***The Roots Is The Toots- The Music That Got Them Through The Great Depression And World War II- From Deep In The Songbook-The Inkspots – That’s When Your Heartache Begins …

…it wasn’t always about the struggle against some big societal hurts, against food hunger or that gnawing hunger, want hunger that eats away at a woman or man, it wasn’t always about what to do next to keep body and soul together, it wasn’t always about desperate heroic deeds ahead in places nobody had ever heard, it wasn’t always about what to do, or not do, about fighting the night-takers of the world, it wasn’t always desperately waiting for news, waiting for the other shoe to drop about Johnny, Jimmy or Leroy.   A lot of that was for those older coming of age youth but for the younger ones, the ones left to put nickels and dimes in Doc’s Drugstore jukebox (or name your jukebox location), it looked a lot like stuff that had been going on ever since some guy, some old guy from what everybody head, invented teenage-hood several decades before. And so it was with him, him and his hidden desire, virginal desire, maybe, maybe not, such things were kept on the QT then, for her, and the way she disturbed his dreams, disturbed his night.

It all started like all such things started no need to detail every little point like the story hadn’t been told before, hadn’t been told since Adams and Eve, maybe before. He spied her all black hair and freshness, she gave a furtive glance his way, maybe in class at school, maybe at Doc’s when some dreamy song came on the jukebox, or maybe in the back row of church, the possibilities were endless. They talked and they did their mating dance. They went out together, boy-girl together, made out, maybe more, but like I said such things were closely held. Had their favorite song, favorite spot (down at the far end of Squaw Rock, okay), favorite everything that there could be a favorite for. Then the hammer came down. See, that furtive glance she gave him was to get Billy mad, Billy who had split them up and who was now contrite, was back in her field of vision, and so he, well, to put it in cold hard teen talk, was yesterday’s news. Yes, yesterday’s news and wandering, constantly wandering down at Squaw Rock, wondering.

Yes, wondering like some fool, like some kid fool and he almost ready to go, after summer’s end if he can survive this hurt, to his senior year in high school and then off to join brothers and fathers in that great big shooting gallery oversea (his preference, like his older brothers, to go west, go west to get those Japs, those beasts, after Pearl). But now kid hurt, kid hurt wondering how his old corner- boy, corner boy, junior high school version and so harmless standing older guys-like against Mom and Pops’ Variety Store until Mom and Pop chase them away, or they had to do homework, Billy, could cut him that way, could come back and take her away with the snap of his fingers when he knew for a blessed fact that he was just playing with her, playing with her fragile heart…         

             

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Peter Paul Markin comment on this series:

Whether we liked it or not, whether we even knew what it meant to our parents or not, knew what sacred place it held in their youthful hearts, Benny Goodman with and without Miss (Ms.) Peggy Lee, Harry James with or without the orchestra, Duke Ellington with or without Mr. Johnny Hodges, Tommy Dorsey, Jimmy Dorsey with or without fanfare, Glenn Miller with or without glasses, Miss (Ms.) Billie Holiday with or without the blues, personal blues, Miss Lena Horne with or without stormy weather, Miss (Ms.) Margaret Whiting, Mr. Vaughn Monroe with or without goalposts, Mr. Billy Eckstine, Mr. Frank Sinatra with or without bobbysoxers, The Inkspots with, always with, that spoken refrain, the Andrews Sisters with or without rum in their Coca-Cola, The Dewdrops with or without whatever they were with or without, Mr. Cole Porter with or without the boys, Mr. Irving Berlin with or without the flag, and Mr. George Gershwin with or without his brother, is the music that went wafting through the house of many of those of us who constitute the generation of ‘68.

Yes, the generation of ’68, baby-boomers, decidedly not what Tom Brokaw dubbed rightly or wrongly “ the greatest generation,”  decidedly not your parents’  or grandparents’ (please, please do not say great-grandparents’ even if it is true) generation. Those of us who came of age, biological, political and social age kicking, screaming and full of the post-war new age teenage angst and alienation in the age of Jack Kennedy’s Camelot. Who were, some of us any way and I like to think the best of us, driven by some makeshift dream, who, in the words of brother Bobby quoting  from Alfred Lord Tennyson, were “seeking a new world.”  Those who took up the call to action and slogged through that decade whether it was in civil rights/black liberation struggle, the anti-Vietnam War struggle or the struggle to find one’s own identity in the counter-culture swirl before the hammer came down. And that hammer came down quickly as the decade ended and the high white note that we searched for, desperately searched, drifted out into the ebbing tide. Gone. But enough about us this series is about our immediate forbears (but please, please not great grandparents) their uphill struggles to make their vision of the newer world, to satisfy their hunger a little, to stop that gnawing want, and the music that in their youth  dreamed by on cold winter nights or hot summer days.

