Click on the headline to link to a Wikipedia entry for Casino Royale.
DVD Review
Casino Royale, starring Daniel Craig, Eva Green, Judi Dench, form the spy novel written by Ian Fleming, M-G-M, 2006
I admit I was smitten by Ian Fleming’s James Bond epic Cold War spy notion back when we used to see such adventure film fare on the big screen at the local drive-in theater (for those who do know of that 1950s and early 1960s institution check Wikipedia) when we were more interested in some “hot” date more than in the movie. I think the first one in the Bond series was Doctor No with Sean Connery in the Bond role. There have been some twenty-odd Bond films since (and many copy-cat films) and a succession of Bond replacements. Frankly, despite the good performance here by Daniel Craig as Bond (and as almost always by Judi Dench in anything she does) this Bond notion I think has gotten stale. The virtue of Connery’s Bond was that while he was a wily and steadfast advocate of the “free world” he brought something of a slapstick air about the whole thing. This one, premised on fighting the “war on terrorism” by foiling a poker-loving “banker,” made me long for a cheeky Cold War spy night performance by Connery done with far less physical and technical whiz-bang action and more guile.
Showing posts with label Cold War. Show all posts
Showing posts with label Cold War. Show all posts
Tuesday, September 6, 2011
Wednesday, May 25, 2011
Out In The Be-Bop 1950s Night- Markin’s Sputnik Space Odyssey-Billie Style
Click on the headline to link to a Wikipedia entry for Sputnik, the first 1950s made-made space satellite.
Billie, William James Bradley, comment:
Ya, I know I haven’t talked to you in too long a while like I told you I would. I was suppose to tell you all about my best friend over at Adamsville Elementary School Markin’s, Peter Paul Markin’s, ill-fated attempts to single-handedly close the space gap they keep talking about ever since the commies put that Sputnik satellite up in orbit last year. Some of you know that I had to put that on hold because I was still kind of broken up about something. Ya, for you that don’t know I got caught up in some, well I might as well just come out with it, woman trouble, alright girl trouble, okay. That’s over now since I discovered Elvis’ real take on the honeys, One Night Of Sin and now have a new girlfriend, well, really an old girlfriend, an old stick girlfriend, Cool Donna O’Toole, that I had, as Markin always kids me about, “discarded” when love Laura came into view. But that isn’t getting us to the Markin space odyssey you’ve been waiting breathlessly to hear about.
And I will get to that in just a second now that I think about it, or the heart of the story, but let me just take a minute to tell you this background story because it also explains part of the time for my delay in telling the story. It seems that Markin had no objection, and shouldn’t, to having his space odyssey story told but he just wanted to tell the story himself. I said no way, no way on this good green earth are you going to tell this one. By the time he got done we would all be weepy, girl weepy, or something about Markin’s tremendous contribution to space science rather than the simple truth- Markin should not be let with fifty miles, no, make that five hundred miles, no, let’s be on the safe side, five thousand miles from anything that could even be remotely used for launching rockets. Ya, it’s that kind of story.
Besides, here is the real reason that Markin shouldn’t tell the story, and I told him so. Markin, no question is a history guy. He is crazy for people like Abigail Adams, and her husband and son, the guys who used to be Presidents, John and John Quincy, back in the Stone Age, and who Adamsville is named after, one of them anyway. He also knows, although I have no clue why, about old times Egypt from going to the Thomas Crane Public Library branch at school and walking, walking can you believe this, over to Boston to the Museum of Fine Arts to check out their mummy stuff, and tombs and how they dressed and all that. Yawn.
Markin is also crazy for reading, not stuff that is required for school reading either, and writing about it, a book guy, no doubt. Get this, he just told me about a book of short stories that he was reading about by a guy, an Irish guy, a chandelier Irish guy, Fitzgerald or something like that, who wrote stories about rich kids, very rich kids, rich guys with names like Basil mooning over rich girls. And rich girls with names like Josephine swooning over guys. Nothing big about that but like I told Markin how is reading that stuff going to do anything for you, for us, trying, trying like crazy to get the hell, excuse my English, of the projects. He’s a cloudy guy see, even if he is my best friend.
But here is something funny, and maybe makes this reading stuff of some use sometimes. Markin read in the Foreword, who the hell, excuse my language again, in this good green earth reads the Foreword, that one of the stories, one of the Basil stories wasn’t published because the publishers didn’t believe back in the early part of this century that ten and eleven year old boys and girls would be into “petting parties.” Jesus, and I make no excuse for saying that, where have those guys been, and what planet. Definitely not down here with us poor project boys and girls. Hey, I might even read that story come to think of it to see if petting parties are the same with rich kids. So history and book reading. Does that sound like a guy who can tell a space story, a nuts and bolts space story. No leave this one to old Billie, he’ll tell it true.
I don’t know about you but I was not all that hopped up about space exploration, space races, or Jules Verne although I will admit that I was a little excited about the idea of those space satellites going up in the sky, those that started with the Soviet Union’s first object in space, Sputnik. But when they started sending robots, monkeys, mice, and small dogs I lost interest. I figured how hard can it be to do the space thing if rodents can make the trip, unmolested. Besides I had my budding career as a rock star of the Elvis sort to worry about so other kinds of stars took a back seat.
No so Markin. The minute he heard, or maybe it was a little later but pretty soon after, that Sputnik had gone up, that it had been the Russkies who were first in space, he was crazy to enlist in the space race. I swear I had to stop talking to him for a few days because all he wanted to talk about, with that certain demented look in his eye that told you that you were in for a lecture like at school, was how it was every red-blooded student’s, make that every red-blooded American student’s duty to get moving in aid of the space front. It was so bad that he would not even heard me talk about the latest rock hit without saying, hey, that’s kid’s stuff I got no time for that. Bad, right.
