Alliance representing the youth organizations of the American Communist Party, American Socialist Party and the Socialist Workers Party (U.S.) respectively would have saved much wasted time and energy. I knew they were around but not in my area.

The archival material to be used in this series is weighted heavily toward the youth movements of the early American Communist Party and the Socialist Workers Party (U.S). For more recent material I have relied on material from the Spartacus Youth Clubs, the youth group of the Spartacist League (U.S.), both because they are more readily available to me and because, and this should give cause for pause, there are not many other non-CP, non-SWP youth groups around. As I gather more material from other youth sources I will place them in this series.

Finally I would like to finish up with the preamble to the Spartacist Youth Club’s What We Fight For statement of purpose:

"The Spartacus Youth Clubs intervene into social struggles armed with the revolutionary internationalist program of Marx, Engels, Lenin and Trotsky. We work to mobilize youth in struggle as partisans of the working class, championing the liberation of black people, women and all the oppressed. The SYCs fight to win youth to the perspective of building the Leninist vanguard party that will lead the working class in socialist revolution, laying the basis for a world free of capitalist exploitation and imperialist slaughter."

This seems to me be somewhere in the right direction for what a Bolshevik youth group should be doing these days; a proving ground to become professional revolutionaries with enough wiggle room to learn from their mistakes, and successes. More later.
********
From Young Spartacus, March 1975-

PSYCHOANALYSIS AND FEMINISM by Juliet Mitchell. New York: Random House, Pantheon Books, $8.95 hardcover, 456 pp.

A Review by Ed Clarkson

The pioneering theories of Sigmund Freud have engendered stormy controversy in scientific, literary and political circles ever since their embryonic formulation around the turn of the century. The birth of the psychoanalytic movement was attended by a split between co-workers Freud and Breuer, and dissension was frequently to beset the developing psychoanalytic school as many of Freud's collaborators and followers rejected central tenets of his theories—the role of the unconscious, the importance of sexuality and its energizer libido, and the critical significance of the Oedipus conflict in personality development.

Likewise in the communist movement heated debates have raged over the validity of Freudianism as a science of human behavior. As a consequence of the growing bureaucratic degeneration of the backward and isolated Soviet workers state, Freudian theory came under attack in the Soviet Union in the mid-1920's from both Stalinist-Bukharinist bureaucratic philistines in the party and the intelligentsia following Pavlov, whose ideas had the dual advantage of being more ostensibly materialistic and having a Russian origin—no small consideration for the proponents of ^"socialism in one country."

Marxism vs. Freudianism?

It was the embattled Trotsky who insisted against the vulgar materialists that Freudian psychoanalytic theory required attentive consideration. In a 1926 essay on culture and socialism, which is breathtaking in its brilliance, Trotsky evaluates Freud as follows:
"The school of the Viennese psychoanalyst Freud proceeds in a different way [than Pavlov]. It assumes in advance that the driving force of the most complex and delicate of psychic processes is a physiological need. In this general sense it is materialistic, if you leave aside the question whether it does not assign too big a place to the sexual factor at the expense of others, for this is already a dispute within the frontiers of materialism.

But the psychoanalyst does not approach problems of consciousness experimentally, going from the lowest phenomena to the highest, from the simple reflex to the complex reflex; instead, he attempts to take all these intermediate stages in one jump, from above downwards, from the religious myth, the lyrical poem, or the dream, straight to the physiological basis of the psyche....

"The attempt to declare psychoanalysis 'incompatible' with Marxism and simply turn one's back on Freudian-ism is too simple, or, more accurately, too simplistic. But we are in any case not obliged to adopt Freudianism. It is a working hypothesis that can produce and undoubtedly does produce deductions and conjectures that proceed along the lines of materialist psychology."

Psychological theories conflict with dialectical materialism when they attempt to demonstrate that human beings are innately incapable of organizing society in such a manner that would qualitatively advance their material conditions of existence. For instance, Robert Audrey's theory of territoriality and Konrad Lorenz' theory of aggression are counterposed to Marxism precisely because they set out to prove that human cooperation beyond the narrow limits established by class, particularly capitalist, society is impossible.

