Click on the headline to link to a YouTube film clip of The Capris performing There's A Moon Out Tonight.
A few years back I literarily, well maybe not literarily but close, went over the edge trying find every obscure, and not so obscure, record that I could find from the golden oldies time, the classic age of rock and roll time, the 1950s and early 1960s. I searched through flea market album bins like some ghoul out a Larry McMurtry Cadillac Jack novel. I went up into god forsaken, and maybe worst, dusty, musty, crusty attics (people really should throw out or recycle that stuff moldering away up there but that is a screed for another day) in the hopes that some errant 1950s teenager had left his or her markings and Mother was too sentimental to toss the damn things (although at the time there was civil war in many households over permission to have such “devil’s music” in the house, or within fifty yards of it). Worst, I went around to old time drugstores (any that were left in the age of Osco and CVS), steamed food diners, bent pizza parlors, and local mom and pop store hoping that in some back room they had some records left over from the 1950s jukebox days (or even better maybe still had the old jukebox). Yah, I had a jones, a big time rock and roll jones just then. I am better now, thank you. Well, thanks to YouTube and one million other Internet variations that would have saved me much shoe leather, some dough, my health and left my sunny view of previous pre-flea market- attic-pizza parlor human nature intact.
The idea though was to go back to my musical roots, the real roots in classic rock not that Frank Sinatra, Bing Crosby, Andrews Sisters, Inkspots stuff that was force-fed wafting throughout the house when my parents wanted to listen to the stuff that got them through the Great Depression (always these days meaning the 1930s one, okay) and the big one, World War II. And while time and ear have eroded the sparkle of some of the lesser tunes, like for example Gene Pitney’s Town Without Pity that I played endlessly, it still seems obvious that those years, say 1955-62, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.
And we had our own little world, or as some hip sociologist trying to explain that Zeitgeist today might say, our own sub-group cultural expression. I have already talked elsewhere about the pre 7/11 mom and pop corner variety store street corner hangout with the tee-shirted, engineered-booted, cigarette (unfiltered) hanging from the lips, Coke, big-sized glass Coke bottle at the side, pinball wizard guys thing. And about the pizza parlor juke box coin devouring, hold the onions I might get lucky tonight, dreamy girl might come in the door thing. Of course, as well, the drug store soda fountain, and…ditto, dreamy girl coming through the door thing, naturally, eternally naturally. And the same for the teen dance club, keep the kids off the streets even if we parents hate their music, the eternal hope dreamy girl coming in the door, save the last dance for me thing. Needless to say you know more about middle school and high school dance stuff, including hot tip “ inside” stuff about manly preparations for those civil wars out in the working-class neighborhood night, than you could ever possibly want to know, and, hell, you were there anyway (or at ones like them).
Yah. but see that was all basically innocent indoor stuff. Today I want to talk about the outdoors stuff, the, hell, we are all adults, the sex stuff. And just to show I am not being just another prurient interest dirty old man I would direct your attention to the very, very on point album cover art work that accompanies this sketch. What could be more on point that a guy and his honey (or a gal and her honey if you want to look at it that way) sitting, star-light nighttime sitting, nighttime after that last dance high school opening shot young love sitting, in some early 1960s model convertible (maybe dad’s borrowed, maybe in new-found teen discretionary spending America his, probably the latter from the feel of the scene) in the local lovers’ lane. And one “bashful”, befuddled, “where do we go from here?” guy getting a seemingly innocent kiss from said honey. Nice, right
Sure all that stuff is nice for public consumption but like I said before, we are all adults, and that cutesy eyewash will just not do. So here is my expose. Every town, hamlet, hell, any place that has at least one teen-aged couple had its own local lovers’ lane where more fierce lovin’ went on that I would every have time to tell about, although Billy and Sue will be glad to fill in their friends come Monday morning in the boys’ and girls’ room at school. Our local lovers’ lane happened to also double up during the daytime as a beach, a very public beach. Can you believe that? Wasting all that good natural teenage dreamy night scene on people going swimming, digging for clams or some silly sea animals, sunning themselves, or having some ill-thought out family picnic. Christ, what a scene.
No, a thousand times no, this place was meant for the sun to go down on, a big blazing sun turning fast into the blue-pink night, boy and girl in car (or poverty-bound, not privy to that discretionary spending mentioned above, walked there and are now sitting moony-eyed on the seawall). And all car-bound or wall-bound “watching the submarine races.”