Now this was not about money, you know going around the neighborhood collecting coins for the space program like we did to restore the U.S.S. Constitution when it was all water-logged or whatever happens to wooden ships when they get too old. And it was not about maybe going to the library to get some books to study up on science and maybe some day become a space engineer and go to Cape Canaveral or someplace like that. No this was about our duty, duty see, to go out in the back yard, go down in the cellar, go out in the garage (if you had a garage, we didn’t in the projects) and start to experiment making rockets that might be able to make it to space. See what I mean. Deep-end stuff, no question.
Now I already told you, but in case you might have forgotten, Markin is nothing but a books and history guy, and maybe a little music. I have never seen him put a hammer to a nail or anything like that, and I am not sure that he has those skills. I do know that when we were making paper mache dinosaurs in class his thing did not look like a dinosaur. Not close. But one day he got me to go with him up to Adamsville Center to the hardware store to get materials for making a rocket. Markin is nothing if not serious in his little projects, at first. At the store we get some balsa wood, nails, aluminum poles, guide wire, a knife built for carving stuff, and about ten CO2 cartridges. The idea is to build a model (or models) and see which ones have the contours to be space-worthy.
Over the next couple of weeks I saw Markin off and on but mainly off because he was spending his after-school time down in the cellar of the apartment where his family lived working on those balsa wood models. Then one day, one Saturday I think, ya, it was Saturday he came over to my house looking for help in setting up his launch pad. The idea was that he would put up two aluminum poles, stretch the guide wire between the two poles and demonstrate what he called the aerodynamic flow of his models by attaching his balsa wood models on the wire with a bent nail. Propulsion was by inserting a CO2 cartridge in a crevice in the rocket and hitting one end of the cartridge by lightly hitting it with a nail. I was to observe at the finish while he covered the start. After about half an hour everything was set to go and Dr. Markin was ready to set the explosion. Except moon man Markin hit the nail into the cartridge at the wrong place and, if it had not been for some quick leg work that I still chuckle over when I think about it (like now) my friend would have lost an eye. Scratch balsa wood models.
Oh, you thought that was the end of it. Christ no. After catching some hell from his mother (and a little from me) he was back on the trail blazing away. This time though he kept it very low. I didn’t even know about it until he asked me to help him get some materials from that same hardware store and the drug store uptown. So here is the brain-storm in a nut shell. He said he saw the error of his ways in the balsa wood fiasco- he had used the wrong fuel and the whole guide wire thing was awry. This time he intended to simulate (ya, I didn’t know what that meant either until he told me it was like practically the same but not the real thing, or something like that) a launching like he had seen on television and in the Bell Laboratories Science films we saw at school. Okay, get this, he built, using his father’s soldering iron, a small rocket out of tin soup cans (Campbell’s, naturally, just kidding) with a tin funnel on top and flattened metal for wings. Hey, it really didn’t look bad. The fuel, I swear I do not know all the ingredients but they all came from either the hardware or drug store so that gives you an idea about something. Apparently he read about it somewhere.
So, again on black Saturday, we are off to the back field to launch the spaceship Billie (named after me, of course) into fame and fortune. We set the rocket on a small launch pad that he made; he put in the fuel from a can, and then closed it off with a fuse device at the end. I, as honoree, was to light the match for take-off. I lit the match alright except a funny thing happened- the rocket quickly, very quickly turned into an inferno, and me along with it, except I too did some fancy leg work. Christ, Markin enough. And the lesson to be learned- you had better be young, quick, and have your insurance paid up if you are going to hang out with maddened rocket scientists. After that experiment I think old Markin lost heart. The other day I saw him reading a book about Abraham Lincoln so I guess the coast is clear now. Oh ya, and at school yesterday he asked me if I had heard Jerry Lee Lewis’ Breathless yet. Welcome back to Earth, Markin.
Billie, William James Bradley, comment:
Ya, I know I haven’t talked to you in too long a while like I told you I would. I was suppose to tell you all about my best friend over at Adamsville Elementary School Markin’s, Peter Paul Markin’s, ill-fated attempts to single-handedly close the space gap they keep talking about ever since the commies put that Sputnik satellite up in orbit last year. Some of you know that I had to put that on hold because I was still kind of broken up about something. Ya, for you that don’t know I got caught up in some, well I might as well just come out with it, woman trouble, alright girl trouble, okay. That’s over now since I discovered Elvis’ real take on the honeys, One Night Of Sin and now have a new girlfriend, well, really an old girlfriend, an old stick girlfriend, Cool Donna O’Toole, that I had, as Markin always kids me about, “discarded” when love Laura came into view. But that isn’t getting us to the Markin space odyssey you’ve been waiting breathlessly to hear about.
And I will get to that in just a second now that I think about it, or the heart of the story, but let me just take a minute to tell you this background story because it also explains part of the time for my delay in telling the story. It seems that Markin had no objection, and shouldn’t, to having his space odyssey story told but he just wanted to tell the story himself. I said no way, no way on this good green earth are you going to tell this one. By the time he got done we would all be weepy, girl weepy, or something about Markin’s tremendous contribution to space science rather than the simple truth- Markin should not be let with fifty miles, no, make that five hundred miles, no, let’s be on the safe side, five thousand miles from anything that could even be remotely used for launching rockets. Ya, it’s that kind of story.
Besides, here is the real reason that Markin shouldn’t tell the story, and I told him so. Markin, no question is a history guy. He is crazy for people like Abigail Adams, and her husband and son, the guys who used to be Presidents, John and John Quincy, back in the Stone Age, and who Adamsville is named after, one of them anyway. He also knows, although I have no clue why, about old times Egypt from going to the Thomas Crane Public Library branch at school and walking, walking can you believe this, over to Boston to the Museum of Fine Arts to check out their mummy stuff, and tombs and how they dressed and all that. Yawn.