There is a historical fatalism to be found in Freud's thought, especially in his pessimistic post-WWI writings, in which Thanatos (the death wish) hovers over a self-immolating humanity. Because Freud's petty-bourgeois world view does intrude upon his effort to formulate a scientific theory .of behavior, many in the working-class movement regard Freudianism with hostility.

In Civilization and Its Discontents (1930) Freud declares that the possibilities • for human satisfaction and happiness are "limited from the start by our constitution," and "the natural human aversion to work gives rise to the most difficult social problems." The abolition of private property would "in no way alter the individual difference in power and influence." Commenting on a by then Stalinized Soviet Union, Freud confirms his skepticism by accepting the bureaucracy's claims of "socialist" society:

"The Russian Communists, too, hope to be able to cause human aggressiveness to disappear by guaranteeing the satisfaction of all material needs and by establishing equality in other respects among all members of the community. That, in my opinion, is an illusion. They themselves are armed to-day with the most scrupulous care and not the least important of the methods by which they keep their supporters together is hatred of everyone beyond their frontiers." -"Why War?," Collected Papers, Vol. 5

Freud and Feminism

While his views on Marxism and the Soviet Union brought Freud denunciation by the Stalinists and fellow-traveling intellectuals, His theories of femininity similarly evoked considerable antipathy from "feminists. For Freud, two themes were of "paramount importance" in analysis: "the wish for a penis in women and, in men, the struggle against passivity [toward other men]... “("Analysis Terminable and Interminable^ *° Collected Papers Vol. 5). To feminists this theory of penis envy seemed to doom women td the status of biological second-class citizenship—men in wish, but not in being.

In the context of the general anti-Marxist and anti-Freudian biases of New Left feminism, the "socialist-feminism" of Juliet Mitchell's first book, Woman's Estate (1971), appeared as a left bulge in "Movement" feminism. A quasi-Marxist and a "scientific" Freudian, Mitchell argued that Marxism was both relevant to the liberation of women (which it certainly is) and in harmony with the feminist "principle" of women" organizing separately as women (which it is not). Woman's Estate even criticized, albeit mildly, the implications of the anti-Leninist basis of New Left feminism:
"Feminist consciousness will not \// 'naturally' develop into socialism, nor should it. If we simply develop feminist consciousness (as radical feminists suggest) we will get, not political consciousness, but the equivalent of national chauvinism among Third World nations or economist!) among working-class organizations."

The penchant of American behaviorist psychologists to focus on "antisocial" behavior, recently expressed in the extreme by Skinner's apologetics for a benevolent totalitarianism, has prompted the radical petty-bourgeois intelligentsia, yesterday sympathetic to the "progressive" pragmatism of Skinner's Walden II, to search elsewhere for a psychological justification for their liberalism. Much in vogue in the feminist milieu have been the humanist psychology of Maslow, the hyper-genital theories of Reich and the "schizophrenia-is-good-for-you" ravings of Laing.

Debunking Reich and Laing

Juliet Mitchell's most recent book, Psychoanalysis and Feminism, is an 1 attempt to come to terms with a declining movement which has become hardened in its anti-Marxism, anti-Freudianism and virulent bourgeois feminism. By this time, the reconciliation attempted in Woman's Estate between an eclectic Marxism, Freudianism and anti-capitalist feminism had obviously become untenable. Something had to give; it was Juliet Mitchell's "Marxism."

For those who prefer Freud to his detractors, Psychoanalysis and Feminism will prove, at least in part, an eminently satisfying work. Mitchell presents an intelligent and for the most part accurate exposition of the core elements of Freudian theory, especially the analysis of femininity. This is combined with insightful critiques of the "radical psychotherapists" Reich and Laing and of Freud's feminist critics, Simone de Beauvoir, Betty Friedan, Eva Figes, Germaine Greer, Shoal-Smith Firestone and Kate Millet.

Mitchell argues convincingly that most criticisms of psychoanalysis are based on a misunderstanding of an important distinction in Freudian psychology: the distinction between the psychic representation of the conflict of social reality with instinctual forces (the data of psychoanalysis) and the biological instincts themselves. Freud fully realized that he was dealing only with the former; the latter he regarded as the subject of investigation for a future, more advanced science.