This is emphatically the music of the generation that survived the dust bowl all farms blown away, all land worthless, the bankers taking whatever was left and the dusted crowd heading west with whatever was movable, survived empty bowls wondering where the next meal would come from, survived no sugar bowl street urchin hard times of the 1930s Great Depression, the time of the madness, the time of the night-takers, the time of the long knives. Building up those wants, name them, named those hungers on cold nights against riverside fires, down in dusty arroyos, under forsaken bridges. Survived god knows how by taking the nearest freight, some smoke and dreams freight, Southern Pacific, Union Pacific, B&O, Illinois Central, Penn Central, Empire State, Boston and Maine, or one of a million trunk lines to go out and search for, well, search for…

Searching for something that was not triple- decker bodies, three to a room sharing some scraggly blanket, an old worn out pillow for rest, the faint smell of oatmeal, twenty days in a row oatmeal, oatmeal with.., being cooked in the next room meaning no Pa work, meaning one jump, maybe not even that ahead of the rent collector (the landlords do not dare come in person so they hire the task out), meaning the sheriff and the streets are closing in. Bodies, brothers and sisters, enough to lose count, piled high cold-water flat high, that damn cold water splash signifying how low things have gotten, with a common commode for the whole floor and brown-stained sink. Later moving down the scale a rooming house room for the same number of bodies, window looking out onto the air shaft, dark, dark with despair, the very, very faint odor of oatmeal, who knows how many days in a row, from Ma’s make-shift hot plate on its last legs.  Hell, call it what it was flop house stinking of perspiration and low-shelf whiskeys and wines. Others had it worse, tumbled down shack, window pane-less, tarpaper siding, roof tiles falling, a lean-to ready to fall to the first wind, the first red wind coming out of the mountains and swooping down the hills and hollows, ready to fall to the first downpour rain, washed away. Yes, get out on the open road and search for the great promised American night that had been tattered by world events, and greed.

Survived the Hoovervilles, the great cardboard, tin can roof, slap-dash jerry-built camp explosions along rivers, down in ravines and under railroad trestles. Tossed, hither and yon, about six million different ways but it all came down to when the banks, yeah, the banks, the usual suspects, robbed people of their shacks, their cottages, their farm houses. Robbed them as an old-time balladeer, a free-wheeling, song-writing red, a commie, in the days when in some quarters sailing under that banner was a badge of honor, said at the time not with a gun but with a fountain pen, but still robbed them.

Survived the soup kitchens hungers, the gnawing can’t wait in the endless waiting line for scrapes, dreaming of some by-gone steak or dish of ice cream, and always that hunger, not the stomach hunger although that was ever present, but the hunger that hurts a man, hurts his pride when he has to stick his hand out, stick it out and not know why. Planning the fruitless day, fruitless since he was born to work, took pride in work, planning around Sally breakfasts don’t be late, six to nine, but with sermon and song attached, mission stuff in heat-soaked rooms, men smelling of unwashed men, and drink. Planning around city hall lunches, peanut butter sandwiches, slapped slap-dash together with an apple, maybe. Worse, worse by far the Saint Vincent DePaul suppers, soup, bread, some canned vegetable, something they called meat but was in dispute, lukewarm coffee, had only, only if you could prove you were truly destitute with a letter from some churchman and, in addition, under some terrible penalty, that you had searched for work that day. A hard dollar, hard dollar indeed.

Jesus, out of work for another day, and with three hungry growing kids to feed, and a wife sickly, sick unto death of the not having he thought, little work waiting for anybody that day, that day when all hell broke loose and the economy tanked, at least that is what it said in the Globe (ditto New York Times, Washington Post, Chicago Tribune, Los Angeles Times, San Francisco Examiner if anybody was asking), said that there was too much around, too much and he with nothing for those kids, nothing and he was too proud to ask for some damn letter to give to those Vincent DePaul hard-hearts.  And that day not him, not him yet, others, others who read more that the Globe (and the dittos)  were dreaming of that full head of steam day to come in places like big auto Flint, waterfront Frisco town, rubber Akron, hog butcher to the world prairie Chicago, hell, even in boondock trucker Minneapolis, a day when the score would get evened, evened a little, and a man could hold his head up a little, could at least bring bread to those three hungry growing kids who didn’t understand the finer point of world economics just hunger. Until then though he is left shifting the scroungings of the trash piles of the urban glut, the discard of the haves, the have nots throw nothing away, and on other horizons the brethren curse the rural fallow fields, curse the banks, and curse the weather, but curse most of all having to pack up and head, head anyway, anywhere but the here, and search, search like that brother on that urban glut pile for a way to curb  that gnawing  hungry that cried out in the night-want, want that is all. 