Markin is also crazy for reading, not stuff that is required for school reading either, and writing about it, a book guy, no doubt. Get this, he just told me about a book of short stories that he was reading about by a guy, an Irish guy, a chandelier Irish guy, Fitzgerald or something like that, who wrote stories about rich kids, very rich kids, rich guys with names like Basil mooning over rich girls. And rich girls with names like Josephine swooning over guys. Nothing big about that but like I told Markin how is reading that stuff going to do anything for you, for us, trying, trying like crazy to get the hell, excuse my English, of the projects. He’s a cloudy guy see, even if he is my best friend.
But here is something funny, and maybe makes this reading stuff of some use sometimes. Markin read in the Foreword, who the hell, excuse my language again, in this good green earth reads the Foreword, that one of the stories, one of the Basil stories wasn’t published because the publishers didn’t believe back in the early part of this century that ten and eleven year old boys and girls would be into “petting parties.” Jesus, and I make no excuse for saying that, where have those guys been, and what planet. Definitely not down here with us poor project boys and girls. Hey, I might even read that story come to think of it to see if petting parties are the same with rich kids. So history and book reading. Does that sound like a guy who can tell a space story, a nuts and bolts space story. No leave this one to old Billie, he’ll tell it true.
I don’t know about you but I was not all that hopped up about space exploration, space races, or Jules Verne although I will admit that I was a little excited about the idea of those space satellites going up in the sky, those that started with the Soviet Union’s first object in space, Sputnik. But when they started sending robots, monkeys, mice, and small dogs I lost interest. I figured how hard can it be to do the space thing if rodents can make the trip, unmolested. Besides I had my budding career as a rock star of the Elvis sort to worry about so other kinds of stars took a back seat.
No so Markin. The minute he heard, or maybe it was a little later but pretty soon after, that Sputnik had gone up, that it had been the Russkies who were first in space, he was crazy to enlist in the space race. I swear I had to stop talking to him for a few days because all he wanted to talk about, with that certain demented look in his eye that told you that you were in for a lecture like at school, was how it was every red-blooded student’s, make that every red-blooded American student’s duty to get moving in aid of the space front. It was so bad that he would not even heard me talk about the latest rock hit without saying, hey, that’s kid’s stuff I got no time for that. Bad, right.
Now this was not about money, you know going around the neighborhood collecting coins for the space program like we did to restore the U.S.S. Constitution when it was all water-logged or whatever happens to wooden ships when they get too old. And it was not about maybe going to the library to get some books to study up on science and maybe some day become a space engineer and go to Cape Canaveral or someplace like that. No this was about our duty, duty see, to go out in the back yard, go down in the cellar, go out in the garage (if you had a garage, we didn’t in the projects) and start to experiment making rockets that might be able to make it to space. See what I mean. Deep-end stuff, no question.
Now I already told you, but in case you might have forgotten, Markin is nothing but a books and history guy, and maybe a little music. I have never seen him put a hammer to a nail or anything like that, and I am not sure that he has those skills. I do know that when we were making paper mache dinosaurs in class his thing did not look like a dinosaur. Not close. But one day he got me to go with him up to Adamsville Center to the hardware store to get materials for making a rocket. Markin is nothing if not serious in his little projects, at first. At the store we get some balsa wood, nails, aluminum poles, guide wire, a knife built for carving stuff, and about ten CO2 cartridges. The idea is to build a model (or models) and see which ones have the contours to be space-worthy.
Over the next couple of weeks I saw Markin off and on but mainly off because he was spending his after-school time down in the cellar of the apartment where his family lived working on those balsa wood models. Then one day, one Saturday I think, ya, it was Saturday he came over to my house looking for help in setting up his launch pad. The idea was that he would put up two aluminum poles, stretch the guide wire between the two poles and demonstrate what he called the aerodynamic flow of his models by attaching his balsa wood models on the wire with a bent nail. Propulsion was by inserting a CO2 cartridge in a crevice in the rocket and hitting one end of the cartridge by lightly hitting it with a nail. I was to observe at the finish while he covered the start. After about half an hour everything was set to go and Dr. Markin was ready to set the explosion. Except moon man Markin hit the nail into the cartridge at the wrong place and, if it had not been for some quick leg work that I still chuckle over when I think about it (like now) my friend would have lost an eye. Scratch balsa wood models.
Oh, you thought that was the end of it. Christ no. After catching some hell from his mother (and a little from me) he was back on the trail blazing away. This time though he kept it very low. I didn’t even know about it until he asked me to help him get some materials from that same hardware store and the drug store uptown. So here is the brain-storm in a nut shell. He said he saw the error of his ways in the balsa wood fiasco- he had used the wrong fuel and the whole guide wire thing was awry. This time he intended to simulate (ya, I didn’t know what that meant either until he told me it was like practically the same but not the real thing, or something like that) a launching like he had seen on television and in the Bell Laboratories Science films we saw at school. Okay, get this, he built, using his father’s soldering iron, a small rocket out of tin soup cans (Campbell’s, naturally, just kidding) with a tin funnel on top and flattened metal for wings. Hey, it really didn’t look bad. The fuel, I swear I do not know all the ingredients but they all came from either the hardware or drug store so that gives you an idea about something. Apparently he read about it somewhere.
So, again on black Saturday, we are off to the back field to launch the spaceship Billie (named after me, of course) into fame and fortune. We set the rocket on a small launch pad that he made; he put in the fuel from a can, and then closed it off with a fuse device at the end. I, as honoree, was to light the match for take-off. I lit the match alright except a funny thing happened- the rocket quickly, very quickly turned into an inferno, and me along with it, except I too did some fancy leg work. Christ, Markin enough. And the lesson to be learned- you had better be young, quick, and have your insurance paid up if you are going to hang out with maddened rocket scientists. After that experiment I think old Markin lost heart. The other day I saw him reading a book about Abraham Lincoln so I guess the coast is clear now. Oh ya, and at school yesterday he asked me if I had heard Jerry Lee Lewis’ Breathless yet. Welcome back to Earth, Markin.