Reich asserts the matter in more "basic" terms: the repression of sexual energy is bad, its "ultimate" orgasmic expression good; heterosexual genitality is natural, homosexuality unnatural; the vagina is thus the biological counterpart of the penis. Lost are Freud's insights into the inherently bisexual natural of human sexual development and the extent to which the conflict between human drives and social reality both shape (through sublimation) and distort happiness and role. For Reich, instinct is all. Similarly, where Freud analyzes both normal and abnormal behavior as manifested through the a-logical operations of the unconscious, Laing sees the delusional world of the schizophrenic as a logical response to a current conflict. For Laing, humans are simply reactive.
Although Mitchell is frequently brilliant and incisive in her defense of the "science" of psychoanalysis, she is disquieted by Freud's insistence that all understanding of behavior, in the final analysis, must be grounded on the bedrock of biology. In Mitchell's schema biological determinism has no place, and her uneasiness with its presence in Freudian theory leads her to distort precisely that area of Freudianism she is most concerned to defend—his hypotheses concerning the "psychological consequences of the anatomical distinction between the sexes."

Freudianism and the Oppression of Women

Generally Freud carefully distinguishes between the psychological impact of biological factors and the factors themselves. When Freud takes up the problem of the psychological development of women, however, he sidesteps this distinction.
Freud posits that the fear of castration for males is caused not merely by the sight or conception of penisless beings (women), but in addition by an actual, although perhaps implied, threat of castration. The female case is different:

"A momentous "discovery which little girls are destined to make [is that] they notice the penis of a brother or playmate, strikingly visible and of larger proportions, at once recognize it as the superior counterpart of their own small and inconspicuous organ, and from that time forward fall a victim to envy for the penis.... A little girl... makes her judgment and her decision in a flash. She has seen it and knows that she is without and wants to have it." (our emphasis)

— "Some Psychological Consequences of the Anatomical Distinction Between the Sexes," Collected Papers, Vol. 5

For Freud, the esteem for the penis is established not socially, but phylo-genetically: "The penis (to follow Ferenczi) owes its extraordinarily high narcissistic cathexis to its organic significance for the propagation of the species" (ibid.). The penis is valorized because of its role in reproduction.

Although the clitoris is "analogous to the male organ," Freud regards the vagina as the "true female organ" (Female Sexuality). Freud thus considers women as constitutionally inferior to men.

Freud's error is a logical one, based, no doubt, on the intrusion of male chauvinist assumptions into his scientific thinking. His letters to his wife are1 adequate testimony to his susceptibility to such influences. They reek of sexism, although of the icky-poo, "women-as-the-salt-of-the-earth" variety. Mitchell's aversion to Freud's biologicisms, however, is motivated not by political opposition to their anti-feminist implications, but by the desire for an idealistic revision of psychoanalysis which could provide the long-sought feminist "answer" to Marxist dialectical materialism.

Mitchell Contra Engels
In Psychoanalysis and Feminism, Mitchell sweeps aside the self-proclaimed Marxist orientation of Woman's Estate and poses anew the, "fundamental question of the cause of women's oppression:

"The longevity of the oppression of women must be based on something more than conspiracy, something more complicated than biological handicap and more durable than economic exploitation (although in differing degrees all these may feature)."

The missing link turns out to be "culture"; specifically, patriarchal culture:
"It seems to be the case that contemporary anthropology supports Freud's contention that human society in many ways equals patriarchy rather than Engels' notion that patriarchy can be limited to strictly literate civilization."

Using the anthropological theories of academic doyen Claude Levi-Strauss, Mitchell argues that since the exchange of women by men between kinship groupings (exogamy) has characterized all human societies, all human society has been patriarchal, i.e., "fathers not men" have "determinate power." The Oedipus complex now becomes for Mitchell the internalized manifestation of the cultural tyranny represented in the incest taboo. With the dissolution of the Oedipus complex, "man finally enters into his humanity."

