Saturday, February 9, 2013

***In The Time Of The Be-Bop Baby-Boom Jail Break-Out- My Baby Loves The Western Movies, Okay?” –Take Two



From The Pen Of Joshua Lawrence Breslin:

A while back I was on a tear in reviewing individual CDs in of an extensive rock and roll series, you know those “oldies, but goodies” compilations pitched to, uh, certain demographic, an ARRP-worthy demographic, okay. A lot of those reviews had been driven by the artwork which graced the covers of each item, both to stir ancient memories and rather truly reflect that precise moment in time, the youth time of the now very, very mature (nice sliding over the age issue, right?) baby-boomer generation, the generation of ’68, who lived and died by the music. And who fit in, or did not fit in as the case may have been, to the themes of those artwork scenes. One, a 1963 cover was a case of the former, of fitting in. And that fitting in was triggered by a real life example, as I was passing the still operating Olde Saco Drive-In up in the old hometown, up in Maine to be exact as I was here on a recent visit.

On that CD cover, a summer scene (always a nice touch since that was the time, the no school time, no carping teachers, no curly-eyed cops wondering if we were playing hooky , and no nagging Ma, always Ma, in those days, except for big stuff since Dads’ were working their butts off trying to keep their families’ heads above water, when we had at least the feel of our generational break-out minute ) we are at the drive-in, the drive-in movies for those of theInternet/Netflicks/YouTube generations who have not gotten around to checking out this bit of Americana on Wikipedia, with the obligatory 1950s-early 1960s B-movie monster movie (outer space aliens, creatures from the black lagoon, blobs, DNA-damaged dinosaurs, foreign-bred behemoths a specialty) prominent on the screen.

Oh sure, everyone of a certain age, a certain baby-boomer age, a generation of ’68 age, has plenty of stories to tell of being bundled up as kids, maybe pre-set with a full set pajamas on to defend against the late sleepy-eyed night, the sleepy-drowsy late movie night, placed in the car backseats and taken by adventurous parents (or so it seemed) to the local open air drive-in for the double feature. That usually also happened on a friendly summer night when school did not interfere with staying up late (hopefully through both films). And to top it all off you got to play in the inevitable jungle jim, see-saw, slide, swing set-laden playground during intermission between the film while waiting, waiting against all hope, for that skewered, shriveled hot dog, rusty, dusty hamburger, or stale, over the top buttered popcorn that was the real reason that you “consented” to stay out late with the parents. Yah, we all have variations on that basic theme to tell, although I challenge anyone, seriously challenge anyone, to name five films that you saw at the drive-in that you remembered from then-especially those droopy-eyed second films.

In any case, frankly, I don’t give a damn about that kid stuff family adventure drive-in experience. Come on, that was all, well, just kid’s stuff, fluff. The “real” drive-in, as pictured in the cover art I am speaking of is what I want to address. The time of our time in that awkward teen alienation, teen angst thing that only got abated, a little, by things like a teenage night at the drive-in.

Yah, that was not, or at least I hope it was not, you father’s drive-in experience. That might have been happening in the next planet over, for all I know. For one thing, for starters our planet involved girls (girls, ah, women, just reverse the genders here to tell your side of the experience), looking for girls, or want to be looking for girls, preferably a stray car-full to complement your guy car-full and let god sort it out at intermission. (And see, I can finally, in the year of our lord, 2013, reveal the hidden truth, that car-full of girls had worked on the same premise, they were looking for guys to complement their car-full and let god sort it out at intermission, the common thread intermission.)

Wait a minute. I am getting ahead of myself in this story. First you needed that car, because no walkers or bus riders need apply for the drive-in movies like this was some kind of lame, low-rent, downtown Saturday matinee last picture show adventure. For this writer that was a problem, a personal problem, as I had no car and my family had cars only sporadically. Fortunately we early baby-boomers lived in the golden age of the automobile and could depend on a friend to either have a car (praise be teenage disposable income/allowances) or the use of the family car. Once the car issue was clarified then it was simply a matter of getting a car-full of guys (or sometimes guys and gals) in for the price of two (maybe three) admissions. This was in the days before they just charged a flat fee for the whole carload.