Wednesday, February 2, 2011
Out In The Be-Bop 1950s Cold War Night- Mickey Spillane’s Mike Hammer Is On The Case- “Kiss Me Deadly”- A Film Review
Click on the headline to link to a Wikipedia entry for Kiss Me Deadly.
DVD Review
Kiss Me Deadly, Ralph Meeker, Cloris Leachman, directed by Robert Aldrich, 1955
Sure I‘m a film noir buff. And sure I like my film detectives that way as well, Sam Spade, Nick and Nora Charles, Phillip Marlowe and so on. Normally Mickey Spillane and his 1950s-style detective, Mike Hammer, would no hit my radar though. Believe me I did, however, spent many a misbegotten hour reading Spillane’s detective stories, maybe as much for cover art work that ran to provocative bosomy, half-clothed femme fatale dames in distress as for the insipid story line that ran heavily to Mike’s anti-communist warrior pose ready to smash heads at the drop of a hat, and grab an off-hand kiss from every dame he ran into along the way. Aside for the question of that scurrilous (now scurrilous, maybe) cover art that is better left for another day my tastes in detectives were more to the “highbrow” Raymond Chandler and Dashiell Hammet and their more knight-errant-worthy story lines, and a little more reserve in the fist department, although for a damsel in distress they were ready to duke it out with anyone, and gladly.
That said, now along comes this classic 1950s film noir Mike Hammer story line and I was hooked, well, maybe not hooked so much as intrigued by it. Moreover, director Richard Aldrich seems to have had a flair for the noir film, from those black and white filmed shots of streets scenes in the seamy Los Angeles be-bop night (and day too, come to think of it), to an incredible be-bop jazz bar scene, complete with “torch” singer where after the lost of a friend Mike gets plastered (drunk), to the endless line-up of high end “golden age of the automobile” cars on display. Of course there is the normal bevy (maybe two bevies, I didn’t count) of alluring, mysterious women just waiting to fall into Mike’s arms when he comes within fifty paces of them, and he is, as usual, ready to put on his white knight uniform when he senses that something in evil in the world, and he most definitely is willing to thumb his nose as the governmental authorities who are always just a step, or seven, behind the flow of the action. But most of that is all in a day’s work for a noir detective. What makes this one stick out is the doom’s day plot.
Of course, the 1950s was not only about the rise of the “beats” and of teen alienation and angst-driven rock and roll but the heart of the international Cold War, a scary time no question, where if things had taken a half-twist a different way. Well, who knows, but it was not going to be pretty. And part of that Cold War, a central part, was the presence of the “bomb”, and for those who are too young to remember that was nothing but the atomic and hydrogen bombs that could, at any non-be-bop minute, blow the planet away.
And it is that threat that underlines old Mickey Spillane’s tale. See, with that kind of threat, but also the power potential , private parties, evil private parties could think of all kinds of nasty ways to wreak havoc on the world. If only they could get just a little of that bomb power. And that lust, that seemingly eternal lust, for power by certain of our fellows is where we are heading. See, someone privy to the atomic secrets (no, not the heroic Rosenburgs, this guy was in it for the dough) had a little pot of the stuff ready for the highest bidder. And the highest bidder, so to speak, also happens to be a guy with plenty of dough to buy a ton of modern art (and a fondness for classic quotes). I knew there was something funny about those modern art collecting guys. Didn’t you?
And all it takes to spoil that nefarious plan is one Mike Hammer. Now, and here is the beauty of the Spillane method, this is not for governmental agents to handle, as one would think in trusting 1950s America, although they are hot on the trail but one threadworn detective. Threadworn? Yes, threadworm. See Mike is nothing but a low-rent, dirt-peddling divorce work detective (in the days when such dirt was necessary to get that desperate divorce), working this racket with his girl Friday (and lure), Velda. But see maybe Mike just fell on hard times and needed some dough (although his car, office set-up, digs… and fetching Velda belie that). But once Mike gets on the case, and only when he knows in his gut that something is wrong and he has that feeling here, then they are no limits. He faces off the mob (naturally, if there is something evil to broker they are in on it), half-mad women (one that he picked up on the hitchhike road, kind of, and her roommate) and that relentless modern art collector before he is through. I could go on but, really, this is one you have to see. And add to your list of film noir be-bop nights.
DVD Review
Kiss Me Deadly, Ralph Meeker, Cloris Leachman, directed by Robert Aldrich, 1955
Sure I‘m a film noir buff. And sure I like my film detectives that way as well, Sam Spade, Nick and Nora Charles, Phillip Marlowe and so on. Normally Mickey Spillane and his 1950s-style detective, Mike Hammer, would no hit my radar though. Believe me I did, however, spent many a misbegotten hour reading Spillane’s detective stories, maybe as much for cover art work that ran to provocative bosomy, half-clothed femme fatale dames in distress as for the insipid story line that ran heavily to Mike’s anti-communist warrior pose ready to smash heads at the drop of a hat, and grab an off-hand kiss from every dame he ran into along the way. Aside for the question of that scurrilous (now scurrilous, maybe) cover art that is better left for another day my tastes in detectives were more to the “highbrow” Raymond Chandler and Dashiell Hammet and their more knight-errant-worthy story lines, and a little more reserve in the fist department, although for a damsel in distress they were ready to duke it out with anyone, and gladly.