Survived too the look, the look of those, the what did FDR (Franklin Delano Roosevelt for the young, or forgetful) call them, oh yeah, the economic royalists, today’s 1%, the rack-renters, the coupon-clippers, the guys, as one of their number said, who hired one half of the working class to fight the other, who in their fortified towers, their Xanadus, their Dearborns, their Beacon Hills, their Upper East Sides, their Nob Hills, and a few other spots, tittered that not everybody was built to survive to be the fittest. That crowd, and let’s name names, a few anyway, Ford, General Motors, Firestone, U.S. Steel, fought tooth and nail against the little guy trying to break bread. Fought that brother too out pounding the mean streets to proud to ask for a letter, Jesus, a letter for some leftover food, before he got “religion” about what was what in the land of “milk and honey.”  Wreaked havoc on that farmer out in the dust bowl not travelling some road, some road west knowing that the East was barred up, egging him on to some hot dusty bracero labor filed picking, maybe “hire” him on as a scab against those uppity city boys. Yes, fought every guy trying to get out from under that cardboard, tar paper, windowless soup kitchen world along with a hell of a lot of comrades, yes, comrades, not Russkie comrades although reds were thick in those battles, took their lumps in Frisco, Flint, Akron and Minneapolis, hell, any place where a righteous people were rising, kindred in the struggle to put that survival of the fittest on the back-burner of human history. To stand up and  take collective action to put things right, hell, made the bosses cry bloody murder when they shut down their factories, shut them down cold until some puny penny justice was eked out. And maybe just maybe make that poor unknowingly mean-street walking city brother and that sweated farm boy thing twice about helping those Mayfair swells.      

Survived but took time out too, time out if young perhaps, as if such things were embedded in some secret teen coda, to stretch those legs, to flash those legs, to sway those hips, to flash the new moves not, I repeat, not the ones learned at sixth grade Miss Prissy’s Saturday dance classes but the ones that every mother, every girl mother warned her Susie against, to a new sound coming out of the mist, coming to take the sting out of the want years nights, and the brewing night of the long knives. Coming out of New York, always New York then, Minton’s, Jimmy’s, some other uptown clubs,   Chicago, Chicago of the big horns and that stream, that black stream heading north, following the northern star, again, for jobs and to get the hell away from one Mister James Crow, from Detroit, with blessed Detroit Slim and automobile sounds, and Kansas City, the Missouri K.C. okay, the Bird land hatchery, the Prez’s big sexy sax blow home. Jesus no wonder that madman Hitler banned it, along with dreams.  

The sound of blessed swing, all big horns, big reeds, big, well big band, replacing the dour Brother, Can You Spare a Dime and its brethren , no banishing such thoughts, casting them out with soup lines (and that awful Friday Saint Vincent DePaul fish stew that even Jesus would have turned down in favor of bread, wine and a listen to Benny’s Buddha Swings) casting that kind of hunger out for a moment, a magical realistic moment, casting out ill-fitting, out of fashion, threadbare (nice, huh) second-hand clothes (passed down from out- the- door  hobo brothers and sisters tramping this good green earth looking for their place, or at least a job of work and money in their newer threadbare [still nice] clothes), and casting aside from hunger looks, that gaunt look of those who have their wanting habits on and no way to do a thing about it.  Banished, all such things banished because after all it did not mean a thing, could not possibly place you anywhere else but in squareville (my term, not theirs), if you did not have that swing. To be as one with jitter-buggery if there was (is) such a word (together, not buggery by itself, not in those days, not in the public vocabulary anyway). And swing as it lost steam with all the boys, all the swing boys, all oversea and the home fire girls tired of dancing two girl dancing, a fade echo of the cool age be-bop that was a-borning, making everybody reach for that high white note floating out of Minton’s, Big Bill’s Jimmie’s, hell, even Olde Saco’s Starlight Ballroom before it breezed out in the ocean air night, crashed into the tepid sea. Yeah.       

