***The
Life And Times Of Michael Philip Marlin, Private Investigator – They Shoot Blackmailers, Partner
As readers know Tyrone Fallon, the
son of the late famous Southern California private operative, Michael Philip
Marlin (Tyrone used his mother’s maiden name for obvious reasons), and private
eye in his own right told my old friend Peter Paul Markin’s friend Joshua
Lawrence Breslin some stories that his illustrious father told him. Here’s one
such story although not about himself but about an operative for the largest
detective agency on the West Coast, John “Stubs” Lane. (Stubs nick-named for a
habit picked while sitting alone endlessly in cold cars driving cold coffee and
picking out cigarette stubs from the ashtray after the deck ran out).
From
The Pen Of Frank Jackman-with kudos to Raymond Chandler
A lot of times guys, hard guys with
fast-trigger fingers, or an itch for the high life fall off the edge, fall into
places where they never should have fallen. Take our slumming streets of Los
Angeles private eye Stubs Lane’s client, let's call him Lance Landry, in this short
story about blackmailers (although I would not bet money, bet six-two and even
money, that pressed, hard-pressed blackmailers would not be above putting a
pair of slugs in anybody who got in their way, if necessary). Lance, a hard
guy, a former hard guy anyway from back East who went West for the sun, easy
pickings, and golden pay- dirt, had an old flame thing, and maybe not so old
flame, for Rita Farr. Yes, Rita Farr the exotic and erotic latest 1940s screen
siren who made all the boys flutter and the girls shutter (that the boys are fluttering
of course, and not doing so over them) was working on another picture to enrich
Paine Productions. Paine Productions which had a great deal at stake in the
reputation of one Rita Farr.
That is where the maybe not so old
flame with Lance came in. See the studio put the big nix sign on Rita and Lance
being together. It seemed then (and maybe now too) that movie stars, high
profile sex goddess movie stars and rough -edged gangsters were a lethal
audience mix. So Lance was out. Except somebody, okay, a blackmailer, had the
photos and letters that showed for all the world to see that Lance was still
carrying the torch, had still seen Rita after the studio nix.
Enter our man Stubs whom Lance had hired
to keep an eye on Rita, keep the riffraff and grifters of the world away from
her. Stubs, not always able to be choosy about whom he worked for, and in any
case was friends, or at least on speaking terms with more than one outlaw as
part of his chosen work, including Lance, took the job, took it seriously too.
The problem was that no sooner had Stubs
been employed than Rita was kidnapped by her driver, kidnapped at the behest of
a party (or parties) unknown. As we all know that falling down on the job would
make a tough gumshoe like Stubs see red, seek to right thing up quickly, in
short, to deliver the ransom and create hell for the kidnappers. And so he did,
taking guff from the studio boss, from Lance, from the party unknown, including
a few fists flying and bullets whistling by along the way.
But some rough justice wins out in
the end. It seems that one of Lance's old partners in crime, as will happen in
any enterprise, did not like being shut out of the golden pay- dirt and was
seeking revenge for that slight. In the end he went down, the actual kidnapper
went down, and even Lance went down in order to save Rita when things got dicey
at exchange time. And Rita? Well Rita after taking a run for the satin sheets
at Stubs in gratitude (so he said) who was not buying, possibly fearing an
affair with Rita might come with a bullet not far behind, went off to marry the
studio boss. Jesus.
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