What? Yes, intensely, forthrightly, intelligently watching the submarine races. Oh come on now, you all had your own local expressions for doin’ the do. Naturally, if you are from the great plains night, or rockymountain high, or some Maine forest this was not possible but doin’ the do was. And what is doin’ the do? Oh well, yes we are all adults but I just remembered this cyberspace thing allows for small, peeking eyes, so I will leave you to figure it out. Or wait until Monday morning in the “lav” and ask grinning Billy and blushing Sue. Know this though that old car radio (or transistor radio, if seawall-bound) was blasting out tunes from some of those records I found in beaten bins, infested attics, and defunct drugstores. Here’s my selection for “getting in the mood” songs in the face of the great white-waved, Atlantic Ocean submarine race night:
There’s A Moon Out Tonight, The Capris (hopefully this was a double-header, the last dance at school and kingdom come mood-setter in that old convertible); Blue Moon, The Marcels (not bad as a runner up to The Capris as everybody starts to get a little swoony); Dedicated To The One I Love and Will You Still Love Me Tomorrow?, The Shirelles (incredible harmonies, and let me tell you sometime when the kids are not around about my own story of young love when the sun comes up in the morning, yah, the morning, and how I got my very own personal version of the will you still love me question); Runaround Sue, Dion (every boy, oops, young man’s dread a girl always ready to throw you over in a week for the next best thing that comes along, damn); Hats Off To Larry (and you know what for if what he went on and on about at Monday morning boys’ “lav” roll call was true, or better, half true); Del Shannon; Stand By Me ( a mood setter if there ever was one), Ben E. King (great lyrics); and Daddy’s Home, Shep and The Limelites (good for going home from that gentle beach night after a hard night at the races).
This blog came into existence based on a post originally addressed to a fellow younger worker who was clueless about the "beats" of the 1950s and their stepchildren, the "hippies" of the 1960s, two movements that influenced me considerably in those days. Any and all essays, thoughts, or half-thoughts about this period in order to "enlighten" our younger co-workers and to preserve our common cultural history are welcome, very welcome.
Showing posts with label submarine races. Show all posts
Showing posts with label submarine races. Show all posts
Sunday, September 23, 2012
Monday, November 14, 2011
Busted Visions Of Adamsville Beach- For Diana N., Class Of 1964
Click on the title to link to a Wikipedia entry for Wollaston Beach, called Adamsville Beach in the sketch, including a picture for those who have moved away from the area. Damn, thanks Internet technology on this one.
Peter Paul Markin, North Adamsville Class Of 1964, comment:
Okay, okay in an earlier sketch entitled "Daydream Visions Of Adamsville Beach," this writer got all misty-eyed, some may say even teary-eyed, about the old days at North Adamsville Beach. I went on and on about things like impatiently waiting to check out the various flavors of ice cream at the now long-departed HoJo's Ice Cream stand across the street from the beach; the vagaries of clam-digging in the jellyfish-infested and slimy oil-drenched mud flats, for young and old, down at the Merrymount end of the beach; and, about the smell of charcoal- broiled hot dogs and other delights at what we then called Treasure Island (and now Cady Park, I think) at that same end.
Furthermore, all be-bop blushing aside I, heroically, allowed us to suffer once against by describing the obligatory teenage longings for companionship and romantic adventure associated with the sea. With the sound of the high tide waves roaring against the sand splashed shore. That last bit, my friends, is shorthand for the "parking" ritual and "submarine races," a localism for activities, automobile activities, going on in the deep night, the deep teen hormonal night that we are sworn to secrecy about while the kids or grand kids are around.
But now I say enough of the "magical realism" that I invoked in that sketch. Today, as we are older and wiser, we will junk that "memory lane" business and take a look at old Adamsville Beach in the clear bright light of day, warts and all. We all must or should respect Mother Nature, or she will beat us, mercilessly beat us down, but let’s at least not mumble gibberish in old age like some star-struck teeny-boppers.
Last year , as part of the ill-advised trip down the memory lane trip that I have been endlessly writing about with these sketches I walked, hard sneaker-driven walked, intrepid observer that I am, the length of Adamsville Beach from the Squaw Rock Causeway (near the ubiquitous "Dunkin Donuts" for the modern reader, I don’t know what frame of reference site would do for the older reader, maybe the old Squaw Rock Elementary School or the long-abandoned Naval Air Base entrance) to the bridge at Adamsville Shore Drive (and the entrance to, the dividing line which should have been etched in high gloss granite stone native to the area stone that separated we pure at heart raider red diehards from the dreaded Adamsville High heathen warriors). At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, re-do the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.