That said, now along comes this classic 1950s film noir Mike Hammer story line and I was hooked, well, maybe not hooked so much as intrigued by it. Moreover, director Richard Aldrich seems to have had a flair for the noir film, from those black and white filmed shots of streets scenes in the seamy Los Angeles be-bop night (and day too, come to think of it), to an incredible be-bop jazz bar scene, complete with “torch” singer where after the lost of a friend Mike gets plastered (drunk), to the endless line-up of high end “golden age of the automobile” cars on display. Of course there is the normal bevy (maybe two bevies, I didn’t count) of alluring, mysterious women just waiting to fall into Mike’s arms when he comes within fifty paces of them, and he is, as usual, ready to put on his white knight uniform when he senses that something in evil in the world, and he most definitely is willing to thumb his nose as the governmental authorities who are always just a step, or seven, behind the flow of the action. But most of that is all in a day’s work for a noir detective. What makes this one stick out is the doom’s day plot.
Of course, the 1950s was not only about the rise of the “beats” and of teen alienation and angst-driven rock and roll but the heart of the international Cold War, a scary time no question, where if things had taken a half-twist a different way. Well, who knows, but it was not going to be pretty. And part of that Cold War, a central part, was the presence of the “bomb”, and for those who are too young to remember that was nothing but the atomic and hydrogen bombs that could, at any non-be-bop minute, blow the planet away.
And it is that threat that underlines old Mickey Spillane’s tale. See, with that kind of threat, but also the power potential , private parties, evil private parties could think of all kinds of nasty ways to wreak havoc on the world. If only they could get just a little of that bomb power. And that lust, that seemingly eternal lust, for power by certain of our fellows is where we are heading. See, someone privy to the atomic secrets (no, not the heroic Rosenburgs, this guy was in it for the dough) had a little pot of the stuff ready for the highest bidder. And the highest bidder, so to speak, also happens to be a guy with plenty of dough to buy a ton of modern art (and a fondness for classic quotes). I knew there was something funny about those modern art collecting guys. Didn’t you?
And all it takes to spoil that nefarious plan is one Mike Hammer. Now, and here is the beauty of the Spillane method, this is not for governmental agents to handle, as one would think in trusting 1950s America, although they are hot on the trail but one threadworn detective. Threadworn? Yes, threadworm. See Mike is nothing but a low-rent, dirt-peddling divorce work detective (in the days when such dirt was necessary to get that desperate divorce), working this racket with his girl Friday (and lure), Velda. But see maybe Mike just fell on hard times and needed some dough (although his car, office set-up, digs… and fetching Velda belie that). But once Mike gets on the case, and only when he knows in his gut that something is wrong and he has that feeling here, then they are no limits. He faces off the mob (naturally, if there is something evil to broker they are in on it), half-mad women (one that he picked up on the hitchhike road, kind of, and her roommate) and that relentless modern art collector before he is through. I could go on but, really, this is one you have to see. And add to your list of film noir be-bop nights.
Monday, December 6, 2010
**Out In The Be-Bop 1950s Night- In The Time Before The Rock ‘n’ Roll Jailbreak –They Shoot CD Players Don’t They-A CD Review
Click on the headline to link to a YouTube film clip of Sammy Kaye and his Orchestra performing Harbor Lights
CD Review
The 1950s: 16 Most Requested Songs, Volume II, various artists, CBS Records, 1986
Some people ask; although I am not one of them, if there was music before 1950s classic rock ‘n’ roll. Of course there was and I have taken some pains to establish the roots of rock back to Mississippi country blues, electric blues as they traveled north to the heartland industrial cities, jazz as it got be-bopped and took to swing, certainly rhythm and blues, north and south and rockabilly as it came out of the white small town South. What it owes little to, or at least I hope that it owes little to is that Tin Pan Alley/ Broadway show tune axis part of the American songbook. That seems to me a different trend and one that is reflected in this CD under review, The 1950s: 16 Most Requested Songs, which is really about the 16 most requested song before the rock jailbreak of the mid-1950s. Let’s be clear about that.
I have along the way, in championing classic rock as the key musical form that drove the tastes of my generation, the generation of ’68, contrasted that guitar-driven, drum/bass line driven sound to that of my parents’ generation, the ones who survived the Great Depression of the 1930s and fought World War II, and listened to swing, jitterbuggery things and swooned over big bands, swings bands, Frank Sinatra, the Andrews Sisters and The Mills Brothers, among others. In other words the music that, we of the generation of ’68, heard as background music around the house as we were growing up. Buddha Swings, Don’t Sit Under The Apple Tree, Rum and Coca-Cola, Paper Dolls, Tangerine, and the like. Stuff that today sounds pretty good, if still not quite something that “speaks” to me. That is not the music that is reflected in this compilation and which, I think rightly, I was ready to shoot my CD player over once I heard it as I announced in the headline.
No, this is music that reflects, okay, let’s join the cultural critics’ chorus here, the attempted vanilla-zation (if such a word can exist) of the Cold War Eisenhower (“I Like Ike”) period when people were just trying to figure out whether the Earth would survive from one day to the next. Not a time to be rocking the boat, for sure. Once things stabilized a bit though then the mad geniuses of rock could hold sway, and while parents and authorities crabbed to high heaven about it, let that rock breakout occur and not have everything wind up going to hell in a hand basket. But this music, these 16 most requested songs were what we were stuck with before then. Sure, I listened like everyone else, everyone connected to a radio, but this stuff, little as I knew then, did not “speak” to me. And unlike some of that 1940s stuff still does not “speak” to me.
Oh, you want proof. Here is one example. On this compilation Harbor Lights is done by Sammy Kaye and his Orchestra. This was cause one for wanting to get a pistol out and start aiming. Not for the song but for the presentation. Why? Well, early in his career Elvis, while he was doing his thing for Sam Phillips’ Memphis Sun Records operation, covered this song. There are a myriad of Elvis recordings during the Sun period, including compilations with outtakes and alternative recordings of this song. The worst, the absolute worst of these covers by Elvis has more life, more jump, dare I say it, more sex than the Kaye recording could ever have. And it only gets worst from there with incipient things like Frankie Lane’s I Believe, Johnny Mathis’ It’s Not For Me To Say, and Marty Robbins’ (who did some better stuff later) on A White Sports Coat (And A Pink Carnation). And you wonder why I ask whether they shoot CD players. Enough said.
