Thursday, November 7, 2013

***A Master Of The American Historical Novel- Gore Vidal's 1876 (Hail To The Thief)



BOOK REVIEW

Hail To The Thief

1876: A Novel, Gore Vidal, Random House, New York, 1976


Listen up! As a general proposition I like my history straight up- facts, footnotes and all. There is enough work just keeping up with that so that historical novels don’t generally get a lot of my attention. In this space I have reviewed some works of the old American Stalinist Howard Fast around the American Revolution and the ex-Communist International official and Trotsky biographer Victor Serge about Stalinist times in Russia of the 1930’s, but not much else. However, one of the purposes of this space is to acquaint the new generation with a sense of history and an ability to draw some lessons from that history, if possible.

That is particularly true for American history- the main arena that we have to glean some progressive ideas from. Thus, an occasional foray, using the historical novel in order to get a sense of the times, is warranted. Frankly, there are few better at this craft that the late old bourgeois historical novelist and social commentator Gore Vidal. Although his politics were somewhere back in the Camelot/FDR period (I don’t think he ever got over being related to Jacqueline Kennedy) he has a very good ear for the foibles of the American experience- read him with that caveat in mind.

After the events of the recent past it may not be inappropriate to look back to an earlier time when another presidential election was seriously in dispute. No, not the hanging chads of Florida in 2000 but the granddaddy of bourgeois electoral boondoggles with the Electoral College victory (but not popular vote) of Ohio Governor Rutherfraud B. Hayes over Governor Samuel Tilden of New York in 1876. Vidal, as is his style, combines fictional characters with the makings and doings of real characters who brought the American experience to the brink of another 'civil war' just shortly after the end of the truly bloody one that preserved the union and abolished slavery in 1865. He does this by using a literary man, a long time American expatriate journalist (who else, right?) the fictional Charles Schuyler to narrate the scenes (and who also narrated Vidal's novel Burrback in the early part of the 19th century). To add motive to his literary efforts and carry the story line along, dear Charles, is desperate for Governor Tilden to win the presidency so that he can return to Europe in some style as an American ambassador to France under a Tilden administration.

Along the way brother Schuyler (and his noble, but penniless, widowed daughter Emma) brings into focus the beginnings of the dominance of the “robber barons”, up close and personal, that we have heard about from our high school history tests, during the last part of the 19th century. Interestingly, this novel is populated with plenty of characters who came of political age during the immediate Civil War period and who populated the Lincoln administration or the various Union military commands of the Civil War period. Gone are those political figures like Seward, Chase and obviously Lincoln who actually led that political fight. This is the age of the upstart General Grant, for better or worst.

This is, moreover, a period that had more than its fair share of political graft and boondoggles. Seemingly half the book is spend explaining why some politician be he a Grant Administration official, Roscoe Conkling, James Blaine or some other ‘angel of mercy’ should not be behind bars. Today’s politicians seem tame compared to these giants of out-front, in-your-face corruption. In the end, one is not really surprised when the America presidency goes on sale to the highest bidder- it’s just another day of politics. All of this with the American Centennial celebration as a backdrop. Fortunately Vidal tells this tale with some wit and some kind of hope that all will work out for the best- in short this American Republic the “last, best hope of mankind” will muddle through. Remember the 2000 presidential election though as a sobering thought about how far we have not come. That undemocratic but decisive Electoral College is still there, for starters. More on Vidal’s works later.



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