From The Pen Of Joshua Lawrence Breslin-Motorcycle Days, Circa 1958

Click on the headline to link to a YouTube film clip of Jody Reynolds performing his teen angst classic Endless Sleep.

CD Review

The Rock and Roll Era: 1958, various artists, Time-Life Music, 1987

Yes, 1958 was a good time to be a motorcycle boy, a de facto, de jure wild boy according to the chattering, clueless, disapproving parents of the time, especially the parents of impressionable teenage girls (and not just teenage girls either if they had a clue what was going on over at State U with the twenty somethings, including their Janie, when the music and liquor got going and the wild boys showed up to get it on). Of course parents didn’t count, count for much anyway, when trends, moods, and what was cool got discussed in front of night time mom and pop variety stores where corner boys of all descriptions and attitudes held forth. Or at after school, high school of course lesser grade need not bother to show up except maybe in early morning to get some candy bar or other sweet to get them through until growing time lunch, Doc’s Drugstore where all manner of high school boy and girl went for a soda and snack but mainly to hear some latest tune, maybe some hot Jerry Lee wild boy mad man thing, seventeen times in Doc’s amped up super juke box. In those quarters motorcycle wild boys were cool, if maybe just a little dangerous.

And maybe just slightly illegal too as their parents’ cops (as part of that parent-police-teacher-priest-politician-hell-maybe even mom and pop variety store owner authority continuum) frowned, no more than frowned, when some local detachment of the Devils’ Disciples’ roared through the Adamsville Beach. The sight of flashing blue lights on the boulevard meant usually one thing. Some wild boy had his motor too loud, or he wasn’t wearing a helmet, or he switched lanes without signaling, or maybe for just being ugly, cop’s eyes ugly, or some lame thing like that. Those small civic sins only added to the mystique though. Especially on sultry summer nights when the colors passed turning every guy’s eyes, even mine, to listen to that power and to set every girl, impressionable or not, to thinking, thinking Wild Boy Marlon Brando thinking about what was behind that power.

See before Tom Wolfe and Hunter Thompson put everybody straight about the seamy side of motorcycle life, life-style motorcycle life with its felonies and mayhem, Marlon and his wild boys (and maybe throw in James Dean and his “chicken run” cars although they were a little too tame to be as revered as the motorcycle boys were) had cleaned up the wild boy scene, made it okay to an easy rider, made it sexy. Not the weekend warrior flip turns and wheelies and then Monday morning back to the bank stuff but real alienated Johnnies just like you and me. Old Marlon had made alienated wild boys cool. Old sexy white tee-shirt, maybe a pack of Luckies rolled up one sleeve, a cap rakishly turn at a n angle on his head, but mainly an attitude, an attitude of distain, hell, maybe hatred, toward that ever present authority that told every kid, every boy and girl that you had better take what you can when you can because it won’t be there long. And that slight snarl that accompanied every word. Yah, cool, cool daddy cool.

And the girls, wells, they were doing that wondering, wondering about what was behind that power thrust, as those leather jackets and engineer boots roared by. To the detriment of their date while sitting in the front seat of his father’s borrowed plain vanilla box tail fin car that he had to almost declare a civil war to get for the evening and promise to mow some future lawn as compensation. Jesus. Or worst, infinitely worst, having, her date car-less, just been walked over to the beach to sit on that cold seawall. Her eyes flamed red, as she almost flagged down some local easy rider as he passed.

And the music befit the time of end of time times, the times when it seemed every little mishap in some godforsaken corner of this wicked old world turned into a major crisis causing everybody at some invisible authority’s urging to head for the air raid shelters and keep their heads down. And their butts up. Jerry Lee wild man piano stuff, always ready to break out, jail break out ever since he popped the question in high school confidential, Chuck leering at sweet little sixteens and you know what I mean, Eddie Cochran giving us a summer time blues anthem to hang our hopes on, and all kinds of one hit wonders trying to put a dent in our angst, our special teen angst that was ready to boil over, to break out and be free. Free from that invisible hand authority.

No wonder the wild boys had a field day. Those impressionable girls worried they would never get to “do it” but were fearful to “do it” nevertheless in that Pill-less world. And guys hoping that the girls were worrying about not “doing it” before the world exploded egged them on although not with as much concern as necessary about consequences. The wild boys, those easy riders, though said “take no prisoners” and that was attractive, that and that promise of power that had many a girl restless late at night.

So no wonder as well some young thing in the Jody Reynolds’ song Endless Sleep , maybe worried about getting pregnant after she let lover boy go further than she (and he) expected decided to go down to that sunless beach and let old Neptune have his way with her. And he, lover boy, maybe with a wild boy sensibility on the surface but more the weekend warrior when the deal went down, went looking for the dizzy dame, his dizzy dame and left old Neptune in the lurch. And many years later, maybe in some dream remembrance, they would throw the old records on the turntable, amp up the teen angst, the teen alienation, then sit back and listen to maybe the last minute in the 1950s when free-wheeling rock and roll blasted the night away. And the motorcycle boys held forth in the thundering night.