Survived, as if there was no time to breathe in new fresh airs, new be-bop tunes, new dance moves, to slog through the time of the gun in World War II.  A time when the night-takers, those who craved the revenge night of the long knives took giant steps in Europe and Asia trying to make that same little guy, Brit, Frenchie, Chinaman, Filipino, God’s American, and half the races and nationalities on this good green earth cry uncle and buckle under, take it, take their stuff without a squawk. It took a bit, took a little shock, to get those war juices flowing, to forget about the blood-letting that had gone on before when the flower of Europe, when the older brothers and fathers the generation before, had taken their number when they were called.  And so after Pearl, after that other shoe dropped on a candid world Johnnie, Jimmie, Paulie, Benny too, all the guys from the old neighborhood, the corner boys, the guys who hung around Doc’s hands in their pockets, guys trying to rub nickels together to play some jitter-buggery thing, guys who had it tough growing up hard in those bad Depression days, took their numbers and fell in line.

Guys too from the wheat fields, Kansas Iowa, you know places where they grow wheat, guys fresh from some Saturday night dance, some country square thing, all shy and with calloused hands, eyeing, eyeing to perdition some virginal Betty or Sue, guys from the coal slags, deep down in hill country, down in the hollows away from public notice, some rumble down shack to rest their heads, full of backwoods home liquor, blackened fingernails, never ever fully clean once the coal got on them, Saturday night front porch fiddlings wound up carrying a M-1 on the shoulder in Europe or the Pacific. Leaving all those Susies, Lauras, Betties, and dark-haired Rebeccas too waiting at home hoping to high heaven that some wayward gun had not carried off sweetheart Johnnie, Jimmy, Paulie, or young Benny.  Jesus not young Benny. Not the runt of the corner boy litter, not our Benny. Not carried off that sweet farm fresh boy with the sly grin, not carried off that coal-dust young man with those jet-black eyes, and fingers.  

Survived the endless lines of boys heading off East and West, heading off to right some wrongs, at least that is what the guys in charge said, put a big dent in the style of the night-takers, the guys who wanted to cut up the world into two to three pieces, and that was that, cutting the little guy, making the little guys like it, making them take it or else. Some of those little guys, after Pearl for sure, could hardly wait to get to the recruiting office, hardly wait to go mano y mano with the night-takers and their illicit dreams, went gladly from the farms, the factories and the mines, many to never look back, never to farm, to run a production line, or to dig from the earth but make new lives, or lay down their heads in some god forsaken piece of dirt, or some watery abyss. Others, well, others were hanging back waiting to be drafted by their friends and neighbors at the local draft board, hanging back just a little to think things over, to see if maybe they could be better used on the home front, scared okay (as if the quick-step volunteers were not afraid, or should have been) but who gave a good accounting of themselves when their number came up. Still others head over heels they were exempt, 4-F, bad feet, you see. Somebody had to keep the home fires, keeping the womenfolk happy.

All, all except that last crew, the dodgers found in every war,  who got to sit a home with Susie, Laura, Betty and even odd-ball Rebecca were constantly waiting for the other shoe to drop, for their ships to sail or their planes to fly. Hanging in some old time corner boy drugstore, Doc’s, Rexall, name your drugstore name, just like when they were kids (a mere few weeks before), talking the talk like they used to do to kill time, maybe sitting two by two (two uniforms, two girls if anybody was asking) at the soda fountain playing that newly installed jukebox until the nickels ran out. Listened to funny banana boat songs, rum and coca cola songs, siting under the apple tree songs, songs to forget about the work abroad, and just some flat-out jitter-bugging stuff, frothy stuff in order to get a minute’s reprieve from thoughts of the journey ahead.

Listened too to dreamy, sentimental songs, Always, I Don’t Want To Set The World On Fire, Sentimental Journey, songs that spoke of true love, their true love that would out last the ages, would carrying them through that life together if they could ever keep those damn night-takers at bay, songs about faraway places, We’ll Meet Again, Til Then, songs that spoke of future sorrows, future partings, future returnings (always implying though that maybe there would be no return), future sacrifices, future morale-builders, songs about keeping lamp- lights burning, songs to give meeting to that personal sacrifice, to keep the womenfolk, to keep her from fretting her life away waiting for that dreaded other drop, songs about making a better world out of the fire and brimstone sacrifice before them.

Songs to make the best out of the situation about Johnnie, Jimmie and the gang actually returning, returning whole, and putting a big dent in their dreams, that small white house with the white picket fence (maybe needing a little painting, maybe they could do that together), kids, maybe a new car once in a while you know the stuff that keeps average joes alive in sullen foxholes, sea-sick troop transports, freezing cargo planes, keeps them good and alive. Hell, songs, White Cliffs Of Dover songs, about maybe the damn wars would be over sooner rather than later. Listened, drawing closer, getting all, uh, moony-eyed, and as old Doc, or some woe-begotten soda jerk, some high school kid, wet behind the ears, with that white paper service cap at some obscure angle and now smudged white jacket implying that he was in the service too, told them to leave he was closing up they held out for one last tune. Then, well-fortified with swoony feelings they made for the beach, if near a beach, the pond, if near a pond, the back forty, if near the back forty, the hills, you know, or whatever passed for a lovers’ lane in their locale and with the echo of those songs as background, well, do I have draw you a map, what do you think they did, why do you think they call us baby-boomers.              