Oh sure, most of the natural landmarks and outcroppings are still there, as well as some of the structural ones. Those poor, weather-beaten Squaw Rock and Adamsville Heights Yacht Clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered "Beachcomber" local beach gin mill drunken throw-up night horrors in much the same condition and with that same rutted unpaved parking lot is still there, just like when we first tried to get into at whatever non-legal age we tried, as are the inevitable non-descript clam shacks with their cholesterol-laden goods. That is not what I mean.
What I noticed were things like the odd sulfuric smell of low-tide when the sea is calm. The tepidness of the water as it splashed almost apologetically to the shore; when a man, no stranger to the sound of crashing waves in almost every conceivable locale on this continent, craved the roar of the ocean. And the annoying gear-grinding noise and fuming smoke caused by the constant vehicular traffic, especially those blasting-engine motorcycles, those Harley hog things and their mad men drivers. Things that, frankly, I was oblivious to back in the days.
There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville as describe in "Visions" and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were vistas to conquer, and at times we were in, as the poet Wordsworth wrote "very heaven" and now when those sights have been transformed by too many other pictures of a wild and wicked world. The lesson to be learned: beware the perils of "memory lane". But don't ever blame the sea for that, please.
.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album in 2001). That seems about right.
Peter Paul Markin, North Adamsville Class Of 1964, comment:
Okay, okay in an earlier sketch entitled "Daydream Visions Of Adamsville Beach," this writer got all misty-eyed, some may say even teary-eyed, about the old days at North Adamsville Beach. I went on and on about things like impatiently waiting to check out the various flavors of ice cream at the now long-departed HoJo's Ice Cream stand across the street from the beach; the vagaries of clam-digging in the jellyfish-infested and slimy oil-drenched mud flats, for young and old, down at the Merrymount end of the beach; and, about the smell of charcoal- broiled hot dogs and other delights at what we then called Treasure Island (and now Cady Park, I think) at that same end.
Furthermore, all be-bop blushing aside I, heroically, allowed us to suffer once against by describing the obligatory teenage longings for companionship and romantic adventure associated with the sea. With the sound of the high tide waves roaring against the sand splashed shore. That last bit, my friends, is shorthand for the "parking" ritual and "submarine races," a localism for activities, automobile activities, going on in the deep night, the deep teen hormonal night that we are sworn to secrecy about while the kids or grand kids are around.
But now I say enough of the "magical realism" that I invoked in that sketch. Today, as we are older and wiser, we will junk that "memory lane" business and take a look at old Adamsville Beach in the clear bright light of day, warts and all. We all must or should respect Mother Nature, or she will beat us, mercilessly beat us down, but let’s at least not mumble gibberish in old age like some star-struck teeny-boppers.
Last year , as part of the ill-advised trip down the memory lane trip that I have been endlessly writing about with these sketches I walked, hard sneaker-driven walked, intrepid observer that I am, the length of Adamsville Beach from the Squaw Rock Causeway (near the ubiquitous "Dunkin Donuts" for the modern reader, I don’t know what frame of reference site would do for the older reader, maybe the old Squaw Rock Elementary School or the long-abandoned Naval Air Base entrance) to the bridge at Adamsville Shore Drive (and the entrance to, the dividing line which should have been etched in high gloss granite stone native to the area stone that separated we pure at heart raider red diehards from the dreaded Adamsville High heathen warriors). At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, re-do the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.
Oh sure, most of the natural landmarks and outcroppings are still there, as well as some of the structural ones. Those poor, weather-beaten Squaw Rock and Adamsville Heights Yacht Clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered "Beachcomber" local beach gin mill drunken throw-up night horrors in much the same condition and with that same rutted unpaved parking lot is still there, just like when we first tried to get into at whatever non-legal age we tried, as are the inevitable non-descript clam shacks with their cholesterol-laden goods. That is not what I mean.
What I noticed were things like the odd sulfuric smell of low-tide when the sea is calm. The tepidness of the water as it splashed almost apologetically to the shore; when a man, no stranger to the sound of crashing waves in almost every conceivable locale on this continent, craved the roar of the ocean. And the annoying gear-grinding noise and fuming smoke caused by the constant vehicular traffic, especially those blasting-engine motorcycles, those Harley hog things and their mad men drivers. Things that, frankly, I was oblivious to back in the days.
There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville as describe in "Visions" and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were vistas to conquer, and at times we were in, as the poet Wordsworth wrote "very heaven" and now when those sights have been transformed by too many other pictures of a wild and wicked world. The lesson to be learned: beware the perils of "memory lane". But don't ever blame the sea for that, please.