*******
Harbor Lights Lyrics
(words & music by H. Williams - J. Kennedy)
I saw the harbor lights
They only told me we were parting
Those same old harbor lights
That once brought you to me.
I watched the harbor lights
How could I help it?
Tears were starting.
Good-bye to golden nights
Beside the silvery seas.
I long to hold you dear,
And kiss you just once more.
But you were on the ship,
And I was on the shore.
Now I know lonely nights
For all the while my heart keeps praying
That someday harbor lights
Will bring you back to me.
CD Review
The 1950s: 16 Most Requested Songs, Volume II, various artists, CBS Records, 1986
Some people ask; although I am not one of them, if there was music before 1950s classic rock ‘n’ roll. Of course there was and I have taken some pains to establish the roots of rock back to Mississippi country blues, electric blues as they traveled north to the heartland industrial cities, jazz as it got be-bopped and took to swing, certainly rhythm and blues, north and south and rockabilly as it came out of the white small town South. What it owes little to, or at least I hope that it owes little to is that Tin Pan Alley/ Broadway show tune axis part of the American songbook. That seems to me a different trend and one that is reflected in this CD under review, The 1950s: 16 Most Requested Songs, which is really about the 16 most requested song before the rock jailbreak of the mid-1950s. Let’s be clear about that.
I have along the way, in championing classic rock as the key musical form that drove the tastes of my generation, the generation of ’68, contrasted that guitar-driven, drum/bass line driven sound to that of my parents’ generation, the ones who survived the Great Depression of the 1930s and fought World War II, and listened to swing, jitterbuggery things and swooned over big bands, swings bands, Frank Sinatra, the Andrews Sisters and The Mills Brothers, among others. In other words the music that, we of the generation of ’68, heard as background music around the house as we were growing up. Buddha Swings, Don’t Sit Under The Apple Tree, Rum and Coca-Cola, Paper Dolls, Tangerine, and the like. Stuff that today sounds pretty good, if still not quite something that “speaks” to me. That is not the music that is reflected in this compilation and which, I think rightly, I was ready to shoot my CD player over once I heard it as I announced in the headline.
No, this is music that reflects, okay, let’s join the cultural critics’ chorus here, the attempted vanilla-zation (if such a word can exist) of the Cold War Eisenhower (“I Like Ike”) period when people were just trying to figure out whether the Earth would survive from one day to the next. Not a time to be rocking the boat, for sure. Once things stabilized a bit though then the mad geniuses of rock could hold sway, and while parents and authorities crabbed to high heaven about it, let that rock breakout occur and not have everything wind up going to hell in a hand basket. But this music, these 16 most requested songs were what we were stuck with before then. Sure, I listened like everyone else, everyone connected to a radio, but this stuff, little as I knew then, did not “speak” to me. And unlike some of that 1940s stuff still does not “speak” to me.
Oh, you want proof. Here is one example. On this compilation Harbor Lights is done by Sammy Kaye and his Orchestra. This was cause one for wanting to get a pistol out and start aiming. Not for the song but for the presentation. Why? Well, early in his career Elvis, while he was doing his thing for Sam Phillips’ Memphis Sun Records operation, covered this song. There are a myriad of Elvis recordings during the Sun period, including compilations with outtakes and alternative recordings of this song. The worst, the absolute worst of these covers by Elvis has more life, more jump, dare I say it, more sex than the Kaye recording could ever have. And it only gets worst from there with incipient things like Frankie Lane’s I Believe, Johnny Mathis’ It’s Not For Me To Say, and Marty Robbins’ (who did some better stuff later) on A White Sports Coat (And A Pink Carnation). And you wonder why I ask whether they shoot CD players. Enough said.
*******
Harbor Lights Lyrics
(words & music by H. Williams - J. Kennedy)
I saw the harbor lights
They only told me we were parting
Those same old harbor lights
That once brought you to me.
I watched the harbor lights
How could I help it?
Tears were starting.
Good-bye to golden nights
Beside the silvery seas.
I long to hold you dear,
And kiss you just once more.
But you were on the ship,
And I was on the shore.
Now I know lonely nights
For all the while my heart keeps praying
That someday harbor lights
Will bring you back to me.
Sunday, October 31, 2010
**Once Again-Out In The Be-Bop Night- The Middle School Dance—Teen Angst, And That Ain’t No Lie
Click on the headline to link to a YouTube film clip of the legendary Lavern Baker performing her classic, Jim Dandy.
CD Review
The Rock ‘N’ Roll Era: 1957, Time-Life, 1987
As I have noted in reviewing The ‘60s: Last Dance part of this Time-Life Roll ‘n’ Roll Era series I have spent tons of time and reams of cyberspace “paper” in this space reviewing the teenage culture of the 1950s and early 1960s, especially the inevitable school dance and the also equally inevitable trauma of the last dance. That event, the last dance that is, was the last chance for even shy boys like me to prove that we were not wallflowers, or worst. The last chance to rise (or fall) in the torrid and relentless pecking order of the social scene at school. And moreover to prove to that certain she that you were made of some sort of heroic stuff, the stuff of dreams, of her dreams, thank you very much. Moreover, to make use of that social capital you invested in by learning to dance, or the “shadow” of learning to dance. The following is one such episode in that old time, eternal saga.