The music, this survival music, Harry James, Benny, the Dorsey boys, Bing, Frank, the Mills Brothers, the Inkspots, and on and on wafted (nice word, huh) through the air coming from a large console radio, the prized possession centered in the small square living room of my growing up house amid the squalor of falling roof tiles, a broken window or two patched up with cardboard and tape, a front door that would not shut, rooms with second-hand sofas, mattresses, chairs, desks, tables, mildewy towels, corroded sinks, barely serviceable bathtubs, and  woe-begotten stuffed pillows smelling of mothballs. My broken down, needs a new roof, random shingles on the ground as proof, cracked windows stuffed with paper and held with masking tape in need of panes, no proof needed, overgrown lawn in need of cutting of a shack (there is literally no other way to describe it, then or in its current condition) of a too small, much too small for four growing boys and two parents, house. The no room to breathe, no space but shared space, the from hunger look of all the denizens, the stink of my father’s war wounds that would not heal, the stink of too many people in too small a house, excuse me shack. The noise, damn the noise from the nearby railroad, putting paid to wrong side of the tracks-dom worst of all. Jesus.      

That wrong side of the tracks shack of a house surrounded by other houses, shack houses, too small to fit big Irish Catholic- sized families with stony-eyed dreams. Small dreams of Johnny or Jimmy getting on the force (cops, okay), and Lorrie and Pamela getting those secure City Hall jobs in the steno pool until some bright prospect came by and threw a ring at them but in the meantime shack life, and small faded dreams. Funny, no, ironic but these tumbled-down shacks which seemingly would fall with a first serious wind represented in some frankly weird form (but what knew I of such unnamed weirdness then I just cried out in some fit of angst, cried out against that railroad noise, and that sour smell of sweat) the great good desire of those warriors, and almost to a man they had served, and their war brides who had waited, had fretted while waiting, to latch onto a piece of golden age America.

And take their struggle survival music from Doc’s jukebox, from the Starlight Ballroom, from WDJA, with them as if to validate their sweet memory dreams, their youthful innocence before the guys got caught up, caught up close and personal, the ugliness of war, the things they would not speak of unto the grave, and the gals not asking, not asking for all the money in the world but sensing that he, they, had changed, had lost some youthful thing. That radio, that priceless radio console taking pride of place, as if a lifesaver, literally, tuned to local station WDJA in North Adamsville, the memory station for those World War II warriors and their war brides, those who made it back. Some wizard radio station manager knowing his, probably his in those days, demographics, spinned those 1940s platters exclusively, as well as aimed the ubiquitous advertisement at that crowd. Cars, sofas, beds, shaving gear, soap, department store sales, all the basics for the growing families spawned (nice, huh) by those warriors and brides.

My harried mother, harried by the prospects of the day with four growing boys, maybe bewildered is a better expression, turning the radio on to start her day, hoping that Paper Dolls, I’ll Get By, or dreamy Tangerine, their songs, their spring youth meeting at some USO dance songs and so embedded, or so it seemed as she hummed away the day, used the music as background on her appointed household rounds. The stuff, that piano/drum-driven stuff with some torch-singer bleeding all over the floor with her loves, her hurts, and her wanderings, her waitings, they should have called it the waiting generation, drove me crazy then, mush stuff at a time when I was craving the big break-out rock and roll sounds I kept hearing every time I went and played the jukebox at Doc’s Drugstore over on Walker Street down near the beach. As far as I know Doc, knowing his demographics as well, did not, I repeat, did not, stock that stuff that, uh, mush for his rock-crazed after school soda fountain crowd, probably stocked nothing, mercifully before about 1955. Funny thing though while I am still a child of rock and roll (blues too) this so-called mushy stuff sounds pretty good to these ears now long after my parents and those who performed this music have passed on. Go figure. 

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"That's When Your Heartaches Begin"

If you find your sweetheart
in the arms of a friend
That's when your heartaches begin
When dreams of a lifetime
must come to an end
That's when your heartaches begin

Love is a thing
you never can share
If you bring a friend
into your love affair
That's the end of your sweetheart,
that's the end of your friend
That's when your heartaches begin