.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album in 2001). That seems about right.
Thursday, February 10, 2011
Out In The Be-Bop 1960s Night- Out In The “Submarine Races” Night- A CD Review
Click on the headline to link to a YouTube film clip of The Capris performing There's A Moon Out Tonight.
CD Review
The Rock ‘N’ Roll Era: 1961: various artists, Time-Life Music, 1987
Recently I, seemingly, have endlessly gone back to my early musical roots in reviewing various compilations of a Time-Life classic rock series that goes under the general title The Rock ‘n’ Roll Era. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-60, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.
And we had our own little world, or as some hip sociologist trying to explain that Zeitgeist today might say, our own sub-group cultural expression. I have already talked about the pre 7/11 mom and pop corner variety store street corner hangout with the tee-shirted, engineered-booted, cigarette (unfiltered) hanging from the lips, Coke, big-sized glass Coke bottle at the side, pinball wizard guys thing. And about the pizza parlor juke box coin devouring, hold the onions I might get lucky tonight, dreamy girl might come in the door thing. Of course, as well, the soda fountain, and…ditto, dreamy girl coming through the door thing, naturally, eternally naturally. And the same for the teen dance club, keep the kids off the streets even if we parents hate their music, the eternal hope dreamy girl coming in the door, save the last dance for me thing. Needless to say you know more about middle school and high school dance stuff, including hot tip “ inside” stuff about manly preparations for those civil wars out in the working class neighborhood night, than you could ever possibly want to know, and, hell, you were there anyway (or at ones like them).
Ya but see, that was all basically innocent indoor stuff. Today I want to talk about the outdoors stuff, the, hell, we are all adults, the sex stuff. And just to show I am not being just another prurient interest dirty old man I would, in reviewing this compilation, direct your attention to the very, very on point album cover art work here (as I have on others in this series as well). What could be more on point that a guy and his honey (or a gal and her honey if you want to look at it that way) sitting, star-light nighttime sitting, nighttime after that last dance high school opening shot young love sitting, in some early 1960s model convertible (maybe dad’s borrowed, maybe in new-found teen discretionary spending America his, probably the latter from the feel of the scene) in the local lovers’ lane. And one “bashful”, befuddled, “where do we go from here?” guy getting an innocent seeming kiss from said honey. Nice, right
Sure all that stuff is nice for public consumption but like I said before, we are all adults, and that cutesy eyewash will just not do. So here is my expose. Every town, hamlet, hell, any place that has at least one teen-aged couple had its local lovers’ lane where more fierce lovin’ went on that I would every have time to tell about, although Billy and Sue will be glad to fill in their friends come Monday morning in the boys’ and girls’ room at school. Our local lovers’ lane happened to also double up during the daytime as a beach, a very public beach. Can you believe that? Wasting all that good natural teenage dreamy night scene on people going swimming, digging for clams or some silly sea animals, sunning themselves, or having some ill-thought out family picnic. Christ, what a scene.
No, a thousand times no, this place was meant for the sun to go down on, a big blazing sun turning fast into the blue-pink night, boy and girl in car (or poverty-bound, not privy to that discretionary spending mentioned above, walked there and are now sitting moony-eyed on the seawall). And all car-bound or wall-bound “watching the submarine races.”
What? Yes, intensely, forthrightly, intelligently watching the submarine races. Oh come on now, you all had your own local expressions for doin’ the do. Naturally, if you are from the great plains night, or rockymountain high, or some Maine forest this was not possible but doin’ the do is. And what is doin’ the do? Oh well, yes we are all adults but I just remembered this cyberspace thing allows for small, peeking eyes, so I will leave you to figure it out. Or wait until Monday morning in the “lav” and ask grinning Billy and blushing Sue. Know this though that old car radio (or transistor radio, if seawall-bound) was blasting out tunes from this compilation: Here’s my selection for “getting in the mood” songs in the face of the great white-waved, Atlantic Ocean night:
There’s A Moon Out Tonight, The Capris (hopefully this was a double-header, the last dance at school and kingdom come mood-setter in that old convertible); Blue Moon, The Marcels (not bad as a runner up to The Capris as everybody starts to get a little swoony); Dedicated To The One I Love and Will You Still Love Me Tomorrow?, The Shirelles (incredible harmonies, and let me tell you sometime when the kids are not around about my own story of young love when the sun comes up in the morning, ya, the morning, and how I got a version of the will you still love me question); Runaround Sue, Dion (every boy, oops, young man’s dread); Hats Off To Larry; Del Shannon; Stand By Me, Ben E. King (great lyrics); and Daddy’s Home, Shep and The Limelites ( good for going home from that gentle beach night).