As part of the review of the dance sequel that I mentioned above I noted that there were two phases to the old school days dance scene, the high school one when we had all learned, or should have learned, the ropes enough not to be too foolish or too out of line on that social occasion, not if we expected to get a tussle from that certain she or he and the middle school one (formerly known as junior high school but we will use the current usage here on the off chance that someone who only knows the term middle school is reading this). I also noted that one could draw a sharp distinction between the two based on such factors as age, the more convoluted nature of social relationships, physical and sexual growth, changes in musical taste, attitudes toward life and toward the opposite sex (and, nowadays, same sex) all made them two distinct affairs, except the ubiquitous teacher chaperones to guard against all manner of murder and mayhem, or more likely, someone sneaking out for butts, booze or a little off-hand nuzzling (or mercy, all three). I will keep strictly to the middle school dance scene here since the compilation under review includes musical selections that were “hot” in those years.
In a sense the middle school scene is just an earlier version of the high school dance. No, stop, what am I talking about, hell, there is no question that the high school dance was a picnic to detail in comparison. We were light years ahead by then. At the middle school dance we were just wet-behind-the ears (boy and girls alike, although I think the girls were a little ahead of us, or at least we liked the idea that they were). Here though is what I gathered from a fellow middle schooler, Francis J. Murphy, “Frankie”, my best friend in those tormented years, when he heard that the big school dance was coming up in the spring. He merely went into denial, denial that he could care about such a “bourgeois” event (not his word but the idea is there), such a “square” event (his word, although he was probably clueless about what was square and hip in those days) and that he planned to be “out of town” that day. Ya, like he was the President on important business of state.
But here is the funny thing, a few weeks before the big event, as most of his classmates started to get lined up for, and behind the spirit of, this thing he started making noises about being free, maybe, or that he might be able to free up time that day to fit the dance into his schedule. Probably just a snafu of some sort with his appointment secretary previously, I assume. See, here is what he, and every not-nerd, non-dweeb, heck, just breathing young male and female knew, this event would permanently solidify, solidify like stone, the social order of the school, in or out, no questions asked, no prisoners taken. So he too “knew” that signing that world peace treaty that he seemed to be on the verge of signing rather than attend the dance was nothing compared to being in the fight, the furious fight, to gain leverage in the upper echelons of the school pecking order.
All fair enough, all true enough, if only a rather short sketch of the preparations leading up to the preparations, the seemingly endless preparations for the ‘big night.’ A night that included getting into some serious grooming workouts, including procedures not usually included in the daily toilet. Plenty of deodorant, hair oil, and breathe fresheners. Moreover, endless energy used getting worked up about wardrobe, mode of transportation, and other factors that I have addressed elsewhere, and, additionally, factors contingent upon whether you were dated up or stag. All that need not be repeated here.
Damn, whatever physical description I could conger up would be just so much eye wash anyway. The thing could have been held in an airplane hangar and we all could have been wearing paper bags for all we really cared. What mattered, and maybe will always matter, is the hes looking at those certain shes, and vis-a-versa. The endless, small, meaningful looks (if stag, of course, eyes straight forward if dated up, or else bloody hell) except for those wallflowers who are permanently looking down at the ground. And that is the real struggle that went on in those events, for the stags. The struggle against wallflower-dom. The struggle for at least some room in the social standing, even if near the bottom, rather than outcaste-dom. That struggle was as fierce as any class struggle old Karl Marx might have projected. The straight, upfront calculation (and not infrequently miscalculation), the maneuvering, the averting of eyes, the not averting of eyes, the reading of silence signals, the uncomphrehended "no", the gratuitous "yes." Need I go on? I don’t think so, except, if you had the energy, or even if you didn’t, then you dragged yourself to that last dance. And hoped, hoped to high heaven, that it was a slow one.
Ah, memory. So what is the demographic that this CD compilation is being pitched to, aside from the obvious usual suspects, the AARP crowd. Well that’s simple. Any one who has been wounded in love’s young battles; any one who has longed for that he or she to come through the door; anyone that has been on a date that did not work out, been stranded on a date that has not worked out; anyone who has had to submit to being pieced off with car hop drive-in food; anyone who has gotten a “Dear John” letter or its equivalent; anyone who has been jilted by that certain he or she; anyone who has been turned down for that last school dance from that certain he or she that you counted on to make your lame evening; anyone who has waited endlessly for the telephone (now iphone, etc., okay for the younger set who may read this) to ring to hear that certain voice; and, especially those hes and she who has shed those midnight tears for youth's lost love. In short, everybody except those few “most popular “types who the rest of us will not shed one tear over, or the nerds who didn’t count (or care) anyway.
Stick outs here include on this exceptional compilation from this exception year: legendary rocker Jerry Lee Lewis on Whole Lotta Shakin’ Going On and Great Balls Of Fire; The Dell-Vikings' Come Go With Me; a surprise classic with The Tune Weavers on Happy, Happy Birthday Baby (that I played about twenty times today never mind fifty years ago); The Everly Brothers on Wake Up Little Susie (yes, they are definitely in trouble); Chuck Willis’ up tempo C.C.Rider: legendary singer and the much underrated LaVern Baker on her classic Jim Dandy; Dale Hawkins on the sultry Susie-Q: The Bobbettes on the snappy, hip-hoppy Mr Lee: Buddy Knox on Party Doll: and, The Dubs on the slow classic (and the one you prayed for to be that last dance) Could This Be Magic. I would not have wanted to have been the dee-jay working off this list at those dances. You would have been hounded, and rightly so, out the back door with requests.
CD Review
The Rock ‘N’ Roll Era: 1957, Time-Life, 1987
As I have noted in reviewing The ‘60s: Last Dance part of this Time-Life Roll ‘n’ Roll Era series I have spent tons of time and reams of cyberspace “paper” in this space reviewing the teenage culture of the 1950s and early 1960s, especially the inevitable school dance and the also equally inevitable trauma of the last dance. That event, the last dance that is, was the last chance for even shy boys like me to prove that we were not wallflowers, or worst. The last chance to rise (or fall) in the torrid and relentless pecking order of the social scene at school. And moreover to prove to that certain she that you were made of some sort of heroic stuff, the stuff of dreams, of her dreams, thank you very much. Moreover, to make use of that social capital you invested in by learning to dance, or the “shadow” of learning to dance. The following is one such episode in that old time, eternal saga.