Mitchell realizes that kinship systems are obviously neither operative nor relevant in modern capitalist society and therefore maintains that the bourgeois nuclear family is socially redundant, merely "created to give that law [the patriarchal law] a last hearing." The struggle against the oppression of women no longer must be directed against capitalism or even the "domination of men," but must become a "struggle based on a theory of the social non-necessity at this stage of development of the laws instituted by patriarchy."

This contention that fathers have "determinate" power flies in the face of the fact that their role in anthropologically earlier (avuncular) societies was not significantly greater than the mother's. Nor is the father's son prohibited from copulating with the father's wife (the Oedipus complex as understood by Freud), although biological mother-son sexual relationships have apparently generally been taboo. The most primitive societies seldom have mechanisms for identifying either the father’s sons or his mates (i.e., the nuclear family).

Incest (the prohibition of heterosexual copulation between certain biologically related individuals) only imperfectly correlates with the more primitive forms of unilinearity (kinship determined by membership to either the mother's or the father's clan) and exogamy (marrying out of one's clan). The incest taboo as such is a more recent historical development associated with increasingly differentiated social arrangements and the rise of the monogamous family.

Completely absent from Mitchell's analysis is any sense why the "law of patriarchy" should endure. Basing his hypothesis on inadequate anthropological data (Morgan's studies), Engels wrongly inferred that a matriarchal stage preceded the development of patriarchy. But the essence of Engels' method, however, is the appreciation of the role of social relationships (the emergence of private property) in causing a qualitative perforation of the condition of women. Mitchell draws her analysis, however, from Freud's unfounded, fanciful hypothesis that in the dawn of primitive society exogamy and the incest taboo resulted from the successful alliance of sons against the sexual privileges of the all-powerful father, which resulted in the cannibalization of the father and the sharing out of his women.

Forward to the Pages of Ms.

Psychoanalysis and Feminism thus floats above any concern for the actual oppression of women. The degradation suffered by women imprisoned within the nuclear family and oppressed by capitalist society simply becomes the equivalent perforce of men exchanging women. Prostitution, social isolation, divestiture of legal rights, sole responsibility for child raising—all features of the monogamous nuclear family noticeably absent in most primitive societies —recede in importance for Juliet Mitchell. The bourgeois nuclear family is "not in itself important. V Rather, it is the kinship system, which "in our society... barely can be seen to regulate social relationships," that is the source of women's oppression, because "it is within kinship structures that women, as women, are situated"!

Mitchell has accomplished an idealist subversion of even that rudimentary Marxist understanding revealed in Woman's Estate. Now she conceptualizes culture as having its own dynamic (exactly what, remains unstated) and being transmitted through the unconscious independent of material conditions. Mitchell now recognizes "two autonomous areas: the economic mode of capitalism and the ideological mode of patriarchy."

In Woman's Estate Mitchell envisioned the revolution as the product of a coalition of oppressed groups, each raising its consciousness of its own particular oppression by a theoretical operation-bootstrap and then working to a point of solidarity. From her revised perspective, Mitchell has come to consider even a tactical unity between the women's liberation movement and the labor movement as unnecessary:

"Because patriarchy is by no means identical with capitalism the successes and strengths of the two revolutionary movements [the women's liberation movement and the working-class movement] will not follow along neatly parallel paths."

Not only are these paths not "neatly parallel," but they may in fact diverge. Mitchell readily admits that "It is perfectly possible for feminism to make more gains under social democracy than it does in the first years of socialism." Indeed, if capitalism has already rendered women's oppression redundant, then it is difficult to explain why the liberation of women could not occur under any form of capitalist government, from reformist Laborism or the popular front to fascism. In fact, the most optimum conditions could well be a fascism where there are sufficiently strong drives toward racial purity as to necessitate the challenging of the "utility" of the incest taboo.

The politics of Psychoanalysis and Feminism are a justification for "Movement” feminism at any of its-stages, from the radical, anti-capitalist; New Left period through its current trivial, careerist and venal expression. For Juliet Mitchell the battle against cultural oppression no longer need be waged in the streets; the need for a Popular Front against Patriarchy can 'be propagated with equal efficacy from the pages of MS.