CD Review
The Rock ‘N’ Roll Era: 1961: various artists, Time-Life Music, 1987
Recently I, seemingly, have endlessly gone back to my early musical roots in reviewing various compilations of a Time-Life classic rock series that goes under the general title The Rock ‘n’ Roll Era. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-60, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.
And we had our own little world, or as some hip sociologist trying to explain that Zeitgeist today might say, our own sub-group cultural expression. I have already talked about the pre 7/11 mom and pop corner variety store street corner hangout with the tee-shirted, engineered-booted, cigarette (unfiltered) hanging from the lips, Coke, big-sized glass Coke bottle at the side, pinball wizard guys thing. And about the pizza parlor juke box coin devouring, hold the onions I might get lucky tonight, dreamy girl might come in the door thing. Of course, as well, the soda fountain, and…ditto, dreamy girl coming through the door thing, naturally, eternally naturally. And the same for the teen dance club, keep the kids off the streets even if we parents hate their music, the eternal hope dreamy girl coming in the door, save the last dance for me thing. Needless to say you know more about middle school and high school dance stuff, including hot tip “ inside” stuff about manly preparations for those civil wars out in the working class neighborhood night, than you could ever possibly want to know, and, hell, you were there anyway (or at ones like them).
Ya but see, that was all basically innocent indoor stuff. Today I want to talk about the outdoors stuff, the, hell, we are all adults, the sex stuff. And just to show I am not being just another prurient interest dirty old man I would, in reviewing this compilation, direct your attention to the very, very on point album cover art work here (as I have on others in this series as well). What could be more on point that a guy and his honey (or a gal and her honey if you want to look at it that way) sitting, star-light nighttime sitting, nighttime after that last dance high school opening shot young love sitting, in some early 1960s model convertible (maybe dad’s borrowed, maybe in new-found teen discretionary spending America his, probably the latter from the feel of the scene) in the local lovers’ lane. And one “bashful”, befuddled, “where do we go from here?” guy getting an innocent seeming kiss from said honey. Nice, right
Sure all that stuff is nice for public consumption but like I said before, we are all adults, and that cutesy eyewash will just not do. So here is my expose. Every town, hamlet, hell, any place that has at least one teen-aged couple had its local lovers’ lane where more fierce lovin’ went on that I would every have time to tell about, although Billy and Sue will be glad to fill in their friends come Monday morning in the boys’ and girls’ room at school. Our local lovers’ lane happened to also double up during the daytime as a beach, a very public beach. Can you believe that? Wasting all that good natural teenage dreamy night scene on people going swimming, digging for clams or some silly sea animals, sunning themselves, or having some ill-thought out family picnic. Christ, what a scene.
No, a thousand times no, this place was meant for the sun to go down on, a big blazing sun turning fast into the blue-pink night, boy and girl in car (or poverty-bound, not privy to that discretionary spending mentioned above, walked there and are now sitting moony-eyed on the seawall). And all car-bound or wall-bound “watching the submarine races.”
What? Yes, intensely, forthrightly, intelligently watching the submarine races. Oh come on now, you all had your own local expressions for doin’ the do. Naturally, if you are from the great plains night, or rockymountain high, or some Maine forest this was not possible but doin’ the do is. And what is doin’ the do? Oh well, yes we are all adults but I just remembered this cyberspace thing allows for small, peeking eyes, so I will leave you to figure it out. Or wait until Monday morning in the “lav” and ask grinning Billy and blushing Sue. Know this though that old car radio (or transistor radio, if seawall-bound) was blasting out tunes from this compilation: Here’s my selection for “getting in the mood” songs in the face of the great white-waved, Atlantic Ocean night:
There’s A Moon Out Tonight, The Capris (hopefully this was a double-header, the last dance at school and kingdom come mood-setter in that old convertible); Blue Moon, The Marcels (not bad as a runner up to The Capris as everybody starts to get a little swoony); Dedicated To The One I Love and Will You Still Love Me Tomorrow?, The Shirelles (incredible harmonies, and let me tell you sometime when the kids are not around about my own story of young love when the sun comes up in the morning, ya, the morning, and how I got a version of the will you still love me question); Runaround Sue, Dion (every boy, oops, young man’s dread); Hats Off To Larry; Del Shannon; Stand By Me, Ben E. King (great lyrics); and Daddy’s Home, Shep and The Limelites ( good for going home from that gentle beach night).
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