As part of the review of the dance sequel that I mentioned above I noted that there were two phases to the old school days dance scene, the high school one when we had all learned, or should have learned, the ropes enough not to be too foolish or too out of line on that social occasion, not if we expected to get a tussle from that certain she or he and the middle school one (formerly known as junior high school but we will use the current usage here on the off chance that someone who only knows the term middle school is reading this). I also noted that one could draw a sharp distinction between the two based on such factors as age, the more convoluted nature of social relationships, physical and sexual growth, changes in musical taste, attitudes toward life and toward the opposite sex (and, nowadays, same sex) all made them two distinct affairs, except the ubiquitous teacher chaperones to guard against all manner of murder and mayhem, or more likely, someone sneaking out for butts, booze or a little off-hand nuzzling (or mercy, all three). I will keep strictly to the middle school dance scene here since the compilation under review includes musical selections that were “hot” in those years.
In a sense the middle school scene is just an earlier version of the high school dance. No, stop, what am I talking about, hell, there is no question that the high school dance was a picnic to detail in comparison. We were light years ahead by then. At the middle school dance we were just wet-behind-the ears (boy and girls alike, although I think the girls were a little ahead of us, or at least we liked the idea that they were). Here though is what I gathered from a fellow middle schooler, Francis J. Murphy, “Frankie”, my best friend in those tormented years, when he heard that the big school dance was coming up in the spring. He merely went into denial, denial that he could care about such a “bourgeois” event (not his word but the idea is there), such a “square” event (his word, although he was probably clueless about what was square and hip in those days) and that he planned to be “out of town” that day. Ya, like he was the President on important business of state.
But here is the funny thing, a few weeks before the big event, as most of his classmates started to get lined up for, and behind the spirit of, this thing he started making noises about being free, maybe, or that he might be able to free up time that day to fit the dance into his schedule. Probably just a snafu of some sort with his appointment secretary previously, I assume. See, here is what he, and every not-nerd, non-dweeb, heck, just breathing young male and female knew, this event would permanently solidify, solidify like stone, the social order of the school, in or out, no questions asked, no prisoners taken. So he too “knew” that signing that world peace treaty that he seemed to be on the verge of signing rather than attend the dance was nothing compared to being in the fight, the furious fight, to gain leverage in the upper echelons of the school pecking order.
All fair enough, all true enough, if only a rather short sketch of the preparations leading up to the preparations, the seemingly endless preparations for the ‘big night.’ A night that included getting into some serious grooming workouts, including procedures not usually included in the daily toilet. Plenty of deodorant, hair oil, and breathe fresheners. Moreover, endless energy used getting worked up about wardrobe, mode of transportation, and other factors that I have addressed elsewhere, and, additionally, factors contingent upon whether you were dated up or stag. All that need not be repeated here.
Damn, whatever physical description I could conger up would be just so much eye wash anyway. The thing could have been held in an airplane hangar and we all could have been wearing paper bags for all we really cared. What mattered, and maybe will always matter, is the hes looking at those certain shes, and vis-a-versa. The endless, small, meaningful looks (if stag, of course, eyes straight forward if dated up, or else bloody hell) except for those wallflowers who are permanently looking down at the ground. And that is the real struggle that went on in those events, for the stags. The struggle against wallflower-dom. The struggle for at least some room in the social standing, even if near the bottom, rather than outcaste-dom. That struggle was as fierce as any class struggle old Karl Marx might have projected. The straight, upfront calculation (and not infrequently miscalculation), the maneuvering, the averting of eyes, the not averting of eyes, the reading of silence signals, the uncomphrehended "no", the gratuitous "yes." Need I go on? I don’t think so, except, if you had the energy, or even if you didn’t, then you dragged yourself to that last dance. And hoped, hoped to high heaven, that it was a slow one.
Ah, memory. So what is the demographic that this CD compilation is being pitched to, aside from the obvious usual suspects, the AARP crowd. Well that’s simple. Any one who has been wounded in love’s young battles; any one who has longed for that he or she to come through the door; anyone that has been on a date that did not work out, been stranded on a date that has not worked out; anyone who has had to submit to being pieced off with car hop drive-in food; anyone who has gotten a “Dear John” letter or its equivalent; anyone who has been jilted by that certain he or she; anyone who has been turned down for that last school dance from that certain he or she that you counted on to make your lame evening; anyone who has waited endlessly for the telephone (now iphone, etc., okay for the younger set who may read this) to ring to hear that certain voice; and, especially those hes and she who has shed those midnight tears for youth's lost love. In short, everybody except those few “most popular “types who the rest of us will not shed one tear over, or the nerds who didn’t count (or care) anyway.
Stick outs here include on this exceptional compilation from this exception year: legendary rocker Jerry Lee Lewis on Whole Lotta Shakin’ Going On and Great Balls Of Fire; The Dell-Vikings' Come Go With Me; a surprise classic with The Tune Weavers on Happy, Happy Birthday Baby (that I played about twenty times today never mind fifty years ago); The Everly Brothers on Wake Up Little Susie (yes, they are definitely in trouble); Chuck Willis’ up tempo C.C.Rider: legendary singer and the much underrated LaVern Baker on her classic Jim Dandy; Dale Hawkins on the sultry Susie-Q: The Bobbettes on the snappy, hip-hoppy Mr Lee: Buddy Knox on Party Doll: and, The Dubs on the slow classic (and the one you prayed for to be that last dance) Could This Be Magic. I would not have wanted to have been the dee-jay working off this list at those dances. You would have been hounded, and rightly so, out the back door with requests.
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