What? Okay, I think that I can safely tell the story now because the statute of limitations on this “crime” must have surely passed. See, what you did back then was put a couple (or three guys) in the trunk of that old car (or in a pinch one guy on the backseat floor the rest in the trunk) as you entered the drive-thru admissions booth. The driver paid for the two (or three tickets) and took off to your parking spot, that secluded area far from kiddie pajama night madnesses (complete with a ramp speaker just in case you wanted to actually listen to the film shown on that big wide white screen). Neat trick, right? (I think the record was either ten or eleven in one car, but I only know this second-hand, from some Monday morning before school boys’ “lav” talk when one of the participants touted the feat, so I don’t know the gender mix, or whether there were midgets recruited to fill in since it seemed improbable that many growing teenagers could squeeze into that standard sedan of the period, or anything like that.)

Now, of course, the purpose of all of this, as mentioned above, was to get that convoy of guys, trunk guys, backseat guys, backseat floor guys, whatever, to mix and moon with that elusive car-full of girls who did the very same thing (except easier because they were smaller) at the intermission stand or maybe just hanging around the unofficially designated teen hang-out area. Like I said no family sedans with those pajama-clad kids need apply (nor, come to think of it, would any sane, responsible parent get within fifty paces of said teens). Occasionally, very occasionally as it turned out, some “boss” car would show up complete with one guy (the driver) and one honey (girl, ah, woman) closely seated beside him for what one and all knew was going to be a very window-fogged night.

And that was, secretly thought or not, the guy drive-in dream. (Although unlike at Seal Rock, the local lovers’ lane, down the far end of Olde Saco beach, that one-on-one scene, and speculation about what went on, was not the subject of any comment, none, Monday morning before school, like some unwritten law precluded such discussion in the sacred drive-night.) The reader should however not get the wrong idea about what actually went on at that secluded, reserved end of the drive-in. Sure, car loads of boys were looking for car loads of girls to mix and match, preferably from some other town, for a change of pace (and because the one-on-one no talk rule didn’t apply in that milieu and hence Monday morning chatter, plenty of it, I wish I had taken notes).

The collective drive-in scene though was more like surveillance than anything risky (or risqué). Let me give you an example, a good example, and then you can judge for yourself what it was all about. One Friday night, a 1963 summer night of course, a car load of farm girls came over from Arundel after they heard about what went on at Olde Saco (we found that out later). Since they didn’t know the social etiquette (the casing the joint ethos we had well-tuned to a science) as soon as they pulled into their spot, saw me and my corner boys, they just starting preening and giving those sly glances that meant only thing once we gave our own sly glances right back -this was the combo mix and match for the evening. Like I said these were farm girls, Maine farm girls, although nice-looking and fun to talk to, they were a little behind the curve as for “making out” (if you don’t know the term figure it out, teen boy, teen girl, back seat of a sedan, okay), so what happened that night was that we (and they too) made some mental notes, like Sandy was cute but didn’t let you touch her bosom, stuff like that, for future reference, for that future reference one on one at the drive-in or, more probably, Seal Rock. That was how it was with this Donna that I eyed that night (although she might have been a farm girl she wound up at Colby and some other place for graduate school I heard later). Since it was hot we kind of slow-danced to some music coming from a car radio, she kind of nestled her body very close to mine. I told a note. A few weeks later when we were at Seal Rock I expanded on that note and we would up at point number sixteen on the first day back at school before school boys’ talkfest. Got it.

As for the movies shown at said drive-in? Did they show movies there? Enough said.
Oh, except that at said drive-in, before the first show started at dusk, between shows and on the way home, girl-matched or not, you were very liable to hear many of the songs from that old CD on the old car radio. Stuff like : Heat Wave (not as good as Dancing In The Streets but good), Martha and the Vandellas; Just One Look (make that look my way, please, even if you are munching on popcorn) Doris Troy; Wild Weekend (just in case you wanted to dance during intermission rather than watch the screen clock ticking off the time until that next film began), The Rockin’ Rebels ; and, Don’t Say Nothin’ Bad About My Baby (yah, you have got that right, sisters), The Cookies. Yah, that was the frosting on the cake in that good night.



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